Kokoro ga Sakebitagatterunda. (The Anthem of the Heart)

Jun Naruse is a chatterbox whose life is colored by fairy tales and happy endings. However, influenced by her deep belief in those tales, she is too naive and trusting, and her words soon shatter her family's bond when she inadvertently reveals her father's affair. Naruse is scarred for life after being blamed for her parent's divorce, and her regrets soon manifest into a fairy egg—a being who seals her mouth from speaking in order to protect everyone's happy ending.

Now, even in high school, Naruse's speech remains locked by the fairy egg. Even trying to speak causes her stomach to twist. Though unable to convey her thoughts through words, she is unexpectedly chosen to perform in a musical alongside three other students: Takumi Sakagami, Natsuki Nitou, and Daiki Tasaki. Naruse makes her way to the club room to reject the daunting task, but changes her mind when she overhears Sakagami's beautiful singing.

Perhaps the fairy egg "curse" does not apply to singing, and perhaps Sakagami is the fairy tale prince she has been seeking all along. Will Naruse be able to convey the anthem of her heart?

[Written by MAL Rewrite]

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Background

Kokoro ga Sakebitagatterunda. was created by the production staff of the 2011 anime series Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai., and the two works are set in the city of Chichibu, Saitama Prefecture. It earned 1.12 billion yen in the Japanese box office according to data from the Motion Picture Producers Association of Japan.

The movie was one of the Jury Selections in the Animation Division of the 19th Japan Media Arts Festival. It was also nominated for the Animation of the Year award in the 39th Japan Academy Prize. A live-action film adaptation opened in theaters in July 22, 2017.

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Adaptation:	Kokoro ga Sakebitagatterunda.
Other:	Meiji x Kokosake & anohana Receipt Oubo Campaign, Kokoro ga Sakebitagatterunda. x Sony Hi-Res "Walkman" and Headphone

Furukawa, Makoto
Japanese

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Staff

Saitou, Shunsuke

Producer

Shimizu, Hiroyuki

Producer, Planning

Nagai, Tatsuyuki

Director, Episode Director, Storyboard, Key Animation

Aketagawa, Jin

Sound Director

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Ending Theme

"Ima, Hanashitai Dareka ga Iru (今、話したい誰かがいる)" by Nogizaka46

Reviews

Feb 18, 2016

GaryMuffuginOak

Recommended

GET THIS:

Right now, there are 725 that have watched this movie. "Wow!", You say, "That's even less than Legend of The Galactic Heroes!" So here's THE deal I'm offering you. You get to be part of the exclusive 725 people (Now 726 if you watch it) who get to see something AMAZING. Care to hear my sales pitch?

Right now, 161 people, a good 21% percent of viewers, have rated this anime 10 OUT OF 10. Now that's not for no reason.

Lets kick this off with the story. Important background knowledge first: A young girl named Naruse stumbles upon a magnificent hilltop castle. Her ... curiosity makes her see something she should not have: Her father coming down from the castle with what seems to be a princess- but Naruse has never seen her father with this princess before. Excited, she goes tell her mother about the castle upon the hill and how her father was going down the hill with another princess. Having been told something Naruse shouldn't have said, her Father is kicked out and the family is torn apart. Then, a magical egg prince appears and seals her ability to speak because she wishes not to hurt people with her words anymore. [Words aren't very good to describe the aforementioned parts without spoiling it] HOWEVER this all changes when she is forced to sing in a musical, and much to her surprise, she finds herself able to express her feeling and thoughts through song.

The meat of the plot revolves around her, and a bunch of other individuals, having to organize and participate in a school musical after being unwillingly chosen to do it. Among them a baseball captain, Tasaki, and 2 other students, Sakagami and Nitou. They are all developed quite nicely in the time of 1 hour and 59 minutes. The dramatic conflict is quite well played out, tension rising between Sakagami and Tasaki at the start, Tasaki and his baseball team, along with romantic conflict forming between Naruse, Sakagami, and Nitou, this love triangle of uncertainty. Thus, I really enjoyed watching that. I could go into further detail about all of it but you'd rather save it for when you actually watch the movie. What I can say, is that there is a very strong sense of resolution to the story and the character development [How characters change] is absolutely spot on. Especially Naruse's, as she is the main focus, on how she transforms from a quiet, unnoticed, kind of girl to someone willing to stand up for others and express herself, ever so slowly, through sometimes moments where she forces herself to shout her feelings and moments where she just begins to sing at the most random of times. [This show is a little like a musical, or at least music and song focused at times]

The art was not bad even though art doesn't play much of a role in this sort of setting. But now we get to the music. The music shines when the characters are writing or singing songs. There is a rendition of "Somewhere over the Rainbow" in Japanese and the lyrics are altered to reflect what Naruse wishes to say, which is to express her thoughts and feelings [Even musical the characters organize is a retelling of Naruse's story made more child friendly]. This song isn't heard a lot throughout the movie, but I shed a tear when it was sung during the performance of their musical. Evoking emotions is what the creators intend to do, and they did it damn well.

Overall this movie intended to be dramatic yet heartwarming, provoking the viewer's emotions to what it called for, and this show is all that. A beautiful piece of entertainment that will live on in the heart of the 726th viewer. What else do you expect from the writer of AnoHana?

[VIEWER WARNING: The drama is, to be honest, quite important when deciding if you want to watch this or not. It's a great part of the show. If you can't stand high school type drama, or you can't just click with it [essentially all drama we can't relate to we call "Melodrama"], perhaps you shouldn't watch this despite it being well portrayed and executed in my opinion. It's like people who don't like burgers will never eat any, no matter how good they are.]

[EDIT: At the time of this review I did not know that this hasn't been released in English subs for streaming/download. For those wondering, I watched it on Singapore Airline's in flight entertainment system in English subs. Sorry for not knowing and I hope it is available soon!]

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Nov 10, 2015

Flawfinder

Mixed Feelings

Oh goody, another Mari Okada teen drama. I’m not sure when my mind has started seeing these things as commonplace, but it was probably around the moment when people started saying to me with a straight face that “no really, Wixoss is totally a touching psychological character drama. Especially regarding that one girl whose main wish is to fuck her brother.” Nevertheless, I was kind of looking forward to seeing Anthem of the Heart. Anime dramas tend to be more tolerable when they’re only given a limited amount of time to tell their stories, plus if I’m not mistaken, this is the Anohana team’s first ... original film. So even if I didn’t like it, it’d at least be worth talking about. I’d say this review alone justifies the fifteen dollar price.

So the film starts with a little girl named Jun Naruse indulging in her Utena-like fantasies regarding a prince finding a princess when she sees her father leaving a castle-like love hotel with another woman. Not understanding what it means, she tells her mother about the incident and her father is soon given the boot, but not before reassuring her that his leaving was completely Jun’s fault. Fucking jackass. But since Jun is a kid, she sincerely believes it’s her fault to the point that she imagines a strange egg-shaped creature who tells her that her talkative personality needs to go if she wants to stop hurting people. Thus, Jun ends up getting the reputation of the girl who never talks by the time she enters high school and we get a promising setup about a girl having to face her inner demons in order to live a normal boring life.

After the timeskip, the film kickstarts by having the head teacher randomly choose four people to serve on the class council, and for good measure, he decides that they should be in charge of having the class put on a musical for the school festival because he’s just that much of a carefree jackass. Why? Because all good dramas have musical events in them and we needed a reason to get our outcast leads to participate in it no matter how contrived, let alone a reason to meet each other in the first place. So in addition to Jun and her personal problems, we get three other characters thrown in the equation, each with their own issues and romantic preferences between each other. I won’t spoil who’s hot for who, but the additional cast members are a nice boy who has no hobbies of his own, a gruff big dude who used to be the school’s top baseball player, and a cheerleader who puts on a confident facade to hide the fact that she had personal experiences with the nice boy in middle school. Think back to Anohana with these character types in mind, and you should be able to figure it out. Then become frustrated as the movie seems to change these preferences whenever the plot demands it.

Like most Mari Okada works, the film loses its way a short ways in in regards to discovering the best way to tell this story, because it keeps glancing at the “how to write drama” handbook whenever it’s confused on how to progress things and grabbing something from a really successful work without understanding why it worked when it did it. So what we end up with is a bloated mish-mash of underdeveloped tropes that tend to get in each other’s way rather than do any complementing. Most of the story is told in a rather dry manner where the characters just go through the motions and hang out with each other in order to establish that the little girl might like the shorter of the two males and that he might be the prince that will allow her to talk. But then she starts to speak up for herself because she wants to participate in the music club's activities because for some reason, she really wants to sing despite never showing any interest in it before. And then people are surprised she can talk. Then they aren't. I kept on feeling like I missed a post-it note explaining these transitions somewhere down the road.

And despite the story pushing Jun's problems, it never takes center-stage as much as it should, mostly due to the fact that it never feels like her inability to talk meshes well with any of the romantic entanglements or personal issues the other characters face. At times, it feels like Jun's inability to talk is just a vehicle to make her fall in love and deal with the consequences. I find that disappointing, because romance holds up about as well as action in standing on its own aka not well at all. It also doesn't help that good chunk of the subplots have that usual "came up with the set pieces first" problem you'd expect to see in a visual novel anime. The big gruff dude of the main cast is tangled in a conflict regarding his team and pushing them to the nationals that adds fuck all to the plot and only exists so that he'd have something to do, with said conflict getting swept under the rug after a few scenes and said guy losing any sense of importance throughout the story afterwards.

Also, as much as we see him, the main male lead never acts as anything more than an arbiter for events rather than a fleshed-out character with his own motivations. Any problem he experiences is always tied to one of the female characters, and it generally tends to circle back so that their problems are rooted in their relationship with him and nothing else besides vague motivations we never get to truly understand. I'll admit that where it finally ends up did stick in my mind, although it's a pity that the scenes preceding it were a real chore. I really wish Okada would stop it with conclusions where the characters cry and yell out all the frustrations that have been boiling up over time like it's some form of triumph. That's only true if the revelation lives up to the magnitude caused by the character's overacting, and Jun overcoming her ability to stop acting like a spoiled brat isn't exactly something worthy of a Lifetime achievement award. Especially since that problem was pretty much inserted in at the last minute due to that classic and incredibly tired "I heard something I shouldn't have" plot element that I thought we were over by now. There should be a rule in that drama handbook with the statement "don't do this crap!"

Buried somewhere underneath all the slipshodness, there's potential for an interesting story regarding personal problems and overcoming them, but in this team's hands, it's like trying to wring out noise from a giraffe. All the characters act dramatic whenever it's convenient for them after overly long periods of slow boils that can't stay focused long enough to develop into anything noteworthy, and the connection between their problems is thinner than a woman's spread legs when you start bringing up your opinion on right-wing policies. At its best Anthem of the Heart can most accurately be described as the quintessential example of a teenage anime drama, and I don't mean that in a good way. It has all the elements you'd expect of its genre, but the way they're executed is so wide-spread and bland that I grew bored and stopped caring about the characters thirty minutes in, then groaned when I realized that the movie was two hours long rather than the ninety minutes I initially thought. And it was really wearing on my patience during the ninety-minute mark, let me tell you that.

The film does sort of come into its own by the end, but it's not worth the long stretch of muddled subplots and dry buildup to get to that point. And all the ending really did at the end of the day was remind me of the vastly superior The Girl Who Leapt Through Time as well as the also superior Sound Euphonium. If you have the opportunity to go see Anthem of the Heart, I'd recommend watching those anime instead and simulating the experience by pretending the characters are all Final Fantasy archetypes by way of a Hot Topic filter. In other words, the emo whiners from Kingdom Hearts.

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Jun 6, 2016

SanaeK10

Not Recommended

When I first started Kokoro ga Sakebitagatterunda, I initially dismissed its mediocrity and by the numbers plot for yet another angsty teenage romance, but upon further evaluation, I discovered that Kokoro ga Sakebitagatterunda does something very special, something very rarely seen or heck, even discussed in anime.

What I'm referring to of course is the depiction and commentary on the issue of mental health in teenagers in Japan. Tragically, in reality, most cases are simply dismissed or ignored; the social stigma for someone suffering from a mental disorder is especially daunting and uninviting. What does this have to do with the anime you ask? This theme ... is mostly conveyed through the primary heroine, Naruse, in this anime. Without spoiling much, some family complications leave her in a state of despair and she suffers through a mental sickness that left her hallucinating and unwilling to speak, for her mind will render a stomach ache if she does.

Now this is where the anime starts really taking off on its harsh and brutal social commentary, instead of seeking outside help or advice from, say, a medical professional, she instead decides to be a complete shut in for several years of her life. Adding to the fact that neither her mother or other classmates notice this until her uncaring teacher arbitrarily decides to group her and the main characters into a Community Outreach performance, reflects the reality in which how uncaring most outside people are to people suffering from some form of mental disorder. In fact, earlier on, her ostracization from her fellow classmates as well as the accompanying isolation is especially cruel.

The other major characters also provide a gateway for meaningful commentary, courtesy of the writer, to the audience. Most of it is especially cynical and a criticism of perhaps, modern society in Japan. Takumi for instance, is a reflection of how stubbornness can be mistaken for determination. His stubborn insistence for Naruse's involvement in the project as well as his refusal of taking her medical condition seriously is often mistaken for genuine determination by the rest of the cast. I believe this reflects well on our society's cultural norms. And then there's Natsuki, who while at first glance may seem to be the typically cliched girl who met protag-kun before earlier in life but never fessed up to him and never bothers properly confessing or telling him or at least hanging out with him or some logical thing, but, and this is where Kokoro ga Sakebitagatterunda really shines here, now, dear reader, Natsuki is actually a satire of all those anime cliches. Her actions in fact, actually spell doom for the main heroine and well, you'll just have to find out what happens. No spoilers here!

As the whole story wraps up, Kokoro ga Sakebitagatterunda ends up being one of the most profound anime of our time for its strong social commentary and its clever use of the mundane and common to subvert all of our expectations, creating simply a unique package.

Or that's what I thought after downing a few beers to justify this anime's existence.

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