Ranked #1370

Otogizoushi

-INTRODUCTION-

Someone told me that Otogizoushi has a very realistic portrayal of onmyoudo which was the main reason for my interest, along with the ancient Japan setting. Certain character designs caught my attention too, especially Mansairaku.

-STORY- 8/10

"Some day, I wish to dance only for Hikaru-dono..."

Otogizoushi consists of two story arcs. They are very different, I would even say that in a way they contrast each other. Looking at the two arcs together, I developed some very mixed feelings about the overall anime.

The Heian Arc was amazing. The first few minutes were enough to call it a masterpiece. War, epidemic, people are dying, the world is filled with despair. And among all that chaos, a seemingly strong yet vulnerable Hikaru and a mysterious dancer Mansairaku fall in love with each other. The creators did a wonderful job in showing the two contrasting sides: cruel battlefield and people's misery versus the short peaceful moments that Hikaru and Mansairaku share with each other whenever they chance to meet. The way she plays flute for him while he dances for her, the way they comfort each other and complete each other's existence... that sad but gentle romance touch was truly beautiful and left me speechless. I would have given it a 10 without a second thought.

But the story did not end on episode thirteen and instead moved on to the present time, the Kyoto Arc. The second part by itself was also quite interesting, and I found myself easily engaged in the mysteries surrounding the city. It felt somewhat slow paced at times, but overall it was good. There is one big problem though -- it's a completely different story. If it was an independent anime with unrelated characters, then I would not look at it so critically. But it was still Otogizoushi, yet it strayed too far away from the story that I initially fell in love with. True that eventually it started connecting to the Heian Arc, and by the end it even started looking like a sequel instead of a side story, and I won't deny that I still enjoyed it. But after finishing it, and after looking back at the Heian Arc, I realized how beautiful the original story was all by itself, and that the second story might as well not be there at all. It felt like at the end of episode thirteen the creators suddenly decided to make a sequel for the story that already ended and could not continue.

-CHARACTERS- 10/10

I found all main characters very lovable; I liked each one of them as soon as (s)he appeared. They had their flaws, and there were times I got rather angry at their decisions, but I developed a great deal of respect for each one of them. They all had their reasons for stepping (or not stepping) into the battlefield and for helping and loving each other. Portrayal of human bonds was probably the strongest point of Otogizoushi, between the main characters as well as between the antagonists. And as much as I wish the Kyoto Arc did not exist, I liked that the bond between the main characters did not change, even thought they were reborn as completely different people.

Also, Otogizoushi showed the most interesting portrayal of Abe no Seimei I have ever seen in fiction; out of all, this character shocked me the most.

-ART/ANIMATION- 8/10

I loved the art in Heian Arc. The character designs were beautiful, especially the detail in eyes, and the animation was top quality. I was simply speechless at Mansairaku's dance scenes; the battles were great too. Some of the backgrounds looked like paintings, they were that stunning. There were also times when a certain moment would 'morph' into a still image of a slightly different style, and it was such a nice touch.

I honestly don't know anymore whether I am just biased against the Kyoto Arc, but I felt like after episode thirteen the artwork started lacking, along with animation. Maybe the fact that the characters wore different clothes and had different hairstyles threw me off, but in a way it felt like they became different people. I just wasn't as impressed at the art anymore, and there were a lot less moments that I wanted to screenshot. And lastly, I have to say my little personal rant, what on earth did they do to Mansairaku? =/ I do realize that the idea was to 'modernize' the characters, but they didn't have to completely change his hair color and give him that cliche hairstyle that you see everywhere.

-SOUND- 9/10

The music in both arcs was great and fitting. Personally, I enjoyed the soundtrack of the Heian Arc a lot more; it was a lot more soothing and atmospheric. But it was something that would feel right only during that arc, and I do realize that the second arc's music had to be stylized completely differently. Also, I absolutely loved the Kyoto Arc's ending song, which is, interestingly enough, the same song (by the same performer) that Haruhi 'sings' in one of Ouran High School Host Club episodes, but with different lyrics.

I will spare you the seiyuu talk because I would end up writing a paragraph about each one, but I will mention one. Miki Shinichirou did an outstanding job in this anime, by playing both Mansairaku and Hikaru's bed-ridden older brother. I was especially impressed by the second role; his acting was so believable, and his slightly shaking voice sounded so natural, that you could really feel that Raikou was ill and that speaking was difficult for him.

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As you can see, I have very mixed feelings about this anime and it was difficult putting them in words.
My recommendation would be to watch the Heian Arc and the Kyoto Arc within a few years of each other and judge the second one as a 'what-if' scenario instead of a sequel. But some people might enjoy both arcs equally, so I can't recommend that method to everyone. read more

Character: Out of all the series I've seen, Otogizoshi probably had the most potential. Right from the start, we're immersed in the plot and enthralled by the main character Hikaru, who must struggle to pose as her brother and fulfill a quest he cannot. While the dialogue is spare, each character's personality comes across clearly, and you come to like Hikaru and Tsuna, even while you wonder about the mysterious character of Mansairaku. They are real and subtle people, so we are more interested in their plight. Hikaru is clearly a noblewoman in every aspect, but she is not squeaky or shrill like most heroines in anime today. Even while disguised as a man, she has an admirable, quiet dignity. If you're familiar with the Heian period, it's interesting to see it here, and if you're not, the story's easy enough to follow and it's fascinating to learn.

Art: In fact, that describes this anime as a whole. Quiet, elegant, and dignified, the art follows suit. Subdued realism meets Heian backgrounds. The care taken to keep this anime historically accurate (in setting rather than events) is amazing. It's worthwhile to watch the extras, if you have the DVD, and listen to the producers explain the detail that went into this work.

Sound: While the opening rock song is nice, it is not altogether suited to the series. All the same, the sound was not a detractor during the series. It didn't interfere with the story and it was atmospheric.

Story: I left the story for last because I found that most disappointing. While the first 13 episodes were fascinating as we followed Hikaru on her journey, the second arc in the series, where we're transported into a modern setting, left a lot to be desired. This half of the series is very slow and vague and at times I even got the feeling the producers didn't know where to go with it. They seemed out of their element in moving to a modern story.

Overall: While the second arc was disappointing, I would say that it's worth it to watch this series for part one of the story if you enjoy historical settings, subtle storylines, and realistic art. read more