English: Great Teacher Onizuka
Jun 30, 1999 to Sep 17, 2000
25 min. per ep.
R - 17+ (violence & profanity)
8.791 (scored by 123,233 users)
indicates a weighted score. Please note that 'Not yet aired' titles are excluded.
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
SynopsisOnizuka is a reformed biker gang leader who has his sights set on an honorable new ambition: to become the world's greatest teacher... for the purpose of meeting sexy high school girls. Okay, so he's mostly reformed.
However, strict administrators and a class of ruthless delinquents stand between Onizuka and his goal and they will use any means, however illegal or low, to drive the new teacher away. Perfect, because Onizuka's methods won't be found in any teaching manual; he cares about the difference between legal and illegal activities about as much as he cares for the age difference between himself and a high school girl.
So get ready for math that doesn't add up, language you'd be slapped for using, and biology that would make a grown man blush... unless of course, you're the Great Teacher Onizuka.
[Written by MAL Rewrite]
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Characters & Voice Actors
||GTO-The Legend Begins
Onizuka Eikichi 22-sai! Motofuryou Densetsu no Kyouiku Jisshuu ga Ima Hajimaru!! (鬼塚英吉22歳! 元不良 伝説の教育実習が今はじまる!!)
|Jun 30, 1999
Tenteki Uchiyamada Kyoutou Toujou!! Daigyakuten!? no Saishuu Mensetsu (天敵・内山田教頭登場!! 大逆転!?の最終面接)
|Jul 7, 1999
||Late Night Roof Diving
Kyoushi no Shigoto wa Inochigake?! Shin'ya no Okujou Diving (教師の仕事は命がけ?! 深夜の屋上ダイビング)
|Jul 21, 1999
||The Secret Life of Onizuka
Kougeki Kaishi! Ima, Abakareru Onizuka no Ayashii Nichijou?! (攻撃開始! 今, あばかれる鬼塚の怪しい日常?!)
|Aug 11, 1999
||An Eye for an Eye, a Butt for a Butt
Akuma no Revenge!! Me ni wa Me wo, Oshiri ni wa Oshiri wo (悪魔のリベンジ!! 目には目を, お尻にはお尻を)
|Aug 18, 1999
Opening Theme#1: "Driver's High" by L'Arc~en~Ciel (eps 01-16)
#2: "Hitori no Yoru" by Porno Graffitti (eps 17-43)
Ending Theme#1: "Last Piece" by Kirari (eps 1-16)
#2: "Shizuku (しずく)" by Okuda Miwaku (eps 17-33)
#3: "CHERISHED MEMORIES" by Hong Kong Knife (eps 34-42)
#4: "Driver's High" by L'Arc~en~Ciel (ep 43)
I was a little skeptical at first about this anime. I usually avoid the comedy/slice-of-life genre, but this anime came highly recommended by an old friend and boy am I glad I listened to him. GTO has to be one of the most well made anime package of its time.
The story is somewhat cliche: troublesome high school students with peculiar skills or traits trying to rid a teacher who's trying hard to to teach them a lesson in life. However, there are some very clever surprises and plot devices to keep the viewer poised for more. My only complaint is the rather hashed season finale (Ep. 42 and 43), but that was to be expected since those are the only two episodes that didn't diligently follow the manga.
The animation is adequate for its time, but that isn't the reason why you should watch this.
Both the opening and ending soundtrack for the series is great. Although, neither are as good as the GTO Live Action theme, "Poison".
The reason why you should watch this is simple: Onizuka Ekikichi, 22 years, virgin. This anime is all about character, rather a character. Truly GTO is ineffable in that sense. Watch the first episode and tell me if you're not immediately enamored by Onizuka and his ridiculous ways.
While there is a certain moral message to the anime, watch it for the sheer fun value. It will make you laugh, that's for certain, perhaps it might even make you cry. The live action series, I'm not ashamed to say did make my eyes wet.
The live action series (12 episodes) is quite good as well but there are certain things one can have liberty with in an anime that is not possible in live action.
Overall, I highly recommend GTO. Not just the anime but the entire franchise, manga, live action TV series and the movie.
Great Teacher Onizuka Banzai! read more
Eikichi Onizuka. 22 years old. Even as Japan keeps turning out more new anime, there’s still perfectly good series out there from the past, and that’s especially true for people who might have been introduced to anime just recently. It’s hard to believe that GTO will be 10 years old this June, but age has nothing to do with a good anime. So I’ve devoted the last few days of my life to this series.
The premise is simple, if not a bit cracked out, and the first episode serves to illustrate. Onizuka is a former Yakuza who always had a dream of becoming a teacher, and the best one of all time at that. Of course, he ends up drawing quite possibly the most ill-tempered class out of the whole lot, and that’s putting it lightly. This begins a 42 episode long trek to slowly win all students of his class over, and along the way figure out their problems. And in the end, it culminates with the student who has easily suffered the most trauma and the revelation of the event that shook the class to its core.
You know Onizuka’s always going to win in the end, and if you have to ask why, then you still don’t quite understand the premise. What’s important is the journey, how is he going to prevail, and where is he going to screw up along the way. It seems easy but quickly becomes complicated when you realize that the class is actively plotting against his efforts. They’re quite brilliant for a bunch of teenagers. The vice-principal also has a very low opinion of the former gang member and spends a lot of his time antagonizing the situation. On top of that, Onizuka is no pristine member of society; in fact, he’s a wonderfully flawed character. He drinks, he smokes, he’s vulgar, he’s a womanizer, and he acts completely over the top, running on instinct. Despite this you will love him, trust me.
The cast of characters supporting the show are just as important; they are numerous and just as easily flawed. If you’re anything like me, you’ll have trouble remembering most of their names by the end of the series, even the ones that are around from step one. Yet, each of these characters gets to carry the plot ball at some point for their spot in the limelight, and most of them will even have their own crowning moment of awesome. By the end, they’ve all grown significantly under their teacher’s tutelage. It’s the sign of a good series when you can juggle all these characters around and manage to leave none of them in the lurch.
A lot of the series appeal is the ridiculous situations that are generated and Onizuka’s ability to come up with equally ridiculous solutions, and soak up comical levels of punishment. It still delivers elsewhere. This show has the ability to move you, and if you don’t feel anything by the end of episode 11’s dramatic soliloquy, quite frankly you must be dead inside. The great teacher also specializes in life lessons, and if you haven’t managed to learn anything by the time the series reaches its conclusion, then I honestly wonder if we were watching the same show. This naturally lends itself to exploring how the school system is failing to prepare its students for the real world, instead focusing on test scores at the expense of all else. Really the only time this show loses its impact at all are when it veers off the overarching story for a one shot episode, and even those don’t feel terribly out of place and serve as auxiliary character development.
The animation isn’t nearly as pristine as technology allows today. It’s still fun the watch, and the facial expressions in particular are well executed. There’s a lot of action going on in some sequences, and there isn’t any major animation break or loss of what’s going on. The music doesn’t have a tremendous amount of variety; it sets the mood for the situation and then goes merrily away, letting the characters speak for themselves. Steven Blum plays Onizuka to the hilt, and I like the rest of the characters voice work as well for the most part. There were a couple of minor characters I didn’t really care for, but a minor character in this series basically means they get about three lines and then fall off the face of the planet for a few years.
This series is full of greatness. If you haven’t watched it yet, then I don’t care how you do it, watch it. If you have, take a bit of your time to revisit your favorite episodes. It’ll be worth it for all of you. read more
Great Teacher Onizuka had some potential, but all of the humor is repetitive and juvenile, while unrealistic dramatic scenes dominate the plot more and more as the series drags on. It basically fails on both fronts. Plot points and devices are reused to the point where they become dull, and they get increasingly ridiculous as the series progresses. Not in a good way, of course. Holy melodrama, batman! This anime is chock full of bullshit backstories that are supposed to make us go “awwwwww, they’re not a bad guy/girl after all!” by the way. Yeah, it’s definitely as irritating and ineffective as it sounds.
Character development is unfortunately absent from the personality of our bland douche of a protagonist, and he is pretty much the same annoying dumbass for the whole duration of the plot. His way of solving issues with students is completely unrealistic, and while this is sometimes acknowledged and played for laughs, it takes itself seriously far too often. He’s pretty much just there for wish-fulfillment, plain and simple. As for his students, all developments in them come off as completely forced and contrived. Plus, almost all of them are blatant archetypes, who have some deep-seated reason to “bawww nvr trust a teacher again!” to boot. Why should we care about anything bad that threatens to happen when we already know that the Mary Sue genius cool handsome hacker boy can fix all problems that come up easily? Another telling issue with the characterization is that just about all men above the age of twenty are, for whatever reason, portrayed as disgusting perverts. This may be a reflection on Fujisawa himself, given the large amount of poorly-placed fanservice. All antagonists in this series start off completely one-dimensional and unrealistically evil, but they then get some sob-story tacked onto their character and their personality changes completely. That is simply not proper character development.
The art is easily the weakest aspect. Almost everybody has the same exact face; you know, that one face that Fujisawa Tohru recycles endlessly in everything he does. The only face he knows how to draw, basically. Great Teacher Onizuka largely depends on visual humor for its value as a comedy, but all of the "hilarious" facial expressions were used over and over again, when they were never really funny in the first place. At the same time, they contribute heavily to my inability to take Great Teacher Onizuka seriously. The rest of the visual humor is just somewhat lame and, man, I hope you like seeing Onizuka’s ass, because you’re going to be getting a lot of that. The animation is nothing special, and any flaws with it are completely overshadowed by the horrendous art.
All of the claims made by Great Teacher Onizuka’s rabid defenders about its “societal commentary” are completely untrue. Bullying is not dealt with much better, more interestingly, or realistically than in many other works I have seen. Furthermore, I failed to see what it actually criticized about the education system, other than the fact that not enough teachers are violent gangsters. This theme continues with just about everything else it supposedly comments on. It either just features these things in a cliché manner or does not really say much about them at all. There is no depth to Great Teacher Onizuka; it is just a simple drama and comedy. This would be fine did it do either of those things right, but, alas, it did not.
I have no idea as to why this anime is so highly regarded. It is just not very good, plain and simple. I get second-hand embarrassment when watching all of those sentimental scenes about teaching, and then I have to wonder why Great Teacher Onizuka didn’t just stick to comedy. Then I remember that it wasn’t funny and I think to myself “ah, that explains it.” GTO started out as a decent parody of all of those stupid shows with a super-teacher who helps his students work out all of their problems and wins their hearts in the process, but it eventually fell victim to self-indulgence and became a stupid story in the same vein. It contributed nothing new nor anything of real value to the genres of school life, comedy, or drama. It never made me laugh out loud, and it never evoked any kind of physical or emotional response. Not in a good way, at least. At its best, it’s okay. At its worst, it’s goddamn painful.
I finished this series a while back but i was bored so i decided to write this..
What happens when you take a situation comedy, a schoolyard farce, and a stiff shot of hard-hitting commentary on modern youth and the issues facing the Japanese educational system, mix them together in one anime series, and shake vigorously? You get something wonderful, and that something is called GTO. The series tempers itself with a grounding in reality and addresses serious social issues, but by mixing raunchy humor with a bit of an edge, Onizuka's lovable-loser-with-attitude persona, and a collection of wild situations that any prime-time comedy would be proud to sport, GTO distinguishes itself as a creative, enjoyable, and very funny show.
At first, I wasn't quite sure what to make of GTO; the sexual themes come on pretty strong, and between Onizuka's skirt-chasing and torturing his students, this didn't look to be a series in very good taste. Actually, I was missing the point: GTO is less a schoolyard drama and more like a modern-day fairy tale about a very human knight in all-too tarnished armor, fighting against conformity and the "right" way to do things. Once I stopped taking it too seriously, I started having an absolutely grand time.
The characters are what make almost every good anime comedy work and GTO is no exception, featuring an unusually broad range of minor players. With everything from anime-standard biker-gang members to much more normal folks like Onizuka's used car dealer friend and an assortment of dysfunctional parental relationships, the characters run the gamut from broad stereotypes and hilarious anime favorites to surprisingly realistic everyday folk. What stands out in particular, though, are the kids that Onizuka has to deal with--far from the stereotypical blushing anime schoolgirls, the majority of these normal-seeming kids are world-wise and have a vicious streak that can be downright scary, particularly since their tactics are rarely as simple as mere violence. Aside from being a sadly accurate reflection of modern Japan, it does make for an interesting change of pace, as does Onizuka's less than conventional methods of dealing with them.
This eclectic collection allows for plenty of humorous situations while also providing the serious ones that give the series its emotional heart. At the center of all of them, however, is none other than the Great Teacher himself, and Onizuka Eikichi is, more than anything, what makes GTO as much fun as it is.
Onizuka at first may look like a simple skirt chaser, but there's oh-so-much-more to him than your average skirt-chasing creep, even though the TV version has less character development than in the comics. On one hand, his main interest in teaching seems to be the (female) students (and fellow teachers, for that matter), and he's certainly got a wandering eye, summed up in a hilarious scene early on where he surveys a schoolyard filled entirely with high school girls--the pan was captioned with "There are boys, but he only sees the girls." On the other, he's a hard-driving Karate champ badass with plenty of biker gang leader attitude to back it up. In between, he's an emotionally fragile loser with no life, less social skills, a good heart, and an honest desire to give kids a better educational experience than he had.
If you put it all together, you get a dirty-minded punk who's not too bright, but can't help being a good guy from time to time, and more importantly he's one heckuva funny guy to watch. The most memorable (and funny) moments in the series revolve around Onizuka's unending capacity to absolutely freak out--aside from a variety of near breakdowns we're treated to sudden interjections of Onizuka's flights of fancy, usually offset immediately afterwards by harsh reality. He also seems to get that his interest in the students isn't exactly a good thing (but amusingly hard to resist), and his violent outbursts and "unorthodox" (read: "Suplex!") methods aren't something he's necessarily proud of later--he just gets carried away from time to time, and violence is the only way he knows how to solve things. Fortunately for him, his unique style is just what some of the kids he meets up with need, and his determination, street-earned wisdom, and bottomless idiocy are enough to make it work.
Although things settle into more situation-comedy territory once the series is well underway, the early plot of GTO looks like a classic--a teacher who really isn't comes into the "tough class" and busts some heads, whipping the students into shape and earning their respect in the process. But unlike the action movies that make the rounds on late-night cable, GTO brings together wacky anime-style sensibilities, an edgy sense of humor, and enough meaningful drama and social commentary to keep things plenty interesting in one confidently directed episode after another. The more dramatic scenes are sometimes a little on the stereotypical side, but were still well handled and at times surprisingly powerful, and more importantly the series never seems to take itself too seriously--it's all one big romp in the end. Perhaps most impressive of all was how comfortably the series flowed; the episodes effortlessly weave between drama and outright slapstick, and each has a lively pace that keeps you wanting more but never feels the least bit hurried.
GTO was not without flaws, though even the worst of them was only minor for me. My biggest problem was with the dub, but I'll cover that later. More generally, I was bothered by some of the art; the series is stylistically similar to adult male-targeted "businessman" manga (artists like Ikegami Ryoichi), which was most noticeable in Onizuka's frequently exaggerated facial expressions. I personally find that particular style of exaggeration unpleasant to look at more than funny, but in this case the situations were good enough that I was more than willing to forgive once I got used to it, and I wasn't even noticing after a half dozen episodes.
The only other fundamental complaint that comes to mind is with some of the rather dirty-minded subject material; those sensitive to that sort of thing, particularly as it relates to student-teacher relationships, might not be able to see past it. The first two-part episode in particular featured several scenes that seemed to pander to the male portion of the audience that thinks the same way as Onizuka does, but it didn't really bother me. In fact, that was probably the best way to establish his character (and to snag a TV audience), and as long as you don't take it seriously it should all be very funny (Akemi, to offer one female viewpoint, didn't find it offensive at all). In any case the rest of the series isn't all like that, though it doesn't lose its edge either, and it's all tempered by dealing with some real (and often related) social issues.
The artistic style is, as I mentioned, in the same general vein as a lot of other manga series aimed at older males. This means that the characters tend more toward realistic faces and proportions, although in this case the influence is mostly visible in the exaggerated facial expressions. Even so, there is still a wide variety of character looks, made even more impressive by the fact that they all look, more or less, Japanese. Even Onizuka's blonde hair is pointed out as being dyed, and is a distinctive part of his rebel character. The backgrounds tend to be rather bland, but if anything that puts more focus on the antics of the characters. The animation, at least, is smooth enough, and the character animation was extremely expressive, not to mention very funny.
The background music consists of a variety of amusing mood-enhancing tunes, and the intro and end themes were decent modern selections. The first season's intro animation, by the way, is the most artistically creative part of the production--an edgy, hard-edged, black and white montage of scenes capturing Onizuka's bad-boy persona.
Now for the one thing that made or broke GTO: The acting. Let's start with the Japanese, which is, in a word, perfect. The casting and acting in the variety of bit players is funny, but Takagi Wataru truly put the Great in GTO. Covering everything from mildly dramatic to ultra-stud to bad boy to blubbering idiot to near-breakdown hysterics, the quality with which every single facet of Onizuka's personality is portrayed was absolutely brilliant. I rarely heap praise that freely, but Takagi's performance alone was worth the price of admission. The subtitles, incidentally, were translated quite accurately, though the English is a bit stiff and does a poor job of capturing just how rough Onizuka's dialogue is.
The dub is an entirely different matter. Serious creative liberties were taken with the translation, which I was willing to forgive since the dialogue was fairly witty and had some modern flair, although much of it also seemed to be noticeably more gross. More importantly, though, David Lucas's take on Onizuka just wasn't great. Not that there was anything wrong with it, but his range wasn't particularly broad, so much of the humor in the series was based on his antics, and Onizuka's Japanese voice was so good, that anything less than a truly amazing performance would have felt like a major letdown. Slightly choppy directing may have also contributed to this.
I'm an established sub fan, so maybe I'm being too harsh on the dub, but what I found particularly interesting was how much less funny the English version was. Part of it was the acting, a little bit was due to choppy writing, a little more came from the fact that the background music and sound effects were quieter in relation to the dialogue, which drained some of the mood out of several scenes, but more than anything the English version just felt more... embarrassing. Maybe it's just in my head, but it seemed to me that the combination of less broad acting, less noticeable music, and somewhat more crude dialogue gave the whole production a less silly feel, which in turn made Onizuka's behavior less funny and more distasteful. Perhaps I'm reading too much into it, but at least I'm confident in saying that the Japanese version is much funnier than the dub.
All in all, GTO is not a wildly original series, but like some of the best modern anime it takes tried and true concepts, gives them a good, hard shake, and shoots in a stiff dose of fresh, funny attitude to create a thoroughly enjoyable show. It's definitely not appropriate for younger viewers, and it's going to appeal more to the older male fans, but if you give GTO a chance, almost anyone who enjoys some mature (and relatively intelligent) but silly fun with should have a grand time. Personally, I can't get enough.
GTO and Golden Boy are extremely similar in style and humor - both feature honest and hardworking leads who will go to great lengths to make a difference in another person's life. And both are prone to trouble, especially when women are involved.
The two shows have their differences though - they're similar enough that I'm absolutely sure anyone who enjoys one should watch the other, but not so similar that either feels like a ripoff.
Very similiar main lead, art style and humor.
Golden Boy and GTO have similar humor and style. When I watched GTO I kept thinking about how it reminded me of Golden Boy. Both of these animes deal with comical perverted guys who you just can't help but love.
The same humor and style. Main characters: Eikichi and Kintaro are very similar.
There both funny as hell!!!
Onizuka Eikichi from GTO and Oe Kintaro from Golden Boy are very similar characters. That goes for their personalities and even applies to things such as the facial expressions they make. They are both perverted guys who act goofy most of the time but when it comes down to it, they always deliver and save the day.
The art and animation style for the these series are also very similar and the same goes for the style of the voice actors.
Story-wise, Golden Boy is very episodic. Each episode is about a completely different scenario while in GTO the story is ongoing from beginning to end. Of course this makes sense seeing as how Golden Boy is a 6 episode OVA while GTO is a 43 episode series.
Overall, it is impossible to watch both titles and not see the similarities as they apply to the characters, the art and animation, and the style of humor.
Consider both titles under the category of "must watch".
Golden Boy and Great Teacher Onizuka has a similar style and humour and the main guys is just so similar in every way and yeah they make the same facial expressions lol...
Both have very funny main characters as well as multiple problems with no real goal almost being episodic ,both are perverts and have similar art style.
Both of the protagonists are very similar, and both have their own ways of solving problems that they have. Golden Boy is very cerebral and plays dumb under the mask of a pervert, while actually solving problems and 'studying'. Onizuka uses a certain amount of wit, but also relies on his past experience as a biker and gang leader to gain respect from his students, who rebel against him. Both have great comedy moments, but also touch on serious topics, although more so in GTO.
Both Golden Boy and Great Teacher Onizuka have the same kind of warm animation style and they both feature humorous male leads who frequently have all sorts of escapades involving women. If you liked Golden Boy's sort of humour, you will find more of it from GTO.
Additionally, if you liked Golden Boy but wish to see something with a more solid plot, this is a good candidate.
Both of the series involve a pervy protagonist who happens to get himself in loads of trouble but always gets away learning something or teaching something to someone else. Both protagonist make the most ridiculous faces that add to the charm of the series. If you like the brand of humor that Onizuka has, then golden boy is a great companion to the type of humor. Both are very inspiring and have a great spirit that make them a great watch. Sadly the series is a bit short but very worthy of a try.
Slice of life, ~18-25 age group of main characters, male lead characters, mature themes, both have a lot of comedy, and voluptuous females.
Extremely similar characters.
If you like one then you will like the other.
It's not like the series are similar in plot, but the sense of humour is analogous. Since Golden Boy is only an OVA, you won't waste much time if you happen to don't like it at all. While Onizuka Eikichi is actually a dumb ass (which is fine with me), Kintaro Oe is rather an intriguing character and one doesn't exactly know which on he is - a smart genius or a dumb ass as well. If you liked GTO, you might try to watch Golden Boy.
GTO and Golden Boy both are similar in humor. Both have an honest, hardworking main character who will go to great lengths to make a difference in another person's life. Mostly women.
GTO and Golden Boy are both my favorite anime ^o^ there are both funny and have sweet story line ^_^
if you finished golden boy and wanted more, GTO is what your looking for
Golden Boy is some of the most baller S**t i have ever seen, but it is incredibly short. I feel as if GTO captured Golden Boys message, but is a lot deeper and longer.
Both are some of the funniest anime you will ever find. I just couldn't stop laughing. When your done you'll feel sad because its all over.
Well, these two series definitely shares some similarities. For instance, the main male protagonist is portrayed as a perverted guy. However at the same time, they are honest and truly wishes to help the people they meet.
Both series' main male protagonist also gets into various situations with women. Initially their outlook on the mc is disgust but later on seems to view him in a different light.
There's a lot of catchy dialogues in both series that is humorous. The old school style artwork also gives similiar vibes. There is also some fan service in both series.
Both main characters are perverts go horny over any girls with ba-donk-a-donks
There both Aspiring..
In GTO the main character Onizuka wants to be the greatest teacher while in Golden boy the main character likes to study study study study by going around japan learning new things, meeting new people, and taking alot of part time jobs
Both shows are great
Both have a funny humor to them, i would recommend these to everyone who wants a good laugh. Cheers.
Great Teacher Onizuka and Golden Boy are a like since they both have the same type of perverted humor. Both mains are extreme trouble makers and perverts.
Both are 90's anime about hardworking pervert who somehow finds a way to save the day, but somehow never gets laid.
The situations that the main characters go through may differ, but the way they act throughout the episodes and they way they solve other people's problems are nearly identical.
"Learn, learn, learn!" is the motto of Kintaro Oe, a law school drop-out who goes on a quest to travel across Japan on his bike, to gain knowledge. Both shows largely focus on the comedic, weird experiences and life lessons derived from them.
just ridiculous pervy episodic comedy to make you feel warm inside
It has the same atmosphere and similar characters, except in GTO the protagonist is a teacher, and in golden boy it's a super fast learner. Same genre, same art style, both main characters are cool and funny at the same time in their own way, which is good. I personally prefered golden boy as an anime, shame it's only 6 episodes, although you can always read the manga of which there is a lot of. Golden boy used the "arc an episode" format so it's better suited as a -relaxing, switch off brain and be happy- anime because you don't need to follow a particularly long plot. GTO does the same thing occasionally too though, just not the whole time. I highly recommend both.
Both are comedy about a perverted guy and his escapades. Both have old style animation. Difference is that one MC is a teacher while the other one is just travelling around the world.
Similar art and comedy.Both will make you laugh a lot A LOT
well both are very similar in allot of ways
* both are strong and willing to take a beating to help some out
* both have perverted minds
* both should be never underestimated
* both are good good hearted
* they both teach people that there better than what they think
* both have funny ass face's
* both are from the mid to late 90
* golden boy is a little bit more ecchi
* GTO Story is set in one place most of the time
* Golden boy almost has a harem
* GTO wish he had harem lol
* GTO rides a Motorcycle
* Golden Boy ride's a Mountain Bike
Onizuka and kintaro are protagonist fom the two series, the two share quite the similarities with both being a total perverted maniac who looks like idiot from the eyes of others. But as the story progresses others begins to doubt their despise and sees them as a kind of heroes.
GTO and Golden Boy will make you pause the video from laughing for fear that you’ll miss the next joke
Both shows are comedies that feature an expressive, perverted, happy-go-lucky man in his twenties as the protagonist. These characters then spend the course of their respective shows trying to help solve problems held by the people around them while simultaneously solving a few of their own. Also, both shows feature older, celluloid animation.
The thing I love about GTO and Golden Boy, is that both main characters are hilarious and get themselves into some of the most humorous, and most awkward situations that make GTO and Golden Boy so much fun to watch.
I noticed that both Onizuka and Ooe, Kintarou go to great lengths for other people, even if they're risking their lives doing so.
Golden Boy is very similar to GTO and I highly recommend you watch it, despite Golden Boy only having 6 episodes.
Both of these shows follow the same formula, featuring a rough-around-the-edges new teacher reaching out to problem students who eat normal teachers for breakfast. GTO is the funnier of the two by a long shot, but they're both quite good.
Both of these anime portray a teacher in a leading role, with GTO having a male lead while Gokusen having a female lead. Both are focused on how the teacher solves the problems that the students may have, though the problems you see in Gokusen may be a little more "tame", i.e. a tad bit less serious and realistic, than the ones dealt with in GTO.
Ooo...k.. Do NOT expect it to be GTO! It's a comedy with an interesting story. The ideea is basicaly the same: a teacher with a controvertial story in their lives (Onizuka ex-biker, Gokusen relations with yakuza). This is considered the female version of GTO. It's a MUST if you saw GTO but it's not GTO by a long shot.
Almost the same art. Both main characters were gang members and want to be a teacher.
Both are stories about a teacher who is really bad ass who becomes a teacher for a JD class. GTO is much more perverted then Gokusen, and the main character is a guy (obviously). Gokusen's main character is a girl.
Teachers, gangsters, life. Makes for a great anime.
Both animes feature a gangster backed wanna be teacher,who actually succeeds to overcome the disorganized students and teach them some respect. Where GTO has male, Gokusen goes with a female teacher.
Teachers who are members of a gang that wanted to change their life for good, they help those stubborn teenager students who are going to the wrong path & lead them to the right path.
Both series have the troubled class and unorthodox teacher theme.
Gokusen is basically like a poor man's GTO, but both were enjoyable.
Main character is a former gang member who wants to be a teacher and has to deal with difficult students.
Besides everything previously said, in both TVs vice president of the school dislikes the protagonist and tries to harm him/her. And the flow of the storyline is pretty similar.
Epic Teachers using unconventional methods to teach their students.
Similar genre. Difference one GTO - male teacher, while Gokusen - female, also GTO have more series, but both are really fun to watch.
-Former gangsters who want to teach.
-Badass MCs overall.
-Students try to jump off a school roof.
Difference: Gokusen is mostly a comedy. While GTO is showing the consequences with students and dealing with it, but epicly. Gokusen kind of has those moments too, but it's mostly a comedy, thus not having some of the emotional moments in GTO.
Despite there being many differences in the setting, you will find that as you watch GTO there's many parallels to Assassination Classroom. For example Onizuka-sensei while not being a Mach-20 octopus like Korosensei, is very OP in his own right. Also, both of them take a sometimes unconventional approach to teaching, like to fool around but have a tendency to impart the occasional piece of wisdom to help their students. Don't be dissuaded by the fact that GTO was from the 90s because there are some things that don't get worse with age!
Basically the same plot. Both have unique teachers teaching a class of trouble kids and going to any extreme to help them.
I've always been looking for a similiar anime to GTO, and I think many others do. GTO was just amazing and I didn't want it to end.
And since I found a similiar anime on par with GTO I thought to share it with the other members here :D
They're both about special teachers who care about their studends and help them grow.
Even though one is a delinquent and the other is some kind of lab-created monster.
As the series goes on they will help their students with daily life issues, go on field trips and many other stuff.
U should watch it!
What happens when you mix a situation comedy, a schoolyard travesty, and a straight jab of hard-hitting commentary on modern youth and the issues facing the Japanese educational system together in one anime series, and shake strenuously? You get these two series. The teachers share some qualities and morals that they pass on to the students in a untraditional way that works well. They will go to any length to help and guide their students with whatever trial or obstacle may stand in their way. While there is a certain moral message to the anime, watch it for the sheer fun value.
- Both are based in a school setting (like most shounen)
-Both are about a teacher trying his hardest to get a class full of misfits to became more socially acceptable in the eyes of others.
- Both feel very episodic
- Both feature a Main Character that seems like someone that differently does not belong as a school teacher, (in GTO he is a biking Gangsta, in Assassination Classroom the main character is a tentacle monster trying to destroy the world).
- Both feature the class trying to get rid of the teacher by any means necessary (for example in G.T.O. Onizuka is always being plotted against by his fellow students, while in Assassination Classroom they are trying to get rid of Koro sensai by killing him).
- Both are very fun shounen series that seem to be very humor and entertainment based.
Both shows have a strange teacher as main character (In AssClass it's an ultra powerful octopus-llike monster, in GTO it's the former leader of a biker gang) who teaches his students important lessons about life. Also, both are very hilarious but also both are quit drama.
Unlikely teachers who try to solve the problems of a troubled class through their own weird but fun methods.
I was so waiting until I could normally add this recommendation. So yeah.
An untraditional and perverted teacher, working with kids who are in their 3rd year in middle school. And those kids try to remove the teacher. In GTO, we have a bunch of kids who think they're so cool they don't need a teacher and in AssClass we have a tentacle monster who wants to destroy the world in one year and the kids were asked to kill the monster with huge bounty. And what makes the children's goal difficult? The teacher seems to be the best teacher in the world...
Apart from the main characters being completely random, both series having re-occurring characters and a similar style of humor, there are not too many similarities. However, if you like either of these series, your almost guaranteed to love the other! Both start out fairly slow, so watch at least the first 5 episodes and you WILL be hooked.
If you liked Onizuka Eikichi from GTO as a main character, then you're definitely going to like Sakata Gintoki from Gintama. Everything they do from riding 2-wheeled transportation devices(I hesitate to call Gin-san's old scooter a bike) to nose-picking to ass-whopping make me think that they must be brothers from different universes. And if you liked GTO's awesome mix of comedy, action, life lessons, occasional ecchi, and problem-solving, then you should give Gintama a shot, because it is all that with a heavy dose of parody thrown in just for kicks.
compared to the anoying self centered gintama show with its uncharming sense of humour on thirds expenses GTO would be a clear improvement and many finely created laughs without any bad after taste.
Gintama may seem completely random at times only for comedy but when it gets serious its obvious these shows are alike.The similarity of the two lies mostly in the characters and their interactions.
They both have a poor excuse of a "adult" as the main character that just happen to be skilled fighters. As stupid as they seem their main point is the impact on other characters with cliche yet encouraging words of wisdom . And that is what makes them so liked by both characters in the show and in reality.
If you like one you will definitely like the other :3
Light-headed/carefree main characters, great humor and both animes giving you the chance to review/edit your opinion about life and stuff to do with it.
Both main characters:
*Act like scum.
*Can do awkward things without shame
*Overpower pretty much all fights
*have perverted scum fantasies
*really really caring of their friends
*everyone is drawn to them mystically
*dead fish eyes
*make stupid ugly hilariously drawn faces
*wear other anime costumes
*prioritizes doing the moral thing over importance
*both animes don't do cliched things to drag the story
*makes you tear up when people discover the heroic things they did
*great episodic arc stories
*gets mad easily
Whoops, I kept going on. Well you understand how much I love both of these.
Although these two anime is not similar in plot, the funny moments will remind you again again of each other. If you liked one of them then you are surely to like the other.
In both anime, the main characters have a dangerous past and are trying to be good in the present. Humour present in both are comparable.
Both are your non-standard teachers who help the students and "lecture" them outside of school. This is the he way deals with problematic kids, and aid the not so bad ones. However the differences are that Onizuka wanted to do it, but Junichirou didn't, and also Junichirou is open about the fact that he is a hardcore otaku and seems to have everything going for him. Unlike Onizuka who had to overcome many obstacles as a teacher, and fight for both the privilege to teach as well as many things and Junichirou had the job forced on him against his will.
Ever assigned to teach a bunch of socially-rejected pupils? Here is your chance. Denpa Kyoushi as well as GTO offer you the chance to laugh of what a teacher can do, if he's also by himself, rejected by society. Although Comedy is not guaranteed in both of the series, the enjoyment rate will change your vision into what schooling means. But most important is that... here they share the fact that they're teaching us what it meant to be a teacher.
Both having the main MC(Teacher) guiding the students to go on the correct path
The Main MC originally not suited to be a teacher(GTO-Yankee, DK-Otaku)
The MC got accepted to the school due to the principle finding them interesting.
These are literally the same show but one is biker gang guy and one is NEET.
-Both shows has NEETs as Protagonist's
-They suddenly become a Teacher
-They help students with problems
Kagami has the brains, Onizuka has the power.
The MC become a great teacher and has some different
-Kagami is a great teacher otaku
-Onizuka is a great teacher bad boys
both have a delincuent its the main character and both are to die laughing.
... and of course both happens in the school
They're both very very funny anime's, their humor is VERY similar but GTO is a bit more ecchi at times. Also both are episodic in nature, meaning there's no MAIN plot, just a couple plots that last a couple episodes each with themes.
high school settings, with badass main characters
2 of the funniest anime out there, both with similar comedy
Both series are first of all, takes place at a school life setting with a large cast of characters.
Both series' main protagonists are viewed and portrayed as delinquents but later gets character development through his interactions with the other cast members.
Both series contain random humor, drama, action (less so in School Rumble), and some romance.
Both series are overall entertaining and even teaches a value in some of the episodes.
Both main male characters are misunderstood delinquents. This fact causes lots of drama for them which always results in hilarious outcomes.
Both shows are perfect for a good laugh.
School Rumble is the rightful rec for any GTO inquiry and vice versa.
GTO offers you a more mature experience using similar jokes, animation, crazy events, etc. Think of GTO as the older brother to School Rumble. The funny thing is that Onizuka was a biker prior to being a teacher, so although the stories don't converge there are stark similarities.
Put simply, if you liked School Rumble and don't mind a slightly more mature version then GTO will reward you. Also let me mention, GTO is one of the best anime I have ever seen in all regards.
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