Ibara no Ou (King of Thorn)

"Medusa," a deadly virus becomes a worldwide epidemic. In order to escape from this deadly virus, a handful of people are chosen to be put into a cold sleep, laying in a capsule hoping for the future cure. Kasumi, a teenage girl is one of the 160 chosen for this procedure, and is guided to a Cold Sleep Capsule Center (CSCC) inside an ancient castle. Understanding that it is hardly possible, Kasumi goes to sleep still anticipating for a reunion with her twin sister Shizuku, who also is infected with the virus. As Kasumi and the others awake, they notice that the CSCC is not as they remembered. Just like the story of "Sleeping Beauty," the castle is covered with thorn, and the awaken are attacked by unknown creatures and monsters! How long were they asleep? Where did the monsters come from? What has happened to the world?

Abandoned in the midst of an enigma, the escapade of the seven survivors begins...

(Source: kingofthorn.net)

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Episode Videos

Episode 1

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Adaptation:

Ibara no Ou

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Characters & Voice Actors

Owen, Marco

Main

Morikawa, Toshiyuki
Japanese

Ishiki, Kasumi

Main

Hanazawa, Kana
Japanese

Laisenbach, Timothy

Supporting

Yajima, Akiko
Japanese

Roznovski, Alice

Supporting

Kuno, Misaki
Japanese

Ishiki, Shizuku

Supporting

Sendai, Eri
Japanese

Turner, Katherine

Supporting

Ohara, Sayaka
Japanese

Hewitt, Walter

Supporting

Fujita, Yoshinori
Japanese

Ambler, Judith

Supporting

Vega, Ivan Coral

Supporting

Isobe, Tsutomu
Japanese

Owen, Laura

Supporting

Kawasumi, Ayako
Japanese

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Staff

Cook, Justin

Producer

Uchida, Kenji

Producer

Katayama, Kazuyoshi

Director, Script, Storyboard, Screenplay

Tsuruoka, Youta

Sound Director

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Ending Theme

"Edge of this World" by MISIA

Reviews

Oct 28, 2009

hiruma55

Recommended

When watching the trailer for this anime film I had big expectations about what I was going to see. Here you have a sci-fi/thriller with killer virus threatening society, survivors trying to stay alive and mysterious monsters inhabiting the area of the last set of people. It sounds good doesn't it? Science fiction happens to be one of my favourite genres of films and on paper his anime adaptation has the potential to be great, however this is one of those films that have a good idea but the way it is executed leaves a lot to be desired.

The first part of the film feels ... good, the characters are unique and feel likeable and the way everything unfolds again feel just right. But as the film progresses and the true nature of the story comes out one feels starts to think differently about the film and by the end you'll feel like you were robbed. My main issue with the film was the story and the art. As I stated the film starts out fine but becomes tedious because of the speed of the film and focus on unnecessary people and there will be moments where you don't know where the film is going because of the pacing. In terms of the art the characters look good and the painted background look nicely detailed and suits the locations; however there is one fatal mistake that becomes blatantly obvious in certain parts of the film and that lies in the animation. At certain points the film tends to jump into the area of 3D animation with character models that look like they are cel-shaded and the movement looks terrible. The times when it switches are easily noticeable and just look bad.

The music isn't too memorable nor is it a soundtrack worthy of brilliance, it's decent enough as it adjusts to each situation and works on a whole. The characters in the films start of okay but then feel like they just be killed off because their credibility falls over time. The little boy provides humour in some places and while Kasumi feel like a likeable lass because of her shyness and care for her sister Shizuku, but through her memories and the way she acts I found her just to be a worrywart and lost interest after quite some time. In terms of how you'll enjoy the film is entirely down to your preferences really, fans of complex sci-fi films and maybe disappointed with end result purely because the film doesn't fully give you the experience that you felt that would. The feeling of loneliness, claustrophobia, isolation and danger is done well for the most part eventually it just feels tedious then exciting and thought provoking.

Overall the film is something that can be watched but just doesn't feel like it gives out what it planned to. It had all the right ideas and feels good for the first part but progresses questionably and leaves you feeling robbed at the end like you were expecting more.

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Aug 14, 2022

Touka

Mixed Feelings

Every now and then a manga well deserving of praise is adapted into a fairly mediocre anime; unfortunately King of Thorn is one of those adaptations.

The source material is six volumes long; a fine length to adapt into a film, and for the most part the pacing is handled with care. King of Thorn sees a colourful cast of cryogenically frozen characters awaken to a future ravaged by monsters. The introduction is well executed; it grabs your attention and gets you wondering. As the film progresses, it becomes rather typical of the survival horror genre, but the film exhibits a certain freshness as it isn't ... a genre often tackled in anime. Despite certain predictable elements, it's an enjoyable venture away from the norm. The film can't keep up the momentum, however, and the plot drops in quality nearing it's final act; it becomes more tedious than exciting as the story treads mind-boggling territory. Ultimately, the plot evens out as fairly average despite a promising opening.

The animation and art is reasonably well done, but certain aspects let it down. The backgrounds and characters are drawn in a traditional anime style, but the monsters are computer generated and don't blend particularly well with the surroundings. The detail is certainly there, the monsters themselves look the part, but attempting to blend two different art styles is often going to yield fruitless results. It's something you get used to as the film progresses, but ultimately it's something that could have been handled better. The more traditionally animated elements are wonderful, however. The visuals are crisp and clear, the Scottish scenery looks beautiful and the action is well drawn and choreographed.

The sound and music is probably one of the stand-out aspects of King of Thorn. The music is used appropriately and is generally impressive, as are the sounds of the monsters; sound editing is an especially crucial aspect in a survival horror, and is utilised well in King of Thorn. The music - or lack thereof at times - builds great tension and helps create an eerie, isolated atmosphere. The more upbeat tracks used during the action segments add a sufficient amount of drama and excitement.

The characters - given the runtime - are fairly well developed, minus a few who are there to up the kill count; such is the nature of a survival horror. The leading lady, Kasumi, does at times come across as a little irritating and certain character motivations and actions are a little puzzling. The characters are an adequate aspect of the film, but they fail to defy convention and never leave their moulds. At times they feel unfortunately underutilised.

Up until the final act, King of Thorn is an enjoyable watch, with a couple of picky elements here and there. The survival horror aspect is a welcomed change from most anime productions, but the ending is very hit-or-miss. There is merit in there - certain redeeming factors - but overall King of Thorn comes across as an enjoyable, albeit satisfactory film.

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Mar 30, 2013

MyLadyLorna

Not Recommended

This is an absolute abomination of the author's original work. Wow . . . I mean, just, wow. Don't get me wrong, my rating has nothing to do with the animation, or even the plot, since it is a good plot, but it's just NOT "King of Thorn." They should have either done A) justice to the original manga or B) made a totally different movie with different characters. Don't ravage such a fantastic story as "King of Thorn," just don't DO it!

It felt like, mmmm, like I started in the author's world, and then halfway through mad scriptwriters took over and threw in every ...

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Ishiki, Kasumi

Laisenbach, Timothy

Roznovski, Alice

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Turner, Katherine

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