Ranked #1943

Blassreiter

All right, this is to be my first anime review for myanimelist.net so inexperience is to be expected:)

Blassreiter or "Pale rider" is newest addition to list of Gonzo's works (done in collaboration with Nitro+). Elements of contemporary anime are clearly shown in this series like extensive use of CGI, futuristic setting focusing on technological advances and moral/ethic consequences arising from it degrading humanity in process. This could be summarised as the main theme of series around which plot revolves. Classical motives of redemption, friendship, duty, loyalty and love are also present in the plot driving character actions in certain way or other.

Story in short revolves around nanomachine virus spreading across Germany infecting humans which after infection become Demoniacs-demon like creatures stripped of humanity. Although premise isn't new or epochal it is executed great with many twists and turns keeping tension high. Only a few anime could do that "I must watch next episode...NOW!" feeling. Melancholy, dramatic, painful and tragic elements are indeed intensive spicing things up and stirring viewers emotions. Great!

Now onto characters! They are truly the stars of this show! I humbly think that everyone could find some character he could establish a bond with! Driven by their inner thoughts, wishes and their past they are diverese but also sharing common concepts like grief, burden and friendship. All I can say further without spoiling something is: superb!

Art, although debated is IMHO a milestone! Great presentation, action sequences, camera angles, design of characters and tech stuff like vehicles, mechas... Demoniacs are done entirely in CG which is quite nice giving their details and crazy fight scenes it couldn't be pulled off by a conventional animation! Now i think also it is a matter of taste, especially art&design (some love e. g. Miyazaki or some other style and some don't but it has no implications on quality of that style whatsoever). Quality in Blassreiter is evident! Excellent!

Music. Highest grades here also! Strong soundtrack was a pure enjoyment beginning from opening themes ("Unripe Hero" was one of the best I've heard in a long time) and great moving battle action backgrounds, through character themes (Xargin theme's also one of best ever composed, heights achieved by the ones of like Aeris theme from FFVII). "Wish for the stars" was beautiful and fitted perfectly! Overall: great!

In the end...enjoyment review. While not a masterpiece (although short by a little in my standards) this series won't disappoint! Fans of quality action SF anime will (should) be pleased as I think will majority who decides to dive into Blassreiter's world! As far as I'm concerned Blassreiter will always be high in my book being one of my top 10!

Thank you for reading! read more

Blassreiter is not among the highest rated animes on MAL, and for a reason.

But that reason has nothing to do with any supposed inferiority of the series, nor is it about any glaring fault in the show - Blassreiter is a good anime. It's also understandable why many haven't considered it great, or not even all that good.

The biggest fault in the show is it's seemingly lack of any clear direction or plot. In the first few episodes we see a bunch of these weird, robot-ish, human-like creatures running around causing havoc, including turning a motorcyclist idol into one of them. Along with the infected Gerd Frentzen the other main cast of Amanda Werner, a hot pinkette with a cool and professional attitude, her hot-headed partner Hermann Saltza, and the dark and mysterious Joseph Jobson, whose unimpressive screen time at the beginning of the show wouldn't at first suggest him to be a main cast member.

As many of you may have already figured out from the short descriptions above, a cast of unique and compelling characters is not one of the show's merits. Amanda is again one of your typical strong female-type of character whose usually calm and collected at her job, but, oh so surprisingly, is capable of showing a good bout of defiance and passion when it comes to her loved ones and what she sees as just. Hermann is almost her polar opposite, doing his job with personal feelings constantly at the surface and always, quite loudly if I may add, questioning his orders when they contradict his sense of right and wrong. Joseph is there to heavily add on the show's gloom and doom with his brooding air of a misunderstood hero who secretly fights for the good guys despite everyone thinking of him as a villain.

A good portion of the show's dark air stems from the characters' feel of guilt and responsibility over, well, various things. Amanda feels she hasn't been quite the big sis she should've been for her adopted brother Malek (the angsty crybaby), Sasha for creating some pretty damn advanced technology that just got used the wrong way, Joseph for pretty much everything, and so on. The constant, over-the-top blaming for one's self over matters beyond their control is nothing new in fictional characters who're supposed to appear heroic; an aspect that sure as hell isn't any less annoying in Blassreiter. On more than one occasion I found myself cringing at the characters' angsty antics, which did little to help the show's enjoyability.

"Mature storyline", boasts the show's summary. As the show goes on it becomes evident that by mature, they mean shitty. Not the storyline itself, but rather the pasts and circumstances of each character. Shit seems to be the share of especially the poor and foreign folk in the show's fictional German society. We see this through Malek and Joseph, mainly, who both have been the target of some truly hideous cruelty for no other reason than that they're not as well-off as the people around 'em. The series does make a powerful attempt at gaining the viewers' sympathies for the characters by showing us in great detail and abundance the torment they've been through. Unfortunately some of this effort was lost on me, for the "harsh reality" card being played as clumsily as it sometimes was in this anime has a way of making me laugh rather than weep. Sure the poor have always been looked down on at some level, but come on. A poor kid getting beat up by a rich one time and again to ensure his church keeps getting donations, and in a modern society no less? Fuck off.

In the same vein of showing how crappy the world is for some, Blassreiter seems to take every chance it gets to jab at Christianity. Shit happens, people pray, and God does nothing. Blah blah blah. Never think of me as a vigorously religious person, but to me nowadays trashing religion is like most of black metal. Immature and drop-dead ridiculous. Plus it seems that japs trying to depict the western way of life is somewhat of a pet peeve of mine. Huh.

So why, after all this bitching, do I think Blassreiter was good, you ask? Short answer: it just was. The longer one? Well...

On the occasions I actually bothered to tune it on (I'm a rather lazy anime watcher nowadays), Blassreiter kept me entertained. It wasn't an anime that rushed through its plot 1000000mph, but let the events roll at their own pace. It's not like I would especially mind fast-paced anime (TTGL ftw), but I do tend to appreciate it when a story takes its time to tell whatever story it has to tell. And though Blassreiter went through its story at a moderate pace, it didn't exactly lapse into sluggishness either; there was something going on in each episode to keep the viewer on their toes. Also the complete turnover the series takes around halfway through was, though sudden, an interesting twist.

The artwork of Blassreiter is also worth mentioning here on the plus-side, even with the fact that most anime is a parade of eye-candy. The machinery depicted in the anime is generally really neat looking, though flying motorbikes and such quirks tended to appear more amusing than cool. A big hand to the character designs as well; I could stare at Amanda's shiny green eyes and luscious lips forever. Also, I hope you like cleavage shots. You'll be having a hard time watching Blassreiter if you don't.

Though I spent a good while beating on the show's forced realism with cruelty, the aspect does accentuate the fact that Blassreiter is not your heap of moe-blob bullshit. Which is always a plus in my book. And no matter how much I'd think that gluttoning with harshness is just plain lame, a scene of a poor boy confessing crimes he didn't do with his hand on a bible while the true culprits sneer around him did clutch my innards. Always a good sign for an anime to be able to do that.

So yeah. Wanna see a solid, serious anime that'll keep you entertained till the end but with which you don't have to fear it'll shatter the earth below you? Grab Blassreiter. read more