Alternative TitlesEnglish: Fullmetal Alchemist: Brotherhood Synonyms: Hagane no Renkinjutsushi (2009), Fullmetal Alchemist (2009), FMA Japanese: 鋼の錬金術師
Information
Type: TV
Episodes: 64
Status: Finished Airing
Aired: Apr 5, 2009 to Jul 4, 2010
Duration:
24 min. per episode Rating:
R - 17+ (violence & profanity)
L represents licensing company
StatisticsScore: 9.211 (scored by 129315 users)
Ranked: #12
Popularity: #7
Members: 215,141
Favorites: 22,362 1 indicates a weighted score
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SynopsisIn this world there exist alchemists, people who study and perform the art of alchemical transmutation—to manipulate objects and transform one object into another. They are bounded by the basic law of alchemy: in order to gain something you have to sacrifice something of the same value.
The main character is the famous alchemist Edward Elric—also known as the Fullmetal Alchemist—who almost lost his little brother, Alphonse, in an alchemical accident. Edward managed to attach his brother's soul to a large suit of armor. While he did manage to save his brother's life, he paid the terrible price of his limbs.
To get back what they've lost, the brothers embark on a journey to find the Philosopher's Stone that is said to amplify the powers of an alchemist enormously. However on the way, they start uncovering a conspiracy that could endanger the entire nation, and they realize the misfortunes brought upon by the Philosopher's Stone.
Fullmetal Alchemist: Brotherhood is a re-telling of the story from the manga point of view. |
Related AnimeAdaptation: Fullmetal Alchemist
Alternative version: Fullmetal Alchemist
Side story: Fullmetal Alchemist: Brotherhood Specials, Fullmetal Alchemist: Milos no Seinaru Hoshi
Spin-off: Fullmetal Alchemist: Brotherhood - 4-Koma Theater
Characters & Voice Actors
Staff
Reviews
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tazillo
844 of 1033 people found this review helpful
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64 of 64 episodes seen
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| Overall |
10 |
| Story |
10 |
| Animation |
9 |
| Sound |
9 |
| Character |
10 |
| Enjoyment |
10 |
First of all, I have seen the original FMA and although it was very popular and original, the pacing and conclusion did not sit too well with me. Brotherhood is meant to be a remake of the original, this time sticking to the manga all the way through, but there were people who thought it would spoil the franchise. That myth should be dispelled, as there's only one word to describe this series - EPIC.
I admit that as I've seen the original and read the manga, the pacing of Brotherhood seems to start off being VERY fast (I finally got used to the pacing after watching the first fifteen eps or so). Events that took up half a volume of the manga and had spread though a few episodes of the original anime were now shown in just a single episode. However, after trying to look at it from the perspective of someone who's new to FMA (not comparing it to the manga nor the original), I believe that the pacing works and it manages to tell an intriguing story effectively with little confusion. The plot is full of clever ideas and unpredictable twists that link various parts of the story together. By the final episode, all loose ends are neatly tied up and what's left is a hugely satisfying epilogue.
The animation in FMA Brotherhood is crisp and very well done (although it does sometimes dip a bit in quality). Compared to the original FMA it's a bit simpler but that's just because the original set a very high standard to follow. The facial emotions of the characters are also perfectly presented. The action scenes are brilliant and VERY well animated, with a variety of alchemy techniques and other talents being displayed nearly every episode. The various battles are consistently exciting to watch, but somehow get even better towards the end of the series.
The voice acting is of an excellent and consistent quality, and I think that pretty much all the characters have voice actors which suit their personalities. The majority of the openings/endings are a pleasure to watch due to fantastic animated sequences and theme songs. The background music which play during the episodes usually fit very well with the situation, although some tracks seem to be overused a little at first. This becomes less of a problem as the series progresses, with plenty of new music being introduced to support the story as it reaches the finale.
Moving on to the characters (best thing about this series), the original FMA focussed mainly on Ed and Al and on their struggles to regain their bodies, whereas Brotherhood also explores other characters to great detail at the same time. The majority of the spotlight is still on the two brothers, but it highlights their interactions with new characters which were not present in the original anime. New characters include a group of people from Xing (a neighbouring country), another person from the Armstrong family (who I think has become one of the coolest members of the supporting cast), and a new main antagonist. For me, the Xingese characters in particular (Ling Yao and Mei Chang among others) provide a new dimension to the FMA world, by showing us a different culture to the militaristic one we're familiar with. I think the new antagonist is an improvement on the original FMA, as this person has a much stronger and clever link to the Elric brothers' father. Returning characters from the original FMA, such as Mustang and Scar, are much more awesome and developed due to the fact that Brotherhood is 100% faithful to the manga. Plus, Winry Rockbell now has a much more active role in the story. I can say for sure that this anime has one of the best main/supporting casts I've ever seen, and you'd probably find it difficult to label any of the recurring characters (whether they are good or evil) as being either boring or unnecessary in terms of the storyline.
One of the many good things about this series is that there has been absolutely no filler at all (yes, I'm thinking of Naruto, Inuyasha, etc), which prevents the story from losing momentum. All the episodes are concise and every scene is important as part of the huge plot. The dialogue fully explains everything and is straight to the point. As multiple characters are explored there are lots of side stories, but these are all perfectly intertwined with the main story of the Elric brothers and more often than not directly influence their journey too. Like most anime series, there are things from the manga which have been left out, but these are usually just restricted to comedy moments. There has been one episode which shows a lot of flashbacks of events so far, but that's forgiven as it shows the most epic moments of the series, and also provided us with some history on the father of the Elric brothers.
FMA Brotherhood will be sorely missed now that it's finished. It is excellent in every aspect and has very little, if anything, that can be called a flaw (maybe rushed character development at first due to the fast pacing, but this quickly subsides). Each episode feels like it's too short, a testimony to how much it draws you in to the story and characters. There are moments which leave you smiling, laughing, sad and simply amazed. Try this anime, it's recommended for absolutely everyone, to newcomers and to those familiar with Fullmetal Alchemist. read more
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Archaeon
477 of 661 people found this review helpful
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64 of 64 episodes seen
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| Overall |
9 |
| Story |
8 |
| Animation |
9 |
| Sound |
9 |
| Character |
9 |
| Enjoyment |
9 |
Adaptations have long been a thorn in the side of anime viewers, but not because they are inherently bad. No, the main problem has been that many studios have regarded the original work almost as an afterthought, and there are a number of shows that could have been wonderful if the writers had simply stuck to the original story.
One of the issues at hand seems to be ownership as producers, writers and directors all seem to want the work to be reflective of their style and perception, and in order to stamp their mark on a show they will makes numerous unnecessary changes or additions. Admittedly there are times when the adaptation supersedes the original work, but more often than not the result is at best a decent anime, and at worst utter twaddle.
And then there's the other side of the coin, where the anime adaptation sticks to the storyline set out in the original work. Normally one would expect these to be superior works, but in a strange irony this is not always the case. The problem with these types of adaptations is that the original work may not have been very good, or even have a suitable narrative, to begin with, and turning them into anime only seems to exacerbate their inherent flaws.
Fortunately, the Full Metal Alchemist franchise manages to steer clear almost all of these pitfalls. The problem is, there are no other anime that have so evenly split the viewing public's opinion between the two versions of the series. Unlike the 2003 adaptation, Brotherhood is a faithful representation of Arakawa Hiromu's hit manga, and while many fans of the franchise laud it as the best thing since sliced bread, there are a number who consider the original anime version to be the superior tale.
But we'll get to that in a bit.
Many people will already be familiar with the particulars of the story, and in a very real sense the common perception is well formed. Unfortunately, one of the problems with liking something too much is that one becomes blinded to its flaws, and while Brotherhood has very few noticeable ones where the narrative is concerned, this also serves to make them stand out.
The story is told in a very straight forward, no nonsense manner that is kind of refreshing given the penchant for filler episodes. The issue though, is that the content of the tale is much lighter in tone, much more typically "shounen" in its essence, than that of the first adaptation. One of the reasons for this is because the undercurrent of obsession amongst the main characters peters out towards the end of the story - a stark contrast to the ending in the first adaptation. Instead, these obsessive behaviours are effectively "de-humanised" by pushing them on to the non human characters.
There is a very clear sense that the plot is geared towards a more typical shounen standpoint and mentality, and while the whole still works very well as a story, one does have to wonder if the writers for the first adaptation didn't steal a march on Arakawa. It's possible that she had to change her idea of how the tale should develop because the first anime version took a much darker path than most other shounen franchises.
That said, the ending allows for a degree of catharsis that was missing from the first adaptation, and although there are some broad similarities between the two versions at times, in truth they are as different as chalk and cheese. As an added bonus this series is far less dependent on random comedic moments, and the difference this makes to the flow of the plot is palpable when the two versions are directly compared.
One big advantage that Brotherhood has is that the seven year gap has allowed for improvements in various aspects of production, and it shows in a number of areas. The animation is more fluid than before, although admittedly the difference isn't really obvious at first and only really appears during large scale action set pieces. The character designs will be very familiar to any fan, but are subtly sharper and more defined than in the previous series.
Interestingly enough, one of the biggest plus points for Brotherhood is actually its wealth of interesting characters.
As one would expect, a number of the characters from the first adaptation appear in Brotherhood, but there are also several who are notable for their absence as they do no appear in the manga. Instead, a horde of new characters appear throughout the course of the series, many of whom have their own goals, ideals and personalities. Indeed the biggest difference between the two versions is the sheer number of people who all seem to have some impact on the story.
For much of the series Edward and Alphonse Elric behave in a manner that many who have watched the first adaptation will find familiar, and one of the nice things about this is that familiarity is used to very subtly develop the pair into very different characters. The change in their personas happens very gradually, but by the end of Brotherhood one can see just how much growth the pair has undergone.
Strangely enough, the most interesting additions to the series are actually Yao Ling and Olivier Mira Armstrong (Alex Louis Armstrong's older sister - but without all the muscle flexing), two of the supporting roles. Yao Ling presents a strange dichotomy for the series to tackle, and while he doesn't develop as much as he possibly could have, this is offset by the moral and ethical dilemmas inherent in his situation towards the end of the series. On the other Olivier Armstrong possesses some of the strongest characterisation in the whole story, and while she is without doubt a major player at certain points of the show, what makes her interesting is the fact that the viewer is never quite sure of her goals.
There are a number of very strong characterisations in the series, but one of the things that is a little strange is the difference between the two versions where the homunculi are concerned. Unlike the first adaptation the homunculi in Brotherhood have very different origins, even though they still deal with similar obsessions. This raises an interesting perspective on the series as a whole, and is one of the reasons why Brotherhood is far more of a shounen tale than the original adaptation. The plot takes on a subtly lighter tone, even though it may not seem that way, once their origins are understood, and the main reason for this is the "de-humanisation" I mentioned earlier. The viewer is aware that these characters, though human-like in form, are not linked to humans in any way, and this awareness acts as a buffer so the viewer is less likely to question the actions and behaviour of the homunculi. In essence one is subjected to the ethos that monsters are evil and do bad things, which raises some interesting issues where Kimblee, Greed and the military's generals are concerned.
The quality of the acting is possibly the main reason why Brotherhood is able to pull off its feat of developing not only the familiar characters, but also the new additions. Paku Romi and Kugimiya Rie reprise their roles as Edward and Alphonse Elric, but with the exception of a few roles, the remaining cast are very different from the first outing. Now normally one might consider this a recipe for disaster, but it's a testament to the quality of not only the actor's abilities, but also the scriptwriters, that this series easily stands shoulder to shoulder with the original.
The music is very well composed and produced, and the series has a surprisingly large number of opening and ending themes, especially for 64 episode series. That said, fans of Brotherhood may find themselves in a bit of a quandary, especially if they prefer the OPs and EDs from the first series. As for the sound effects, they are handled in a decidedly competent manner that makes one wonder why other shounen anime seem to have trouble in this department. Granted there are occasions when there's a bit of a cacophony, but in general the effects are clear, bold, and well choreographed.
Now unlike most viewers, I actually consider Brotherhood to be equal to the first series, and I don't really fall on one side or another. Like a number of fans my preference is for the much darker tone of the first series, however the cathartic ending of Brotherhood, as well as the improvements in production and animation, go some way to balancing the scales. Some people prefer the somewhat darker nature to Ed's character from the first adaptation, but in all honesty the rationale behind the two versions is very different, and while they're broadly the same character, that perception is only really valid until the last few episodes of either show. The same principle applies to Alphonse, Roy Mustang, in fact to most of the characters.
That said, Brotherhood is just as entertaining and involving as its predecessor, and it's a testament to Arakawa's skill as a mangaka that she has been able to produce a tale that, at the very least, rivals the original anime adaptation.Yes, Brotherhood is more typically shounen than the other version, but the nice thing about this is that fans are given two very good versions of the same story, and that is something rare in anime.
Now if only all remakes, revisions or reboots could be this good. read more
Recommendations
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A well-thought-out story battle shounen which has not so much of battles but instead, more of tactics. Both are remakes with practically no fillers.
Both series have an innovative and entertaining argument. The characters are so real; they are not the typical kick ass character. For that reason, the strategies are the most important at the moment of fight.
Both are remakes of two of the greatest shounen anime out there. What makes these two shows stand out from the majority of the shounen genre is that they have well developed characters along with a consistent plot. Also, there are absolutely no fillers in either of them.
Both FMA: Brotherhood and Hunter x Hunter (2011) are series that have great story plots involving many characters. The characters themselves are well developed as each episode progresses. Additionally, there are themes of vengeance, friendship, honor, and pride that are explored many times throughout both series.
The main male protagonist from both series has a cheery attitude but is always willing to help others in need by putting themselves in danger to protect in what they believe in.
There is also a fictional dangerous group in both series who serves as primary antagonists. Among those antagonists are characters who have diverse personalities.
These two series are considered shounens but are presented in a different way that is appealing and holds strong sense of value through its plot development. There is also great humor, catchy scenes/dialogues, and emotional moments that are memorable.
Both are shounen with darker, more mature themes. In both stories, the main characters are on a journey to find something and meet many different (interesting) kinds of people along the way.
Both are about friendships and brotherhood (duh), are actually are very, very good shonens (some of the best anime overall), and don't have many typical/cliche moments.
Oh and one more things: Characters actually die!
Remakes to shounens with an actual story, a good plot. The animation Bones and MH offered is the definition of "Top notch", the characters are unique and interesting. stories and arc are well-written. Logical fights. No Nakama power-ups crap. Development of the story and characters are in the right path.
Both are remakes that don't have fillers or meaningless fighting and rely more on strategy and wits.
Great story with no cliche stuff. Both similar as they talk about friendship/brotherhood.
Equivalent exchange is an important aspect of the story.
Being both not-just-regular shounen, they're pretty much similar in the way they use the element of suspense, which is marvelous in both of them. Also alike is the use of comedy. They also resemble each other in the way they treat of matters such as values and life itself, and each of their corresponding main characters have a particular personal goal. Oh, and they've both had a previous animation work before they had even ended (Fullmetal Alchemist) or gone far ahead of the script (Hunter x Hunter).
Personally, this are my two favorite shounen.
A well-thought-out story battle shounen which has not so much of battles but instead, more of tactics. Both are remakes with practically no fillers.
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Surely both series do share a big part together which is the alchemy.
Alchemy and all its related things: immortal beings, legends, immortality elisir/philosophical stone and so on.
Both stories evolve around the same epoch (first years of 1900) and share amazing main characters.
Even if, the style to tell the stories is very different, they both still share a very good music theme as well.
If you enjoyed one I'm sure you'll like the other too! I can definitely affirm that both of them are masterpieces.
Both deal with immortality, an all-cure elixir, and alchemy. Both are great anime with unique and wonderful characters, great animation, very well done fights, and violence & blood scenes. The first thing that comes to my mind when I watch Baccano! is FMA brotherhood. ;)
Both involve people using alchemy in order to perpetuate their existence, as well as having some crazy stuff thrown in.
Baccano is more similar to FMAB then any other anime, whenever I watch it I think of FMAB, D. Gray man might have one or two aspects but baccano has dozens of aspects that are similar to FMAB, if you like FMAB you will like baccano, it is stupid that people say you will like Blue Exorcist if you liked FMAB just cause both the main characters have brothers. That doesn't mean it is similar! just one little thing that won't affect your liking of a series! Baccano is a must watch if you if you like FMAB.
I found them similar because both of them have things about alchemy, but Baccano is a bit more mature and has some gore in it.
If you liked the whole mystery and conspiracy feeling in Fullmetal Alchemist: Brotherhood, than you will like Baccano!
Also, both anime have beautiful fight scenes with lots of blood, and extremely badass characters which add a massive amount of excitement to the show.
Not to mention both have alchemists, immortals, homunculi, and are based around the same time era of the 1930s.
So if you liked one of these anime, I highly recommend trying the other.
Large cast of likable characters plus alchemy. Plus both have hilarious comic relief seamlessly woven in-between the serious scenes.
There's something very similar about the plot, animation, and characters. FMA is worth checking out even if you don't like Bacanno. Both are pretty epic.
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Opening Theme#1: "again" by YUI (eps 1-14)
#2: "Hologram (ホログラム)" by NICO Touches the Walls (eps 15-26)
#3: "Golden Time Lover (ゴールデンタイムラバー)" by Sukima Switch (eps 27-38)
#4: "Period" by Chemistry (eps 39-50)
#5: "Rain (レイン)" by SID (eps 51-62)
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Ending Theme#1: "Uso (嘘)" by SID (eps 1-14)
#2: "LET IT OUT" by Miho Fukuhara (eps 15-26)
#3: "Tsunaida Te (つないだ手)" by Lil'B (eps 27-38)
#4: "Shunkan Sentimental (瞬間センチメンタル)" by SCANDAL (eps 39-50)
#5: "RAY OF LIGHT" by Nakagawa Shouko (eps 51-62)
#6: "Rain (レイン)" by SID (ep 63)
#7: "Hologram (ホログラム)" by NICO Touches the Walls (ep 64)
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