This is my favorite episode of Azumanga Daioh.
If you admit a sort of random rant, I'd like to comment on the typical complaint. It's not true that Azumanga is plotless; hell, it's not even true that its storyline is less engaging in the development or the characters are flat or whatever. This series is something really simple and lacks awesome story arcs, but is also very very solid at its simplicity. And the characters really make the show, instead of some other "hard-worked" plotlines where it's the chain of events what takes all the merits for the emotional power of the show and the characters are by themselves passive and uninteresting.
Episode 12 is all about a little girl who happened to have her childhood cut. While for some people it seems Chiyo only exists to add the insane amount of sugar into Azumanga Daioh, I've always had a soft spot for her as a character. No, not moe feel exactly. I just understand her reactions, her attempts to prove she's not a kid, the hate-love relationship with Tomo, etc. Then again, this is one of the most apparent samples of this show's quality: how it deals with a warped, sort of stylistically exaggerated reality and still manages to properly develop the reactions and remain them true to the essence of their characters. And, perhaps most important, transmit this feeling successfully to the viewer. Sure, Chiyo being a 10-year-old who skips five years in school because she's so smart is extremely difficult to see in reality, and it can be conceived as an easy take on "alternative reality" to make the series look curious, but what I love about it is that it takes this, say, striking detail and turns it into the basis of a very consistent and interesting character development. This is why I also like the Sakaki arc, at least more than many fans of this show, but still, this one is even better.
And why? Because, as well as having an outstanding exercise in storytelling and character development, it also balances it with some of the best comedy the series has given at this point. This may sound like the perfect episode indeed; it's not a mere series of gags but also not humourless. Simply, the jokes flow so well and fit so nicely with the nostalgic and touching view that is given to this episode, that it makes me laugh as well as smile and get teary-eyed at some parts. So the overall experience is a really complete and absorbing one.
Just to make some examples of the level of the jokes in here: every damn scene with Osaka, from "Tokyo worms" to dustpan to her asleep look in class, Yukari's videogame rant and side story, Tomo and Yomi's yakisoba interaction (the facial expressions in this show are amazing), as well as little guilty pleasure "Baka! Baka! Baka! Baaaka! Baaa..!" and its great later take, emo Kimura, Sakaki cluelessly getting lost again just to pet Kamineko or her very happy look when she walks with Tadakichi and Chiyo... One of the great advantages of this specific episode is that, as it's about Chiyo introducing her world to the viewer, works so well at identifying a particular style of humour with each character. Really, this episode would work so well as a first one... although it somehow works better at being right in the middle of the series. Props to the glorious timing of every joke and reaction, too.
The substance of the story is, anyway, Chiyo and her issues. The episode focuses on her in a pretty different way than the previous; in the sense that, rather than showing the daily difficulties of high school for a girl like her, trying to get respect for who she is and getting into the dynamics of the relationships from people who are five year older, it takes another step and leaves all of these problems just to focus on the past and not the present. So, what we see here is Chiyo dealing with her world before this drastic change in her life, how she somehow feels she's lost her childhood or at least an important part of it. It's quite noteworthy in that sense the scene where Chiyo talks with her friends, remembers her old school years with nostalgia and has to convince herself that she wants things to go on.
But, if there is one scene that really makes this episode, it's the jump rope one. At this point, the series had convinced me that behind the amount of stylistic resources to make the show look cute, there was an effort at creating a nice and pleasant feel out of everything, which I really love. This scene is specially fascinating. It takes a group of high schoolers doing something more typical of little girls and it sucks you into its atmosphere so strongly that you can't help but smile at looking at these girls having fun with such a simple and infantile game. It works both as a way of liberation and a celebration of childhood, and every character in the scene is so damn endearing... Also the previous part is very effective. The afternoon setting in the park, the little bell sounding while some kids are playing innocently, and Chiyo looking so vulnerable, and Sakaki realizing that and deciding to make her happy, etc. Heck, this show is a master of positive emotions, there has to be some prize for that.
Ten points out of ten. And twelve if I could. A real masterpiece. |