I read up until volume 20 in french and I remember reading in the "Takehiko Inoue's special comments" at the end of volume 6 or 7:
Il y a certains mangas qui traitent de sujets d'actualité et qui les détournent pour amener le lecteur à réfléchir ses ces questions qui sont si communes de nos jours. Il y a d'autres mangas qui, pour leur part, ne servent qu'à offrir un bon divertissement au lecteur qui sent le besoin de souffler un peu.
Soyons sérieux : le manga que vous tenez entre les mains appartient clairement à la seconde catégorie.
Roughly translated, it means that while there are some mangas that are meant to make the reader think about a certain topic, some others are just here to provide a good time to the reader who wants to cool down a bit, and Vagabond falls into the second category.
I read up until volume 10 thinking that it was just "a manga to have fun". And this is what it was : it was simply Miyamoto Musashi traveling around Japan in a period where it is common for a youngster to go on a voyage to atone their skills. He visits the various schools around Japan and asks to challenge their most powerful fighter to verify if he really is the most powerful swordsman in Japan and if he isn't, what he is lacking.
Yes, the story wasn't very original, but at least, the fighting scenes were well done, didn't drag and were magnificently drawn.
Then, I read the Baiken Shishido arc.
I was thrilled.
I didn't expect such sudden change in the story's identity. Goddamn it, I'm getting some actual substance !
Sure, I wasn't thrilled with the same intensity as when I read, say, the final of the Golden Age in Berserk (Griffith raping Casca in front of Gatz) or the library scene in Monster, but boy, Baiken Shishido's character was absolutely amazing.
...
..
.
OK, it must just have been a little mislaying, next arc will be the same well-drawn enjoyment from the first volumes.
And I get GODDAMN Sasaki Kojiro arc. In three volumes, I was convinced : I'm reading a masterpice. In six volumes, I was even more convinced : Takihiko Inoue is a genius. And when I read Sasaki Kojiro's final battle against Koun, excuse my rude language, but I think I nearly came. I was as thrilled, or even more thrilled than when I read the Griffith raping Casca in front of Gatz scene. This character was so amazing and his development was so intersting and cool at the same time, I found myself stuck between a Gantz-rank and Blade of the Immortal-rank manga. I didn't know what to think.
Now I'm stuck at volume 20, very shocked. I'm afraid to read the rest because I fear it wouldn't provide me the same excitement as the Sasaki Kojiro's arc provided. But as things are right now, I think Takehiko Inoue's talent has been shown in an undeniable way, and I'm probably angsting for nothing. I think I'll read the next volumes as soon as possible : this manga has proved me that it is way more than the simple enjoyment it suggested me in the first volumes, and I sure hope that Inoue continues in this fashion.
I can't separate this manga's story from its characters, therefore I can't really do a divided review, I apologize.
Overall, I'd give this manga a solid 9. Bring on the next volumes. |