Synonyms: Red line
Status: Finished Airing
Aired: Aug 14, 2009
Duration: 1 hr. 42 min.
Rating: R+ - Mild NudityL represents licensing company
Score: 8.341 (scored by 35859 users)
1 indicates a weighted score
2 based on the top anime page.
Popular TagsNo tags found
Feb 23, 2011
As a film about racing, the plot is fairly standard fare, but the larger than life presentation coupled with the sheer imagination and creativity that has gone into Redline is second to none. The story - despite cliches - is both exhilarating and incredibly well paced. The action is, as you would imagine; fast, fantastic and full of adrenaline. The drama is at times cheesy, but it fits well with the films over-the-top attitude. The crazy antics in Redline make it clear the film isn't to be taken too seriously; it isn't a production that sets out to challenge our minds, but rather an exhilarating thrill-ride that's sole purpose is to entertain. In that respect, the story delivers and then some.
The tagline for Redline during its release was 'Witness the Future of Animation' and it's safe to say the studio never doubted the creativity of the team behind the film. Madhouse handled the production, with second key animation from Gainax - the films full development totaled seven years, with over one hundred thousand hand-made drawings. The amount of action and detail on screen at any one time is so vast the film begs for repeat viewings. The animation - in a word - is mind-blowing. The film is full of colour, detail and beauty like no other, the art style is vigorous and unique, and the character designs are fresh, exuberant and interesting.
The music - chiefly a variety of electronic compositions - is sublime. It blends seamlessly with Redline's fast-paced visuals, the sound editing is first-rate and the vocal tracks leave warm, fuzzy feelings - especially the ending song. The vocal talent is superb and particularly noteworthy; the film employs actors rather than seiyu in the leading roles. The leading man - JP - is voiced by Takuya Kimura, a member of the pop group SMAP and veteran actor who starred in Yoji Yamada's The Hidden Blade, part of the directors Oscar nominated samurai trilogy. The leading lady - Sonoshee - is portrayed by none other than Yu Aoi; an actress with many award-winning films under her belt, multiple of which were directed by national treasure and acclaimed auteur Shunji Iwai. Lastly, JP's right-hand man Frisbee is handled by Tadanobu Asano, one of few Japanese actors making a name for himself in Hollywood (recently he starred in Marvel's Thor). To quote journalist Helen McCarthy; "casting him was a stroke of genius."
The main characters all very much fit into conventional archetypes, but they're not made to be complex, deep, thoughtful beings. The characters, like the story and presentation, are themselves larger than life, quite literally. JP and Sonoshee alone make up about half the human population in the entire film; all of the other characters belong to their respective alien races, besides two other humans. The characters are written to be entertaining, to build the scale of the film and to perform as the archetypes we know and love, but that's not to say they're by any means flat; the main characters receive a sufficient amount of development, and the supporting cast is comprised of an exceedingly rich, varied, exciting and incredibly fun horde of wonderful characters.
Redline is a film not to be taken too seriously and anyone doing so has certainly missed the point. Needless to say, if you want a realistic racing film then you have come to the wrong place. However, if you want a fast, funny, eye-watering, explosive experience that will suck you into a world which words barely do justice, this is the film you're after. But, more than a film, Redline is an experience. Every element works in melody, bouncing off and complementing one another, ultimately creating a tremendous overall work that is magical to behold, completely unlike any other anime production to date. read more
Oct 6, 2014
The art style is Redline’s strong point. Its a fairly realistic design with enhanced colors. This gives everything a lighter toned feel, even with the colors typically being shaded darker. The art is able to be stretched easily while the colors blur together flawlessly creating a perfect look for the fast style shown often in the movie. The character deigns match their personality extremely well. While theres a nice variety of unique “alien’s” to keep the setting interesting. The overall theme's and setting shown within the fans watching the race is believable an always entertaining. The backgrounds matched with the unique color design allowed them to add an extra flare to the movie, While watching the cars building up power skipping almost uncontrollably until finally bursting forward with insane speed. It was all so wonderfully done.
The soundtrack complimented Redline extremely well. The race scene’s had a upbeat style with a futuristic mix to it. The flashbacks and lighter moments were very nicely accompanied by relaxing scores. The voice acting in both versions was clear and fit the characters personalities. All of the sound effects form the engines revving to the cars racing and fan’s cheering was enjoyable. It was fitting and didn’t seem out of place. The sound overall form voice acting to sound effects and the music chosen, seemed to fit within the story perfectly.
The characters beside JP, Sonoshee, and Frisbee had very little story behind them revealed. I was never not entertained though. All the racers get some kind of interesting introduction. They all have a unique design and personality. Its more just a cast of chaotic misfits trying to survive wild antics. Really knowing them or understanding them isn’t needed because they are entertaining and fun to watch. The crowd and gambling go hards varied and kept the setting fresh. The “villains’” had quirks that made them feel creepy and or evil. While JP stayed cool the entire time.
When it comes down to it Redline is fun. It has a wide range of awesome characters that will make you laugh. Its got music that fits perfectly with the style of story and the setting shown. The art used to portray this story could not have been done better. So if your looking for a Fun, Relaxing, and Cool movie then this is one you don’t want to miss.
"Someone’s having doubts, huh? Hell, I was just trying to keep this thing interesting. You’re just a voice, pal! You don’t know a damn thing about racing!” Sweet JP read more
Feb 23, 2011
Now in when it comes of the plot of Redline it is short, sweet and straight to the point. The film follows our main character JP, a driver who wants to race in a tournament called Redline which is held every five years. However he fails to qualify for it and just when he believes his dream is over, by chance two people drop out of the tournament which gives him a qualifying place.
It has been mentioned by critics and viewers, that Redline lacks a plot or that the story comes across as lackluster and while I can understand that point of the argument I can also argue against it. The film has enough of a plot to work in cohesiveness with the rest of the film and while it's not overly complex or thought-provoking it doesn’t have to be. I would like to think of it this way: Would your rather watch film with an overly drawn out plot and character development which could be potentially tedious and slow down the fast-paced nature of the film? Or would you want to watch a film with a condensed plot that has enough story and personality to make you care about what you are watching? Personally I prefer the latter.
When it comes to the visual presentation of Redline, words fail me. I mean seriously, no words can truly say how beautiful this film really is. Japanese animation studio Madhouse have crafted one of the most visually stunning animated films in existence, you really have to see it in action to comprehend its awesomeness. Firstly there's the character design, from the human-based characters to all of the other alien races and cybernetic beings that reside within Redline's world, the designs are diverse, unique and interesting. Secondly you have the vehicles which are also fabulous, coming in many different shapes and sizes, from simple to completely crazy designs, with individual quirks and weapon arsenals to be admired. And lastly there's the locations of the film that vary from the rocky crayons where races are done to spaceships floating above planets, all of which have an incredible amount of detail that draws your eyes in especially on a large cinema screen.
But I feel that the main aspect that makes Redline so great is the fluidity of the animation. The quality of the animation in this film is actually insane, with several sequences of high-octane action crafted with some beautiful choreography, nicely placed camera angles and great use of speed. Everything moves in such a smooth manner, with no moments of slowdown or inconsistencies whatsoever. The film delivers an experience like no other in the animation department and really conveys on the concept of speed, pushing you to edge of your seat and beyond.
But what is a film without a good soundtrack? Luckily Redline happens to have a brilliant soundtrack crafted by James Shimoji, which compliments the visuals wonderfully. The soundtrack is mainly composed of techno-based music, but it works well with the action on-screen, its explosive, fast-paced and it sounds so good! Also personally I felt that Redline's soundtrack really reminded me of the video-games F-Zero GX and Tatsunoko Vs. Capcom, both of which have great soundtracks with explosive music that sounds great on the highest volume level. I also have to note that the sound editing in this film is tackled perfectly as well.
In terms of the enjoyment of Redline, I say be prepared to fall in love with this film. After watching the trailers for this film you get a rough idea as to what you will be watching, however those trailers cannot prepare you for the whole film. As a lot of people know this genre of film has been done before, after all Redline is a film about guys, girls and cars. But what Redline as film does well is give us a familiar format to work with, but it's covered in such an innovative, stylised and charismatic fashion that you will be left in awe after you see it. Also throughout all of the chaos and mind-blowing visuals, Redline never feels like it's heading into unnatural territory, in fact a lot of aspects about Redline feel realistic and believable.
Overall Redline is an experience that I feel everyone should enjoy. It's a like a rush of energy that's exhilarating, fast-paced and unforgettable. Takeshi Koike, Redline's director should feel very happy about the film that he has crafted and considering his previous work before coming onto this project I'm not surprised that this film turned out to be a success. Again I feel the need to mention Madhouse's insane skills as an animation studio as they have created a film full of action, charisma and style unlike any other film. There are so many individual things about the film that's weird and wonderful and completely unexpected, but overall I say watch this film and experience the epicness that is Redline! read more
Jun 4, 2013
Redline took over 7 years to make, reportedly used 100,000 hand-made drawings, and was released later than its originally intended release date. Needless to say, this was a monumental effort by the animators; something you can feel while watching this movie. Every single shot in the movie is amazingly well detailed, brimming with attitude and audacity. There isn't a moment in the movie that doesn't demand your attention, there is just so much to look at: there are strange looking aliens, outlandishly awesome vehicles, their equally as awesome operators, fantastical spaceships, legions of killer robots, crazy bounty hunters, insane speed-freaks, biologically created weapons of mass destruction, scantily clad and topless women, and thousands upon thousands of explosions. The animators took every crazy idea that popped into their heads and brought them to life in stunning detail, all for the sole purpose of making your eyes explode from the sheer awesomeness of what you are watching.
The artwork itself is something unique. Heavily lined, highly defined, and more reminiscent to western comic-books or adult aimed animation than traditional anime. It is nothing like the bishounen/bishoujo look that dominates modern anime; it doesn't have a hint of that sort of 'attractiveness'. Instead, part of the appeal of Redline's art style is how freakishly outlandish the characters can look; one of the main characters looks like a goblin with a pink streak going across his face from ear to ear, in a suit. He looks relatively normal in comparison to many side characters. Even the human (or human-like) characters have strange or exaggerated features. The animation is smooth, and under first time director Takeshi Koike, infused with frenetic energy. The dynamism of the animation perfectly compliments the unique art style; making for an insane visual thrill ride.
Redline's soundtrack is also very strong. Composed of mostly high energy electronic beats and guitar riffs with equally as enthusiastic vocals, there is nary a quiet moment in Redline's soundtrack, which is entirely fitting for the movie. The music is perfect for the movie's purposes; its crazy, often funny, and pumps up the adrenaline for the bombastic action set-pieces. In addition, many of the characters have their own themes, all of which are delightful in their own way.
Now for the plot, it's a mess. It's a crazy, fun, and thoroughly entertaining mess albeit, but a mess nonetheless. Granted, this is an animated racing movie, so it is not as if a meaningful plot is expected. Indeed, Redline has all the thematic depth of a dixie cup, but that doesn't mean there is not a lot going on. With the romantic sub-plot between protagonists JP and Sonoshee, the conflict with the militaristic Roboworld, a sub-plot involving JP's friend Frisbee being entangled with the mafia, and all the rivalries between the racers; there might actually be a bit too much going on. Of course, all if this is building up to the spectacle of the big race, however, that doesn't make this cluster of plot-lines any less convoluted. The pay-off of these plot-lines alto varies; in the worst cases they're just dropped or forgotten about, in the best cases they're resolved with explosions and violence. While this isn't a bad thing, since it means more great animated action sequences, it does show that while the animation is stellar, the writing is severely lacking.
Something the writing does succeed at is the humor. This is an outrageously funny movie, tossing jokes and silly antics left and right, and mostly hitting the mark. A lot of the humor comes from the ridiculous, exaggerated personalities of the characters. The cast is essentially a collection of caricatures, yet all are colorful and memorable. There is the egotistic cyborg who is the longstanding Redline champion, and claims to be in a league of his own because he is literally one with his ride. Lynchman and JohnnyBoya, a pair of bounty hunters who look and act like superhero parodies. The Super Boins are a hyper sexualized pop duo with a vehicle that transforms into a woman-shaped robot that has their cockpits as its boobs. The segments in the middle of the movie that introduce these characters are hysterical. Then there is all the weird situations and circumstances characters find themselves in. Not everything is comedic gold, but even when the jokes don't completely work, they are entertaining enough in their weirdness. It is all very tongue-in-cheek and in-your-face ridiculous, and that is what makes it so much fun.
Redline is a movie that thrives more on pure entertainment value than a strong plot and cast of characters. It runs on adrenaline and showmanship rather than a well crafted narrative or complex themes. While this does prove to be the movie's biggest shortcoming, it is also the best thing it has going for it. Though the plot falls flat on many aspects, the movie itself never fails to entertain. Admittedly, you might have to turn your brain off and stretch your suspension of disbelief to fully enjoy Redline. However, if exciting pop-corn munching material with a ton of passion is what you are craving, then Redline is just the thing for you. read more
May 30, 2014
Before you watch Redline, there are a few things that you must know, chief of which is that this movie is not being made for the intellectual. The story is simple and understated, but never aspires to be anything compelling on its own.
So why watch it? Despite Redline's lackluster story, it excels is practically every other area to the point of perfection, far over shadowing any of its lacking elements. Chief among these perfections are Redline's visuals. Made with over 10,000 hand drawn key-frames, and an absolutely unique style to boot, Redline is the single most visually stunning thing I've ever seen in all of anime. Of course that's simply my opinion, and while it might not be your favorite looking anime (assuming that you, the reader, have seen it), it is undoubtedly a visual masterpiece.
As I mentioned before, Redline also boasts an absolutely fantastic soundtrack. The different character themes are unique and catchy, and the movie's title tracks, Yellow Line and Redline, offer up wonderful techno beats that perfectly accompany any fast paced ride. Great to listen to in the car, though you may wind up speeding for some unknown reason.
The final thing that Redline does well is its world building. Redline takes the "show don't tell" approach to world building and it really does show just how effective that strategy is when it's done right. It's so chalk full of interesting planets and people and sceneries that you can't really process it all in one viewing. I notice new things about the world every time I rewatch the movie. I actually feel like the many vibrant side characters in Redline help to add to the world. Between the different species, personalities, attitudes, and appearances, these characters do a lot to flesh out the rich universe that Redline inhabits. The world is full, yet Redline never feels the need to explain to you how awesome it is, it simply shows you how awesome it is.
I gave Redline a 10, not because it is a perfect movie, but because it does so many things so well that it doesn't deserve anything less. Redline is just pure fun, shooting into your heart on a gold-nitro blast of awesome. Don't miss out on this fantastic movie. read more
Aug 20, 2011
The first 10 minutes do an excellent job of letting viewers know what’s in store for them. It’s here that the film treats us to an intense and gorgeously animated race sequence and equally beautiful backgrounds and character models. From there on out it’s clear that the films intent is to overwhelm the viewer with adrenaline-filled races brought to life with mouth-watering animation and sound. Storyline and character development are of the lowest priority.
It’s no surprise, then, that Redline sticks closely to the usual 3 act structure. We’re first given a taste of things to come while the personalities and motivations of the major players are established, topped off with introducing the long term goal. The second act is all about the preparation with some rudimentary attempts at character development while act 3 is the main attraction: a 40-minute onslaught of non-stop racing packed with over-the-top, high speed moments and more explosions than 3 Michael Bay films put together.
Sounds good on paper. But Redline goes so overboard with its spectacle that it somehow becomes a bit dull. It’s simply too much.
First off, there are too many characters. The main characters are pretty forgettable and the only contestant who was somewhat cool was the established champion. The film further hurts itself by introducing subplots and characters who aren’t related to the race. A sizable chunk of screentime is reserved for a b-story involving an evil government (basically space-China) that’s out to stop the race and dig up some ancient weapons or something. Ultimately they’re only there to cause tons of explosions and other kinds of destruction. This in a film that’s already filled to the brim with explosions and spectacular set pieces.
This is Redline’s second excess. There is simply too much going on in the third act. A big race alone would have made for a wonderfully thrilling climax but Redline throws in an obligatory mafia subplot as well as the aforementioned evil government. What it all leads to? Stuff getting blown up and more stuff getting blown up.
This wouldn’t have been so bad if there was a reason to care or even some sense of urgency but there isn’t. All the cars race at impossible speeds and run just fine even after taking enough damage to wreck 10 spaceships. The result is that tension is basically nonexistent in this film. Nobody of note dies and damage to the vehicle is shrugged off so easily that one gets the feeling the only thing at stake is the film’s running time.
It’s a real pity seeing as the film is brilliantly animated and incredibly stylish. The film had a production history of 7 long years and you can tell when watching it that all that time was well spent in honing the stunning visuals to perfection. It’s no exaggeration that this is a new benchmark in terms of pure animation. The film’s many characters have detailed, instantly distinguishable models and are fluidly animated, machines roar and rush over surfaces with incredible speed and there’s even the occasional use of deformed animation for stylish effect that’s very effective. The visuals in Redline are a labor of love and the best part is that it overwhelms the senses in a way that seems difficult (perhaps impossible) to replicate in another medium.
In the end, that makes it all the more tragic that these gorgeous visuals aren’t telling a story worth caring about. Worse yet, its main hook (the visuals) simply can’t be used to carry a 100-minute feature film. Some serious editing could have reduced it to have its length and it would’ve made for a better-flowing and much more enjoyable viewing experience.
As it is, Redline is a stunningly animated but overlong film with such incompetent storytelling that it cannot reach its full potential. One can only hope that first-time director Takashi Koike’s next project will be a lot more polished. As it is, the talent is there. It simply needs to be honed and guided properly.
Oct 24, 2013
Story is so-so for a racing movie. Little predictable but you will enjoy it nonetheless. Story is about racer trying to win races and government being baddies. Pretty standard plot, don't expect any deep plot development.
Art is the selling point of why you should watch the movie. It's so well detailed and well fleshed out. Over thousands of frames it has been done for 7 years, it hasn't been done in vain. Animation is also very good in the movie, so no flaws over animation or art.
The soundtrack fits perfectly with the suspense of driving and action scenes. The voice cast for the movie is also good, no complaint over someones voice.
Very slick soundtrack over course of the movie.
Really no surprise here, don't think of any complex characters like you see in movies like Evangelion. Characters are somewhat relatable. Overall they are just bit cliche and small character development you will see while watching the movie. Main character being somewhat thinking he is too cool and gets himself in bad situations.
Note: There is a tiny bit of romance.
I really enjoyed the movie for visuals and simple plot to understand, also the bombastic soundtrack it comes with. Pacing was well done, I never got bored and time flew so fast so I thought it just went 30 minutes but actually a hour and half.
What it tries to be? It tries to be a beautiful movie with bombastic music and simple plot to understand. Does it succeed? Hell yes it does! read more
Oct 22, 2014
The story isn’t much: an illegal road race where only the bravest can compete, opposed by a corrupt leadership, and surrounded by gambling and drugs. The story of a racer and his ambition to win the world’s greatest competition isn’t new, but Redline is this concept at its best – fabulously over the top, and always maintaining its high pace. Given the 100 minutes running time, I unexpectedly found myself appreciating not only the racing, but how well every mini-story is tied together. Redline provides a large cast of both the story-driving characters and the fun ones that bring fun and life into the hectic action. JP is our classic good guy in a bad situation, with a talent for racing but surrounded by a history of race-fixing. He’s the loveable underdog who’s easy to root for, simple and good with the ladies. It’s cheesy and clichéd in the best sense of the words. The focus is not just on JP though, and we have a wonderful supporting cast with their own distinct styles and eccentricities – most notably Sonoshee, JP’s instant love-interest and a talented racer with an endearing backstory of her own. In truth, each member of the Redline race is given the screen-time to be a character in their own right, and the only aspect of the plot and pacing I would criticise in Redline is that given the film’s length, arguably too much time is spent focusing on the side characters. As a result though, each character manages to have a distinct flavouring to them, such that, when your gaze is thrust on the side characters, it’s a cause to celebrate and revel in each character’s individual wackiness. Wacky really is the best way to describe every character.
Whether you like the actual over the top art style is a matter of personal opinion (JP’s hair is undeniably a thing of beauty though). On the animation side however, it cannot be said Redline does not look sublime, and the greatest benefit of the film’s limited running time is that every scene manages looks amazing. The slum-like conditions and environments are drawn with an attention to detail that entirely justifies Redline’s five-year development hell. Nothing could be act as a better debut for the talents of Takeshi Koike, whom I’m hoping to see much more of in the future.
Musically Redline is never invasive, but there are tracks that stick out during the races. The best thing to say about the soundtrack is that it’s incredibly easy to enjoy when you just want to take in the awesome music, and when you want to enjoy the action, the music is there to kick start the adrenaline rush, but never to flood out the neverending chorus of explosions.
Redline is familiar without feeling overly so. Most of all though, it embraces the concept of sensory overload and expresses this style down to the smallest details. It’s ridiculous, but wonderfully enjoyable, and I think the best way to summarise Redline is by enjoying the experience of plunging your head into a washing machine infested with fresh cheese for 1 hour and 42 minutes.
Oct 19, 2014
But yes, the film does indeed have racecars/mechs/boats/whatever with rocket launchers as the first few minutes will prove. But the race the contestants are in isn’t the namesake, but a qualifying event called Yellowline. The story itself follows the exploits of JP, who lives and breathes racing, but unlike the other contestants his ride isn’t armed to the windshield. As Yellowline concludes, an unfortunate event causes him to lose the race, but as preparation for Redline starts, a string of coincidences give him another chance to compete in the race.
From there, most of the film spends its time building character relationships and motivations. I would say world building, but most if it is made on the spot for whatever would be cool to happen in that situation. The titular race is going to take place on Roboworld, a planet whose rulers really don’t want the race taking place there. Somehow, they’re obligated enough to let the racing committee set up shop for the race, but violent enough to attack the racers, whether at a diner or at the race itself. Said racing committee has rules about race rigging to protect its entrants, despite all of the racers being allowed to drive what are effectively war vehicles. Yeah. Really.
Don’t mistake my facetiousness for disdain though. There’s a certain charm in knowing that flirtatious twins who command a racing stripper mech...come from the royalty of a magical kingdom planet. And the incompetence of Roboworld’s rulers makes the thought of how they run the planet humorous. Very little of the setting from its rules on racing to eligibility for racing don’t align. The racing committee has rules in place to protect its entrants, but they don’t seem to mind letting a police officer and the convict he’s chasing compete. The only consistency here is how inconsistent everything is. It’s cool things for the sake of cool things.
But back to the characters, all of them are fairly archetypical. JP is the typical cool cat who lives for glory, Sonoshee the sexy love interest, and Frisbee the manager and friend who makes the tough decisions. There’s nothing else to say about them individually, but together their naturally connected backstories give a surprising amount of weight to their relationships. These backstories don’t say much, but they unfold in a deliberate pace to give an otherwise brash film a surprising amount of heart. It’s just a shame the main trio is held back by the film’s need to try and flesh out other characters.
But that doesn’t mean all of the other characters were poorly realized. Big Robot and Crybaby Robot (seriously, you won’t remember them by name) are naturally introduced as JP and his epic pompadour go around scouting out the competition. The other characters, not so much. They’re introduced in a brief way that makes sense, but at the same time it’s easy to spot that their only purpose will be an excuse to create explosions at the Redline race. If the film didn’t waste time to pretend it cares about its other characters, then that time could be used on the main trio to make them something more than solid.
Of course, watching this film for the deeper meaning of what it means to win or for a character study on JP would be missing the point. The reason to watch Redline is for its final act, where studio Madhouse delivers on the film’s tagline to ‘WITNESS THE FUTURE OF ANIMATION.’ Instead of seeing the visuals take shortcuts to give the illusion of speed, speed is seen as racers take shortcuts within the visuals. Every vibration from their engines shifts each vehicle ever so slightly as even their hair sways with each skid and drift. It’s smaller details on top of fast-swerving objects against gorgeous backdrops.
Part of what makes the backdrops—and characters—gorgeous is the artstyle of saturated contrast. Colors that are normally dull manage to shine, colors that normally shine are brilliant, and shadows don’t give colors varying shades, but are pure black and used to highlight details for stylistic effect. It’s an artstyle of extremes that creates subtlety to be appreciated during the slower moments of the film. And even when the film gains speed, the visuals never lose their radiance and detail.
Unfortunately, the soundtrack is underwhelming—not bad—by comparison. The number of distinct pieces can be counted on one hand. They’re fun while they play during parts of each race, but the limited number of tracks makes the action slightly boring to hear (but it’s always fun to watch). I say slightly boring because character dialog thankfully picks up the musical slack, as the refreshing trash talk between contestants breaks the monotony of engines roaring. The non-action parts of the film especially rely on dialog to keeps things interesting, and for the most part it succeeds.
But it’s that non-action part of the film that I need to bring special attention to. Understandably, a film focused on spectacle still needs compelling enough characters to make the action worth caring about. And they ARE solid characters. At the same time, ‘solid’ might not be enough to hold everyone’s interest for most of the film, especially when it’s the animation—the action-packed animation—that’s the main draw of the film. For a story with characters who make split-second decisions, viewers will ironically need a small measure of patience.
Still, these faults aren’t enough to make Redline a bad or even average film. It’s uneventful moments are still energetic, the setting pulls off a casual disregard of consistency for coolness, and the character interaction believably builds backstory. Overall, no part of the film is ‘bad’ because even its weakest parts are still ‘good.’ With just enough human drama to accelerate the spectacle of racecars with rocket launchers, Redline will leave you at the edge of your driver’s seat. read more
Feb 19, 2013
It's reminiscent of something Gainax would produce, but with a little extra kick of spice added.
The story of a racer who just can't turn down any race, along with everyone else in this film.
This film makes me think of a film version of an uncensored F-Zero.
For the art department. This movie should win an award. This is seriously the reason to watch this film. The execution, character design, machines, action, SPEED! Everything is done with excellent detail, and you really feel like you're apart of these races. Just beautiful.
Takeshi Koike should direct more anime features.
As for characters, most are very obvious. Mainly all characters are adrenaline junkies who want more speed and want to WIN!
Many plot points are quite obvious and cliche, and you will know all of them as soon as you watch the film. Does this take away from the experience? Not. At. ALL!
JP is an old fashioned racer, with the help of his mechanic, an old friend Frisbee, he can win. If it were not for Frisbee fixing the races because of his deals with the mafia.
Sonoshee is one sexy babe, and she's the :Spoiler: love interest for JP in this picture (It's no spoiler). Her dream is to win the Redline.
There are many other quirky supporting characters that enter races, qualify for the Redline, and get in JP's way.
But, it's all in the execution.
The sound department in this production. The SFX should get an award as well, especially with the well executed explosions and vehicle sounds.
All the seiyuu are excellent.
The music is very good as well, it reminds me even more of F-Zero.
If you are interested in any way in speed, animation, execution, and style, you're at the right place.
This is quite a beautiful film!
This film deserves my 10, because it does what it is trying to do perfectly.
Beautiful art, fast paced story with some well executed down time, and a perfect experience!
Another great Madhouse production has hit streets.
As I said before, Takeshi Koike should direct more anime features! read more
Apr 23, 2014
…everyone who searches for the ultimate experience in the form of action. Redline is loud, it’s fast, it’s totally over the top, and most importantly it’s exciting as hell to watch.
NOT RECOMMENDED FOR…
…people who can’t get into over the top actions flicks and the ones who get put off by comic-like aesthetics.
Redline is a perfect example for an anime that’s almost completely style over substance. The goal of the movie isn’t exactly to pass on an interesting or deep narrative but rather to be a work that shines through its presentation. The story is more an accessory to the presentation that makes the movie happen and thus is rather thin. This little focus on story is still fine though as long as it doesn’t affect the other aspects of the show negatively. When it comes to those kinds of films it’s a lot more important that the story doesn’t get in the way of the enjoyment by taking away momentum, which is something Redline manages to do fairly well. The middle part is admittedly a bit dragged out but it’s still bearable and serves its job in building up excitement for the last act which is basically an action-festival and undoubtedly the highlight of the movie. So despite the story being rather thin and unimpressive, it still does its job well enough to not hamper the enjoyment of the presentation and to serve as a general motivator to enhance the connection between Redline’s world and characters, and the audience.
It’s impossible to describe Redline’s art as anything less than spectacular. The movie’s visual style reminds a lot of works like Gurren Lagann, especially in the way it uses shading to depict speed and roughness and in its general design of the world and characters. Where Redline far succeeds its stylistic concurrence though is in the way it paces its scenes. The action-scenes may be fast and over the top just like in most anime with this style, but never to the point that it becomes an unwatchable mess that’s impossible to follow. Creating spectacular action sequences which are still comprehensible for the audience is something many anime have problems with yet Redline manages to do it flawlessly. Another thing that deserves a lot of praise is the design of the world and its characters. Redline’s designs are crass and comical which makes the locations and characters memorable even so there isn’t too much focus on them, but they aren’t just totally random in their appearance. It makes the world very organic and immersive even so it still has this playful and spontaneous feel to it. All of those aspects of Redline’s art are already fantastic enough to make it into a stunning visual experience, but what really sets Redline apart from every other action-based anime is all the work that was put in it to make every single frame different and perfectly adjusted to the overall presentation. The sense of dynamic and power in Redline is unlike everything else that animation has to offer, and this has a lot to do with the careful construction of all the images that take place in a scene. It’s quite obvious that an immense amount of work went into not only all the single images but into the way those images interact with one another, which is something more action-based series need to increase their focus on. A high quality of the art is important, but especially fast-paced shows need to capture the speed and power of a scene to really leave an impression. And Redline understood and utilized this perfectly.
Redline’s greatest asset is obviously the jaw-dropping presentation, and although the animation is definitely the main reason here, the importance of the music shouldn’t be underestimated either. What’s exceptional about the soundtrack is how well it’s utilized to enhance the already high dynamic and emotional impact of an action scene. The other tracks are also very solid but the high point of the films soundtrack is definitely the techno inspired music that plays during the races. Director Takeshi Koike believes that music makes 50% of the emotional impact of an image, and Redline pretty much proves that he’s right. The background music during the action scenes is dynamic and impulsive but also rhythmic and linearly progressive. It plays in perfect harmony with the rest of the presentation and shows how important a good guidance of the music can really be, especially for more action-driven experiences.
Redline’s cast of characters is mainly meant to be colorful and crass in appearance and personality, but the movie additionally manages to maintain a certain human aspect to the main character’s motivations and social intercourse between each other. The main characters of Redline aren’t deep or exceptionally well-explored by any means, but they also aren’t just comical caricatures either. It’s the goal and interaction that makes them appealing and it’s also part of the reason why the climax of the movie is so satisfying and fulfilling. The other characters, mainly the other racers, are also very colorful and varied in their appearance, and even so we don’t see too much of them over the course of the movie, they still have enough distinguish features to leave an impression on the viewer. Redline’s characters are as colorful and crass as they should be, with the main cast being compelling and relatable enough to make the audience care.
Redline’s enjoyment comes mainly from the adrenaline rush during the action-scenes. The stunning visuals, the rhythmic soundtrack and the sheer perfect pacing during those scenes make Redline into one of the most satisfying and fulfilling anime to watch. Most shows and movies are either too short on the action, which makes them unfulfilling or they’re too long and dragged out so the action becomes repetitive after a while due to a lack of progression in excitement. The races in Redline on the other hand will make you feel exhausted but also fulfilled at the same time. The tension really rises in a progressive manner to the point it’s not bearable anymore, and then the movie releases it all at once, creating an immense adrenalin rush in the process that leaves every viewer with a dropped jaw, big eyes, a stupid grin, and hands that are thrown over the head. If there is one thing that drags the enjoyment of Redline down a bit then it’s the slightly drawn out middle part of the movie, but that’s only a minor thing compared to the absolute excitement, satisfaction and fulfillment that awaits you in the last 40 minutes of the film.
If you ever wanted to know how F-Zero converted into an anime feels like, here’s your chance. But even if not, Redline is simply a must watch nonetheless. The jaw-dropping visuals, the fantastic musical direction, the crass yet organic design of the world and characters, and of course the pretty much unmatched feel of excitement, satisfaction and fulfillment of the action-scenes make Redline into a fantastic example of what an action-based anime can really do when it’s at its best. One of the finest examples of what animation is capable of. read more
Aug 29, 2013
The story is more of a mixed bag. It’s absurd, all over the place, and devoid of substance, but it’s also fun, well-paced, and it gets the job done. You can’t honestly expect much out of a film whose main plot is about an illegal race on a planet ruled by killer cyborgs, and as long as you go into it with the right mindset, you’ll probably enjoy it. The highlights are definitely the action-packed races, which will have you glued to the screen, but the various subplots are pretty interesting too and give the story some complexity. The characters are on the whole great, but the cast is large and only a few get any meaningful attention − JP, Sonoshee, and Frisbee. While a couple of the racers stand out (the Superboins and Machine Head with his hilarious tiny dog), the rest are completely forgettable despite the attention they’re given. Redline‘s true weakness is not that its story or characters lack much substance, but that it tries to do too much at once and so doesn’t do much in the end. With so many pieces flying around, the only thing you can do is embrace the madness, and if you’re hoping for a strong plot you’ll be sorely disappointed.
Whatever criticisms it may deserve, Redline is still a must-see film. As of now, it’s the pinnacle of animation. Add in the kick ass soundtrack and an exhilarating racing plot, and it’s easy to see why it’s such a big deal. Just sit back and enjoy the ride. read more
Sep 27, 2014
If every car racing series was this good, I would be a fan. The story was interesting, I liked all the characters, even the minor characters were just funny imo. The soundtrack was awesome they choose the perfect soundtrack for this series. Also this series has romance in it, which is a bonus point for me. ;)
I watch this series in dub, and the actors did a brilliant job imo. I enjoy every voice actor voice in this series, the voices fit each character perfectly. This series is definitely a favorite for me.
Overall this series was a masterpiece, if you're reading this and you haven't watch it yet, go watch this shit right now! You wont regret it. Thnx for reading, I think I'll be re watching it right about now. XD
Feb 12, 2014
Redline follows the story of Sweet JP, a reckless race car driver in the distant future. The Redline race is the galaxy's biggest, most notorious, most violent race in all the galaxy...and JP has gotta win it. Redline was totally, unabashedly entertaining. There has been absolutely nothing I've seen that has been as over the top as Redline. It was just plain ridiculous, over the top fun. The animation only aids the insanity on screen. Animated by MADHOUSE (The Wolf Children, Summer Wars), Redline is colorful, vibrant, and truly exciting. There is certain level of kinetic energy rarely seen in animation, and Redline totally defines a new level of racing action throughout this chaotic adventure.
Speaking of which, the action is just amazing in Redline. Furiously entertaining and loud, Redline is extremely fun. The racing sequences are hilariously fun, and the rest of the film takes place as a build up to the finale, which is fittingly silly and recklessly mad in the best way possible. The cheeky writing and surprising English dubs make the energy all the more exciting. The characters are thin, but fun and quite memorable, especially Sweet JP. The story is amusing and keeps things mysterious until the end, but it's not necessarily ground-breaking. What is surprising is the world that Redline creates. It's a fun cyberpunk (with heavy emphasis on the punk) universe that has a good sense of location and originality. Its biggest flaw is it's hurried conclusion. There isn't any resolution after the epic finale, and it left me wanting more.
Redline is awesome. No question. It won't appeal to everyone, and that's ok. It's a loud, insane, and ridiculous action film that rarely lets up. Anime film goers will love it, but American film goers be warned: this is in no way a good entry point for action Japanese animation. But for those who know what they are getting themselves into, you will no doubt be entertained. Redline is freakishly enjoyable from beginning to end. There's nothing else quite like the insanity on screen, and its fresh twists on racing film tropes is reason enough to give Redline a watch.
Apr 10, 2014
Redline is an absolute gift for those of you who want pure entertainment. For this is enjoyment in it's purest form. From the stylishly characteristic artstyle, unique/ memorable characters and voice acting, to it's selective OST, this feature film is doing what anime does best; entertain. The film follows racing in a distant future, but the significance of the plot matters not, as you came here for the action and glory!
Redline does not try to deceive, you get what you came for, and nothing less.
Aren't you satisfied yet? read more
Nov 21, 2010
You have never seen an anime like this before.
Redline is an experience.
The story is about some punk-ass racing driver JP. He’s gotten himself into some match-fixing scandals but, due to some unforeseeable coincidences, he wound up qualifying for Redline, the worlds biggest racing event. The only rule is your vehicle must use wheels. Plus, to make things interesting, they decided to hold the race on Roboplanet, home to a warring civilisation who vow to kill any racers who dare enter their planet. Why hold the race there? So the TV ratings for the galaxy airing of Redline shoot through the roof and so the animators have plenty of opportunities to animate pretty explosions.
Not that any of this really matters. The plot is a tedious frivolity that’s just there to justify the crazy sequences they put these characters through. You couldn’t even hear the exposition and explanatory dialogue over the explosions, revving engines and thumping soundtrack, to the point that subtitles would often appear on the screen when I couldn’t hear anyone actually saying anything. The real sign of this is the final scene, which I won’t spoil, but acts as a sign by the creators that you weren’t meant to be taking this seriously in any way, shape or form. It’s such a brilliantly corny way to end the movie that you can’t help but applaud the audacity of it all.
Redline is all about the visual experience. As little importance as they might have had, it’s really a shame I had to pay some degree of attention to the subtitles because I probably missed so many little details. Each scene is full of little eyecatches to compliment the overall picture. From the Redline champion Ironhead, a 3 metre tall fella with a head of, surprise surprise, iron, stroking his teeny tiny dog during an interview, or the hero in JP’s dream snogging two girls at once, the movie is full of these little amusing details that act as winks to the audience. I’d almost say it didn’t have enough of these, which is kinda like saying Death Note needed more Latin chanting, but I could have done with a few less explosions and a few more cars flying through the air with their windscreen wipers on. There’s only so many ways you can make an explosion look interesting. I’m pretty sure Redline used up every single method, and made up a few of it’s own, but the eccentricities with animating other incidents is what made me love this movie.
Redline is aiming to have as much fun as possible. That’s how the brain behind the series works and drives what the movie does next. Compare this to Panty and Stocking for a second. P&S uses the audacity of it’s animation techniques to provoke shocked responses of “OMG did they just do that!?!”. Redline uses it’s animation for the power of fun. You can tell how much the creators enjoyed working on this. If anything, it looks like they might have had too much fun and were forced to cut out parts of the movie to make it more manageable. There certainly appeared to be a chunk of the final race missing as it leaped from midway point to the finish line. All things considered, they probably made the right choice if they cut out some scenes from there. The movie was just the right length, anymore might have killed the fun just that little bit, but it did leave the final race feeling a little bit disjointed.
Ultimately, because of the disregard for narrative, the movie doesn’t hold much weight. Hence I don’t think it will make quite the splash some of the early reviews predicted it would make. But Redline is such an incredibly fun film that I find it hard to see how people won’t get sucked in by it’s atmosphere and intentions, grinning like a maniac right the way through the film. Are you not entertained? Is this not why you are here?
::Edit:: I've seen this movie 3 times now and decided to hike the score up from an 8 to a 9. If anything, it gets more fun with each rewatch read more
Jan 18, 2013
Within the first 5 minutes of the movie I was wowed by how impressive the animation, art, and backgrounds were. Right off the bat I was reminded of works like Afro Samurai or Tekkonkinkreet, both "animation porn", if you will. Redline isn't trying to be a deep or intelligent movie, no, it's supposed to amaze you visually and it does that perfectly.
Redline has lush backgrounds, fantastic race animations, and an awesome art style akin to anime from the 80's or 90's. It's soundtrack isn't anything fantastic but it does just what it needs to do in being fast paced and exciting.
The only true flaw the movie has is it's lack of strong character development. Though it doesn't affect how much I enjoyed the movie, the characters were weak and almost cliche, with JP being the generic gangster and Crab being the typical pretty girl with a passion for something. Personally this didn't affect me but I could definitely see how someone could be bothered by it.
In the end it all comes down to personal preference, Redline isn't a thought provoking movie, but it's definitely a landmark movie in Japanese animation in regards to it's style and aesthetic. If your a big fan of anime or just animation in general Redline is a must see. read more
Aug 11, 2014
And, review in Spanish at the end..
Well, now if, let's start:
The history is the "loose" of this film, it's pretty simple and looks that is not very well done in this aspect, but works, and within its simplicity, manages to be something pretty decent. The truth is that neither the concept of a futuristic interspace race with ships, cars of the future, etc. is very original(cofcoff-zerocofcof), so the film loses much in this aspect. 6/10
The characters are walking cliches, but they are charismatic, interesting and arrive to sympathize with them. At the same time, these designs are very strange and peculiar, especially the "non-humans". 7/10
The Animation is to make it an altar to the Madhouse, is perfect and combined with that much of the film is energetic and veery crazy, aid to be film/anime series with the best animation I have ever seen. 10/10.
The music is one of the strongs points of the film, full of energetic electronic beats that stick very well with the energy and crazy that is the film. 10/10.
The voice acting is very good, each of the seiyuus brilliantly playing his characters, accompanied by many many cries that much in addition to energy, crazy and fun is this movie. 10/10
Finally, one of the best psychedelic trips that I have experienced, although with faults, 9/10. read more
Feb 10, 2013
The production took seven whole years just to guarantee the necessary quality and style that such a project would require. And DAMN I must say the results are rewarding you in the fullest. I mean DAMN it looks super epic gorgeous just to look at. It has this style that makes it feel like a stylish graphic novel and soundtracks full of beat. It is not a first; they did a similar style in Dead Leaves and Trava: Fist Planet but the budget alone makes this ten times cooler. Studio Madhouse once again proves that it’s the king of anime series with this beauty, and if GAINAX hadn’t made Gurren Lagann while the film was still in the making, it would have caused an unparallel tsunami of excitement worldwide in its stead. But it’s ok; I consider Red Line to be the Gurren Lagann of movies.
So, just like your typical blood-boiling racing movie, the goal everybody has in the story is to win in a race. That is all, do not look any deeper for more, these guys just live to race. Although there are some attempts to flavor it further by inserting some secondary events, such as miners trying to sabotage a military facility, which is hiding a weapon of mass destruction, which goes out of control, which causes laser satellites to fire upon the planet, which causes Katsuhiro Otomo to think about suing them for shamelessly stealing all his ideas from Akira, down to it the story is by far the least of your concerns and by far the weakest aspect of the film. You are not watching this for its substance but for its over-the-top style; end of story. Everything follows the rule of cool and thus you get these insane stunts and explosions which if the story was trying even a little bit to show realistically, would have resulted to the horrible deaths of all the competitors in just a few minutes after the race begins. I mean, seriously, don’t try to make any sense of it because you will be facepalming every 30 seconds and you will miss all the awesomeness of the action.
Just like the story, the characters are also nothing complicating. We basically have 8 cars with one or two drivers in each, and every one of them is there for fame and glory. They are all quite the crazy folks risking their lives for a silly race but then again the whole point of the movie is to bring out their idealism to heights of mount Everest, so they fit the whole thing. Plus, none of them are fakin wimps like most of modern shows are full of today. THIS IS GAR MAN! I LOVE GAR! They are walking down the street with their uber machoness and revealing sexuality, making everybody to just drop their jaws and look for their ejected eyeballs by the awesomeness. DIS IS DA SH1T YIHA!
The story focuses mostly on two drivers, JP and Sonoshee, as well as the childhood fiend Frizbee and his shady dealings with the mafia regarding fixed races. The first two are like star-crossed lovers and to be honest I didn’t like how they even tried to include such sloppy excuses for romance in this mess. I guess it’s necessary to show some sort of romance amongst all the madness for the first place. It’s still weak though. As for his friend, well, he is supposed to make things more grey but the way everything in this movie happen are so insane that it doesn’t mean much in the longrun. As for all the rest, they are there only for flavoring the whole thing and despite each one being presented as entirely different, they are eventually quite unimportant despite the epic stuff that blow up around them.
Anyways, both characters and story are eventually nothing but dressing for the action, which as I said so many times it’s superb. I am usually not fond of such shallow works but it also doesn’t drag more than it should, so I don’t think I would like it if it was a series. In this case it is awesome for the purpose they make it to be; something between Oban Star Racers, Mad Max, and Death Race 2000 all in one package and hyped to over 9000 in adrenaline. If this does not get to you, nothing will.
So that’s pretty much it, a movie you watch for the adrenaline and the oozing style. It’s not going to make you think about anything but it’s a great piece of action of a level much higher that most others out there. Take it as it is or GTFO!
And now for some excused scorings.
ART SECTION: 10/10
General Artwork 2/2 (well-made)
Character Figures 2/2 (sexy/cool)
Backgrounds 2/2 (very detailed)
Animation 2/2 (smooth)
Visual Effects 2/2 (cool)
SOUND SECTION: 10/10
Voice Acting 3/3 (dumb but fitting with the feeling of the series)
Music Themes 4/4 (awesome)
Sound Effects 3/3 (cool)
STORY SECTION: 4/10
Premise 1/2 (typical)
Pacing 1/2 (so-so)
Complexity 1/2 (not much)
Plausibility 0/2 (none)
Conclusion 1/2 (cheesy)
CHARACTER SECTION: 6/10
Presence 2/2 (cool/sexy)
Personality 1/2 (generic)
Backdrop 1/2 (generic and simplistic but it’s there)
Development 1/2 (not much)
Catharsis 1/2 (not much)
VALUE SECTION: 7/10
Historical Value 1/3 (none, unless you consider it the best VRRRRUUUM movie)
Rewatchability 2/3 (partially for the driving scenes)
Memorability 4/4 (you betcha!)
ENJOYMENT SECTION: 8/10
THROW IN THE PLATINUM NITRO CAPSULE AND RUN AT THE SPEED OF LIGHT!
VERDICT: 7.5/10 read more
May 11, 2012
Firstly i love the animation which is a combination of what you'll see in dead leaves,invader zim and a barbie commercial.the sound is great and the characters are all interesting with none of them being anything close to normal.The weirdness of the characters is surpassed only by the competing cars themselves.If you think speed racers mach 5 is cool,wait till you check out these rides.The diologue is also great,a lot of funny insults and humour.A truely great peace of work and must see. read more