English: My Neighbors the Yamadas
Synonyms: Houhokekyo Tonari no Yamada-kun, Hoohokekyo Tonari no Yamada-kun
Japanese: ホーホケキョ となりの山田くん
Status: Finished Airing
Aired: Jul 17, 1999
Producers: Tokuma Shoten
Studios: Studio Ghibli
Source: 4-koma manga
Duration: 1 hr. 44 min.
Rating: G - All Ages
Score: 7.401 (scored by 7,681 users)
1 indicates a weighted score. Please note that 'Not yet aired' titles are excluded.
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Story: 10 (Refreshing family story thats not cliche)
Art: 8 (Very unique, take on the comedy style)
Sound: 7 (Average slice of life/comedy effects)
Character: 10 (resembles my family almost perfectly)
Enjoyment: 10 (everything in this movie i can relate to)
Overall: 45/50 = 9.0 (Excellent anime for family time)
I managed to stumble upon this gem of a show simply by walking in the wrong film room at the Anime Expo. Man, if i didn't walk in that room I would have never discovered how great of a show this was. It's not your typical movie style movie, instead, its told in a dozen or so situations all involving one family: the Yamadas.
Theres no deep evolving plot or intriguing storyline to look forward too. It's simply a nice slice of life movie about the daily lives of the five members in this household. It's main highlights of the show is how they tell portray common situations that occur in a majority of average households. Things like how parents use swindle their kids into doing chores, or manage to convince someone going to the store to get things for you because you're too lazy. All these situations are average everyday things that we normally don't find humorous (and they usually piss us off). But when watching it from a different viewpoint, we realize that such things are so ridiculous yet true that we have no choice but to laugh because we know those situations all too well.
The art work is something else as well. In typical ghibli fashion, it goes for its own unique style and manages to make the super simple in to something that one can only call it a masterpiece. You can see the pen strokes, and watercolors and errors everywhere, it almost looks like someone just scratched it together out of someones notebook. But there are some scenes that run amazingly smooth (aka high frame rate). A good example are the TV shows they end up watching. It looks so simple yet, it moves with a fluidity that is only comparable to real TV broadcasts. Of course some people will think the art is the worst they've ever seen and say that they can even do a better job. But theres something about the simplicity that just makes it so wonderful. I just can't pinpoint that exact reason why.
The sound effects are all standard fare. Nothing wrong with them at all. Most of the sound consists of household sound effects and such. But where the sound effects gets its most use is from the voice acting.
Since I was living in a pretty full household (grandparents, mom, her brother and two sisters, and 1 cousin) I can easily relate to how this family interacts with each other. It's comical how exactly their emotions and how they talk to each other emulate my family. Including the grunts and groans and such and backtalk all make it so wonderful and interesting to watch.
Just like any Studio Ghibli film, this is a perfect movie to watch with the whole family. As a matter of fact I highly recommend watching this with the whole family, and point out things that they do just like the Yamada's. This isn't a show to watch just for the sake of watching. After watching it twice its clear that this show has the potential of bringing families together with all the conversation and interaction that can be happening while viewing this movie. read more
You watch the first few minutes thinking that it's the credits and you wait until you realise, this isn't the credits, it's the story! The unique style of animation throws you in for a loop, but it's not bad. Yes, it's simple, more like a moving comic strip than animation, but simple does not mean sloppy. Each line and curve of the drawings is thought out and perfectly placed and the motion smooth. You can't help but like the characters, the director perhaps explores their stereotypical side - the salary-man dad, slightly lazy stay at home wife, reluctant student son, cute as a button younger daughter and grandmother with a sharp tongue - but that's what makes it funny.
The story is told in snippets, sometimes interrupted by metaphors or one of the character's recollection of an event past, all wrapped up neatly by humour: sometimes a great belly laugh and sometimes a gentle smile. The movie leaves you feeling good and, somehow, cuddled. Perfect family viewing; I suspect that one appreciates this movie more as the time goes by. read more
For one thing, the feature is not--I repeat, IS NOT--plot-oriented. It comes across as a series of individual skits involving the titular family in their day-to-day life. The lack of a narrative may put off people beforehand, but doing so could very well deprive you of a most delightful--and refreshingly original--viewing experience. Watching how the Yamadas interact and go about life is every bit as poignant, funny, and off-the-walls as real family life can be; not only are we treated to disputes on who gets to watch TV, but we get to see stories such as the youngest sister, Nonoko, getting accidentally left behind at a shopping mall and all the trouble her parents go to in order to find her. The movie also relishes in silliness and surrealism--especially in the sequences where Mr. Yamada imagines himself as a superhero rescuing his wife and mother-in-law from crooks and the showclosing "Que Sara Sara", where the family floats through the sky on balloons. All these random events unfold at a roller coaster pace.
What I enjoyed most about the movie was the way it looks and sounds. For "Yamadas", the animation is produced in a newspaper comic strip style, which, given that this is what the movie was based on, is an ingenious match for its nature. Simplistic scribblings straight out of a serial fill the screen with a charm that is utterly irresistible. The catchy, tuneful score adds to the essence of the whimsical atmosphere. Employing bits of famous classical pieces on the soundtrack (such as Mahler's First Symphony, Mendelssohn's Wedding March, and Leopold Mozart's Toy Symphony) is a very inspiring touch.
There was only one thing about the movie that I found very confusing: at the end of most of the "segments" present in the film, we see what appears to be a quote taken from various poets. I was also unclear about the "pachinko" references, and the scene where Mr. Yamada is throwing cards down for his family left me puzzled. This is obviously a film steeped in Japanese culture--and one that is more likely to be understood by a Japanese speaking audience.
Which brings me to the biggest problem I have with the Disney dub: while English script writers Eric Garcia and Leo Chu earn points for attempting to remain as faithful to the original material as possible, they do so in exchange for making any effort in presenting this story to a wider audience who would be otherwise unfamiliar with the heavy references to Japanese culture. That alone makes "My Neighbors the Yamadas" the weakest of the Disney-Ghibli dubs I have heard thus far.
This is not to say that the dub isn't worth watching, however--on the contrary. While the script lacks coherency in places--although the writing is very amusing and very entertaining overall--I have no problems with Disney's selection of actors to record the voices. The incomparable James Belushi takes on the role of Mr. Yamada with exuberance and enthusiasm, and Molly Shannon voices his wife, Mrs. Yamada, with just the right mixture of sweetness and no-nonsense demeanor; the scene where Mr. and Mrs. Yamada argue over who gets to watch the TV is delivered with dead-on comic timing and believability--making this moment one of the dub's best moments. Young child performers Daryl Sabara and Liliana Mumy play the Yamada siblings, Noboru and Nonoko, whose interactions are so natural that you'll swear that they recorded their lines together--which, as a matter of fact, they did!... well, for the cookie scene, anyway. Tress MacNeille, a multi-talented voice actress best known for roles in shows such as "Tiny Toon Adventures" and "Animaniacs", has been cast in many of the Studio Ghibli English productions, and it is a treat to hear her another--she nails the crotchety old Grandma Shige to a T and beyond. David Ogden Stiers makes a brief appearance in the movie as well, narrating the titles of the various "segments" in addition to the verses displayed at the end of each episode.
Steeped in heavy references to Japanese culture and atypical of animated features mainstream viewers are used to, "My Neighbors the Yamadas" may have a hard time finding its audience; the film was not a great success in Japan, and at this point it is hard to tell whether it will suffer the same fate in America. However, it is highly unlikely that folks seeking creativity and something different from the norm will go wrong by discovering this delightfully inventive and charming film. read more
The characters really don’t have anything that actually makes them stand out. They are just a generalization of a mother, a father, and family. There really isn’t much that goes in the sense of there own personality and that did really bother me. I wanted some substance in them, not grasping at straws to feel closer to the characters. To me, that really felt boring and it became like me trying to force myself to watch the whole thing. Normally I could actually grasp at someone in the story and relate to them like the older sibling but this one just seemed off.
The art style is very different then Ghibli’s work as well, going for pastel colors and artwork that doesn’t really fill up the whole screen most of the time. In fact, most of the border areas feel like the artwork blends off into white. It feels much like a comic strip art piece like in the paper rather then a full film. It stays mostly in the real world instead of going into any crazy ideas yet in the beginning and end has a sort of surreal look about being a family as they talk about a poem that deals with life. That was the most interesting part to me actually and it was pretty cool that they started out that strong and ended in the same manner although it made me feeling like I wanted more of that then the other real life stuff.
The English voices are really well done, adding to the whole feeling of family but I wouldn’t expect less from Disney when they get their hands on a cute little show like this. Nonoko is a very believable 5 year old and sounds so cute. The show itself takes things rather literal and I believe that is because we are in the mind of this little girl and how she sees her life. The English dub really does add to this idea that we are seeing everything from the 5 year olds aspects. Plus the fact that Nanoko does not show up all that often. There are times that it deals with her but then there are many times that it is only the parents, son, and Grandmother.
The show might have been alright but it really isn’t the best Ghibli film in my opinion. It was slow and very slice of life-ish that it was hard to watch.
Tonari no Yamada-kun is a movie that is filled with a whole lot of shorts, that range from short to long, that show the Yamada family experiencing all of the wonders in life. One of the first long shorts deals with the Yamada's accidental leaving of their daughter, Nonoko, all alone at a mall, and their quest to go get her back. The humor in it was nice, and it showed how the family acted with each other pretty well. One of my favorite parts of the film, which is the short where there is a biker gang causing a ruckus outside, and Shige and Matsuko comically force Takashi to go outside and tell them to stop. Here we then see a change in art style, and a tense moment, albeit comically stopped as Shige and Matsuko come outside and make the biker gang go away by banging pots. We then see a daydream of Takashi's where some criminals kidnap Nonoko and Noboru, but he then saves them with his heroic powers. It then shows him on a swing where he was most likely thinking about what we just saw, ending the scene in a dramatized way.
The art style of Tonari no Yamada-kun is like comic strips, which fits in with the style of shorts. The only time we see the characters look realistic, is the scene I just explained above with Takashi and the bikers, which was refreshing before it went back to the original style. The style fits in with the movie, as it feels like you're watching an animated collection of comic strips throughout, which was nice to see a change of style from Ghibli. There wasn't a lot of detail in everything though, and backgrounds were just white adding to the comic style which kinda disappointing me, as I wanted to see the backgrounds in a comic like style.
The sound is crisp, clear, all good. The voice actors did a great job, and made the movie very enjoyable. The music wasn't really pronounced to me though, I wasn't really feeling the music at times, and was like, "Meh". There also some weird sound cuts, but they weren't that bad.
I liked the characters in this movie. It showed them interacting with their family, and growing as they did. They went through fun, silly experiences, and showed their strengths a lot. It was enjoyable to watch them, and I wasn't annoyed by any of them or dislike any of them. They were great.
All of the shorts had something fun in them, and a lot of them made me laugh or chuckle, but some of them left me kinda bored, and as I said before the music wasn't really adding that much to my enjoyment. The main enjoyment factor comes from the interactions with the family, and the results they get from doing certain things.
Tonari no Yamada-kun is a nice movie, but it isn't the best movie that Ghibli ever made. There are funny moments, but there are some trips along the way. Some sequences are funny, others are semi-serious, others are both. People that don't really interact with their families probably won't find a lot of this stuff enjoyable, and people who want to be rolling in laughter the whole entire movie will be left disappointed, as it delivers the humor in jabs, mainly at the end of the short. The music isn't OMG I MUST JAM TO IT EVERYDAY, it does it's job, it fills the scene, makes it more relaxed, and chilled. The characters chemistry's with each other fit well, and the style of the art fits well enough. It's an enjoyable film to see, but it's definitely not an anime film that you must watch to be praised by the anime lords. I recommend seeing it on KissAnime, and if you like it enough, then you can buy it if you would so desire that. read more