Made a bet when HxH will be back

First Page:
Ending of Serialization
~Looking back, defeat announcement-
*For those who want to know the conclusion fast, just go ahead to the end of the next page.

That I was finally able to complete it, speaking openly my pleasant feelings honestly is the biggest thing.
It's not that I've lost all attachment to the work, but more like the stress had severely exceeded my will.
Anyway, the half-year until the end has been long and terrible.
Truthfully, I had planned to end it in around December of '93. [It actually ended in July of 1994.]
Far from that, I was forcibly implored by the editorial department, but...
To give all of the large and small reasons it would total about 50, but I'll give you the three main reasons.
(1)For convenience of my health (2)My way of thinking regarding the manga (3)Desires outside work.
(3) Is out of the question.
In short, I want to have fun, I want to relax, and I very much want to sleep, that sort of thing.
But the majority of the 50 reasons lie here.
(1)Is a result of not fulfilling (3) up until now.
From when I was first serialized until about the martial arts tournament [I guess he means the Dark Tournament], my weekly time off went to half days of sleep.
Outside of that, I had continuing days where I took naps to relieve stress which cut down on my sleep time, but it made it pretty enjoyable.
But as in an RPG, my HP was definitely decreasing, with how around when I did a 31 Page One-Shot and a Center Color in succession so I didn't sleep all night, I started to have heart pains, and that time shrank.
Around that time I started to think kinda seriously about my working pace.
I thought "Even if it's impossible to live a regular daily life schedule, if I draw so I can sleep precisely when I want to, I wonder what pace I can work at?"
I acted on it.
Manuscripts started being late really quickly.
But I avoided all-nighters the best I could.
At this time I started to change the way I dealt with my manga for work.
"I don't wanna die from overwork from my work. If I do suddenly then the time for having fun and the time for writing manuscripts as I want will be fine. Color manuscripts are scary. One-Shots are scary." [This paragraph is weird as hell... This should be what he's saying.]
In addition to sleep time, I started to lose time for reliving stress.
And I reached the first peak of sending in manuscripts late in the battle between Sensui and Yusuke.

Second Page:
But at that point, I realized I was building a completely different level of stress than I had up until that point.
Keeping in shape and reliving stress up until that point had brought about a new stress. "I can't satisfactorily do manuscripts." The origin of problem (2).
If you're someone with liked drawings that it's said to attract people with your drawing power, than any ambition they have will be pushed to their utmost limits. [This sentence is weird, too.]
I know that because when I was new, Hagiwara Kazushi-san's editor a the time, T-shi showed it to me. [The mangaka who writes BASTARD!]
If I'm honest, his drawings totally outmatch mine, I thought.
But "If I can, I want to draw it all myself."
I couldn't throw away that ideal.
During Yu Yu Hakusho's serialization, there were a ton of times when I did entire manuscripts alone.
That's when the stress reached its peak.
I don't know if I can make this understandable, but the method I used for reducing stress from when I couldn't satisfactorily do manuscripts was "Finishing the manuscripts by myself.".
The result was those weeks' manuscripts were really crappy. The backgrounds and the characters were scribbles. The one-shot Two-Shot, Karasu VS Kurama, Yusuke meeting with Raizen were all mostly drawn alone.
The second two chapters, according to comments from certain postcards, were 19 pages done half a day right before falling. [No idea what this sentence means.]
I might have been eliminated as a pro, but I was still self-satisfied.
Already, at this point, a reason to suppress the "No matter how people feel, or how rough the manuscripts get, I want to draw what I want alone." feeling had been lost.
It's unfortunate, Yu Yu Hakusho's characters got completely stuck to the commercial magazine basis.
Really that was if you wanted to get rid of a character who was finished, all you could do was keep them around doing the same things until the readers got tired of them.
If you tried to get rid of a character like that in Jump, of course it would get rejected.
I didn't have the physical strength to endure doing the same thing over again anymore.
There's where I realized the thing I'd always thought.
"If I'm able to be serialized in Jump for a long time, I'll end the work of my own will."
The system where if the questionnaire results were bad you would be canceled in 10 weeks in Jump was something I was made aware of.
On the contrary, that becomes encouragement, with consciousness of "influence from the readers" you could be able to study various things.
But I ended up not thinking about that at all and wanting to draw the manga solely for my self-satisfaction.
I couldn't think of any work that could match up to those Jump reader's standards, so I gave up the challenge. I'll summarize all of these sentences: