Gintama.: Shirogane no Tamashii-hen - Kouhan-sen

Following the temporary retreat of the Altana Liberation Army from the Kabuki District, the state of the war has seemingly improved. However, as the Oniwaban, Shinsengumi, and residents of the district combat the army's remnants, Edo's greatest inventor Gengai Hiraga is abducted. Responsible for causing the enemy's withdrawal by rendering their weapons useless, Gengai's nanomachine virus is now at risk of being shut down.

Meanwhile, a laser capable of obliterating a planet is activated in Earth's orbit on the Liberation Army's mother ship. Another battle ensues when Shinsuke Takasugi and the rest of the Kiheitai arrive on the vessel to stop the weapon from firing. Forced to fight a war on two fronts, the Yorozuya and their allies must prevail on both sides to save Edo and the rest of the world.

[Written by MAL Rewrite]

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Background

Gintama.: Shirogane no Tamashii-hen - Kouhan-sen was released on Blu-ray and DVD from October 24, 2018, to February 27, 2019.

Episode Videos

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Related Anime

Adaptation:	Gintama
Prequel:	Gintama.: Shirogane no Tamashii-hen
Sequel:	Gintama: The Semi-Final

More characters

Characters & Voice Actors

Sakata, Gintoki

Main

Sugita, Tomokazu
Japanese

Kagura

Main

Kugimiya, Rie
Japanese

Shimura, Shinpachi

Main

Sakaguchi, Daisuke
Japanese

Katsura, Kotarou

Supporting

Ishida, Akira
Japanese

Hijikata, Toushirou

Supporting

Nakai, Kazuya
Japanese

Okita, Sougo

Supporting

Suzumura, Kenichi
Japanese

Takasugi, Shinsuke

Supporting

Koyasu, Takehito
Japanese

Tsukuyo

Supporting

Kaida, Yuuko
Japanese

Hasegawa, Taizou

Supporting

Tachiki, Fumihiko
Japanese

Kamui

Supporting

Hino, Satoshi
Japanese

More staff

Staff

Miyawaki, Chizuru

Director, Storyboard

Fujita, Youichi

Episode Director, Storyboard

Kishimoto, Taku

Script

Takamoto, Yoshihiro

Storyboard

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Opening Theme

"I Wanna Be..." by SPYAIR

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Ending Theme

"Hikari Shoumeiron (ヒカリ証明論)" by CHiCO with HoneyWorks

Reviews

Oct 7, 2018

Lord_Dracule

Recommended

For this review, I will not review this season alone, but the whole franchise up until the end of this season. This will be spoiler-free, unbiased and mostly objective, and instead of straight-up discussing the series, but mostly point out what makes Gintama unique while keeping the structure MAL suggests. Here we go

Story: 10/10
Characters: 10/10
Animation: 8/10
Other factors: 9/10
Few complaints
Conclusion

Story:
Many Gintama watchers may notice something from the beginning of the story, something many end up disliking. That is the fact that "Gintama has no plot". The thing is that it doesn't.... But it does.... But doesn't. Without spoiling anything, Gintama is a mostly comedic series, only ... driven by the characters' actions and development. People will often refer to that as the story itself, which I disagree with. The plot is actually existent within the series, but we can say it happens "off screen", since the main cast is often not involved with it. The author does however throw out certain plot points and foreshadowing here and there, which later turn into an actual plot. Fans will often refer to the series' "serious arcs" as the plot, which is valid, since they do tie in with the plot itself. But shortly said: Even though Gintama has almost no plot, watchers still stay for the rest of the content, until the plot actually begins at (surprise, surprise) not episode 1. They way Gintama does it, is brilliant, since even though the plot is to be looked forward to, there is so much else before it that is both appealing and worth watching. Something the plot alone will never justify.

Characters:
The characters of this series are clearly the strongest points of the series' quality. Not because the rest is bad (look at my rating), but because they are just so well established. I've heard many fans state that "Gintama's cast will be the most lovable cast of characters you will experience", and even though many may argue with that, I agree with the statement, since it does make a point. Gintama has a huge cast, with maybe 20+ cast members that you will often see throughout the series, including the three protagonists: Gintoki, Shinpachi and Kagura. Aside from them, you will experience that almost all of the characters will get their own depth and quality, which make them unique and memorable characters. Almost everyone has their own quirks and problems, as well as backstories, experiences and later development. You will often watch them as you laugh at them and with them, as well as cry with them. Each one of them is lovable in their own way, not because you are guaranteed to relate to them, but because how much the author respects and loves them to write them the way they are. I could sit here and ramble on how deep and lovable the main character Gintoki is for instance, and how much his past experiences and present connect to each other to make a good character, but nothing I say any more, can do the characters' quality justice. If you feel like you don't like even one of the characters, then I do not know how to defend myself.

Animation:
This is finally something to complain a little about. The animation in this series has never been particularly good, nor has it ever been horrible. A very episodic series like this has no need for extraordinary or consistently stunning animation like the Fate-series or Violet Evergarden. In comedic and "calm" episodes, the animation is not the main point, since it is the comedy and the short-term storytelling that matters. You can say that intense scenes like battles, duels or chases require good animation for better experience, and that is exactly what Gintama has. Whenever a fight or an intense scene occurs, the animation will always step up (a lot) to make the scene great, but you cannot expect all of the 350+ episodes to have animation like that. Why I did not give the animation higher than 8/10, is because it would be to generous, but I do not complain too much either, since I do not require better animation than I need. If this is a problem to you, I will excuse myself, since this paragraph may have been useless in that case.

Other factors:
I will try to make my points shorter here, so that the paragraph won't be super long. MUSIC is an important part in a story, but for Gintama, it is not exceptionally good (but not bad at all). The "beautiful" soundtracks do not match with for instance Naruto's, and the motivational/intense tracks do not match with One Piece's. However, what Gintama does great, is creating few tracks that are associated with a certain scene or a character. There are a few songs you will hear maybe 2-3 times in the whole series, which you will associate with one powerful scene, which will make a good experience.
THE COLLECTION OF GENRES, is also an important factor that makes Gintama, in my opinion fantastic. It is mostly known for being a comedy series (which it excels in of course), but there is much more to it. You will see many other genres or elements from other genres all the time, since it can go from lung-paining comedy, to touching and calm Slice of Life, to (sometimes) deep and emotional romance, bombastic and exciting action and, not least: Tear jerking and painful drama. All these genres get switched between all the time, and it is made in a way that is not absolutely messy or not understandable, but instead very structured and well-made. That is something many pieces of fiction have a hard time with.

Few Complaints:
Since Gintama is very episodic, we are bound to enjoy some arcs and episodes more than others. Even though there has never been an episode or arc that I really hated, some episodes end up being a little weaker in both quality and enjoyment. Another complaint is that since the cast is so large, some characters will be a little less developed and more flat. And as said before, as there are characters you will most likely relate to, there are some you will not care about so much, and that is difficult to avoid. But these complaints compared to the rest of the praise do not push the series to a 9/10 for me at all, so the series is still pretty much perfect in my eyes (sorry for being a little biased there).

Conclusion:
If you want to start/continue with Gintama, there are things you must remember. This series requires patience, so do not expect it to become a masterpiece right away, but please know that as you go on, you will be rewarded with better and better stuff along the journey. When you finally reach the end, you may think "This series was long, but it was absolutely worth the time". But to be more straight forward, think of it like this:
The first serious/plot heavy arc (around 5 eps long) arrives somewhere between episode 50 and 60, where many watchers learn what Gintama can be and WILL be except just comedy. But if you still hate the show after episode 87, then I do not know how to defend myself lol. You will se more arcs like these of course, especially in the last 50 episodes. One more thing: since most of the comedy is based around parodies and references from other anime, it will be better if the watcher has some experience with anime and manga beforehand. Having watched between 5 and 10 animes is enough, I feel, so the comedy will become better. If this review helped, I greatly recommend this series, as it is the best anime (in quality) I have ever seen. I wish you a happy journey, and I hope you will enjoy this greatness of a series.

10/10

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Aug 1, 2022

moozooh

Mixed Feelings

(Sigh)
Unbelievable. If someone told me back in mid-2015 that in some three years I'd be watching the (supposedly) last arc of Gintama—easily one of my favorite series of all time—all blank-faced, thinking, "please let it end already", I'd be confused and probably laugh it off as some idiocy. Boy oh boy, I sure wish that was the case...

This needs to be said: Hideaki Sorachi is not a good writer. It's certainly true that he can write some outstanding comedy that could rival the world's best in terms of both creativity and gag density (remember the Character Poll arc? Brilliant concept AND execution!), and Gintama works ... perfectly well when it doesn't take itself seriously. But it all falls apart the moment Sorachi tries to introduce some drama into the plot; the more of it, the more obnoxious it becomes. The characters, all conveniently stuffed together for the occasion, immediately arm themselves with their corniest lines, so cringe-worthy that even the typical Shonen Jump series about a self-unaware spiky-haired underdog would consider them a faux pas. The plot armor surrounding the regular cast dispels all the dramatic tension, because we know for a fact: characters would only die when the author decides they should, circumstances and common sense be damned. Battles are won not with skill and strategy but with sheer determination and (now more often than not) various forms of deus ex machinae. Battle choreography is neither realistic nor aesthetically pleasing. Antagonists are all limp, incredibly conflicted, and would constantly waver between their sociopathic ambitions and attempts at a hamfisted redemption arc meant to trick the audience into thinking better of them. They would often have this sudden change of heart at the end (after a couple dozen flashbacks doing a very poor job at making us care)—only to be immediately killed by somebody even badder right afterwards, or they would proactively sacrifice themselves, succumbing to the injuries that should've killed them many times over by that point. But most importantly, none of them really warrant sympathy—their cause is never relatable nor exciting enough to even consider them important. Even Utsuro owes his status quo to the Joi Four's past history with him: whatever he is doing in the present is blown up to such immense scale that confrontation becomes inevitable, but otherwise it's completely irrelevant and uninteresting. The fact that Utsuro's alter ego was a teacher to Gintoki and the others is the only thing separating him from being a random last-boss bad guy. Frankly, the way Sorachi shoves the drama up your throat is insulting to intelligence.

And the worst part is that the series has mostly been focusing on this mess of a drama ever since the Shogun Assassination arc, constantly upping the ante of cringe-worthiness and exercises in literary impotence. One pointless epic battle after another, one entire-cour-spanning flashback after another. This is what anime at its worst looks like. And I'm not saying this to put down the anime production team—god knows they've been doing their darnedest to elevate the material. But they can't fix what is fundamentally wrong with the writing.

Thus, despite my affection towards the series as a whole, I won't sugarcoat the truth nor try to delude myself: *Gintama sucks when it stops being funny.* It gets dragged down by bad storytelling, poor pacing, braindead dialogues, stunted characterization, and all sorts of melodramatic emotional manipulation the very moment it takes a break from the jokes. If it hadn't established a deeply invested audience through a long and fruitful history of mostly high-quality comedy, nobody would watch it for the plot—let alone put it on so high a pedestal. Considering that, I resigned myself to see the series through at what I considered its lowest point, because I'd already invested so much in it and wanted to have at least some closure, however poor, along with the other 36,191 hopeless idiots—but what did I get there? In the last 1/3 of the arc the series does a 180° on me and goes back to being a (mostly) light-hearted comedy once again...

...And then, instead of giving me said closure, it kind of reboots itself and just ends midways. Nani the fuck?! I mean, sure, subversion of expectations and all that, but let's be real. No matter how you lampshade it by doing that 4th-wall-breaking commentary at the end, it goes beyond poor planning. And I'm one hundred percent on board with the anime production team: Sorachi (and his editor) should take responsibility for the disaster his series has become. That is, either end it already and provide a worthy payoff for all the stupid drama, or pretend that crap never happened and let it remain the episodic comedy it once was for a while longer (but then still end it before it outstays its welcome). But for the love of all that is holy, don't engage in this ridiculous "oh, but I want to conclude the story—oh, but I kinda don't want it to end—oh, but I want it to be serious—oh, but I also want more jokes in there" back-and-forth bullshit. It doesn't work and it leaves more than a few people with quite the bad aftertaste. It's the entertainment industry equivalent of an abusive family member whom you love not *because* they are a wonderful person but *despite* the wretched scum they are—simply because the bonds were formed back when your relationship was more wholesome. And we all (hopefully) know that the biggest mistake one can make when dealing with an abusive person is thinking that it'll go back to being wholesome if we remain patient and forgiving. Don't be stupid; vote with your feet and your wallet—that's the only thing that works against somebody trying to give you shit.

In summary, if I were fair and were judging this season for the travesty it was, I'd have given it a 4 it just barely deserved. But since I have a lingering affection towards some of the characters, and a lot of the gags in the last 1/3 genuinely made me laugh—and very nearly made it worth slogging through the first 2/3—I thought I'd bump it up a little. But make no mistake, this is nowhere near Gintama's finest, and I wouldn't recommend anyone to watch up until this point. Gintama° was fine, Porori-hen was a good break, but do yourself a favor and leave it all at that. The whole Utsuro thing isn't worth the time.

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Oct 7, 2018

Karhu

Not Recommended

*This review covers the entire Gintama*

Let's start with the comedy because that's the main reason Gintama is so horrible. Gintama is often called "a comedy series without any comedy", and that's very accurate. The "comedy" in Gintama consists of colorful bunch of jokes... at least if our color vision is limited to two as practically every joke is either a) a penis joke or b) IT'S a PRank BrO. Be it a gorilla mistaking someone's dick for a banana or 7 feet long sword ending up inside someone's anal cavity, Gintama has it all. But don't worry. It's all made with self-awareness and 4th wall ... breaking so it's very funneh even after 700 chapters and 360 episodes. The parody side is really either a) an excuse to write something absolutely terrible and then claim it was made as a joke, or b) references that are so inaccurate and irrelevant that they could be used in E3's pressconference. The banter on the other hand is almost as hideous as seen in the movie Deadpool 2, but thank God not as meta. The comedy is so bad and badly timed that even during the more serious and decent moments, it comes there and completely ruins everything the series accomplishes by inserting some dude there who farts or does something equally lame.

The characters are something that could be decent -- to be frank, if the characters were a separate entity, they could all be said to be of respectable quality -- but the author practically never uses their personalities for their benefit. Almost every single reaction they show is ridiculously, even absurdly overreacted because the author doesn't trust that his characters' personalities alone could carry the content and the jokes he presents. The work is filled with moments where characters just yell some nonsense to each others because apparently, acting like overdramatic clowns is much better than actually creating comedy based to their characteristics. The sentence "it's so damn anime" is pretty much the perfect way to describe how Gintama's cast works. The only character who gets dealt with the respect they deserve, is Zura, and that's not enough.

The art is very clever. At least if we consider edgy 10 year old kids who are vandalizing the town by drawing pictures of genitals on every damn thing they see, clever. When it comes to Gintama, I don't think I have ever seen anyone put so much effort into making every goddamn background object resemble the shape of a penis. Perhaps my favorite part of the art is how often it focuses on puking and blood and assholes and dicks, yet every time these are censored and pixelated so its readers/viewers won't form a trauma because let's face it, most of them are also like 10 years old. It's beyond me how the main content is penis, farts and in generally, dirty jokes, yet they are presented pseudo and aimed for little kids. At least series like South Park went all out with their content and remained loyal to the idea to the very end. Gintama is just censorship aimed for people whose sense of humor was formed in elementary school toilets but never developed it more mature and over the top direction. Gintama is like a person who ages, but never grows up or matures.

As a conclusion: I laughed something like ~50 times during the entire run. Gintama is not a good series. It's characters are pretty much always used as comedy elements, the jokes get old in 50 episodes (starting from 80 because the first 80 don't even have any jokes), the writing is often ruined by stupid "gags" to a point that the good things become less good. Every cringe and downright awful piece of writing is justified by it being a parody. "So you're denying all the good things the show accomplished." Not really, I am just saying that even the worst of things have good sides in them and just like that, I won't be praising Gintama for its achievements.

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Recent News

New 'Gintama' Anime Announced as Film

The wraparound band on the 77th and final volume of Hideaki Sorachi's adventure comedy manga Gintama announced a new anime film on Friday. Production on a new ...read more

Aug 1, 2019 6:57 PM by Vindstot | Discuss (42 comments)

'Gintama' Franchise Gets New Anime

The Gintama Shirogane Matsuri 2019 (Kari) event announced production for a new anime for the Gintama franchise on Sunday. The format of the new anime was not reveal...read more

Mar 3, 2019 4:45 AM by tsubasalover | Discuss (48 comments)

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Gintama.: Shirogane no Tamashii-hen - Kouhan-sen

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