English: Sweet Blue Flowers
Synonyms: Aoihana, Blue Flower
Status: Finished Airing
Aired: Jul 2, 2009 to Sep 10, 2009
22 min. per episode
PG-13 - Teens 13 or older
L represents licensing company
Score: 7.381 (scored by 11370 users)
1 indicates a weighted score
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SynopsisIn the original manga’s story, Fumi and Akira were close childhood friends until Fumi had to move away. Ten years after losing touch with each other, the two girls meet again as high school freshmen. The two struggle to reconnect after so much has changed, and both deal with the trials and tribulations of high school — sometimes independently and sometimes with each other’s help.
Related AnimeAdaptation: Aoi Hana
Characters & Voice Actors
It's true enough when they say that you never forget your first love. There are those lucky enough that the memory is nothing more than that, just a hazy recollection, a fond vagueness. For some, first loves are pangs, barely perceptible; the heart has forgotten how to beat to that rhythm. And then for some, a first love is as soft and fragile as a little flower.
This is the wealth presented in Aoi Hana, an anime adaptation of Shimura Takako's utterly genius manga series. The development of the manga is akin to watching a book read itself, learning and discovering things, and then reflecting that in its own progress. The anime does not get to reach this stage, as unfortunately it did not get the audience or attention it needed for another season. But to pass this series up is to deny yourself a great piece of literature in motion.
Manjoume Fumi moves back to her first hometown after ten years. Can you even call it her hometown? Wouldn't the place where she spent most of her life be considered "home"? It seems relative. Home for her is where her heart resides, where her mind wanders, where her bones grow. And it seems that that place has always been Kamakura. At home, there is Okudaira Akira, a best friend and first love.
Aoi Hana covers a few volumes of the manga series; the anime manages to capture the early stirrings of many things to come. It tries to come full circle right where some may say the manga is actually "beginning". Does it work? It really does.
With J.C. Staff's beautiful, clean artwork and a gentle acoustic-driven score, we are taken into the quiet town of Kamakura where even quieter dramas unfold. The minute troubles of everyday life tick away during the days, and the big problems end up as landmark moments in lives as they tend to do. The anime primarily focuses on the rekindled friendship between Fumi and Akira, and it extends to the interactions that these two have with others, including relatives, friends and lovers. Fumi goes to school at Matsuoka while Akira attends Fujigaya; the story unfolds giving us humorous, sweet, bitter moments of teenage lives.
Friendship seems natural and easy. It helps when Fumi is nothing but a sweet, gentle, though firmly resolved young woman. It's easy to love Akira's earnest soul. Here we have a series that suspends our expectations for the protagonists. Do they fall in love? Is this even about their love? In every way, yes. It's always been. Is there romance between them? That's for you to decide, as Aoi Hana respects Fumi and Akira's friendship and overall relationship enough to develop naturally, be it as best friends or as something other.
Throughout the anime, we meet other people whose presence give this show the warmth and life. This is a world populated with good people. That is one of the most important things to note about the characters in this series. Whereas other dramas will proceed to insert the most despicable villains, Aoi Hana has truly decent folk. Their intentions may be selfish, awful, manipulative and downright hurtful at times, and yet we can't ever fail to recognise that their hearts are good. Their flaws, as painful as they may be to themselves and others, can't ever take that away.
Two of the most complicated souls in this anime are Sugimoto Yasuko and Ikumi Kyouko. Sugimoto is a charming upperclassman that Fumi eventually dates; Kyouko is Akira's classmate. While it seems that they come into the story because of our protagonists, their tales are strong enough on their own. There is a parallel running between the two and the Wuthering Heights play which they perform; everything is embers, burning low, hiding somewhere in between polite smiles or bratty scowls. Who are these two girls who understand one another better than anyone else? What is this hopeless love that surrounds them both? Unrequited and mocked, one-sided and unfortunate. And yet there is love.
That is not to say these two overshadow Fumi and Akira in terms of the best characters that the anime offers. Everyone is rendered with respect and careful attention. Even the comic trio, Yassan, Pon-chan and Mogi, are downright lovable. Kyouko's cousin Kou is another individual who appears for brief segments in the series, but his small smiles tell us so much; he accepts his losses with dignity and strong shoulders.
And then we always go back to Fumi and Akira. Fumi, in spite of her crybaby ways, shows promise that someday she'll become a person whose tears show strength, not weakness. Akira's understanding of the people around her reveal that life is just budding for this girl; she has not yet begun maturing and in a way, this makes her the perfect ear and observer for messy situations. There is just a fierce magnificence about her as she takes care of things or sees how they work. If maturity means masking everything, then perhaps Akira's way of life should be given some consideration.
By the end of Aoi Hana, what you will have witnessed is one of the greatest contributions to yuri as well as the genres of slice of life and drama. It has intelligent characters with great depth, a solid story with strong development and not to mention, there's that rather pretty art framing everything. The concern at the end of it is not who gets together or what situations are resolved. At the end of it, we're left to chase after the meaning of a blue flower.
Sometimes love isn't enough. Other times it's more than you ever expect. Sometimes it disappoints us. And then there are moments when it doesn't let us down. But for now, it's a quiet little beat, drumming to a once-forgotten, now-remembered rhythm. Something carried in the wind, caught and preserved between the pages of an old photo album. read more
If your requirements for enjoying an anime are fantastical brightly colored settings, perfectly formed and ideal bodies, and over the top comedy chop full of nosebleeds and sparkly heart shaped eyes; then Aoi Hana is not for you. If your only interest in yuri storylines is girl on girl macking and fan service; then Aoi Hana is not for you. Aoi Hana has none of these things. (Well besides the girl on girl macking)
What Aoi Hana attempts to portray is a thoughtful and serious story about a group of teenage girls as they learn about first love and themselves. The main focuses are the girls Fumi and Akira (affectionately called Aa-chan). Both were close friends when they were very young but in the years they had forgotten about each other since Fumi's family had moved away. The story begins with both girls starting as freshmen at new high schools, Fumi at Matsuoka High and Akira at the nearby and prestigious Fujigaya. The girls are fatefully reunited through a series of chance meetings and the new friends they make at school.
There isn’t anything flashy about this series, much like its lead Fumi, its soft and delicate. The story is much more diverse and real than your standard romance series. While the themes are mostly yuri, it also feels like a slice of life, a comedy, and a heterosexual romance. Aoi Hana is unique in that it is one of the few series I have seen that has dealt with sexuality in a serious manner. Usually yuri romance is set in an unrealistic world where everyone is completely gay without question and in which there are no social consequences. Here the cast struggles to deal with their crushes or unrequited loves for both male and female characters. Things never play out quite the way you might expect them too either. I also felt the story was very mature and classy. There isn’t any exploitive fan service or sexual content added for mere titillation. Though there is intimacy and mature themes everything is handled so tastefully that it really stays true to the themes of the anime.
The only thing that really keeps this series from getting a perfect score from me is the open ending. At this time the manga is still publishing so the only way to have a true ending is to go with an original one. J.C. Staff didn’t do that with this and chose to leave it open. This was probably the right call, even though it is a bit annoying as a viewer. What Aoi Hana really needs is a sequel and hopefully we might get that someday. Though it’s not a bad ending even if this does end up being all that’s made, but it still left me wishing for much more.
As a character, Fumi ultimately proved to be the most interesting and deep. She is a shy, weepy girl who will cry seemingly over everything and nothing. Fumi further stands out as being the only really completely gay character in the show. While many of the characters deal with relationship angst involving both sexes, Fumi is at least confident in her own identity. She is perhaps both the most cowardly yet also the bravest character, having the courage to come out of the closet to her best friend but yet not able to speak her true mind to even her lover. Yet she evolves over the story and while the essence of what makes her such a sweet and likeable character remains to the end, the inner strength she discovers by the end made her so much fun to watch.
Akira is the kind of character that is likeable from the start. She’s the kind of person every girl wants as a friend. In the story she is the anchor that keeps the rest of the cast together. She is in the middle of seemingly every plot line though she doesn’t really have a story of her own. Though she is technically just as much of a main character as Fumi is, I felt that she didn’t get the kind of development she deserved. We get many subtle and perhaps not that subtle hints on her love interests but sadly there is never any payoff.
Yasuko Sugimoto is exactly the kind of girl I hate in anime. She is the tomboyish, athletic, outwardly emotionless, and inexplicably popular character type. I have never understood why this types are so desired by girls in these kinds of shows. Someone like this certainly wouldn’t have been this popular in my high school. But a friend as told me this is not the case in an all girls environment. The simple fact of the matter is that I thoroughly detested her. Though I have to admit that despite me not liking her, she ended up being an interesting character and indispensable to Fumi's growth.
The last of the main cast would be Kyouko Ikumi. She becomes Akira's first friend upon her starting her life at Fujigaya High. While Ikumi is a sympathetic character in a lot of ways given the way she is often treated by Yasuko, she also has a lot of creepy stalker elements. Personality wise she’s a lot like Fumi in that she is very emotional and prone to tears. Though she also appears to be outwardly much stronger emotionally then Fumi, on the inside she really is a bit of a pathetic person.
The supporting cast is also strong. While the cast does seem to get a bit large by the end, the anime does a good job of picking out the most important things to show and leaving the fluff behind. Unusually for a yuri series there are a few male love interests. Though for the most part all of these men are not given much screen time, their impact is felt very strongly and their presence is extremely important to why certain characters are the way they are.
Most will probably look at Aoi Hana's artwork and think it is plain looking. But they would be missing the point I think. The art and animation is perfect for what this anime is trying to accomplish. The colors are soft and reserved and add to the feeling of realism this show has. There aren’t any impossibly short miniskirts or mountainous breasts and all the characters look and feel like regular people which only further adds to the sense of realism.
The music further adds to the atmosphere. Both the OP/EN songs are soft and pleasant and thoroughly enjoyable. The voice acting is stellar. The main cast is voiced almost entirely by new faces who I felt did a great job. There are many familiar veteran seiyuu almost the supporting cast which I thought was an interesting reversal.
For fans of yuri, Aoi Hana is a title that must not be missed. I think it’s a bold and original production in an industry full of the same tired old themes and sequels. Anyone else who is interested in a serious romance and coming of age story should definitely give this a try.
Really similar settings, characters. You couldn't tell Sumi apart from Fumi even if your life was on the line (:
Both sweet shoujo-ai, slice of life animes.
Though sasameki koto is a bit better imo (:
They are both yuri series that are a bit on the realistic side
both Shoujo Ai :) with similar feel and pace.
Shoujo-ai "since of life" series with a little bit of comedy. Fumi is similar to Sumika (tall, with glasses) and Akira is similar to Ushio (cute and crazy).
Same kind of ambiance. ( Calm, sweet, ...)
Both are very great shoujo-ai, with mature caracters who mentaly grows during the serie.
Yuri theme, awesome Aoi Hana. If you liked it, you must watch Sasameki Koto, though is good after the first 2 episodes.
The characters, story and the overall feel that the both animes has.
If one have watched and enjoyed Aoi Hana, they should give Sasameki Koto a try.
Both are shoujo-ai anime with the same feeling. They also have similar characters
Slow pacing, bittersweet emotions and light, pleasant animation. If you liked one, I'm pretty sure you'll enjoy the other as well.
Both are beautiful slice of life dramas that involve peculiar romance. Aoi Hana's about 2 girls that fall in love and Hourou Musuko's about a boy that wants to be a girl and a girl that wants to be a boy that fall in love.
They're both adapted from manga which have been written and drawn by the same mangaka, Takako Shimura.
If you like one of these anime, you will like the other.
Besides the fact that they have the same manga author, they have an incredibly similar feel. Both Hourou Musuko and Aoi Hana are slow-paced dramas dealing with different characters as they grow up and issues with their sexuality, although they touch on different topics and the characters in Aoi Hana are a little older. Each of them have great, relaxing BGM to go along with their stories. I'd say they're about the same in quality.
Both animes are based in mangas from the same mangaka.
Similar ethereal art.
The characters express their emotions and problems through plays.
Both are written by the same author hence the similar style and feeling of the series.
The art is also similar in both titles that deals with growing up and falling in love.
Both series also has a slice of life feeling that has a relative pace that combines the mixture of comedy, drama, and overall a good feeling in life at a school setting involving kids growing up.
Aoi Hana and Hourou Musuko are both slow-paced, slice-of-life animes that deal with topics not often in animes - sexual orientation and finding out who you are. Aoi Hana is not your typical yuri; it's much deeper than that. Both animes give you characters that you will grow to love as you learn about their pasts, flaws, fears, and personalities. Each character has such different backgrounds and different problems compared to the others; you couldn't possibly ignore even one of them. Even the side characters have very detailed pasts. Both Aoi Hana and Hourou Musuko have light art, which makes watching them really calming.
Opening Theme"Aoi Hana (青い花)" by Kukikodan
Ending Theme"Sentiforia (センティフォリア)" by Ceui
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