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English: Cowboy Bebop: Knockin' on Heaven's Door
Synonyms: Cowboy Bebop Movie
Status: Finished Airing
Aired: Sep 1, 2001
Duration: 1 hr. 54 min.
Rating: R - 17+ (violence & profanity)L represents licensing company
Score: 8.401 (scored by 55182 users)
1 indicates a weighted score
2 based on the top anime page.
Popular Tagsaction adventure comedy drama sci-fi
Nov 10, 2008
This time, a terrorist possesses a weapon capable of killing countless people, and there's a bounty of 300 million woolongs on him; the largest bounty ever given. Of course, this means that our heroes will chase him. And so starts the process of gathering information, meeting and getting to know people related to the bounty in some way, and eventually, squaring off against him in a final fight. Oh, and throw in a save-the-world thing this time, and there you have the movie. Nothing really new, a formula that's been used several times. There's also details here and there left unexplained, and things may just happen for no reason at the rare occasion. Its 120 minutes might be a little too long to some, but it never came off as boring at any point to me; they certainly did a good job of fleshing out those 120 minutes.
Though, that may be credited more to the characters than the plot itself, as the movie threw some really interesting characters at us. The orignal cast is, well, pretty much the same as they always are, the same characters which you (probably) got to love while watching the original series. As for the movie characters, we have for example Vincent, the main bad guy. He's quite the interesting fellow, though the more I think about it, the more I can't help but feel that I've experienced his type somewhat before - he's got a mysterious past; a forgotten love included, he's going to kill loads of people for no good reason, and he blathers out sentences about religion and whatnot. Nevertheless, he comes off as an interesting character, mostly because of him being similar to Spike - both in physical prowess and their considering themselves 'dead' men due to past events. Then we have Electra, Vincent's past love once forgotten. She remembers him though, and well, she wants him to remember her as well. We can see where that's heading...
The animation quality is superb; its detail and overall quality is unmistakably a work done by people who knows what they are doing. Be it backgrounds or landscapes, they're all top-notch. Lighting effects are good, and more than I'd exect from something out of 2001, and the overall quality of special effects are great; much, much better than the original series. The character designs are the same old, with some improvements, and they work very well with this anime and movie. The character motions and their fluidity are great, and the few action scenes in the movie are done so well that I could probably learn some nice figthing moves merely from studying them. The coloring is the only thing that's a bit behind, but considering its age it's not a problem. And moreso, the dulled coloring actually melds perfectly with the style of the movie, and helps on the movie's atmosphere.
The soundtrack is what you should expect from the original series; awesome. Yoko Kanno does her work as she did in the series; with an amazing soundtrack that fits perfectly with the atmosphere of the movie and its individual scenes, and the opening and ending themes are wonderful to listen to. The only downside is that there is a lot of silent scenes, where no background music is present at all.
Cowboy Bebop: Knockin' On Heaven's Door is a movie that delivers the goods, but stops at that. It's not marvelous, but it's great, and a must-see movie for any Cowboy Bebop fan. read more
Jun 24, 2008
It's just a few days before Halloween on Ganymede, a major national holiday, and a terrorist has blown up a tanker filled with a biochemical weapon. The government posts a 300 million Wulong bounty for the terrorist, and the Bebop crew just decides to go after it. But the more they investigate, the deeper the rabbit hole seems to go...
Yes, to answer any questions ahead of time, this is not a sequel; it takes place between episodes twenty-two and twenty-three. It's not quite what I was expecting, admittedly, but it's still a pretty good plot. It could've been fit in the series as a two or three part episode, and apparently Wantanabe had wanted to originally, but he couldn't have gotten away with it on TV.
The visuals for this are absolutely beautiful; the animation got an update in the three years since the show had aired, and things are definitely smoother than they were in the show. There's an even more unprecedented amount of detail in this, and it's absolutely beautiful.
Yoko Kanno and the Seatbelts came back to do work on the music again, and it's just as awesome and catchy as it was in the series. I found myself humming a few of the songs after it was done.
All the seiyuu and the voice actors were able to return for the movie, which just adds t o the awesomeness of the movie in general. And the dub for this was actually fairly accurate, which surprises me, as this was released Stateside a little over a year after 9/11, and a few days before the 9/11 attacks over in Japan.
All in all, a pretty good movie, with a good plot and unprecedented detail and smoother animation, if not what I was expecting. read more
Aug 31, 2007
I didn’t like it as much as the series, mostly because the series kept me interested by introducing new plot lines in each episode. Having to focus on one specific plot for 120 minutes was a bit exhausting. It has a nice plot – throughout the movie you’ll get why “Knockin’ on Heaven’s Door” is part of the title. I also found the plot to be timely. Terrorism is a problem that’s been widespread throughout the world for years, and it’s interesting to see a group of bounty hunters trying to do something good for mankind.
The characters are back, of course. They’re still the same as they were in the series. 2 more major characters are introduced throughout the movie. The villain is Vincent Volaju, a mysterious terrorist with a forgotten past. He is definitely convincing as a villain, at least I think so. Electra is also a character added to the mix. I didn’t really like her, mostly because she looks like a guy, but her presence is important to the story. The original voice actors are also back to reprise their respective roles. I would have been mad if they changed the voice actors.
I think one of the major innovations in the movie is the visuals. The visuals are 10 times more stunning than in the series, all thanks to the collaboration with BONES studio. I guess it may have something to do with the fact that it was produced in 2001, and 2001 animation definitely improved since 1998. The screenplay was also as great as before.
Yoko Kanno came back to do the music again, but I have to say I’m a bit disappointed. There were less tracks than there were in the series, and there were a lot of scenes where there was no background music at all. That was a rare occurrence in the series. The opening theme, "Ask DNA" by The Seatbelts featuring Raju Ramayya and the ending theme "Gotta Knock a Little Harder" by The Seatbelts featuring Mai Yamane, were really nicely done though.
Obviously, I liked the series better, but that may have something to do with the fact that I finished the series first before watching the movie. It’s kind of hard to top the ending of the series, so it’s best if you watch the movie in between the series. read more
Jul 10, 2013
Cowboy Bebop: The Movie is essentially a high budget, longer than usual episode of the show. And you know what? There is absolutely nothing wrong with that. This time around, we've got Spike and company going up against Vincent, an ex-military soldier turned bio-terrorist. He's launched a campaign of carnage on Mars, leaving a path of destruction in his wake. Oh, and there's a 300 million Woolong bounty on the fellow.
It's a typical Cowboy Bebop story, and it works fine. The whole gang is back, plus some new additions. Of course, you've got the villain, Vincent. He's not just an evil maniacal villain, he has motivations for his actions and everything makes sense with him character wise. He's a pretty compelling villain, honestly. Also helps that he's a complete badass, going toe to toe with Spike in hand-to-hand combat.
We've also got Electra, a military agent with connections to Vincent. She's also pretty well-developed. She can kick some ass too. There are a few other minor new characters, but they're not really worth mentioning. Spike is the focus in this film, so the rest of the Bebop crew don't get a whole lot to do, but every character gets a few good moments.
With a bigger budget, Sunrise went all out on this. Cowboy Bebop was a very well animated series for its time, and the movie is ten times better. And hell, this came out in 2001. The fluidity is even better in the film, everything looks natural, especially in the visceral action sequences. The final battle in the film is some of the most exciting stuff I've seen in an animated feature.
The lighting effects are awesome as well. You didn't get a whole lot of this in Bebop (at least, I don't recall anything this grandiose) so it's refreshing to see such great lighting. The character designs are basically the same, with some added splendor due to the film's higher fidelity. The film uses a dull color palette, which fits with the mood of Bebop.
The soundtrack is a solid follow up to the series. It's nothing short of brilliant. Yoko Kanno and the Seatbelts kill it once again. The music fits perfectly with the atmosphere of the film, and the opening and closing tunes are superb. The soundtrack also knows when to go silent, just to let character moments play it out based on performance alone.
Yeah, it's just another great Bebop adventure. And I've come to the realization that this is; I don't have anything else Bebop related to watch. That makes me sad. But hey, I might just watch the whole series over again.
See ya, space cowboy. read more
Nov 22, 2007
Another point in the film's favour is that it's pretty much equally accessible for existing fans and those unfamiliar with the characters. While there's plenty of details that might be lost or not fully comprehensible for new viewers, by and large the film stands up well as a stand alone drama, introducing its characters and their situation. However, this in a way exposes another major weakness of films of series. Series are, by nature, episodic. They devote an episode to introducing a character or exploring their personalities. Once this is done, they generally have plot episodes, in which the main thrust of the series is pursued, and then they have one-shot episodes that have our characters in some kind of interesting situation, but which is basically unrelated to the plot - if there is one. Films, by contrast, do all of this at once. The proceedure is totally different, and a director or scriptwriter used to a series format adapts less well to a film format. Knockin' on Heaven's Door exemplifies this - while the film as it is works, it's more obvious and cumbersome than a film directed by a director used to a feature-length format.
The storyline, also, suffers in this way. It's not that it's a bad story, in fact it might make a great two- or three-part episode, but as a film, the material comes across as stretched, holey and lacking in substance. It's also remarkable in that it's not half as quirky or original as Cowboy Bebop's famously eclectic mixtures of ideas: biological terrorism unleashed by a madman with a mysterious and sinister military past, fascinated by death and bent on destroying the world, with cod philosophical pretentions to fil gaps between action and a garnish of some fashionable christian mythology. It's all very generic really, and frankly the only things that make this Cowboy Bebop and not something much more generic are the familiar characters, who are luckily strong enough to make the thing hang together. The new characters are not much to speak of, either - Vincent the aforementioned madman, a hacker accomplice, a Moroccan information seller and, of course, Electra, a tough, wildcard femme fatale with a mysterious connection to our antagonist. Electra comes off as the best realised of these, and, perhaps not coincidentally, closest to a series character (though she's a dead ringer for a more mature version of BGC2040's Priss as well). Vincent seems very like main series antagonist Vicious stripped of his hatred of Spike, which is to say, not that special and a bit rabid and foaming for credibility.
The film drags. It's just too long. What this is primarily due to is unclear; maybe an over-developed story with far too much exposition (every character seems to need every other to explain nanomachines to them, it seems. We, however, do not), or perhaps the increasingly egregious and segmented action scenes (why are there spitfires on Mars? Who knows, let's cut back to Spike being pursued by military jets for no apparent reason!), or it could be the ponderous attempts to fashion some sort of existential aspect to the story ("I'm not insane, the rest of the world is." - oh really? You don't look thirteen years old, Vincent, but you sound it). Philosophical-minded action films are not especially uncommon; good and effective ones are extremely rare. Suffice it to say that I was surprised and rather disappointed when the apparent climax occured and passed with a good half an hour left on the clock.
As I say, the film hangs almost completely on the main characters. It would have been unthinkable to not bring the original cast in for this gig too (can't speak for the dub cast, don't know), and they all acquit themselves just as well as they do in the series. Music, too, such a central part of the series, is again provided by Yoko Kanno and the Seatbelts; while the styles used in and prominence given to the music may not be to everyone's tastes, the versatility and range Kanno's score covers while still retaining a high basic quality standard is nothing short of incredible. Visually, the quality seems to have been kicked up a notch; the animation of the series was never bad, but the film is sumptuous and extremely well detailed.
However, one of my main bones of contention remains. The art design is realistic, unapologetically multicultural and sort of grimy, very credible in its way, but under even cursory analysis, it's illogical in the extreme. Why is Mars covered in early twentieth-century New York-style tenement blocks and labyrinthine Moroccan markets? Has anyone remembered that it has one third of earth's gravity? Is there, in fact, any reason for this to be set on Mars at all, other than to tie in all these diverse elements? It's sci-fi doing what sci-fi does most often and least well - making half-baked stuff up to accomodate its ideas, with no thought for maintainance of disbelief suspension.
I was never as bowled over by Cowboy Bebop as many people seem to have been. Overall I liked it, certainly, in fact I thought some of it was absolutely excellent, but other parts I thought were pretty terrible, and it was quickly clear that the series was never going to be "a classic" in my eyes the way it is for lots of others. This was primarily because of its disjointedness and apparent lack of story direction, and the same is true of this film. Now, after watching it, I'm left with the same "...well, so what?" feeling a significant amount of the series gave me, but because of the length and the negative impact it has, I have comparatively more holes to pick at as well. Perhaps if you're a real fan, this film has more to offer, but overall, for me, while I'd not actually call it bad, this doesn't reach the already kind of saggy standard the series set. read more
Apr 22, 2011
Why did I think the movie was average compared to the reviewers here who thought it was great? Let's compare it to the show and see:
Cowboy Bebop: 9/10
Cowboy Bebop: The Movie: 6/10
Anyone who remembers the Cowboy Bebop series knew that the storyline was more detailed while simultaneously comedic. The drama and comedy blended together made the series a good anime. It's story revolves around a group of four bounty hunters who *desperately* seek for money by taking criminals to the cops. Spike was a stubborn, pigheaded cowboy and Jet was officially commanding. As for the other main characters, Faye Valentine is dreamy and hotheaded, Ein was naive, and Ed was technically hyper and mischievous. After the three main characters joined in, the hunters seemed to split into two teams; they did before Faye and the others got in, but it was too complex for poor Spike to handle, so you should be happy that he's got a team quite like ones in a scavenger hunt or something. His team takes you to a certain place where the bounty heads are placed and he kicks their butts to make it easier to capture. The other team obviously *tries* to capture the bounty heads while Spike's team tries to set things right, that's usually on Edward's team.
Knockin' On Heaven's Door, I'd say seemed to start off with an interesting plot, but it has a lot of references to other movies and therefore, it seemingly takes place between episodes Cowboy Funk and Brain Scratch. If you are watching the show right now and haven't got up to episodes 22 or 23 yet, then you might as well wait until you get in touch with those episodes before you touch the movie.
Cowboy Bebop: 8/10
Cowboy Bebop: The Movie: 7/10
This really depends on what style of person you are. The music in the Cowboy Bebop series seemed to act like the music that were released between the 1950s and 1970s so if you are an old person between senior and middle aged, then you might be impressed with the art's activity as it *does* seem to remind people back-in-the-day (well, for me... yeah). The art and animation in Cowboy Bebop The Movie seemed to do well in its improvement. Bones had made it and Tristar Pictures and they make well thought out movies. Spike seemed to look a little different in his facial expressions as well as Ed and Jet, but the rest seemed to be just fine. The supporting characters are well, new and they seem to fit the style of the Cowboy Bebop movie.
Cowboy Bebop: 10/10
Cowboy Bebop: Knockin' On Heaven's Door: 7/10
These are both perfectly related so the VA in this film come from the series. I always thought Knockin' On Heaven's Door had better Animation/Art than Cowboy Bebop did, but I'd have to say that Hollywood studios seems to make hit T.V. series into movies which are usually, well, not topping the series and other people think the series are much better than the movie(s) they're making off of it. "I think it's time to blow this thing and get everyone and stuff together. O.K., three, two, one, let's jam!" The opening theme song "Tank" on Cowboy Bebop is considered to be the most awesome anime openings to ever hit the history of anime and I was wondering why it wasn't featured in the movie at some point. Knockin' On Heaven's Door had a lot of country music rather than jazz (at least from what I remember) and I was like... "Eh, they should've stayed on the jazz style." Although, the voice actors for both series are top-notch. Steven Blum was as good as Koichi Yomada, who played Spike making him look like a stubborn cowboy. Jet's VA sounded grumpy. Faye's VA sounded sexy. And Ed's VA fitted her perfectly with the sound of a "YAO!" and stuff like that.
Cowboy Bebop: 10/10
Cowboy Bebop: The Movie: 7/10
Like I said above, I explained how the characters were compared to the series in compact with the movie and how their personalities were. Although I think Cowboy Bebop had better supporting characters than the movie does, although Electra was a good one.
Cowboy Bebop: The Movie, well, can't really say, I thought adding an apparent BF for Spike is kind of irritating, although not too much since if they were lovers, she would make the perfect girlfriend. And I was wondering why nobody mentioned Vicious in the movie. Vincent is a new villain for Spike and Spike, apparently got affected from his nanotechnology didn't seem to show his feelings for him as he did with Vicious because every time he confronts him, something bad happens.
Cowboy Bebop: 10/10
Cowboy Bebop: The Movie: 6/10
O.K., so I compared the series to the film and it's totality seems to hit the series more (which I thought was better.) I don't dislike the film, but I was quite disappointed when I flipped through the channels, awaiting for it to come on and spent almost two hours watching an apparent average movie or some movie that people don't really care too much about. The story mainly revolved around bio terrorism than it did with bounty hunters. Nanotechnology, and other stuff just didn't top the series. I mean, I know Spike and his mates are supposed to be ghetto, and I'm not trying to be mean, but I'm sorry to say that the series had its potential while the movie was just "I don't give a darn." I'm not bossing anyone around to avoid the movie; you saw what I wrote, and opinions are opinions, so if you liked it, good. if you didn't like it, I'm very sorry. But if you thought it was average (or sparingly not better than the series), then you'll see what I'm talking about. it was pretty good in my opinion, but like I said: average, which makes me want to write a review about it and send it out to the public. read more
Apr 22, 2010
Having the "Cowboy Bebop" tag in front of the movie's title is both a blessing and a curse for the movie. The blessing is that it gets to use the great foundation set by the series. In particular, it's always good to see the colourful characters that make up the crew of the Bebop once more. I've grown so fond of them it's like meeting old friends again - they've not changed a bit. This movie is good in much the same way that the average single episode from the series is good - it's just a really well made action/adventure story.
At the same time, it's only natural to start comparing this movie against the series... and this is where it falls considerably short. You see, the series is far greater than the sum of its parts - although each individual episode is very good in its own right, they are rarely spectacular with a few notable exceptions, and this movie ain't one of the exceptions. When you add all the episodes together, then you start seeing what makes "Cowboy Bebop" so brilliant - its variety. When you take this aspect away, the whole idea starts to break down. The "Cowboy Bebop" movie is supposed to feel like a longer story, but instead feels more like a normal length story stretched out to be film length - perhaps this is due to the fact that I've come to expect a certain amount of freshness from the series' constant genre switching, and obviously this freshness is lost when it comes to this movie.
Still, most of the essence of "Cowboy Bebop" is still here, and it's enough to make "Knockin' on Heaven's Door" a very good movie in its own right... but it just can't match the enjoyment and addictiveness offered by the series. As the final outing featuring the crew of the Bebop, it felt like a bit of an anti climax because it couldn't quite compare with the grand finale of the series. So I would advise other people to watch this before episode 23 of "Cowboy Bebop" and allow the ending of the series to finish the franchise in style. read more
Nov 15, 2008
Story: The story takes place in-between Sessions 22 and 23 of the original series. One great addition is it sticks the original fashion of Cowboy Bebop, so you can connect if you've seen the series.
Art: Cowboy Bebop taking place in the year 2071, i found the art to be wonderful. It shows all the different ideas of the future, such as ships, cell phones, space, and very much more.
Sound: Experiencing both the English and Japanese tracks, it is always very opinion based. Although i typically watch Anime in subtitles, i loved the voice of Steven Blum as Spike. I also noticed on the final fight scene, the grunts of pain and heavy breathing simply did not exist on the Japanese track.
Character: Cowboy Bebop has very odd characters, making it all so much sweeter. Weather it is Spike's humor or Faye's attitude, all characters deliver a very unique experience.
Enjoyment: Being a fan of the series before i even saw the movie, I knew i would very much enjoy Cowboy Bebop. It met very well to my expectations, and has got me to re-watch it over and over again.
Overall: Cowboy Bebop is an outstanding film, and I would recommend it to Anime fans of all kinds. Especially if you are a fan of the series, this is a must watch. read more
Jan 30, 2014
This is the question I had asked myself after watching the superb Cowboy Bebop television series. It ended on a high, with a shootout that puts Spaghetti Westerns to shame and rode to one of my all time favourite anime with one of the most original premise in years.
So why did this movie not succeed my expectations? The new setting was brilliant, unforced and wonderfully animated. The soundtrack as always is the wet dream of precocious and pretentious teenagers alike.
Yet the story and characters were just flawed. I could forgive the somewhat muted interactions in the TV series because most of it would come together at some point but nothing happened! Nothing pivotal and/or significant bar introducing a new villain who suffered from an inferiority complex compared to the more calm, collected and menacing, Vicious.
Spike literally adhered to everything we expect from a heavily noir-inspired protagonist and the rest of characters did not get enough screen time to develop profoundly in any shape. There was no new character arcs that I could connect with and nothing here for the audience to generally connect with.
Which is a shame, because outside of the predictable story and characters, the rest could have been condensed into another classic cowboy bebop episode. And that is what seems to have happened here, a setting was blown up with filler content, meretricious drama and more clocking for time as it finally decided Spike should have his confrontation with the villain.
The mild disappointment is the disappointment that stings the most. A shame because I regard the TV shows to be a triumphant success in dragging people unaccustomed to the eccentricities of anime to fully appreciate the quirks in them. Better luck next time.
Nov 4, 2009
Aug 2, 2012
I will tell you now this gets straight 10s across the board. This film is the follow up to the cowboy bebop series and its a great addition to the saga. In the series were left with some unanswered things and this movie is not about answering that or tying loose ends. This is like a really long episode of Bebop with a exceedingly deep plot.
You could kinda have guessed its like a episode since its named after a song by Bob Dylan like every episode in the series with its musical themed names. This movie actually ups the production value of the show a lot with a grittier and darker style animation with some rather beautiful scenes. The musical influences of bebop is seen in the general flow of the show in how it all runs smoothly into the next scene. A great soundtrack by the seatbelts who performed the majority of the series music.
The characters we all love are back together for the task of saving mars from the pathogen. What makes me happiest is that the series did not have to necessarily end on the sad notes the tv series did. Since this came out after bebop ended and it is set between episode 22 and 23 of the series a lot of people could see this as a more triumphant ending to the franchise rather than a awesome side story. I am not saying they could consider this taken place after the series but more than a better send off than the way it left spike in the stairwell.
I felt this was great, i liked seeing the crew of the Bebop in one last true victory. I liked the ending of the TV series but i wish it could have ended with a stronger sense of victory and that's what this movie gave to me in the end.If i can say anything more about this show is that it carry's with it the spirit of the series on a epic scale. read more
Jul 23, 2009
The Bebop movie is superb. If you are a fan of the series, you will not be disappointed, but you won't miss a beat if you decide to watch it without ever having seen the series either. Like the series, the movie features fantastic animation and a phenomenal soundtrack.
If you haven't seen the series, enough cannot be said here about the quality of animation and audio, and you should take a look at the review of the series itself. But what sets the movie apart (and above) is its story: while the plot isn't terribly intricate or even among the most interesting, it's still a plot. Viewers of the Bebop series will probably agree that for all of its pros, the show suffered at times from an incoherent plot and hit-or-miss episodes. Think of the Bebop movie as one long hit episode. The characters remain as lively and unique as they were in the anime, but here there is an enemy, a plan to capture him, teamwork, and a feeling of urgency and excitement. All of this culminates in a beautifully done final fight scene.
Apart from being slow at times, the Bebop movie has no negative aspects. It is a joy to see the landmark characters of the series in a full-length film. It is even greater to see a developed plot accompanying such fine music and animation. Fans and non-fans alike should give the Bebop movie a view.
Overall Score: A
Find snapshots and a high quality download at my blog http://animefiend.blogspot.com read more
Feb 25, 2013
Critic's Log: Earthdate - March 21, 2012. Review #2: Cowboy Bebop: The Movie
It is the year 2071. Halloween is in a few days and the Bebop crew is searching for bounty to find someone who is releasing a deadly virus. The original creators of the virus send a woman named Electra to find the man responsible for releasing this deadly virus. The fate of Mars rests on the Bebop crew.
That is the gist of the Cowboy Bebop Movie.
Cowboy Bebop: The Movie (also known in Japan as "Cowboy Bebop: Knockin' on Heaven's Door") was made by two animation studios, those two being Sunrise and Bones, and boy does the collaboration pay off! The success of Cowboy Bebop led to a feature film that is just as good as the TV show. According to some sources, the events of the movie take place in between Sessions #22 and #23. I guess that makes sense, why would the movie take place after the show.
Beside all the technicalities of this movie, I'll explain what I liked and what I didn't like in the movie. First of all, I really like the animation. It looks better than the show and that is because the movie had a bigger budget than the show, but the animation is eye-candy from beginning to end.
The Bebop crew is still the same old bounty hunters you know; there are two movie exclusive characters that are interesting in this movie in which the two are Electra and Vincent. There is a connection between these two, and I won't spoil the rest of it if you haven't seen the movie.
I also appreciate the soundtrack for being a bit different than the show, Director Shinichiro Wantanabe chose an Arabesque atmosphere for the setting and some of the music because he felt it was alien to him and it was not used much in the show. The music by Yoko Kanno is still groovy
As far as voice acting goes (from the U.S. Release’s language tracks), there are 3 versions, the original Japanese version (the subtitled version), the English dub, and the French dub. I am not going to comment on the French dub because I am going to make this clear, I am choosing to only comment on The subtitled version and The English dubbed versions of anime shows and films. Since I reside in the U.S., Animes that are released in the U.S. usually get subtitled versions and English dubbed versions. Some contain French dubbed versions but I chose not to comment on the French dubs. Moving on. The Japanese cast and The English dub Cast are both good on their own. Tsutomu Isobe was chosen to play Vincent and Ai Kobayashi were picked to voice Electra because neither of them had very much experience and they were both pretty good. As far as The English dub goes, Daran Norris' role as Vincent was scary good, and Jennifer Hale's role as Electra was good too. Both the subtitled and the dubbed versions are good. I already mentioned in my review of the TV show about that The subtitled version may be overshadowed by the English dub.
If there is one thing I could complain is that the length of the movie may have been a bit too long in length, this could have been worked as a 2-part episode or even 3, but I guess it's nothing to complain about. Keiko Nobumoto's screenplay is good enough for this movie. It's still a good action flick that can be enjoyed with popcorn.
Cowboy Bebop: The Movie is available from Sony Pictures and Destination Films or whoever is behind distribution.
With that said, The Cowboy Bebop movie is a really fun film; it has kick-ass action scenes and some amazing animation. It may not be necessary to watch with the show, but it is made for the viewers who liked the show. If you liked Cowboy Bebop, you'll probably like the movie too.
I would give this movie a 10 out of 10 if it was really was connected to the show, but is it necessary to watch the film? Well, that is up to you. if I was rating this movie as a standalone movie, I would rate the movie somewhere along a 8 out of 10, But to be fair, since the show's episodes were treated like short films while The movie is obviously a feature-length film that is part of the Cowboy Bebop series (even though this movie was made after the TV show) I'll give it a proper rating for the most part.
I give Cowboy Bebop: The Movie a 9.5 out of 10... it is EXCELLENT! It's not really a masterpiece compared to the show. But it's still awesome.
Feel free to leave me a comment and ask yourself this one question, are you dreaming? read more
Jul 31, 2013
There were some plot holes though that niggled at me, but nothing particularly bad. This movie takes place during the series, so watch it then. It's pretty good, so don't turn it down! read more
Nov 27, 2009
Apr 13, 2009
Oct 8, 2008
the story has a lack of action but all the other elements make the movie a real outstanding film that its a must if you like the series I highly recomend you watch the series first but if you watch the movie first it will be alright
because it is not connected with the trama in the series.
the music its an amazing composition of yoko that makes your ears fly to the blue sky, see you cowboys.