English: Welcome to Irabu's Office
Synonyms: Kuchu Buranko, Trapeze, Flying Trapeze
Status: Finished Airing
Aired: Oct 15, 2009 to Dec 24, 2009
25 min. per episode
R - 17+ (violence & profanity)
L represents licensing company
Score: 8.181 (scored by 8456 users)
1 indicates a weighted score
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SynopsisMany patients with different problems visit the psychiatric ward of Irabu General Hospital; a trapeze artist suffering from insomnia after suddenly failing his jumps, a gangster afraid of knives and sharp objects and a business man who has an erection 24 hours a day. They undergo counseling by Dr. Ichiro Irabu, who is the child-like son of the hospital director. His assistant is the sullen faced sexy nurse Mayumi. With his mysterious injections, and advice that does not make sense, Dr. Irabu confuses his patients. But at the end of his unique treatments, the patients are lead to digging further into their souls to find peace of mind.
Characters & Voice Actors
"No one is perfect!"
Everybody has problems, everybody has fears, everybody needs help sometimes, but despite being as flawed as we are society seamlessly moves forward and knowingly or not we are each an important gear in advancing our culture and world.
Kuuchuu Buranko is an artistic, psychedelic expression of problems or doubts we have and getting through them or bettering ourselves. Some of us have common fears and anxieties from not being able to deal with our families and trying to run away, to maybe some stranger problems like uncontrollable erections, as well as everything in-between. Those are the types of experiences we handle in this show, I say experiences because they are 'representations' of real life problems and feel very human to the core despite being very surreal and seemingly visceral on the outside. It presents various psychological problems in a visual way, makes the unseen seen as they attempt to rip out the problem at its root.
These problems and the characters suffering from them are dealt with in an episodic, case-by-case nature giving them all the time necessary for a self-contained journey of self-realization or epiphany that is pushed along by our central characters Ichiro Irabu, an eccentric, care-free psychiatrist with an injection fetish and a generally strange method of treatment as well as Mayumi, his sexy, somewhat cold nurse. The main characters I feel however, are the patients of each episode with Irabu and Mayumi there to help guide them to the path of recovery, but not outright curing them, making every episode cathartic and full of character development. Some of the outcomes are very blatant with their problems being completely solved, some of them are more subtle and only put them on the right mindset to recovery, but each and every one of them is educational, inspiring, full of catharsis, and a batshit crazy mind-trip that may seem random but is actually very precise and well-coordinated. That isn't to say that there aren't some weaker episodes, there definitely are but they all have a great sense of purpose and still manage to give you something to think about or reflect on. The finale may not be a grand-stand that makes its episodic nature into something more but it really puts an emphasis on the themes of the show and wraps it all up very nicely. All the events are actually linked together, not in a high impact epiphanic way but in a way that's meaningful to the show's purpose and ideas.
Our characters may not be the most fleshed-out but they're very engaging, sympathizable, and most importantly, human. Some of them are defined by their problems, some of them aren't but there's always a degree of depth to them that makes up for episodes of over-arching screentime with sheer writing quality. Kuuchuu always puts it's heart and soul into its themes and characters, always lively and ambitious but never pretentious or insincere. Sometimes the writing can seem sloppy here-and-there but despite that it proves itself as a masterful work with lots of meaning, artistry, expression, and heart.
I described this show as "surreal" or as a "batshit crazy mind-trip" and that's largely to do with its art direction. It's an interesting culmination of traditional style anime with lots of vibrant colors, real-life people or backgrounds, and rotoscoping. I know when I say rotoscoping a lot of you want to run for the hills, but here it works quite nicely. It's used in more of a comedic way or to properly emit facial expression, mostly comedic though. If I made the show sound like it's entirely serious up to this point, that's definitely not the case. It's really charming and extremely goofy in presentation, while also being dark and strong on its themes, the show knows exactly when to take itself seriously and when to throw in some great satire. There's never a jarring tone-shift and its comedy really works, atleast from my perspective. Back to the art, Kuuchuu features a ton of visual metaphor and is fairly heavy on symbolism, it doesn't use its symbolism as a crutch to make sense but it certainly adds a lot of content to the show. If you're the type to look deep into those types of things then you'll definitely get a lot more out of this show. All-in-all though the show just looks great, has tons of flair and style with lots of meaning to it, it's not just trying to look different for the sake of being different.
The voice acting is stellar to say the least. Everyone gives a really convincing performance and really brings their character to life, most notably Paku Romi and Mitsuya Yuji as Irabu, he has multiple voice actors as he is represented by three different appearances according to the personality traits he's displaying, but there's assuredly other reasons as well, he's shown as: A large man in a bear outfit, a child, and kind of a middle more 'normal' form. His seiyuus really bring out his personality and capture all his little quirks perfectly, I can't imagine him with different seiyuus. Kuuchuu also features an interesting soundtrack full of music that's kind of reminiscent of eurodance or technopop including the OP and ED which are really catchy and emits the feeling of the show pretty well.
Kuuchuu Buranko is truly an artistic gem with a ton of merit. It doesn't shake off being formulaic, a problem most episodic shows have. However, it manages to be incredibly engaging despite that with it's zany narrative and art direction, human characters, solid comedy, great foreshadowing, and fantastic execution of it's themes. If you're a fan of psychological anime, willing go out of your comfort zone in terms of visuals, and don't mind episodic shows then I fully recommend this, you're in for a very powerful and different experience.
Overall: 8/10 read more
Here is an anime that will turn 90% of its viewers away. Why? Because it dares to be distinctly different. For the remaining 10% who watched after the first episode, you probably know already how great this anime is. Now let's hope to switch these figures, so everyone can enjoy.
The story is of Dr. Irabu, a psychiatrist who also happens to be the vice chairman in his fathers hospital. He's an incredibly skilled doctor who welcomes many patients, and his treatment is always vitamin injections. The story revolves around the people with disorders such as OCD (Obsessive Compulsive Disorder), NPD (Narcissistic Personality Disorder), and many others. The story takes place all within ten days, December 16th to December 25th, and all the stories somehow affect one another, whether it be minutely or dramatically. Now up to this point you may think this sounds really dreary and serious, right? Wrong. The stories are very light-hearted for the most part and the comedy is boundless. There's a case where a man has an uncontrollable boner, and the only way to cure it is by forgetting his past. Crude? Yes. Hilarious? Yes. The interwoven ten day tale of the wacky doctor and his just-as-wacky patients will surely amuse you if you give it a chance.
Well. You might hate it. You might love it. But you gotta admit, it's interesting to watch. Kenji Nakamura used the same kind of art in Trapeze as he did in Mononoke. It's really cool stuff if you're a fan of his. The terrificly strange style really does help the mood of this anime, a psychedelic off-key kind of a mood - something weird. And listen here folks, this is anime is as weird as it gets. Trapeze sometimes even incorporates live-action materials like faces and bodies, once again setting it apart from the usual anime. If you liked the art styles of anime like Mononoke, Mind Game, and Gankustuou this may be the artsy-fartsy anime for you.
Character voices for Irabu are great. Whiny and shrill, loud and fast-paced, slow and chiseling - actually three different "voices" altogether (two voice actors). When Irabu changes persona's from his middle-aged man, to his bear-mask, to his child form, his voice changes and personality slightly changes as well. A really nice touch. As for the rest of the cast, nothing out of the ordinary, good voices, but nothing historic. The opening is loose and odd and fits the anime quite well, it has a good beat you might even start to hum. The ending is really great though. It fits the anime perfectly and whenever I hear it, I just feel like dancing. The ending suits the feel you get at the end of an episode of Trapeze, and that's what really counts. You have to make your catchy songs not only be catchy, but also connect to viewers emotions for more of an impact, and that's what Trapeze does.
A new character every episode? How am I supposed to like that? I won't even care for them if they just disappear in twenty minutes! Right? Wrong. A great cast of characters, just about every single one of them memorable. The recurring cast is Irabu, who I've already touched on, Mayumi - Irabu's nonchalant maid-nurse who supplies the patients with injections (and cleavage), and Fukuicchi the live-action doctor who pops up from time to time to inform the viewer about certain things he may not be familiar with (i.e. what OCD is). The interchanging cast is the patients. All appear in more than one episode, but only one episode is mainly focused on them. There's a reporter who's afraid of causing people trouble, there's a failed child actor who still thinks he's "got it", there's a baseball star who's feeling like he's lost his touch, there's even a man afraid of sharp edges. Just check them out for yourself.
Not a single episode I didn't enjoy more than the average anime. If I had to rate each episode, I'd give nine out of eleven of them a solid 10 and two of them a 9. Not too shabby. But this rating is only mine. It's not yours. If you don't like this anime, it's not because it's bad, it's because you simply *didn't like this anime*. It's a psychological show, about emotions and personal distress and what can happen to it when left alone. It's not the kind of a show with a message that reaches the world easily. All I can ask is that you try it out, and if you didn't like it after one episode don't drop it and give it a 1 out of ten (unless you seriously hated it that much, but I'd have to question your judgment skills - only watching one eleventh of something and turning it off).
Wildly different and stunning in every sense. I'd be terribly disappointed if this anime didn't win some kind of award somewhere out there, whether it be for "Strangest Anime of All Time" or what I don't know*. But this is good. Watch it, and watch more than one episode. Why not watch two? I mean, twenty minutes won't kill you if you end up enjoying it.
I guess the point I'm trying to hit home is that a lot of people drop this anime because it isn't their cup of tea, and there's nothing wrong with that. This anime deserves more than that though, it deserves a chance for all the hard work put into it for making it as off-beat as possible and I'm just trying to supply a voice to do that. Now go forth, and witness the birth of the freak known as Trapeze!
*Actually Trapeze has won a few awards since, notably it's award for best show for young adults and "the Prize for Filming Technology by Motion Picture and Television Engineering Society of Japan." read more
Very similar style in which they tell their stories. You see events from different perspectives and how everyone is related by the end of each series. They each may seem solely episodic but by the end you see the big picture and how everything fit together. They're both pretty psychological and delve into its characters minds to confront their delusions and problems.
Crazy art style, weird characters, and both are shows not by Shaft.
All episodes technically fall within the same time frame with newer scenes often approaching older ones from a different perspective.
Both series are more than capable of offering a multitude of bizarre situations complete with their own purpose without ever losing their entertainment or depth value.
Coupled with this, they employ a wonderful, sensational art style that directly contrasts the show.
Few psychological shows, let alone anime, are this entertaining and this good!
Kuuchuu doesn't exactly have an overall narrative like Tatami Galaxy, but it has subtleties that infer that certain events are connected.
Tatami's stories are culminating. As such, it gambles it all on it's final point.
Both series have very unique art-styles, unique stories, and are great.
Trapeze, though has follows the personal struggles of several individuals who share a common psychiatrist.
Wonderfully, these two anime capture your attention from the start. The protagonists of the series dually act as minor and major roles in the "episodic" storyline. The two protagonists from Bartender and Trapeze tend to deal with peoples social troubles and help them solve them through strangely fitting and often intriguing ways. The anime Bartender is more serious, while Trapeze cracks jokes to enhance the psychedelic mood. If you're contemplating on watching these and are led astray by the art or concept, give either a try! If you enjoyed or are enjoying either, check the other one out - you won't be disappointed.
Psychological slice of life with intellectual plot and adult characters. The only main character is the one who listen to the stories of his customers and unites all pieces of this mosaic.
Kuuchuu Buranko and Bartender creates a familiar feeling from the start through its presentation and characters. Although it doesn't follow a linear storyline, both series has the tension involving social problems and issues among a community. The drama that intensifies from these two series is magnificent and feels real.
They follow a slice of life mood with intriguing dialogues and character interactions mixed in with humor. The style of these interactions might feel different but they both achieve complex enjoyment levels for fans.
Both are about helping people with their problems. An although the style is different you still get the same feel.
Opening Theme"Upside Down" by Denki Groove (電気グルーヴ)
Ending ThemeShangri-La (Y.Sunahara 2009 Remodel) by Denki Groove (電気グルーヴ)
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