Mirai no Mirai

This movie is very experimental in a lot of ways, and I appreciate that. Is it a masterpiece? No. Is it the best work by Hosoda? No. But it is a very cute movie, surprisingly deep, with phenomenal artwork and cinematography.

Music: 10/10
The soundtrack is rreminiscient of Ookami Kodomo Ame to Yuki, and each song is gorgeous.

Plot: 8/10
I think the title and trailers were misleading, because they focused on Kun's younger sister, Mirai, visiting him from the future. This does happen, but it's a small part of the plot. The true title should be "Annoying Child Repeatedly Stumbles into his Courtyard and is Greeted ... by Fantastical Events that Help Him Become a Better, More Responsible Child." It's a bit long, but it's more accurate.

We follow a four-year-old boy called Kun-chan, and he likes two things: trains and screaming at the top of his lungs. I'm serious, this kid is a NIGHTMARE. I can't think of another movie where the protagonist is this young (excluding Rugrats), mostly because nobody wants to follow a screaming pile of tantrums. And that is exactly what he is. By the middle of the movie, I legitimately hated this child.

Further, everyone around him is extremely nice. Even the BABY is better than he is. The BABY. The father stays at home, taking care of the children, while the mother returns to work and puts food on the table. This is a refreshing 21st century portrayal of a family, especially in Japan where they still kind of have a 1950's mindset of women in the workforce. We spend a good amount of time following the father as he struggles and learns how to do housework and properly hold a baby. Thus, Kun-chan does not get the attention he once got before and proceeds to throw vicious tantrums.

What this means is that the protagonist is the antagonist. The only real problems are caused by Kun-chan. As stated in the new title, when his tantrums climax, he stumbles into the house's courtyard and finds himself in a fantastical world, confronting one of his family members in an altered state. This includes his dog and, yes, his little sister as a middle-schooler from the future. These events have a dreamlike approach to logic and conversation, which falls in line with the idea that these are Kun-chan's fantasies. Why is the dog a human? Because Kun-chan sees it as such. Why is nobody worried about a 2-year-old walking around by himself? Because Kun-chan is the center of the fantasy, and thus his existence, in whatever state, is normal. Each event helps him in some way, and his tantrums die down afterward until the next thing happens. I can't really say that this is a coming-of-age story because the kid stays a kid, but he manages to connect with his family in a new way. Kun-chan is the deepest, most developed 4-year-old I've ever seen.

All in all, the stakes are low and nobody dies (spoilers?), so this movie doesn't conjure the feels that most Hosoda movies do. This is not a drama so much as a dramedy, with about an even split on both drama and comedy. Still, this is a very cute and refreshing story that deserves appreciation.

Art: 10/10
This is where the movie truly shines. I saw the "camera" used in a way I've never seen before. Animation allows for really cool things like that. The weirdly diagonal house allows for really cool linear transitions to different events within the house. Again, this is the same director as Ookami Kodomo Ame to Yuki, where he told the story of two siblings growing up in school by shifting the camera back and forth in a completely inventive way. The animations are clean, smooth, and lifelike. CGI is used in a non-obtusive way that allows sweeping shots behind a motorcycle. The backdrops are gorgeous, and they make use of them. The sky-shots at the end made the "camera" movement so realistic that I was legitimately terrified of falling, inside the theater...

Tl;dr: 9
Go watch. Enjoy the story. Pay attention to the animations and transitions. Be happy. I"m out.

Not gonna lie, I want to like this movie but it did disappoint me in some ways. Let me explain:

Firstly, the art style is very reminiscent of Wolf Children and I liked it a lot. The composition of the music was top-notch as well. But this movie lacks the character development and plot that makes the movie fall short on meeting my expectations.

Let's talk about the character development, The main guy, Kun was a spoiled kid who had an attention child complex and demands a lot of attention. This is a good driving point but the way he handles the situation is honestly very ... annoying. Throwing tantrums over everything and anything is getting really sick. But what's disappointing is that even though he did see his family's past he did not change a little bit. I can't blame him. he's a kid but still... I also think that they could have done a better job at picking the voice actor for Kun. The voice in the film sounds like thaat of a 9 year old but he looks no older than 4.

Now about the plot it is lacking the essence that Wolf Children has. So damn tasteless. It's all about Kun being pissed, he throws tantrum, cries like a little bitch, sees something like he smoked blunts, then ammends relationship. But it doesn't focus on his relationship with his sister like the trailer focused. I mean the name of the film is the name of the sister but what do we get? His dog's view on life, his mom's childhood, his grandfather's past et.cet.

All in all, if you're expecting enjoyment such as Wolf Children I suggest you to turn away and watch something else like Spirited Away.

Mirai no Mirai -- literally Mirai of the future in English -- is a children's movie about Kun, a 4 years-old boy who gets a little sister named Mirai and then becomes incredibly jealous because apparently his mother + father doesn't have any time for him anymore.

Kun spends his days yelling, crying, begging for attention, teasing his little sister and being annoying in every imaginable way until several different time travels occur and Kun gets to meet alternative timeline versions of his family members, including the older version of his little sister... after which he still does this exact same thing, but we get to ... see why. The worst part is that it all makes sense.

It's hard to decide which part of this movie sucks the hardest, but I did anyway; Old saying goes "your life doesn't suck, you're just surrounded by assholes." and this is very relevant here. Typical for kids movies, Mirai's entire story relies on parents who are portrayed to be a complete failures when it comes to parenting. They are total douches and it's a miracle that our kid isn't any more fucked up in the head than he already is. Without spoiling much, he thinks he is a dog, has a terrible attitude problem and sees people who aren't real. Great.

Let me repeat what I said a moment ago: the worst part is that it all makes sense. Apparently, the message here is that people around you as well as your family members influence you and make you who you are. The more you know the less hateful and more understanding you will become. Which is a good idea, but.

The story and characters in this movie are nauseating, fake and so incredibly bad I most definitely wouldn't recommend showing this even for its supposed target audience -- meaning children aged 2 to 7 -- unless their parents wish to be as good of a parents as seen in this movie, in which case I recommend. There are countless more psychologically accurate anime series as well as light kids movies which do better, even amazing job showing how much living environment and people close to us effect the growth of children. This one uses time travel magic tricks and bad parenting instead of anything even mildly genuine. This is just heartless + its story is more like "do this, but the opposite" which doesn't work -- at least not in this case.

Production-wise, the art design follows the safety route of kids movies, being down grated version of Ghibli in every way. OST choices are incredibly boring. Kun, age 4, is voiced by a nearly 20 years-old seiyuu first timer and (s)he doesn't sound like a 4 years-old in any way. Speaking of the Jap audio.

When it comes to enjoyment, there is a scene in the movie where the dad person browses memes or something and just goes "hmmmp" whenever Kun says anything. That's me when watching this movie. If you want to see a movie about enraged little boy who doesn't get the love he wants and starts developing some sort of mental illness to fight against solitude, then go ahead, this is perfect for you. As for me, it's not very good. Also, Academy nominated this for Oscars candidate so you know I am right.