Synonyms: Sword Story
Status: Finished Airing
Aired: Jan 26, 2010 to Dec 11, 2010
50 min. per episode
R - 17+ (violence & profanity)
L represents licensing company
Score: 8.521 (scored by 62169 users)
1 indicates a weighted score. Please note that 'Not yet aired' titles are excluded.
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded. |
SynopsisLong ago the masterful swordsmith Shikizaki Kiki crafted 1000 blades, though his twelve final works, the legendary deviant blades were prime among the rest. All with unique defined traits, these swords are among the greatest in Japan.
Leap forward many decades and arrive at an isolated island, where Yasuri Shichika and his older sister Nanami reside.
Togame: A woman with long, white hair and the talent as a strategian begins a quest with Shichika in order to collect the twelve blades. They must face the blade wielders in intense battles while they learn more about themselves and their real goals and wishes.
Shichika has yet to realize what he really inherits as a Kyoutoryuu sword...
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Characters & Voice Actors
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Opening Theme#01: "Meiya Kadenrou (冥夜花伝廊)" by Minami Kuribayashi (eps 1-7)
#02: "Katana to Saya (刀と鞘)" by ALI PROJECT (eps 8-12)
#R1: "Hakushi Kassai Uta Awase (拍手喝采歌合)" by supercell (noitaminA rebroadcast)
Ending Theme#01: "Tasogare no Gekka (誰そ彼の月華)" by Yousei Teikoku
#02: "Refulgence" by Shoujobyo
#03: "Senbonsenyo no Hamariuta" (千本千女の刃毬唄) by Hata Aki
#04: "Kyomu no Hana" (虚無の華) by kukui
#05: "Ai to Makoto" (愛と誠) by Tamura Yukari
#06: "Yuki no Onna" (雪ノ女) by ALI PROJECT
#07: "Mayoigo Sagashi" (迷い子さがし) by Nakahara Mai
#08: "Karakuri Nemuri Dan" (からくり眠り談) by Nomiko
#09: "Akashi (証)" by Annabel
#10: "Ina, to Hime wa Subete wo Katarazu (否、と姫は全てを語らず)" by Tomatsu Haruka
#11: "Bourei-tachi yo Yabou no Hate ni Nemure (亡霊達よ野望の果てに眠れ)" by Faylanmore
#12: "Toki Sude ni Hajimari wo Kizamu (時すでに始まりを刻む)" by Kuribayashi Minami
#R1: "Koto no Ha (言ノ葉)" by Piko (noitaminA rebroadcast)
Since 2006, light novel adaptations have gradually become a regular feature in anime as producers in the industry scrabble around in their attempts to find the biggest cash cow since the advent of Suzumiya Haruhi. The surprising thing is that the fallout from this has actually been a lot better for fans than one might expect, and while titles like Guin Saga, Kemono no Souja Erin, Ghost Hunt, Baccano!, Kure-nai, Rental Magica, Spice & Wolf, and NHK ni Youkoso! may not be as commercially successful as KyoAni's behemoth, they do represent a gradual shift in the industry towards creativity and originality.
Which is where Katanagatari comes in to the picture.
Written by Nisio Isin (although he usually writes it as NisiOisiN since his name is a palindrome), the twelve volumes of the original light novel series were published as part of the Kodansha Box line. Strangely, all of the books were released at a rate of one per month from January to December 2007, with a spin off novel published in February 2008. Now while this is clearly a phenomenal feat, one does have to wonder if a few corners were cut for the sake of expediency and to meet deadlines, and also if the adaptation can stand up to scrutiny.
Katanagatari is basically what the title suggests - a story about swords. It begins with fire and death as a rebellion against the Owari shogunate meets a bloody end. Twenty years later, a small boat makes its way across the sea to a deserted island where the passenger, Togame, hopes to enlist the aid of Yasuri Mutsue, the 6th generation head of the Kyoutouryuu sword style and the hero of the rebellion.
Instead she finds Yasuri Shichika, who is more bumpkin than the term allows for, and is also as hard as nails.
One of the things that really stands out about the series (aside from the visuals, but we'll get to that in a bit), is the dialogue. The show is very well scripted with some very good conversations and witty repartee, and the explanations are usually clear and concise enough for the viewer to follow. There are also numerous verbal nods in the direction of modern popular culture, which makes a nice change of pace as one might normally expect lots of serious conversations about honour, loyalty, duty, revenge, or other concepts that are usually found in these types of story.
The problem though, is that the dialogue can also be off putting for viewers who want a little less conversation, a little more action (sing along if you know the words), especially as the fights are over in a very short space of time. In addition to this the story can sometimes err on the side of predictable, especially with the number of plot coupons that drive the whole show (in this case the "cursed" swords), and the series can sometimes become nothing more than a repetition of talk, talk, talk, fight, talk, end. The biggest criticism about Katanagatari though, is that it's nothing more than a very nice looking "fetch quest", and while the dialogue really does pull the whole show together, the storyline can sometimes feel derived or contrived.
What really makes the series stand out are the rather stylized visuals. The design principle attempts to merge several themes ranging from traditional Japanese art to modern fighting games, and while there are some flaws here and there, the overall effect is ... something else. The scenery is surprising to say the least, and almost every frame is literally filled with little details that will often go unnoticed by the viewer, from the grain and different tones found in wood, to the multiple hues and fractures of stone.
In contrast to this the characters are simplistic yet colourfully flamboyant. The costumes vary from the utilitarian to the nonsensical (especially those of the Maniwa ninja corps), while the characters themselves have exaggeratedly simple, almost cartoon-like, facial features. Oddly enough, whilst one might expect this sort of design to lack in terms of expression, the opposite is true for Katanagatari.
White Fox, who produced Tears to Tiara and are currently working on Stein's Gate, have done a tremendous job with the design and animation of this series. The characters have a certain grace about their movements that belies their simplistic appearance and sometimes clunky costumes, while actual combat scenes are extremely well choreographed and animated, so much so that the individual moves of Shichika Hachiretsu (Seven hits, Eight Pieces), are clearly defined.
That said, the art style may not be everybody's cup of tea, but if you can handle it then there's a pretty good story here.
One of the defining aspects of a good narrative is the strength of the scriptwriting, and because of the extremely strong dialogue in this anime, it's often easy to overlook how good the actors actually are. Hosoya Yoshimasa's role as the über country bumpkin Yasuri Shichika may have caused him some consternation as the character is effectively emotionless for a good portion of the series. That said, his deadpan delivery works very well, and can often make the viewer stop and try to work out if what he says is meant to be a joke. On the other hand, Tamura Yukari's not-quite-tsundere Togame is sometimes a joy to watch, with the character's many mood swings and emotional changes handled with aplomb. But then again, what else would one expect from an actress who's also played Takamichi Nanoha, Kawasumi Mai (Kanon), Furude Rika (Higurashi), and a horde of other lead and supporting roles.
To be honest, given that Hosoya only has a handful of shows under his belt it's amazing he managed to keep his head working alongside such an experienced seiyuu.
Katanagatari features quite a lot of music in the form of two opening themes, twelve ending themes, and a plethora of background tracks. The OPs and EDs are handled well, but given the number of songs on offer, deciding what works and what doesn't is very much a matter of personal taste. The incidental music is another matter, as while there are scenes where the music dominates proceedings, the majority of the series features either very subtle tunes that are almost unnoticeable, or no music whatsoever.
The nice thing about this approach is that the dialogue doesn't have to fight to lead a particular scene, and while the more subtle background music is pleasant enough, this is ultimately a "wordy" anime.
The biggest weakness of shows like Katanagatari is that they have too many characters for their own good. While Shichika and Togame are played confidently, have some well though out dialogue, and generally bounce off each other like peas on a drum, the same cannot be said of the supporting characters, in particular the Maniwa Corps who seem to be nothing more than a collective of whipping boys whose only role in life is to prove just how strong Shichika and his sister are.
That doesn't mean the characters are bad though. Both Shichika and Togame's emotional development is handled in a very competent manner, and as their relationship slowly becomes more defined, so too do their actions change towards each other and the world around them. Unfortunately, while a lot of attention is lavished on the two leads, there is very little left over for the supporting cast, which is a shame as there are some great performances in this anime.
Now while the series has a lot to recommend it there are some valid criticisms that can be levelled at it, the main one being that Katanagatari is far too "wordy". See, the problem is that since the dialogue is very good, someone has decided that the series should have more of it than it actually needs, and the upshot of this is that there are occasions when the characters just go on and on. Now it should be pointed out that a part of this is because the series parodies certain stereotypical behaviours found in shounen anime and manga (and James Bond stories I might add), which is nice, but ultimately unnecessary.
Katanagatari is a strange anime that's part "fetch quest", part wuxia tale, and strangely enough, part Seinfeld (i.e lots of people being dryly humourous, deadpan or witty), which isn't a normal combination by any measure. That said, I thoroughly enjoyed this anime for its originality and innovation, as it would have been all too easy for White Fox to follow the tried and tested route for samurai anime, so the fact that they decided to stick with Isin's concept of how the characters should look is laudable.
Now if only the other studios would start broadening their horizons ... read more
'Katanagatari' ('Tale of Swords') is about Togame, a self-claimed "General Director of Military and Offering Affairs serving under Yanari Shogun Family of Owari Shogunate", and Yasuri Shichika, the last inheritor of swordless swordsmanship "Kyotouryuu", and their adventure to collect 12 legendary swords.
Original work written by the same author as 'Bakemonogatari', this is a dialogue-based series that I cannot recommend to Shounen and other viewers who seek mindless battle scenes, you can ignore my warnings... "but by that time, you'd be slashed into pieces."
The story of 'Katanagatari' is driven by the characters who stand in the way of the sword gathering. New characters and weapon of the month are introduced in every episode. Through negotiation and battles with Togame and Shichika, we learn about their opponents' backgrounds and purpose to fight. It can be said that the story progresses by disposing expendable side characters. The story may be about the main couple gathering the 12 swords, but the show is really all about why people fight.
The humor in this series heavily relies on 「すべり芸」, the comedy through deliberately failed attempts to be funny, which in turn creates a humorous atmosphere for its sheer lameness. The frantic pace of conversation was the key to making this comedy style work, as well as the persistence (such as catchphrases, Togame missing the battle, sexual implication etc) in every episode.
The episodic nature of the series makes character development difficult, but it was made possible by dedicating each episode to a theme or lesson for Shichika, and sometimes Togame.
2: What to protect
8: Human Will
Shichika started out as an emotionless weapon that blindly follows Togame's orders, acting as her sword. By facing the variety of opponents in their journey and influence of Togame herself, Shichika gradually grow up as a human being, learning ways of the society and new emotions with each encounter. Character development was excellent. By end of the show, Shichika was no longer a brutal killing machine; he had his own purposes and opinions. Character design was fantastic in this series. Everyone was easily distinguishable. Even those who died quickly had very distinct personalities and features that left lasting impressions.
Character naming was pretty interesting in kanji, such as Shichika --> "Seven Flowers", Togame --> wordplay of 「十が目」(Eye is a Cross) and "Blame", Hitei-hime --> "Princess Denial". Every name basically describes the person.
My only complaint with the characters is that every adversary in this show had a sympathetic or honorable reason to fight. They were too lovable. I believe there should be at least one character for everyone to hate in this type of action/adventure series. There should've been an enemy who was simply a serial killer who loved taking life, or a corrupt leader oppressing the innocent civilians. I also felt sorry for Maniwani, for being defeated (often easily) in every single battle against Shichika or Sword-holders.
The final episode summarizes and concludes the series well, lots of cool action, and the funniest scene occurred in stage 10 of dojo-yaburi, with Hakari the Scale. I also liked how in the end, it showed that possession of powerful weapon is pointless unless the wielder has the skill and knowledge to make full use of it.
I still consider 'Bakemonogatari' voice acting to be the best ever, but 'Katanagatari' is a close second. Togame (Tamura Yukari)'s voice takes a while to get used to, but it grew on me in time. Shichika (Hosoya Yoshimasa)'s voice sounds like reading the script at first, but not really; quite humorous and emotional when needed to be. Other than that, everyone else's voice was an instant hit (this is important because some of the characters were dead within minutes of appearance), which is quite a feat because there are over 30 major characters in this series. This is another series that made me think "Seiyuu sure are amazing".
BGM, on the other hand, makes a strong case for a new benchmark. It should be noted that at least one new piece of BGM is played in every episode, but all pieces flows so well that it doesn't sound like deliberate theme music for each villain. Most pieces are fully orchestrated in Western or Japanese traditional instruments, charged with the grandeur of the adventure. Others are jovial Japanese rap that serves its purpose by being so bad that it's funny. However, it's not the quality of individual number that makes the background music of 'Katanagatari' remarkable, rather its application. Every number is used in exactly the right places. The most distinguishable characteristic of the implementation is that the music start well before each significant scene to build up the tension, harmonizing with the story to enhance the drama as they climax with absolute precision.
OP1 was very catchy with good balance of anime beats and traditional Japanese atmosphere, but OP2 was average. EDs are different for every episode. Ep4, 8, 12 were particularly strong songs, but all were shared by outstanding vocals.
Character in this series had extremely crude designs, with background detail of varying degree. However, the artwork has a very unique style that creates a Japanese fairytale, picturebook-like atmosphere that suits this series well. One can tell the animation director and staff went lengths to visually compliment the story with wonderful "camera work", composition, and fabulous fight scenes.
I want to believe that the character designs are simplified so that they (especially the protagonist) begin as blank canvases, and their impressions and details painted in viewer's minds as the show progress through words.
The art quality in this series is technically inferior compared to most shows airing this year, but in my opinion had one of the best presentation and style. Probably hit or miss depending on tastes.
Although there are limits to episodic storytelling, the show had great character development and interesting story. The story was full of surprises and unpredictable turn of events despite it being a simple tale of sword gathering. Quite innovative and bold in style with both artwork and plot development. There were many great episodes in this series, I hereby declare episode 2, 4, 10, 12 「神回」 (godly epic episodes). Episode 7 was one too, though it probably had been possessed by a demon than god in many ways.
Perhaps it's a result of loose deadline due to monthly episode, but you can tell the staff paid close attention to perfect everything, from animation to sound to story structure.
It was one hell of an adventure around Japan. In spite of all the flaws mentioned above, 'Katanagatari' is a series that I enjoyed tremendously. This series was filled with so many interesting quirks, and I will definitely remember it for a long time.
Cheerio! Let's all hype up this word with the wrong meaning. read more
"I have just come to a realization! This scroll by Broken Sword contains no secrets of his swordsmanship. What this reveals is his highest ideal. In the first state, man and sword become one..." - King of Qin, Hero
I originally stumbled upon this anime thinking it was a continuation of the Monogatari series. It's not. But it's a great show nonetheless. What wowed me about this show was its pacing. Katanagatari is easily one of the most well-paced animes I've ever seen, and the pacing reminds me a lot of BBC's Sherlock series. Each of the 45-minute episodes are like a mini-movie, leaving very little in terms of cliff-hangers, yet keeps you wanting more, if and when you have time. For me, it made for a good series to relax and watch with my girlfriend on the weekends of my hectic whirlwind lifestyle.
So why did I choose to start with a quote from an obscure 2002 Jet Li movie? Well, the one thing that probably caused Katanagatari's score to drop a few points for a lot of people was its ending, which undoubtedly left 90~% of viewers confused and angry. So, I decided to take a metaphorical stab at an explanation (for which I will enlist the help of this obscure 2002 Jet Li movie) that will hopefully shed some light on the true meaning behind Katanagatari, and help you reach a more fulfilling understanding of what the heck you just watched. However, as my explanation contains light spoilers, I will leave it at the end of my review for you to read after you've already finished the series.
Now, for the review:
- Story (8/10) -
The story of Katanagatari is both very straightforward and somehow wildy unpredictable. It follows a rinse and repeat cycle where our heroes, Togame (a delicate strategist) and Shichika (an emotionless jungle boy), face off against an enemy with a powerful and unique weapon, find some way to defeat them, and subsequently take their weapon. It may sound dull and repetitive, but the show does a great job of keeping things fresh with cute/clever interactions between Togame and Shichika, who are superstar characters in their own rights, but I'll get to that in a bit. The only thing the story is lacking is depth behind each character's motivations. Togame is collecting swords for the Shogunate, which is the enemy of her loving deceased father, while Shichika is there because... I have no clue. He claims it's because he fell in love at first sight with Togame, but his attraction is rather platonic. I think the real reason was because he was bored. That's not to say their relationship seems fake. Katanagatari doesn't pull love out of thin air like some animes do (*cough* Angel Beats!). While the relationship between Togame and Shichika starts off a little suspicious, and the show doesn't try to hide the fact that Shichika comes off as this asexual weirdo, it develops into something that seems very real by the time we get to the closing credits. Throughout their travels, Shichika undergoes a very subtle transformation from emo-jungle-boy to fun-loving prankster that's shown in the way he interacts and teases Togame. It's all done in a Flowers for Algernon kind of way, meaning the narrator doesn't have to tell us that Shichika and Togame are changing, it's just obvious. It's really refreshing to see an anime that shows us things rather than tells us what to think, wouldn't you agree? (NOD YOUR HEAD) But still, the initial motivations behind each character's actions leaves a lot viewers scratching their heads. This, of course, is compounded by the problems people have with the ending. It's not just Shichika and Togame either. All of the characters have a tendency to act in unpredictable and senseless ways, from Hou-oh, a beloved clan leader randomly decapitating his dear disciple to Shichika's sister running around killing people for no reason. None of their motivations seem to make any sense. But motivations aside, it still gets an 8 out of 10 for it's combination of fun-filled subplots, clever battle sequences, and colorful cast of characters.
- Art (9/10) -
Have you ever watch an episode of an action anime and thought, why is there no fighting in this episode? Well, Katanagatari never has this problem. There's fighting in every episode. And while the fighting is not flashy (or forced for that matter), it is very well drawn and sensibly creative. The style is not detailed, except with some of the scenery, and the artist takes liberties with the shape of human bodies and faces, but it's all still very cool looking. It all reminds me a LOT of Gurren Laggan. I guess what I'm trying to say is that it fits well with the style of the anime as a whole. There are two weird things about the artwork that might annoy some people. First, like the artist for Gurren Lagann, this artist doesn't like to draw normal looking eyes. I don't mean having something like the Sharingan of Naruto canon, that's actually connected the story. I mean some characters will just randomly have pentagons for eyes, because why not? And second, the art style changes slightly after the first few episodes (the lines get noticeably thinner). I don't know if this is to show aging (older characters are typically given lighter lines in anime), but it's all made very obvious during flashbacks. But if you can disregard those two things, I'm sure you'll find the graphics as entertaining as I did.
- Sound (9/10) -
The opening/closing and the music in general fit well with the anime. That's really all I can say about that. The background music has a modern/Sengoku style to it that reminds me a bit of Samurai Champloo, but more Sengoku and less modern than Samurai Champloo (there's very little rap). And obviously, it's by a different composer (RIP Jun Seba). Actually, I think the opening is by the same band that did the Monogatari series. Anyways, it's all very good. The intros/outros are memorable, although neither of them really wowed me. The voice acting was underrated as well. However, I've only seen the sub.
- Characters (9/10) -
The characters are probably the best thing about this show. The main characters, Togame and Shichika are both very distinct and clever. Neither of them fall entirely within any anime cliche. The repertoire between them is great, and they both have some very memorable lines. The development of the characters is relatable as the pair try to find meaning behind why they fight, what it is they're searching for, and what they really want out of life. The side characters are also very interesting. All of the enemies are unique and interesting. In fact, even the guys who only get 10 seconds of screen time are interesting. I'm going to say "interesting" one more time for emphasis, just in case you didn't catch the first 30 times I said it. They all have fun quirks about them, and none of them really came off as annoying. One good example of this is the Maniwa Corps, a group of ninjas that are sort of like what Team Rocket is for Ash and Company on Pokemon, but way cooler. The difference is that while Team Rocket is made up almost entirely of storm troopers clones, every single of one of the 12 (14?) Maniwa members are unique. About 5 seconds ago (or 10-30 seconds depending on how fast you read), I mentioned that none of them come off as annoying. Well, that's not entirely true. The fact that their motivations often fail the logic test, as I mentioned earlier, can come off a bit annoying at times. But even this does little to make them full blown annoying characters. Even Hou-oh, who I mentioned briefly earlier as acting out of random uncharacteristic impulse, turned out to be one of my favorite anime side characters in a long time. Basically what I'm trying to say is that the characters have minor annoying tendencies, but the core that makes them who they are is solid, and will keep you invested in them.
- Enjoyment (10/10)
Memorable dialogue? Check. Fun scenarios? Check. Colorful characters? Check. Fulfilling story? Check. Top-notch pacing? Check. Meaningful fight scenes? Check. A spattering of fan service here and there? Ding Ding Ding. We have a winner.
Its not the greatest show I've ever seen. But it's definitely worth the watch. I honestly believe it would be rated a lot higher if people weren't so upset with the ending. To cure that, I've decided to write an explanation. So if you haven't yet finished the show, PLEASE STOP READING HERE. If you have finished the 12 episode series, here's my take on what the ending was about...
(Warning: Light Spoilers)
Katanagatari (or Story of the Sword), taken as a whole, is about the falsification and course-correction of history. So it only makes sense that the first question we should ask is what part of history was corrected and what part was falsified?
Let's start with what was falsified. The subject matter behind this story is China, not Japan. And Shichika is an anime-parallel of Jing Ke. Name sound familiar? If so, either you're a history buff or you've watched too many Jet Li movies. Jing Ke, as some of you may know, is the main character of the 2002 Jet Li movie, "Hero" (although in the movie, he's known as "nameless"). And the history that is course-corrected is Jing Ke failed assassination of Ying Zheng, the King of Qin, and the man who would later become China's first Emperor. He's also the one who ordered the eventual construction of the great wall of China to fend China off from foreign invaders, which the anime briefly mentions. The legend goes, Jing Ke earned an audience with Zheng upon presenting him with a present - the 12 broken swords of his greatest enemies. But in the end, Jing Ke failed because of two critical mistakes. First, he was paralyzed with fear for both himself and his loved ones at the sight of the King, and second, he was too slow in retrieving the poisoned dagger he hid in the scroll he presented to the King.
Now that the stage is set, let's move on to course-correction. While it's true that Emperor Zheng built the great wall, he was actually hated in China. The construction of the great wall cost the lives of millions, and Zheng was remembered as being a ruthless coward. And so peering into the future, Kiki Shikizaki (and his descendant Princess Hitei) attempted to course-correct Jing Ke's failed assassination by getting rid of his two weaknesses - his human heart, and his need of a weapon. And so he taught Ke's ancestor the Kyotouryuu and created the deviant blades as a condition precedent for Ke's meeting with Zheng. Lastly, by killing Togame, the love of his life, Princess Hitei fulfilled her ancestor's goal in getting rid of Jing Ke's second weakness, and turning him into a perfected weapon, without residual attachment to the world. This allowed him to overcome his fears, and even go as far as to wish for death. And so all the blood shed would not be in vain and millions of lives are saved from the clutches of China's first tyrant. Of course, this would mean that Zheng could no longer build the great wall to protect China from invaders, to which Shichika replies (and I'm paraphrasing) - we'll just have to trust the heroes of the future to tear them to pieces.
Ok, so that should explain what happened. I may be wrong, but at the very least, it gives you a basis for understanding the theme of this story. By focusing on what could have happened (history), rather than what did happen (anime), the ending should hold a bit more weight. The story doesn't do that, it really couldn't. That was something that had to be left to the viewer. Another thing that probably upset people is how Shichika ends up with Hitei. Well, that's something you have to look at in context of the overarching theme of the anime - the falsification of history. History is written by the victor. Now ask yourself who you think the narrator of the story is. It could only be one person. And once you've figured that out, things should become clearer. History is written by the victor, and in this case a victor with a penchant for falsifying history. Is it not possible that the ending was a lie too? Call it a narrator's wishful thinking, if you must. Hopefully, you were able to figure out what I meant. I can't solve all your riddles for you. It would take too long. And by then, I will have already torn you all to pieces. Cheerio! read more
What do you fight for? That is a question with no simple answer. People say that they wish to accomplish some sort of dream or aspiration. To achieve fame, fortune, love, or maybe even revenge. Some are simple and others ambitious beyond belief. The real question is, do you have the will to fulfill that dream? Is it truly what you wish for? Are willing to struggle to the end for it? Many people try to fulfill their aspirations. Many people simply die in regret and are forgotten. Others fulfill a dream so large they are remembered for all time. To explore this question is the main purpose of the work “Katanagatari”. Now ask yourself “what will your dying words be?” Words to be remembered? Or words of regret?
Premise Synopsis** (review is after)
Katanagatari is about Yasuri Shichika, a young man in his twenties who has lived with his father and sister on a small island in exile. After the death of his father one year before the show began Shichika inherits the title of the family head. This comes with the secrets of the sword less sword style which is dubbed “Kyotouryuu”. This is an anti-sword martial art that uses the body to disarm and break the opponent’s weapons. To the Yasuri family their life and body is nothing but a sword. This is why they are dubbed the swordsmen without swords. Insert Togame, the self proclaim strategian of the Shogun. She comes to the island of the Yasuri hoping to enlist the help of Shichika’s father. She instead enlists him as he is the new family head. Then she states has a quest to find the 12 deviant blades of the legendary sword smith Shikizaki Kiki. These blades are so powerful and valuable that they can change the course of history itself. The Shogunate has tried for years to claim even one of these blades to no avail. Togame then asks for Shichika’s help. She personally has failed numerous times to get the blades. She has used those who fought for money and those who fought for honor. First she used those who fight for money. They simply stole the first blade and ran. Then she tried those who fought for honor. Yet, those who fought for honor could not resist the honor of owning such a prestigious sword. She then states she needs a warrior who will fight for love. She needs a person that is devoted to her and only her. Shichika thinking her a curious woman and wishing to be someone’s “sword” (as the family considers themselves swords) accepts the offer saying “Ive fallen for you”. What follows is a grand journey of introspection, love and human nature that will shake you to your core.
Katangatri is written by Nisio Isin whose most notable work is Bakemonogatari. Katangatari is much like the former in the style of its dialog and use of symbolism/ stylized art. Katanagatari though is a much more focused story than Bakemonogatari. Katanagatari is told in 12; 50 minute episodes. Each episode of Katanagatari has Shickika and Togame going after one of the 12 deviant blades. These episodes aired once a month during 2010 from January to December. In the show the seasons changed in correlation with this. It also takes them 1 month to get each blade making it move in time with the real world. This creates a feeling of connection with the journey. Every episode Togame and Shichika meet a new person with one of the blades. Shichika having no knowledge of the world learns something new every episode and develops accordingly. You watch through the journey as the “sword” that is Shichika becomes human. He starts as something without his own will, who simply listens to Togame as her “sword”. He then develops into a human with a will and moral compass. By the end he has his reason to fight. It is a journey of twits and turns in a world that has change on the horizon. It’s a show that will keep you guessing to the eventual outcome of each episode. Showing you that things don’t always turn out the way we plan, no matter how much we wish it. Just as you think you have it down, it catches you once more. Better yet its twists are heavily foreshadowed and don’t feel like ass pulls. This journey then culminates into a final conclusion so epic and heart wrenching that it cannot be spoiled nor missed; it will “tear you to pieces”. One thing to say is this show is very dialog heavy. Its great dialog don’t get me wrong, it just can be a turn off for some. But its not to say is doesn’t have epic fights. The fights are great with fluid chorography and animation. It’s simply not the main focus. As far a story telling goes Katangatari is an episodic journey of the highest caliber. It is simply breathtaking in execution and conclusion. (10/10)
The main characters of Katanagatari are the aforementioned Togame and Sichika. The main thing keeping this show interesting during its 50 min episodes is the dialog. The banter between Togame and Shichika is clever and charming. It also makes the developing romance feel much more real to the viewer. Each character including the 12 owners of the swords have a developed back story and a motivation to fight, some good some evil. The development for Shichika mostly comes when he kills the good and the evil owners without any remorse or caring, simply because it’s Togame’s will. Yet as he hears the dying words of each and the different motivations he realizes he has nothing he fights for himself. He gains his own moral code and also gains reasons for why he follows Togame. Now I shall talk about Togame. She has many names, “The stratigen”, “that unpleasant woman”, and others names that would be spoiler territory. She is an energetic, manipulative, and clever woman that seeks the blades for unknown reasons that latter become clearer. Togame , like Sichika learns to love, and her moral code changes as she learns from the owners and Sichika. The Dialog, development, and generally script writing in Katangatari is top noch. The only gripe I have is some of the more important villains (who shunt be named) had too little back-story to them. It was hard to understand the final motivation for the final owners (can’t get into detail… spoilers). Yet the dialog and characters are an overall crowing achievement.
Katanagatari is a stylized symbolic adventure with art that looks like it comes from an old legend. The animations during the fights are one of the many high points in the series. They are well choreographed and fluid. The character designs and weapon designs are well handled and animated. Each owner has an interesting design. Animation was handled by Studio “White Fox” who are a subsidiary of OLM Inc. They are a very new studio whose first work was in 2009 and Katangatari (2010) being their second work ever. The most notable thing they have animated was the widely popular Steins;Gate anime. It’s symbolic, light art style that can instantly turn dark complements the show perfectly. It is not without flaws. The art does have a few glitches here and there. I did stop and notice some errors in animation during many of the dialog sequences. Yet the fluid motion and dynamic animation at most points make up for its occasional errors.
The sound of Katanagatari is very… interesting. It utilizes rap in a mix of Japanese and English under a back score of traditional Japanese music. It can sound epic as it wants to and does a very good job of doing so. What surprised me was that it could also sound beautiful. To be compared it shares a similar musical style to the Samurai Champloo sound track. The rap in Champloo was handled by Najubes, while Katangatari’s rap and vocals is handled by an artist called Lotus juice. The overall composition was handled by Taku Iwasaki who also handled Tegen Toppa Guerren Lagan and JoJo’s Bizzare adventure (part 2) sound tracks. The original Op’s and Ed’s are good, just not amazing. YET, Katanagatari received a new op for its 2013 rerun which is possibly on of the greatest anime openings I’ve ever heard. I say this because of how well it fits in with the show. The song itself and the visuals are amazing. The Ost choice is easily this opening. It is done by the band “Supercell” titled “Hakushi Kassai Utaawase”. This is for the aforementioned reasons. The sound track overall is good, some tracks stand out and others aren’t noticed much. Better than most and serves its overall purpose.
To state I simply “enjoyed” this work would be a slight understatement. It has firmly entrenched itself into my favorites list and my soul. Katanagatari is a grand episodic journey of introspection and human nature. Throw in a good sound track, great dialog, and tons of great moments. You got yourself some great enjoyment. Truly this was an excellent use of 12 hours.
Katanagatari is one of those diamonds in the rough. It starts as a simple journey, but turns out to be so much more. A quest for 12 swords over 12 months, the turning of a “sword” into a human being with thoughts and wants. It’s a show who’s art, sound, and setting work together to lead up to one of the grandest conclusions in anime history. It leaves you with a feeling of loss and the questions of, “what do you fight for?” Money? Power? Your own dream? Or the one you love? Do you have the will to do it? What will your dying words be? Will they be that of regret? Or words to be remembered? No matter which they all end in death. With that on this evening and month I polity close the curtain on this review.
Final Score Katanagatari:
Both anime have great stories and artwork. But the best part about it is the way the stories are told. Both anime have kinda the same level of comedy and are both amazing watches. It wasn't until recently that I found out that the author was the same person but I would make the recommendation regardless.
Katanagatari reminds you of Bakemonogatari in many ways, it has the same use of camera angles and the hectic dialogs. And offers pretty much the same characters in a different setting (Boy meets Girl). Both shows are also based on light novels written by the same author, Nisio Isin.
Plenty of dialog and witty jokes and remarks here and there. Level of humor used in both shows are quite similar, including the casual use of some innuendo to brighten the mood. Artwork and visuals are superb in both.
Both are from the same author and as expected, characters are developed nicely with a quirky sense of humour. Both are animes featuring surrealist drawing style, little actual plot, curious characters, and random discussions about life the universe and everyting.
Both are adaptations of light novels written by Isin Nisio, and both are extremely heavy on dialogue. The style of humour employed in both Bakemono and Katana is very similar, so if you like one you're sure to enjoy the other. Also, though Bakemonogatari and Katanagatari seem like the typical harem and shonen series,both quickly break the confines of their respective genres.
To begin with, both animes are great and of high quality. They were both also made by Nisio isin. They both have a lot of similar core features, such as, romance and humor, while also being able to offer up a serious yet basic plot. They are both episodic while katanagatari is longer at 50 minute episodes. I highly recommend watching one if you have seen the other!
Both series has a similar animation style that incorporates the usage of heavy dialogue usage by the main characters. The light novels are also written by the same author (Nisio Isin) hence reflects upon a similar style of story telling.
Both series' humor is presented very well and considered entertaining and amusing with the dialogue, action, drama, and interactions between the main protagonists with other characters.
Both series features some supernatural themes and later on some romance.
Written by the same author. Each show is filled with entertaining dialogue and character interactions are a central focus.
Both from same author, both have great art and story with good amount of comedy and action mixed and both have great characters.
There are similarities between Katanagatari and Bakemonogatari. For example, both are episodic anime. Not to mention the very long and witty dialogues between characters, slapstick jokes and the artwork. However, Katanagatari has more actions in it.
Watch these if you like anime which consist of mainly comedic conversations in between key events. I enjoyed both of these anime because they were almost like reading books but with action sequences here-and-there. Also, both have very unique art styles, so even if you don't like long, funny dialogues, it's worth the experience.
Both are very good anime.
Both are the work of Nisio Isin.
Both are very heavy on dialogue. (Although there is a bit more action in Katanagatari)
Lastly, they have -gatari at the end
Both have atypical arts are based upon short stories. In both case the narration or the writing of the story are quite similar since they are relying a lot on banter.
Katanagatari is a bit more accessible because it contains more action scenes and a bit less dialogues.
If you like the incredibly dialogue heavy narrative that the monogatari series has, Katanagatari offers a similar narrative with each episode feeling well fleshed out and juicy. Also same author, so great characters.
Katanagatari and Bakemonogatari are both written by NisiOisin
Both the Heroines are similar, they have a similar personality and they are both Tsunderes. The 2 shows have some heavy dialogue. If you have seen Bakemonogatari, you know what I'm talking about. You may remember the few action scenes from Bakemonogatari. Katanagatari also has short, bloody action scenes. You will love Katanagatari if you like Bakemonogatari!
Both animes have the same author, they have the same person for artwork and the setting is similar in both anime boy met with a girl then they are doing differend kind of things.
Both written by the same person. The story in Katanagatari and Bakemonogatari are dialogue drive, meaning there are many words to be said and not much else. Both boast great, unique art styles, and if you like one, you will surely like the other.
Both are written by Nishio Ishin and as a result have
-exceptionally strong dialogue
Both are animated by shaft and thus
-Have their signature direction style
-is secretly quite dark (though not so secretly in Katangatari)
-make effective uer of fan service without making it the primary function of the anime
They talk a lot and I mean A LOT in both. The chit-chat is funny, sometimes deep, and also very absorbing. Both have fantasy style setup. And of course brilliant couples :)
There's something special about the way the two main characters grow with one another in both series that just makes you fall in love with them as a couple. So much character in each Anime's main cast too. The soundtracks are great and would be pretty entertaining to see them swapped with each other. If you want a good adventure, both of these shows are especially perfect for the craving. <3
I found both Spice and Wolf and Katanagatari left me with the same feeling of depression after I finished them too. haha
The dialogues structure-script feel similar, as exposing facts or historical events. These are long and become tedious after a while, but there is always a catch phrase, a distintive action or a particular event in or related to the dialogue that keeps the viewer enjoying the conversation while it lasts.
After reading 10 Spice and Wolf novels and watching the series multiple times, I believe Katanagatari to be the most similar show to Spice and Wolf even if the settings are different. They share the same aesthetic sensibilities of witty dialogue and presenting the viewer with a set of tools to solve a puzzling situation the characters get placed in. Spice and Wolf has playful banter between Holo and Lawrence and uses suspenseful economic struggles and trading dilemmas to force the viewer to also come up with a solution. Katanagatari matches the atmosphere with witty dialogue between its main characters and provides the same challenge to the viewer with battles instead of economics.
Maoyu Mayuu Yusha is thought to be the closest recommendation for Spice and Wolf. But I would like to disagree on this account. The dynamic of the relationship is quite different; instead of two characters teasing each other and more subtle romantic goals, Maoyu Mayuu has two awkward characters that both seem like high school students trying to flirt with each other and have overt romantic intent. It is not two people with different goals in mind that seemingly grow close after arguing, teasing, and laughing like inf Spice and Wolf. Instead, Maoyu presents a love at first site of two characters with the same goal but are awkwardly hesitant to advance the relationship. This show also presents economics but not in a riddling manner that requires thinking. Solutions are just flatly presented to problems whose context is not fully given. The viewer is not presented with a problem and given the ability or tools to reason a solution like in Spice and Wolf. Instead a solution just appears from the Crimson Scholar for a problem the viewer is not entirely aware even exists or to what degree. In essence, it is similar in a shallow manner that there are economics and somewhat romantic interpersonal relationships, but the dynamic of the relationship is vastly different and there is no well developed scenarios to challenge the viewer.
Both series deal with the relationship between two protagonists of the opposite sex who - more or less - meet by chance and join each other to go on an epic journey in a beautiful, somewhat medieval, fantasy setting. Their, kind of vague, purposes may differ (in Katanagatari it's some kind of treasure hunt, in Spice and Wolf it's the desire to explore the world) and while Katanagatari involves some politics and battles, whereas Spice and Wolf deals with trading and bargaining, both heavily rely on dialogues and the characters' interactions along the way, which have a lot in common as well. Both females, for instance, are cunning little creatures who not only like to tease their respective partner with cutting remarks, but also know how to manipulate the people around them, which often comes in handy for getting what they want.
If you enjoyed the development of a mature romantic relationship during their journey through a fantastic world as well as the humorous dialogues, cunning and pure, and the overall well-rounded characters in one of these shows, chances are you'll enjoy the other.
Katanagatari is spice and wolf - the hot wolf girl and + some actually quirky and interesting characters who most often have lots of witty banter and with some entertaining fight sequences too
both are heavily focused on both MC's and their interactions with each other. the interactions are actually the best part, because they usually have full conversations and its nice seeing them interact and react.
one is straightforward while the other is very mischievous. kinda like the whole manzai routine.
both couples are traveling
both girls have mysterious pasts
both have nice ratings and are fairly popular
Katanagatari and Spice and Wolf have similar pacing, and are both extremely dialogue-heavy, especially between the two main characters. Both have a fantasy-type setting, but Katanagatari also has some action scenes, while Spice and Wolf revolves around merchants and trading. If you enjoyed the character interaction between the characters of one of these shows, you will probably like the other as well.
In a lot of ways, these two series reminds me of one and the other.
Both series features a lot of interactions between the main male and female protagonist through their journey after their fated encounter. Speaking of which, these two series has an adventure like theme in a fantasy setting. Through their journey, they explore various places and learn new ideas as well as about one and the other.
Both series' main female protagonist views herself as wise but at times becomes frustrated at various events especially regarding the main male protagonist with his actions. They also have mysterious pasts.
Throughout the journey, the duo encounters other characters and conflicts but grows closer after each episode. Eventually, there is themes of romance but also at times emotions.
Highly recommended for a watch~
Katanagatari and Spice And Wolf are the same kind of romance adventure anime shows. Katanagatari's plot is more samurai action based in Japan Edo period while Spice And Wolf's plot is about merchants in medieval Europe, in both series the main idea in the story is the developing relationship and romance between the two, one male, one female, main characters which is what I mainly liked about both shows.
Both of these animes have two main characters female and male which travel around place to place in search of something. Of course since man and women are traveling together it's not so hard to guess that both of these animes have romance in them. The two also show how one character changes the other over their time traveling together through out their adventures overall both animes are similar but unquie in their own special ways.
Similar feeling, in both main characters have some secrets from their past,unique style of fighting and reason to travel a lot .Both take place in the past.
Both Katanagatari and Samurai Champloo feature historical elements, while at the same time incorporate modern culture. The main characters have semi-unique methods of fighting and aid a girl on her journey to find something. They also hint on romance, Katanagatari more so than Samurai Champloo.
If you liked one, I highly suggest giving the other a try.
Similar animation style. Slightly similar in story of a girl in need of someone to accompany her on a journey. Both have comic relief, as well as tear-jerking episodes.
Both series employs the theme of historical genre in the older era mixed in with modern pop culture. The stories of both of these anime(s) focuses on the journey that the main protagonist take while meeting with others. In other words, each episode reflects the different setting and circumstance the characters must endure.
Of course, both series also contain swordsplay so expect action mixed in with some epic soundtracks. Both series are quite entertaining and moves away from the traditional "save the world" sort of theme. Finally, the setting, characters, and style of both series are similar.
1. A journey between strangers. (Which grew deeper as the shows progress.)
2. Samurai, ninja and blades.
In Katanagatari and Shura no Toki both main characters Use a unarmed style
that allows the user to defeat any number of armed opponents using incredible speed and strength
Both series feature a male lead who defeats various elite swordsmen without using a sword, which is a rather rare similarity. Both share a similar pace of traveling and fighting, though Katanagatari has more comedy elements and a more colorful visual style. If you liked one you will surely enjoy the other.
Both are historical setted.
Both main characters are male and use only hand to hand combat against weapons.
Both begin with no purpose or reason to fight.
Both shows revolve around characters that use a fighting style on bare hand swordsman ship, and go through a story traveling Japan going from one fight to the next.
Both these shows employ the same premise of a girl hiring a skilled individual in order to collect a number of relics in a fantasy world (fedual Japan with fantasy elements in Katanagatari's case).
A fantasy adventure detailing the journey of main characters. Both series' main characters possesses special abilities and weapons. The main concept details with a quest the characters but on the way faces obstacles and struggles. We also learn more about the main characters such as their past. And as a fantasy series, expect action with swordsplay. If you're looking for an adventurous show with a decent balance of action and humor, give these two a try.
Same type of plot quest/setup: boy meets girl, girl gets boy to help her collect a set of items important to her with many plot twists along the way. Though with Chaika, there's more recurring characters, and it's not as romantic as Katagatari (though the romance within is played well). Still, a good watch if you're interested in the same general quest.
Within both series, we see a smart, streetwise female on a journey who takes a clueless, strong male who lives in solitude out on 'her' adventure across the lands, searching for a number of specific items.
The female leads are pretty sensible in comparrison to the female leads you see often in shounen's today, yet as serious as she is, she isn't immune to humiliation.
The male lead isn't subject to buttmonkey and dispite his intellect being questionable, he does make you wonder at times.
A partnership of brains and brawn - both being nessessary.
Both are have a whole lot of conversation-worthy material.
The basic premise of both shows are very similar. A boy/man secluded form society who has not really seen another human besides his grandfather/sister. Also, his teacher died last year some time, who happened to be his grandfather. Anyway, an eccentric girl comes to his whereabouts and asks him to help her on her journey to collect the dragon balls/swords. Adventure ensues.
Shichika is rather similar to Goku in the respect that he doesn't really see the need for more than one outfit, he cannot recognize people so he resorts to touch, smell, and taste, and he is also assumed to be really dumb except for when it comes to fighting. Oh that brings me to another similarity, they both fight with fists rather than weapons. To be fair... i guess Goku uses a nyoibo (magical staff) too.
Over all, Katanagatari has a lot of similarities to Dragon Ball, but is different enough to not be a rip off. I would say that its the "thinking man's" Dragon Ball.
Main protagonists are super strong martial artists yet they are completely naive and clueless about the outside world.
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