Yuunagi said:Koshiro said: I...
I'm going to buy some condoms!
Such a romantic guy...
Apparently, this was cut from the anime. As were a few other statements, to be replaced by something a bit more polished, and a bit more symbolic instead of simply awkward.
This difference between anime and manga might play a role in how Saeki is perceived.
In the manga, Saeki is, as has been mentioned before, more or less a hulking bear with an implacable look on his face and a seems to be continuously at a loss for words, often failing completely in packaging what he means in any socially accepted way. The way he phrases things, his posture and actually also the very sketchy general look in the manga, coupled to the relatively strong shadow lines that often play on his face, make him seem bumbling, awkward and somewhat of an elephant making his way through a porcelain factory, moving very carefully, but in doing so constantly wrecking things in his nervous movements.
This sense is, of course, very deliberately created, as it fits with what was likely the theme of Koi Kaze: average Joe falling in love with his underage sister and really, really trying to deny it or move away from it whenever he realises that he might feel something, but that it's wrong to feel that way.
It might have worked, had the plot not suddenly done a 180 and have both him and his sister throw everything they said before in the wind and end up between sweat-drenched blankets. All of a sudden, everything that came before more or less became false: where did the determination go? There was really nothing that gave rise to the ending but some sudden and inexplicable change of resolution.
Perhaps, though, not really placing any weight into what the man feels or decides stems from the fact that much of Saeki's thoughts and actions could already not be taken seriously from the very beginning: here we have a man, a complete stranger, going out with some minor he doesn't know after his very colleague mentions that it might be a good thing to go out with a high schooler randomly walking by, so that he would get over his earlier break-up.
This is so utterly ridiculous that nothing that came after ever could have the slightest real impact, as the world portrayed in the manga seems to be completely detached from any society known to man.
This sense of detachment is only heightened by the big black hole in the plot: everything and anything that goes on only concerns the fact that the man is in love with his sister. Not once has anyone said anything in more than a joking fashion about the fact that not only there's a huge difference in age, but also that one of the two is in all respects a minor, Nanoka mentally and physically even appearing to be far younger than her stated age. The silence is perplexing.
Still, those are issues more strongly pertaining to the story than to the characters, even if one might ask why the characters, too, pay so little attention to it.
However, the main problem with Saeki as a character is the complete lack of anything else appearing to go on in his mind than his desire. Now, I'm not one to rule out the force of obsession in making a good character out of hand, but to have any real meaning, the obsession must be shown to influence all matters of life. In this case, the entire focus of the character remains squarely on his desire, but it does not touch anything besides his particular attraction, and even considering this attraction it never becomes clear what he wants to do with or get out of it.
In the end, Saeki to my view ends up being not so much underdeveloped but underexposed, a vinyl record with the needle stuck at 'Oh my God, she's my sister!' without this thought leading to something else.
I don't know what to think of this character. He could hardly be taken serious, but that's mostly the fault of the manga as a whole. The same applies to his singular focus in every thought he has. Yet for all this, the manga does an admirable job at showing his struggle with himself, so much so that at the end it isn't clear whether he won or lost said struggle. |