Alternative TitlesEnglish: Spice and Wolf Japanese: 狼と香辛料
Information
Type: TV
Episodes: 13
Status: Finished Airing
Aired: Jan 8, 2008 to May 30, 2008
Duration:
24 min. per episode Rating:
PG-13 - Teens 13 or older
L represents licensing company
StatisticsScore: 8.381 (scored by 71722 users)
Ranked: #1482
Popularity: #53
Members: 119,840
Favorites: 4,209 1 indicates a weighted score
My Info
Popular Tags
adventure fantasy romance supernatural |
SynopsisThe peddler Kraft Lawrence travels through the world selling all kinds of things. After visiting a village, he discovers a sleeping girl under the pelts in his cart. She has wolf ears and a tail. The wolf girl explains that she has been called a "god", but that her name is Holo and nothing more. Lawrence teases the girl a little, but after hearing more of her story, he is moved and decides to accompany her further north. On their travels the two have many adventures, often getting into trouble, but the bond between them grows stronger. |
Related AnimeAdaptation: Ookami to Koushinryou
Sequel: Ookami to Koushinryou II: Ookami to Kohakuiro no Yuuutsu
Characters & Voice Actors
Staff
Reviews
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Ranivus
388 of 499 people found this review helpful
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13 of 13 episodes seen
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| Overall |
10 |
| Story |
8 |
| Animation |
10 |
| Sound |
10 |
| Character |
10 |
| Enjoyment |
10 |
Wolf and spice can be summed up fairly easily. Be prepared for ALOT of dialog. In essence, its about a story about merchant trading during medieval times. A time when the word of the catholic church was more important than anything else and anyone else was deemed a witch or heretic. Since it is set in such archaic times it would be a perfect fit to have an anime about merchant trading.
Ever since i was in middle school I used to play video games with trading and how prices rise and fall from location to location and how supply and demand and even risk margins for investing in certain things to turn a profit. That was the main goal, to make money. And that is the main goal of our main character Lawrence Kraft. Through his travels he entrusted a small heretic town that believed in a wolf god named Horo that watched over their crops. And it just happens that Lawrence Kraft befriends this god and he soon finds out that she just wants to go home. And so the adventure begins....
Being a story about trading goods there is bound to be alot of dialog between bartering, negotiating, trading information and the chemistry between Horo and Lawrence. If theres going to be alot of dialog an my anime it better at least intelligent and make sense. Luckily this show does it very well, almost perfect. And its safe to say this is because how Horo and Lawrence feed off each others energies so well that you almost feel like you're right there arguing with Horo. Theres no "voice in the head" in this anime, all their thoughts and ideas go between each other and nothing is never left out. Although little background details are left out for time constraints, viewers with an open mind can understand most of the unmentioned side stories. Those who cant figure out the small things, the subbers (ayako) were nice to place side notes for every episode. Its very refreshing to see an anime that actually takes time to explain things to the point that you are convinced enough to believe the situation at hand.
Lawrence and Horo are the only main characters of the show so having a good chemistry between them was key but also having a strong seiyu cast for those two is another reason why this show is addicting. Their voices emit their emotions perfectly and the background music just makes this show so much more elegant and beautiful. Its basically consists of a string quartet. Who ever composed all of the background music must be one of the best composers I've ever heard. I never knew so many emotions can come out of just a group of strings. Environmental sound effects are just as what you would expect after hearing the beautiful strings and artwork. Crickets chirp at night, flames flicker and click, they're all of high quality. But they never interfere with the dialog at all which I enjoy the most.
The last component that brings this whole show to masterpiece status is the artwork. This show is best shown on HD resolution definitely. You can see all the painstaking detail it took for all the artists to draw all the settings of the medieval towns, each cobble stone looks different from each other, the stained glass is painted with perfect care. Even all the guild halls and churches have a massive feel to them. Everything about the artwork screams perfection and is easily one of the best artwork I've laid my eyes on. The character animations aren't as greatly skilled as the background and static animations but it does hold a medium-high quality at best. But Horo and Lawrence are still quite memorable throughout the whole show.
Overall this show crams so much information and dialog to the viewers its easy to say that its not for everyone. But this is indeed a very intelligent, beautiful, and intriguing show. Its a show that you will either understand or not. As for me I love shows like this that leaves JUST enough out for the viewer to make them think and analyze about the episode they just saw. And I am a total sucker for beautiful artwork and music, but character chemistry is what drives me (and all my other 10's on my list) to score this a 10.
...mind you this show still isn't for everyone.
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santetjan
124 of 162 people found this review helpful
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13 of 13 episodes seen
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| Overall |
9 |
| Story |
8 |
| Animation |
9 |
| Sound |
8 |
| Character |
7 |
| Enjoyment |
10 |
A sensory description accompanied by fields of gold swaying as the west wind moves. A reference to a European legend so obscure most people living where the legend was current will have never heard of it, and well-used to boot. A depiction of change, of progress and of its accompanying alteration of people's perception. All in a preamble spoken in a soft voice.
How could this not turn out to be brilliant?
When discussing Spice and Wolf, the very title of the series is of interest. More particularly, the sequence of the words of that title. Whereas the Japanese original should have produced the sequence 'Wolf and Spice', the reverse is used in the English title; both sequences are used when people talk about the series. The very preference of one sequence of the title's elements over the other might very well show which such element is more important to the viewer. Equally, it will probably betray appreciation of the show as a whole, as one of the two elements is clearly inferior to the other.
-= Wolf =-
One way of looking at this series is to see it as a traveller's tale, perhaps even one of a budding romance: a story of two companions trekking from place to place to reach their goal and becoming more firm friends with each bump in the road - bumps that are present, partly as that's how roads are, but mostly as a method of giving the travellers something to struggle with and to overcome.
Such a view can easily enough be taken, since both protagonists, travelling merchant Kraft Lorenz and his companion Holo, have a penchant of running into trouble at each way stop, either of their own making or by coincidence and plot-convenience, and especially since theirs is an age-old adventure tale, a tale of crossing a continent while finding one's way home. The particular angle from which Spice and Wolf looks at this story is noteworthy, though.
Kraft Lorenz is one of the more unusual characters concepted within the entirety of anime and manga. A travelling trader owning little but his own horse and carriage and dreaming of making enough money to open a shop, he is hardly an archetypal hero. Nor is he concepted to become one. The focus of his character and his actions lie squarely on his business. A generally upright and decent, if competitive, man, his is a less than overly adventurous life of trying to strike a good deal and staving off bankruptcy, trading in commodities and making the best of opportunities encountered by favourable exchange rates or the novelty of trading on credit. At first glance it may not be the most exciting of lives to watch, but it is made up for by the detail poured in each individual transaction and the worries they bring to someone whose very survival hinges on the successful deal.
There is also the little fact that he has made a promise to a spirit of an age past, letting this spirit travel with him and helping her search for her far-off home for as long as their routes overlap. His motivation is partly one of expedience, partly one of awe, and partly one of wishing for a companion on the road.
While Lorenz is simply a character who is able to assess and laugh about himself and who never strays too far from the path of weighing all his options and usually acting from his thoughts instead of his emotions (somewhat rare in itself), only being overcome at times by the greed his profession might by necessity entail, Holo is what, to many, makes the show memorable.
First of all, there's her concept. She's a 'Roggenwolf', a wolf-spirit from folk legend who was a protector of the rye fields and the harvest; the legend depicted in the anime, including the idea that the wolf hides in the last sheaf of rye, comes directly from the actual legend (although the anime most likely speaks about barley, not rye - it's hard to tell, with 'mugi' meaning barley as well as rye and wheat). But Spice and Wolf adds to this simple notion, mentioning how she agreed to be present in the fields in days when the success of the harvest depended on the whims of nature and the supernatural, only to be forgotten when progress and developing technology made her antiquated, until she roused herself from her placidity, longing to return to her old home, a semi-mythical place where everything was bathed in a brilliant silver.
A being who is not human, Holo is shown to enjoy the marvels of the human world with all the lack of solicitude of a child. Seeing herself as better than humans, she is a trickster, toying with whatever interests her, shown to like mind-games, wittiness and swiftness in conversation, all the while seemingly thoroughly enjoying being pampered, being treated to large amounts of alcoholic beverages and socialising.
While this might make her likable, perhaps even charming, it doesn't make her stand out as a character. What does manage to do so is the fact that, every now and again, without too much attention being piled on it, she, and the audience with her, is reminded of the fact that she is, in truth and not only in word, different, a spirit. At such times realisation creeps through that she is, in fact, hundreds of years old and wise in the ways of the world - but in the ways of the world that was and now is gone. She is a stranger in a strange land, having awoken from slumber only to find that what she once knew is lost. It infuses her with a sense of loneliness that might not always be the most convincing, but at least appears to be sincere.
Viewed as a traveller's tale, their story is one of visiting new places and getting involved with the goings-on there, either by becoming embroiled in the affairs of that locale or by interacting with the local markets and traders in a professional capacity. The different tales, more or less one per locale, depicting the ideological problem of Holo being a wolf-spirit and the fiasco of investing in something the market is flooded with, among others, focusing on the interaction of the two travelling companions in their persons and professions with the wider world, generally lead to a calm pacing that give the two ample space to converse with each other and their surroundings and developing the bond between such unlikely bedfellows.
As it should be, that bond is slow to develop. Their travelling together at first being nothing but a marriage of convenience, slowly the practical agreement gains an emotional aspect as trust starts to build up. Equally slowly, their conversations change from the purely economical (in all meanings of that word) to the moral and the emotional, yet both keep their distance, befitting two persons who have only known each other for a short time: though banter is exchanged, sometimes infused with quite a bit of wit and mocking of self, once it starts getting personal both have a tendency to back off unless it is truly important for their travels together. If there is no progress in their relationship, this is because there should not be any: Lorenz and Holo are companions, perhaps friends. By knowing each other, they can work together; by caring, they can travel together. But more would be out of place: they are fundamentally different persons in outlook and goals and their focus on the practical side of things only makes them all the more realistic and mature.
-= Spice =-
Looking at Spice and Wolf as the story of its two protagonists, travelling companions and unlikely friends slowly growing into a stronger relationship is, however, missing the trees for the forest. The super-story isn't but a method to link the little tales together. What makes this series one that stands out from the crowd is the staggering amount of detail poured into the fictional world, a world brought to life in many of its facets by the highly unconventional method of making one of the protagonists a merchant.
As a trader, Lorenz is bound to explore the cities he travels through and while he does so the audience is treated to a setting that is as evocative as it is true to actual history. Though Spice and Wolf is ostensibly set in a fictional world, it becomes clear very soon that this world is the Central Europe of the late 14th, early 15th centuries in all but name. In particular, the cities appear as the market towns of the late Middle Ages, and the trading guilds mentioned are a clear reference to the rising Italian companies and the Hanseatic League.
The actual content of the show has little to do with the relationship between Holo and Lorenz, but is squarely focused on immersing the audience in the particulars of the small-scale trade of a time when pepper was worth more than gold. It is this what makes Spice and Wolf different from almost anything else out there, and the series makes the most of it, being sure to place enough emphasis on minute details to bring both the practice of the trade and its mentality to life.
Through Lorenz and his dealings, the audience is shown the workings of the guilds and bourses of that age, including the modus operandi of the early international trading companies and the limited use (and understanding) of trading on credit, as well as the developing sense of difference between nominal and real value of coinage. While watching Lorenz and Holo exchanging banter, the audience is also shown the more mundane aspects of city life, being taken to watch folk festivals, inns and hostels and a variety of stalls and shops.
The faithful rendition of historical detail of the setting - utensils, architecture, accoutrements all, and even, for once, the ships - surpasses anything I've seen to date in anime, putting your average (and better-than-average) Renaissance fair to shame. From the exact construction of buildings to the fact that trenchers were usually made of bread, it seems as if every single detail of the daily life of people has been carefully checked and incorporated. It does so well that I was honestly miffed when noticing that one letter shown was written in modern, not mediaeval, German.
Equally striking is the general optimism of the general worldview, a sense that people can understand the world and leave their footprint on it. This, too, is an important part of the portrayed setting and true to historical fact. The time was, and is explained to be in the setting, one of technological progress, one wherein more and more tools were developed to aid agriculture and industry and less and less was dependent on chance. Belief systems focus on the human and their mastery of the world, with nothing standing between man and his God but his own mind, resulting in a general outlook of opportunity, contrasting sharply to most fantasy and historical shows and befitting the more grounded story marvellously.
-= And everything nice =-
And then, there is myth. Vague, half-forgotten, impossible but in the dark places of the world. Hidden in plain view, in tales from the countryside and quaint mannerisms of people who should know better, shadows of a system of belief of a world past still remain. Only very seldom made explicit, Spice and Wolf employs one of the more subtle and low-key depictions of magic, neatly integrating it into the overall setting. Spirits being real, they only survive where the remaining tales say they ought to be. Reminding the audience every now and then that there is more to the fictional world than market towns, Holo is made less of a unique phenomenon and her desire to return to a home the continued existence of which she can't even be certain of, is thereby enhanced. The supporting cast, as well, complements the setting very well, living wholly in the world of man's endeavours or still faintly recalling what's outside the walls, considering alchemy to be a science yet still a bit fearful of getting involved in it because of its storied connection to the supernatural.
Being a series with a slow-moving plot and a lot of dialogue, it was a good choice to try and have each conversation be infused with at least an attempt at wit, and it's nice to see how the failing attempts are often recognised as such by the characters themselves. Always remaining on the safe side of the rational-emotional spectrum, the conversations have a lightness and lack of unnecessary outbursts that keeps the overall tone of the series intact.
Mention should further be made of the music. Granted, it's about as standard folk fair as it comes, but it fits the setting, accompanying especially the more festive moments perfectly and has the good graces to sometimes simply not be very good. As far as I can tell, there has been made something of an effort to only use traditional folk instruments and what's left of the musical scores of the time (little of which is certain to be actually old, by the way), and some of these instruments just aren't capable of producing the purer sounds their modern varieties can produce. The opening tune's lyrics also do a very good job of introducing and accompanying the type of story told.
-= Icing and Cake =-
Looking at Spice and Wolf as the tale of Holo and Lorenz is mistaking the icing for the cake. What comes first in this show is the spice, that is, the setting. In many ways, the travels of the protagonists are but a means to show the audience a small piece of a living and breathing world.
Original, if not unique, in focus and angle, superbly detailed in setting and at least decent in adding a glue to fit the separate stories together, Spice and Wolf was, to me, 2008's biggest surprise and an instant favourite. I'll admit that my particular interest in the era alluded to makes me biased, but even without it the originality of the concept, the integration of actual and made-up legend in a detailed world and the soothing charm of the low-key telling of the tales would have me recommend it as one of the very few shows that shirk away from the incessant need to bombard audiences with action and suspense, romance and relationship or like topics.
Charming, enjoyable by all age groups, calm and beautiful in its manifold details, Spice and Wolf is a delight to sit down by after a long day and simply enjoy.
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Recommendations
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The studio behind Maoyuu have CLEARLY embraced the fact that the source material came to be thanks to S&W making a serialised story of economics and love economically viable. They've also taken advantage of the desperation S&W anime fans feel for a S3 that - probably - won't ever be. Why not employ the same JP voice actors, the same director and other people that worked on S&W? It makes good business sense.
As an enlightened fellow pointed out in passing, Maoyuu started out on 2chan and - more than likely - panders to the wants of its target audience as much as it does because of this. Gone is the witty banter shared between Howo and Lawrence--in their place, you get Demon Queen's tits and 'jokes' about her "useless meat" shoved down your throat 24/7. There's the intelligent dialogue that made S&W a favourite, for sure, but even that is questionable (war = good) and learning about the economical benefits of certain food ain't all its cracked up to be, to tell you the truth.
Maoyuu will probably be one of the better anime going around the block, don't get me wrong. It having S&W staff employed makes me confident of that. But that line of thought is part of the problem: Maoyuu will always - rightly - be in Howo's shadow. Will JRPG cliches/tropes being added to the S&W mix make-up for a lack of the personality/charm that made S&W such a fan favourite?... I doubt it. Very much.
The fact that both shows share a lot of similar anime-related features are clear as day, but the most fascinating part about both shows are how they take on the area that most anime can't: discussing actual knowledge.
Spice and Wolf series are a lot like Trading for Dummy printed in feudal age. They have feudal settings with a dash of fantasy, that's what we knew easily from the cover. But you don't judge the book by its cover, or you might overlook something nice.
Spice and Wolf discuss trading, politics, microeconomic and others relevant knowledge for an average feudal traders. It sure doesn't live up against your professor's Econ101, but for an anime, a mean for entertainment, they did well including knowledge, or at least knowledge-flavored contents in its show.
MaoYuu settings take on a bigger scale. Lead characters are playing politicians, and unlike random trader, they have considerable amount of influence on politics in their world. Thus, MaoYuu feature a simple discussion of war, politic, macroeconomy, and other stuffs relevant to Demon Lord.
Both MaoYuu and Spice and Wolf are anime featuring ACTUAL knowledge which is a rare find for an anime. Gundam does NOT discuss Physics used to build giant space robot, and K-On! never teach a single guitar cord, do they? This is what set MaoYuu and Spice and wolf apart from most anime, they discuss, even if it's just the most fundamental part of the whole field of study.
But remember again, they are not Econ101 or Introduction to Feudal History, they are still anime, the mean for entertainment. Do not compare it to actual books and say they sucked. Be classy, judge them for what they are.
And yes, if you enjoy economy, politics, and history in real life, you will likely enjoy them both. But if you always on the look for action packed Medieval fantasy, you might be disappointed though.
Both series have the same atmosphere and tone with an emphasis on how social and economic systems function in a by gone era. While there is danger for the main characters in each series it's not the major focus of the story line.
While Ookami describes trade and business in a medieval world, Maoyuu follows the story of two characters trying to evolve their war torn world into a place which can move on, two nations living in harmony, as opposed to one being destroyed by the other then trying to recover.
The two shows are very similar. Same lead voice actors, supernatural female protagonist, trades, lots of dialogues, female protagonist wants to go somewhere that ended her and the male lead to travel together. Maoyuu is good so far.
Both have a non-human female traveling with a man in between villages.
has a very similar vibe. same old country setting. although the characters are not much alike, and there is magic in Maoyuu, and not much in spice and wolf
Both deal with economics and feature merchants and are set around the same time frame of the middle ages. Both also have magic elements and have the same style of subtle romantic tensions. Both highly recommended. =)
Similar music, both involves Economics (Micro and Macro), the art is pretty similar with medieval setting, the interaction between two characters is fun to watch, Holo and Maou likes to tease the male main characters, there are many psychological,intelligent and insightful conversations which provide us a different perspective on how to see things.
Directed by the same director, Holo's voice actress is also Maou's voice actress, the same also applies to Yuusha's voice actor. The singer who did the OP of Spices and Wolf 2, also perform the ED for Maoyuu. The most important parts are both anime are unique in its own way and the similarities mentioned above create a really similar feel and atmosphere between the two anime.
Either season, If you like Spice and Wolf you will like Maoyuu Maou Yuusha, same people made it same voice actors. I for one was hoping for a season 3 but Maoyuu Maou Yuusha might actually be better than that, it has the same feel as S&W as soon as I saw the first episode Spice and Wolf popped in my mind. Like Spice and Wolf, Maoyuu Maou Yuusha at its core is about Romance, not that typical Tsundere or too timid to do anything romacne but actual Romance.
Both shows contain romance and a supernatural element. Both are set in a less developed world. And both have themes containing; economics, agriculture, and trade.
It's no surprising that these two series have many similarities to be quite honest.
Both titles features a fantasy setting where a main male protagonist encounters a main female protagonist (strangely voiced by the same VA). From there on and out, they form a strange bond as they encounter various events.
Both series deals with the theme of economics rather than the traditional fantasy sword fighting to save the world.
Both series has a similar feeling that is more lighthearted but also covered with a fun adventure like background.
Both series has comedy, drama, and hints of romance.
A major portion of the staff for one is a part of the other and both focus on lady companion with a quirk and economics.
The fact of how Maoyuu Maou Yuusha can make me enjoy the first 2 episodes even though 2/3 of it its about economics remind me of Spice and Wolf.
Both Series have lovely Heroine and the setting its kinda similar.
- both series were made by this same directors
- the same seiyuu in main roles
- less duels, more economy
- characteristic, good-tempered atmosphere
- main hero is human and main heroine is a fantastical creature
Both have a strong focus on economics while also having bits of action to keep things interesting. They also both have a weird but cute relationship between the two leads.
They both take a strong look at politics and economics of a pre industrial/medieval setting. It has interesting and engaging characters and a unexpected plot pretty much every episode. The main characters romance is often shoveled to the side of the main plot but still apparent and present during the series. Uses fantasy to enhance a story while maintaining intelligent and political facts and information about War,Economics and public perception. Ookamis Related works would also apply to this recommendation.
- Advanture
- Same seiyjuu
- A pretty close relationship between Yuusha and Maou.
- Similar music/ost and the circumstances overall.
- Same atmosphere (medieval)
- Travelling as a couple
- epic romance story
Similar main characters and over all theme.
Get almost exactly the same feeling after watching these two anime.
first of all they have the same voice actors for the two main characters, but the theme of the story is also the same as they are both about money and how it affects the world in different ways.
and they both have romance
-Same voice actors
-medieval style
-Main characters go on an adventure
-Both are amazing :)
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The same sort of feeling and the relationship between the main. Also set in a older timeline.
They are both set as a traveling adventure in old Europe. The relationship between the main 'couples' are very similar, especially in the way the female lead treats the male lead. Both have a fair share of comedy and drama, Gosick is more tragic though (unexpectedly, considering Spice and Wolf feels more mature overall).
You'll get the same feeling watching both
Both involve a smart female heroine that uses her wisdom to help the hero. Both are related to mystical beings and wolves. Both are romance anime with a thrilling story.
both set in the past with very similar scenery. Holo and Victorique are both the smarter one in the couple, and like to show it off. Kujo and Lawrence are also similar in that they are lacking in physical prowess, but would still put their lives on the line to protect the girl. i think if you like one, then you'd surely like the other
Medieval vibe, similar bond between protagonist and heroine.
They have the same feel about them. Complex personalities and beautiful landscapes/character models are what made me love both series.
The relationship between the two main characters is similar to Gosick
Both series involves a setting in the old English times. As such, the feeling that these two titles gives off is similar.
Additionally, the main female protagonist from both series are haughty, cunning, and intelligent as well as being wise for the choices they make throughout certain situations. She also shares an interesting relationship with the main male protagonist in which in the beginning, it seems to be annoyance. However, later on, they become compatible and the two are willing to help each other in whatever ways they can.
Both series carries an adventure like feeling that involves certain cases/situations dealing with thinking rather than action. Of course from that, there is also comedy, drama, and some emotions.
Both have the same feel between the 2 main leads in the way there relationship develops and there interactions.
"Spice and Wolf" and Gosick are both centered on Europe in the past.In both series a boy meets a "wise wolf" who isnt supposed to move from where they are but the boy takes her out and shows her the outside world. As the series goes on the 2 grow more attached to each other but encounter great problems that may separate them. The characters in both series are very alike and the feeling both give are extremely similar to the other.
Both are about a guy who has a random meeting with a very knowledgeable female lead.Both Are set in older times and both series really on focuses on the couple.Also both relationships in both series seems similar.
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Opening Theme"Tabi no Tochuu (旅の途中)" by Kiyoura Natsumi
Ending Theme#1: "Ringo Hiyori (リンゴ日和)" by Rocky Chack
#2: "Tabi no Tochuu (旅の途中)" by Kiyoura Natsumi (ep 13)
Fansubbing Groups
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