English: A Certain Scientific Railgun
Synonyms: Toaru Kagaku no Choudenjihou
Status: Finished Airing
Aired: Oct 3, 2009 to Mar 20, 2010
24 min. per episode
PG-13 - Teens 13 or older
L represents licensing company
Score: 7.971 (scored by 56261 users)
1 indicates a weighted score
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SynopsisAcademy City is a highly developed place in terms of technology. It is said to be 20 to 30 years ahead of the rest of the world, and 80% of its 2.3 million residents are students. The focus of studies here is directed towards esper powers. Misaka Mikoto, one of the top level espers in town, shares a room with Kuroko Shirai, another high level esper who is a member of Judgement, a law enforcing agency composed of students. Both attend Tokiwadai, a private school reserved for the high-leveled and the rich. Kuroko's partner at Judgement, Kazari Uiharu, is a low level esper who studies at Sakugawa middle school. Her best friend and classmate there is Ruiko Saten, a level zero, one who has no esper powers. Together, the four encounter several adventures in the exciting scientific town.
Related AnimeAdaptation: Toaru Kagaku no Railgun
Parent story: Toaru Majutsu no Index
Spin-off: Toaru Kagaku no Railgun Specials
Side story: Toaru Kagaku no Railgun: Misaka-san wa Ima Chuumoku no Mato Desukara, Toaru Kagaku no Railgun: Entenka no Satsuei Model mo Raku Ja Arimasen wa ne.
Sequel: Toaru Kagaku no Railgun S
Characters & Voice Actors
Are the burdens of being special greater or lesser than the burdens of being ordinary?
Academy City is a city that thrives on those who are espers -- who are special -- whether they already have powers or are trying to attain them. Everyone is reaching towards their ideal self, but some people don’t care what methods get used. The pursuit of the “next level” is absolute. If our limitations only exist so we can surpass them, should there be a limit to how far we can go to get there?
Toaru Kagaku no Railgun, or A Certain Scientific Railgun, follows the events around Misaka Mikoto and her core group of friends and their exploits within the City. They are students, aiming to better their powers as espers. But in a city with a concentrated amount of people with special abilities, it’s only natural for the criminally-minded to try to carve out their own bit of power at the expense of others. To combat such an element and maintain civil order, the organization Judgment exists. Having a free-willed, ace-in-the-hole player like Misaka who keeps people in line all by herself doesn’t hurt either.
Misaka (affectionately dubbed “Biribiri”) is one of the most powerful espers in Academy City. Her ability to generate and manipulate electricity makes her a force that most overconfident thugs learn too late shouldn’t have been reckoned with. Kuroko is her best friend, a crazy and hyperactive girl whose yuri-obsession with her beloved “Onee-sama” is hilarious despite constant rejection. Teleportation of objects (herself included) is her esper proficiency, making her one of the more menacing opponents to come up against, despite the diminutive and cute appearance. Uiharu is the demure techie: easily embarrassed, but a wizard at hacking or culling information from any network. As a member of Judgment, she is often the “eye-in-the-sky” for Kuroko when they take action.
In a place brimming with espers, Saten is the most fascinating of the four. Her official designation is Level 0. She has no powers at all. Nevertheless, she attends classes and learns all there is to learn about being an esper. The teachers explain to the Level 0s like her that it’s possible to reach Level 1… but Saten always has a wistful look when the topic comes up. It’s clear she doesn’t have that kind of optimism. What does it mean to be that kind of outsider looking in? And how much worse is it to be in the middle of this incredible city, surrounded by so many exceptional people she’d love to be?
Academy City is almost a character in itself. It’s hard not to fall in love with it. Clean, stylish, dotted with wind generators, a near-futuristic center of learning and advanced scientific research, all the while supersaturated with technology. The juxtaposition of seemingly sentient trash-collector robots and soda machines that only work if you kick them appears to point out that we’ll always have some low-tech around.
Railgun fixes most every glaring problem that tripped up Toaru Majutsu no Index. Gone are Index’s occasional -- albeit entirely useless -- scenes where those involved in the higher echelons of running Academy City were up to some sinister, boring machinations. Fortunately, Railgun is much more down-to-earth. It also wisely limits the amount of talking that occurs during fight sequences. The action is left to unfold naturally, instead of cramming in reams of idealistic soliloquies that the Index villains probably weren’t even listening to. Finally, it does away with Index’s tendency to tell one mini-arc, followed by another mini-arc, followed by another mini-arc… ad nauseam that tended to make the show’s overall narrative out of focus and its pace too breakneck.
The structure of this show, however, is a bit of an odd thing and does deserve to be mulled over. It begins largely episodic with only a scattering of episodes focused entirely on the more serious arc that concludes at the halfway point. The second half is much the same. I say ‘odd’ because it’s a unique structure I’ve rarely come across. Most non-episodic anime tend to follow the same format as any other narrative medium: an identifiable conflict or targeted goal at the outset; gradual complications along the way; an ending with the inevitable climax and resolution.
Railgun mostly ignores that age-old wisdom. Twice.
The four or five episodes that precede each climax are strong, focused, and exciting. So if the creators were so capable, why not follow the arcs in every episode? Simply put, it seems to be a stylistic choice -- and one that is as refreshing as it is surprisingly effective. It frees up the story, allows our perspective of Academy City to expand by degrees and the characters a chance to breathe. The importance of the latter cannot be stressed enough. After all, our heroines are living here primarily to learn. It’s a given that attending classes and socializing are going to make up no small portion of their day-to-day lives.
That said, Kuroko and Uiharu’s work at Judgment comprises the larger portion. Most of the fun is watching them work on cases and hunt down perpetrators. Even though Misaka isn’t a part of Judgment, she often forces herself into the role of unofficial member. That she has this proclivity for beating up criminals isn’t so much that she’s a do-gooder, but rather that’s how she finds it easiest to protect her friends. She has an active investment in their well-being and specific meaningful relationships to lose if something goes wrong. This is, of course, all to say that it’s vastly more engaging to watch her and her cohorts, as opposed to a certain bed-headed, misfortunate guy with a chronic Helper Monkey Complex.
I usually don’t mention voice acting, but the consistent excellence is such that I can’t avoid it. Toyosaki Aki easily hits her highest note yet here and in one pivotal moment gives an amazing, touching performance. Even the always-talented Tanaka Atsuko creates a character that is very special. So to avoid a laundry list of names, let me simply say that if some of your favorite seiyuu are involved, it probably wouldn’t be an exaggeration to urge you to check it out for that reason alone.
The OPs are as highly-charged as Misaka’s railgun and the EDs are catchy outros after all the excitement. In fact, the songs that bookend the show’s second half are as good as -- if not better than -- the first half’s. And here I thought it was some sort of sadistic tradition in anime for second-half OPs and EDs to be lacklustre.
The overall soundtrack is just as fantastic. Not only the music itself, but also its skillful use. At one point, a solitary piano begins playing, making us realize that since the episode started there hasn’t been any music. Instead of merely reinforcing the mood, it becomes the subtext that the characters can’t say. Later on when they connect to each other, a similar piano begins. As they are finally able to talk, more and more instruments are woven into the song as they become more and more desperate to express everything they wanted to say earlier.
Sound effects are another design element that truly shine. There is something so perfect in the execution of Biribiri’s electricity and Kuroko’s teleportation. It isn’t that Index’s sound effects for these abilities were bad at all, but rather that in Railgun they have been refined enough to be a little addicting to listen to. Likewise, the action of the fight scenes is as much aural as it is visual. Impact is visceral, whether against concrete or someone’s face.
The art is crisp and beautiful. The visual design is such that your eyes get drawn in, from a particularly huge parfait to some spellbinding fight choreography. Some close-up expressions of the characters are priceless. Unfortunately, certain distance shots of them can dip in quality. It’s a pity given the polished look of everything else around them, but comparatively speaking it’s easy to forgive as it doesn’t occur often.
Railgun is an anime that starts with a cast of memorable characters, tells a very entertaining story, and has the privilege of doing so with laudable production values. The questions it raises are thought-provoking and relevant. Even when the story meanders into a stand-alone episode that has no real bearing on the plot, it is always with a sense of how it fits into the overarching frame. Like its characters, the story breathes. At times it runs; at times it walks. And yes, also like its characters, sometimes it takes that random detour and ends up discovering something wholly unexpected. While science plays a large role in the show, all its elements end up filled with quite a bit of magic.
And that’s a certain kind of awesome. read more
Toaru Kagaku no Railgun - Spoiler-free review
Toaru Kagaku no Railgun isn't your average supernatural, action anime. It's a supernatural, action anime that has cute high school girls doing girly things, featuring our favourite tsundere... Misaka Mikoto!!! Now Toaru Kagaku no Railgun is a very girly anime, but at the same time, it could be filled with perfectly animation action scenes that will leave you in awe. It's definitely not the best anime around town, but it's one of my favourite anime in terms of story.
The story of Toaru Kagaku no Railgun could be considered of my favourite storties of all the anime I've watched. The story follows our favourite tsundere, Misaka Mikoto. Misaka and her friends are just normal high school students that have esper powers, well some of them have powers, the others that don't are usually useless. When trouble strikes, they will be there to clean up the mess. The story is fairly simple and is more than well done. Now I could of gave the story a 10 out of 10 but it was filled with so much fillers. The fillers could literally bore a person to death, I mean almost half the show had boring fillers. But what Toaru Kagaku no Railgun lacks, it more than makes up for it with it's great way of telling the story, not to mention the ending is probably one of the best endings I've ever seen in anime, for those who have a heart, the ending will make you happy and glad you watched this anime.
The art and animation was a splendid masterpiece. The art perfectly matched the anime and the animation was truly perfection. The action scenes look fantastic and was done to look like not even a single frame was left out. Anyone watching Toaru Kagaku no Railgun could easily have an eye-gasm in the middle of it's battles.
The sound was good but not the best, and it isn't bad either. Aside from the highly addictive opening theme songs and the great ending theme songs, everything else is fine. The sound was fine, it wasn't bad but there wasn't really any to stand out in my opinion.
The characters were not bad, but they were far from great. Most character do serve a purpose, but only few actually really develop. Throughout the whole series, you see very little development from the characters, especially from Misaka's friends. Shirai Kuroko is a very funny character but receives no development and is sometimes annoying. Saten Ruiko and Uiharu, Kazari, although they are pretty decent characters, they're sometimes useless. And as much as I love tsunderes and think that Misaka is a great character, she is not the best character in the show, that award goes to Kiyama Harumi who's back-story was unforgettable and her desire shines and is what makes the story of Toaru Kagaku no Railgun so amazing.
I enjoyed almost every bit of Toaru Kagaku no Railgun, even the characters were pretty funny and enjoyed them, but the one thing I could not stand is the filler. I did NOT enjoy the fillers at all, only in a few moments in the fillers are decent and funny. But the fillers did nothing but make me want to see more of the epic story or the awesome battles. The fillers bored me to sleep and kept me asleep as if I was on sleeping pills. But other than that, I really enjoyed Toaru Kagaku no Railgun.
Overall, Toaru Kagaku no Railgun is a great series to watch and if you enjoy cute high school girls beating up criminals with esper powers (and fan-service), then I highly recommend this anime to you. That's if you can get past the fillers. I'm ohhenry2, and I give Toaru Kagaku no Railgun, a great 8/10 read more
Fighting tsundere heroine with quite same character. Comedy, mostly girls on main roles and quite pacifistic but overprotective protagonist
Drawn by same company, has similar seyuu's, character personallities, physical looks, and chara types.
Kuroko's VA is the narrator on Ookami-san, and the first episode reminded me of the slice-of-life bits of Toaru no Kagaku.
both have brave characters with high skills...
both have a side-kick...
the guy has something special that attracts both girls...
both of the main characters look some-what alike...
Fighting for what they believe in, both series has a strong female heroine. Additionally, there are action, comedy, and some hints of romance in Ookami-san. Both series also has drama in later episodes that becomes somewhat emotional.
Just having Kuroko's VA is enough for me to enjoy both of these shows. On a more serious note, I especially like the slice-of-life comedy approach J.C. Staff focused on in both shows instead of the typical action-oriented approach most shounen anime appear to have.
Mystery/action shows about super-powered individuals. Both protagonists have electric powers.
Lets just say that both of these shows have "electrifying" scenes that will leave you "shocked".
While the tone of the two shows is different overall, there are quite a few similarities that made me think of one while watching the other, including but no limited to:
-information from arcs that tie into future ones
-many people with different powers
Many similarities. Both of them have electric powered MC. The protagonist team had four member, with one of the member act as an observer. The main story is divided by many arcs, which is every arc is connected.
If super power is a theme you're looking for, then Darker than Black and Railgun should be considered to be added on PTW for a variety of reasons. First, there is the concept of people who are able to use supernatural abilities. Among these includes a main protagonist with the ability to manipulate electricity. Then, there's the concept of them fighting crime in a city where there are other dangerous people with abilities as well. Thus, expect action and drama to ensure.
The main protagonist in both series contrasts a bit in personalities though but they do what they can to help people with their friends/comrades.
Both Darker than Black and Toaru Kagaku no Railgun includes people with special abilities (supernatural powers). Darker than Black is more serious and it explores more of the dark sides of those people with supernatural powers.
Opening Theme#1: "only my railgun" by fripSide (eps 2-14)
#2: "LEVEL 5 -judgelight-" by fripSide (eps 15-23)
Ending Theme#1: "only my railgun" by fripSide (ep 1)
#2: "Dear My Friend -Mada Minu Mirai he-" by ELISA (eps 2-11, 13-14, 24)
#3: "Smile -You and Me-" by ELISA (eps 12)
#4: "Real Force" by ELISA (eps 15-23)
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