Status: Finished Airing
Aired: Jul 13, 2007 to Sep 28, 2007
Duration: 22 min. per episode
Rating: R - 17+ (violence & profanity)L represents licensing company
Score: 8.521 (scored by 21766 users)
1 indicates a weighted score. Please note that 'Not yet aired' titles are excluded.
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Story: This anime is broken into five different stories lasting about 2 to 3 episodes each. Every one of these stories features a different supernatural spirit; many of them rooted from Japanese folklore. It is up to the Medicine Seller to uncover the Katachi (shape/form), Makoto (truth), and Kotowari (reason) of the spirit. Now, this sounds like your average, spirit-of-the-week sort of deal, doesn't it? But it isn’t. That's one aspect that makes this series so great. All the stories are unique and do not feel like a rehash of the same story as the previous. Even by the final arc, I was still shocked and entralled by its revelations. So yes, there are unexpected twists in every arc. Each tale also holds very thoughtful themes. You would expect a series about supernatural ghosts to be about the, well, dead spirits, but that's also not the case. Most of the stories are quite deep and to some degree disturbing. In fact, Mononoke is very thematically based on human nature, since it's the humans and their actions that transform the spirits into these vengeful mononoke.
Art: I’ll say it now. The art style may put off some people, especially based on first impressions. I thought the art was absolutely gorgeous, fitting, and unique. Mononoke uses an art style that resembles the Japanese "ukiyo-e", filled with vibrant and colorful backgrounds, textures and designs. Because of this two-dimensional, almost paper cut-out appearance, the anime uses a lot of camera movements and symbolism. This is why a few of the stories may need multiple viewings to get the full meaning of everything. In this way, I feel Mononoke uses its art to its full potential to present the story. I also loved how the style in each arc deviates just a bit so that each story distinguishes itself from the others.
Sound: Sound plays a very important role in this series. Because the art style somewhat limits what it can show on screen, sounds are used to reinforce that. It sets up the tense atmosphere, adding suspense and leaving you anticipating for more. The voice acting is very well done, especially hearing those screams of terror and shock. Other than that, I didn't really like the opening and ending songs. I actually liked the Ayakashi OP and ED better.
Character: There is only one reoccurring character in all the stories and that is the ever-so-awesome Medicine Seller! Yes, he is nameless and simply known as “Kururi-uri-san/sama/insert other honorific” or medicine seller. Although not much is known about him, I think it's very fitting since it adds to his mysterious nature. He does, though very subtly, develop. In all honesty though, I found it incredibly enjoyable watching him make deadpan comments while the other characters are freaking out over the weird happenings/hauntings. Lastly, the story-only-characters get a good deal of development despite each story being 2 to 3 episodes in length.
Enjoyment/Final notes: I finished the series in 2 days, meaning I watched about 6 episodes per day. So yeah… I enjoyed it a lot. And as mentioned earlier, some arcs may take a second or even third viewing to get everything. I know I will watch it again. It's such an excellent anime and was so worth the watch.
9.6/10 easily rounded to a 10/10 for my list. read more
The artistic styling of Mononoke is truly one of a kind, the colours are amazing and with HD encodes it truly shines. Each new environment is unique, colourful, and captivating. The colours and use of quick camera movements add to the suspense. The animations themselves are intentionally very stiff at times but as the action speeds up they become very fluid and top notch. The backgrounds are rarely stationary, but appear as though you are observing a painting at the same time. Often times the animations of common things such as snow or water are displayed in a very unique way that makes you simply want to get lost in it.
The sounds of Mononoke are fantastic. There is often times complete silence, but that only adds to the suspense. The OP and ED are very nice, nothing exceptional, but nice. The use of sounds, such as screams, thumps and other such frightening sounds are extremely realistic. I hate to admit it but I was genuinely frightened at certain points.
Apart from the Medicine Seller, each arc sees the introduction of new characters. Each character usually represents a different Japanese stereotype. Samurai, priests, monks, government types, children, and many others. Kusuriuri's alternate self, I won't give anything away, is almost worth watching the story for on its own. The Medicine Seller is a very sarcastic person and often times at a very serious moment he'll crack a joke that is totally absurd and you can't help but laugh.
At only twelve episodes Mononoke is well worth the time and although it is very, very Japanese in respects to content, it doesn't take away from the enjoyment in the least. As I mentioned before, Mononoke is excellent at generating fear out of the simplest of situations with very little audio. The characters are all very genuine and are often times in tears and losing their minds in a very believable manner.
I've wasted enough of your time, now go watch this show. You definitely won't regret it. read more
Before we embark on Mononoke's journey one may first need to understand the very concept of Mononoke. One of the basic types of Ayakashi (tl. "unnatural spirit") is formed from the soul of a living or non-living material. Oftentimes, regret causes this, and when an Ayakashi is merged with strong human emotions such as vengeance, sadness, or fear, it develops into a Mononoke (tl. "hostile spirit"). This is the foundation for conflicts in each story and what typically stems from each Ayakashi's backstory.
The story itself follows a Kusuriuri (tl. "medicine seller") who travels from one place to another exorcising each Mononoke he comes across. The anime presents five standalone arcs. Each one consists of 2 or 3 episodes, which may sound as if there is not enough time allocated to serve each story properly. Fortunately, this uncertainty is untrue. Each arc is thoroughly interesting, bizarre, and complex; viewers will be astonished by the profound impact each short story relays.
Every arc meticulously refines its pace in order to provide characters enough time to adapt to their roles. Once the primary conflict is staged and the Mononoke is revealed, Kusuriuri puts himself to the task of unraveling its Katachi, Makoto, and Kotowari (tl. "Form", "Truth", and "Regret") — the three requirements for him to release his "Sword of Exorcism". What makes Mononoke a highly commendable work is its highly structured format, as well as its exploration of every character's motives. Kusuriuri simply can't draw his sword and exorcise the Mononoke until a predetermined set of conditions is followed. Moreover, whilst watching Kusuriuri reveal a Mononoke's Form, Truth, and Regret, we come across a saddening tale of how it came into existence. Mononoke does an excellent job in attracting viewers with its harrowing tales, and its precisely carved narrative makes it an unforgettable experience.
Aesthetically, Mononoke is one of the most finely detailed pieces in existence. From vibrant and colorful backgrounds to highly detailed characters and costume designs, Mononoke has crossed every barrier in this field in order to achieve excellence. The pasty color palette may seem an odd choice for a horror anime, but make no haste; it merges perfectly with the setting and culture of this work. The backgrounds are perforated with different textures all of which that complement each standalone narrative.
Generally, Mononoke can exist in any form and in this anime they are designed explicitly (and sometimes intentionally vaguely) in order to vary with respect to their arcs. Toei Animation has done a wonderful job in designing every character intelligently and distinctively in correspondence to their personality. Kusuriuri's design in particular manages to stand out on every frame. Moreover, his climactic transformation remains one of the most excellent aesthetic achievements in anime: it produces such a profound form and with fantastically surreal animation.
Matching the astounding art, what makes the characters so memorable is how they are portrayed. Not only are they emotionally distraught and relatable, groups of them often form a well-represented allegory. Mononoke is also an eclectic social commentary, ranging from remarks on corruption within governmental policies to more localized analyses of vengeance and despair.
One role which continues to outshine all others is the recurring character Kusuriuri. Unnamed, unrevealed, and from beginning to end an unknown, this enigmatic figure is the lone consistent tool from story to story. He breathes ambiguity, and his role always wedges into the plot should it ever begin to stale. He also does not share any form of development, and yet his indecipherable status always mystifies viewers in order to keep Mononoke's harrowing atmosphere at its greatest.
The Opening and Ending themes may seem peculiar, but they are certainly stylish, and as unhinged periodic pieces, they imperceptibly suit the series' direction. However, what marks Mononoke is not the music but the sound effects. Each opportuned implementation pervades the room with mystery and sheer awe. Mononoke also takes inspiration from kabuki plays, which is an interesting spin as much of its presentation follows panelwork very typical of this theatre current.
Perhaps above all, Mononoke is an experiment on convention. Its presentation offers a instantaneous, visceral reaction, and its story takes great efforts to rely on its atmosphere to tell the tale. However, it allow follows a highly structured narrative, which roots its foundation in order to prevent stories from becoming too insane. As a waltz through the Ayakashi mythos, Mononoke is one series never to forget.
This review is the final product of a team composed of members from the "Critics and Connoisseurs" club. The writers were:
Editing was done by:
nil- read more
Ok, so it’s not like Die Hard at all then. Well, actually...
They both involve antagonists, usually out to terrorize or for revenge, who force the hero to hole themselves up in an interior location with troublesome civilians, while using their wits and skills to battle to an explosive and emotional resolution. See?
Here's where Mononoke carves itself an identity to make itself stand out from John McClane’s frolics with Euro-trash in cramped quarters: (we're all ignoring the 4th instalment, right?)
Mononoke is a visual splatter of psychedelic imagery that's like the creation of a prodigious savant child born from Stanley Kubrick, or Darren Aronofsky, take your pick. The colours just jump out at you no matter where the scene is or what's occurring, they're alive and part of the narrative.
A narrative that’s kept lively through snappy editing. Scene and shot transitions flow, snake, and leap all over the place, using every cinematic method available. There's even flip-book mimickery; character reactions told through pages turning one after another furiously, for no reason other than to jar the viewer and emphasise the stark dialogue being delivered.
Our hero, the medicine seller with ears from Middle-earth, surely has stark delivery. Only willing to speak when he has a reason to, if only more anime characters were like this. There's no filler to be seen in this show, whether it's absent from the dialogue or story.
But for a show so dependant on scaring the viewer witless through bizarre imagery, narrative coherency isn’t so important, mood is. The use of colour is actually a really smart way to affect our mood, because scenes that are so bright and vivid actually work in a way that you wouldn’t expect.
"Why am I getting freaked out by this empty room, even though it’s decorated so colourfully? Oh wait, because Yasaharu Takanashi's score is making creepy noises and I thought I just saw an Oompa Loompa in that corner for a moment but it must have been my imagination..."
The set-up to each story arc is eerie, the climax visceral, and the resolution always emotional. Mononoke is a brilliantly written, edited, and directed Edo-period-and-beyond horror that is inspiring in its design and delivery.
12 episodes. One medicine seller. The odds are against Kusuriuri. That’s just the way he likes it. read more
To expand on that last point, Mononoke is not what you would you call a terrifying show to watch. It would be more accurate to describe it as “startling.” It doesn’t try to disturb you with its overly-bombastic imagery, it instead wants you to seek out the subtle artistic prowess that it has to show before it then starts to suck you in to the horror by surprise. The execution of all of it feels very right and nicely paced out so that they feel less tedious and uneventful to go through. Many horror anime, and especially horror movies today, think that if it throws in any kind of ominous or thunderous music, blood splattering gore, or your every day horror cliche left and right that they can call their show a true horror show. In reality, they make it the opposite of their intention because you’re already used to it after the twentieth time it has happened half way through.
Mononoke proves that you don’t have to use any of those aspects in a horror to define yourself as one. The one thing that almost everyone can agree with is that the true source of horror is the “unknown.” The fact that you can’t see something, yet you feel a presence within your surroundings can be one of the most truly terrifying things to experience in real life or in film. Things of this nature was put into full effect when H.P. Lovecraft first based his stories around this concept. You can see, quite clearly, that Mononoke does the same inflections of some of the stories Lovecraft put into his short stories, and does them to brilliant effect. The only obvious difference is that Mononoke actually shows the supernatural entities whereas Lovecraft never did.
How the show is set up is by the obvious inclination that this is a separate story based off of the character, “Medicine Man,” from one of the short stories from Ayakashi – Samurai Horror Tales. Before I discuss how the show structures its plot in each of the arcs, the one important notion to mention that really makes Mononoke a truly unique experience is how much creative detail it gives to the setting of historical Japan. Along with House of Five Leaves, this is definitely one of the closest that anime has gotten, in recent memory, that truly captures the pure essence and atmosphere of what Japan was like during its later modern period. Obviously, without all of the supernatural elements to it, the artwork that is put on display feels like an ancient painting done by past painters from Japan that really strengthens the atmosphere and its impact on the creativity put into the horror. Not only the artwork, but also the little tidbits they put into the show that include various Japanese folklore that they tell us at the end are very inspiring and fascinating to experience.
Onto the plot arcs themselves, they are, unfortunately, not the very highest point in terms of interesting storytelling. With about five different stories put into one show, only two of them stick in my mind as completely memorable or thought-provoking. The one that can be considered great is the first one because of how it introduces us to Mononoke’s world and its concepts of the Mononoke, and is definitely a great introduction into the show. The second arc consists of a very gripping story about each individual’s goals of getting out of the mess that they have been brought to and each of them have this really detailed back story makes them not just this throwaway character that our main protagonist steals the show from. Unfortunately, the rest suffer through, what I would call, overused tropes from the previous two episodes. Of the three last arcs, two of them both involve a group of people that Kusuriuri, our main protagonist, tries to investigate concerning the disturbance of Mononoke. It is almost as if the writer could not think of a new kind of formula he could put into his stories so he decides to reuse similar tropes to his previous stories and put in a completely different spin on that original idea. It doesn’t matter if the plot is completely different from the previous one, it still follows the same formula and it feels repetitive and almost predictable.
I wouldn’t go so far as to say they are “terrible” to go by, not at all; it just feels mediocre compared to the previous ones. With that said, what really makes the plot worthwhile to experience, for better or for worse, is Kusuriuri, or the “Medicine Man” as he’s typically called. Similar to how great Ginko is in Mushishi, Kusuriuri has this aura around him that makes him very attention grabbing. The only difference is that you don’t really know much about Kusuriuri’s personal life, but only what he does in his job. His smart, fast-moving mind makes him a competent protagonist to root for only by how calculated he lays out his plans in getting the Mononoke and helping the people that need his help the most. It is one of the rare instances where the lack of personal development of one character doesn’t hold back the quality of the character and just from how much he views the world from his own eyes and gives us his take on the mysteries involved in the plot. The unknown archetype adds to his depth and characterization so much more than almost any of the characters in Mononoke, who also have well-developed characterization.
Whether you want to call the animation, provided by the most lauded Toei Animation, “experimental” or “classic art,” it nevertheless feels very dynamic. Toei has always wanted to stick to original roots when concentrating on their animation skills in most of their productions and this is by far one of their best. The fluid motions of how the characters move, react, and illuminate feel very human-like and provide a significant degree of hard-work put into each frame of animation. What is even more fascinating is how the animators put a lot of creativity into the actual Mononoke, which is evidently influenced by Japanese folklore. Even though you don’t see them for more than, say, five seconds, those five seconds will be burnt into your memory for years to come.
Mononoke is a different breed of horror that many anime have not attempted to replicate even in the past. There hasn’t really been a horror film or show that never makes you scream out in terror, yet in your mind, you feel almost as if you had gone through a night terror that you don’t remember screaming, in sheer anguish and fear. While the show never really compiles to a significant detail of groundbreaking story, it surely is a sight to behold in grasping what can be done with an absolutely gorgeous setting with beautiful sets of animation to go with it. Let it be said; when it comes to creating great horror, there should never be boundaries that restricts what it wants to show in terms of true fear. Otherwise, it would not be horror, one way or the other.
The team at Toei Animation accomplished something quite unique - they brought a painting to life. The stationary, ever-present texture of marbled paper, reinforces the illusion of a canvas across which the characters move, in all their watercolour glory, somewhat reminiscent of Ukiyo-e prints. The art is highly stylised with its unique character design and rich, breathtaking backgrounds. This visual feast should be savoured and experienced again - it's hard to soak in every detail, particularly if you have to read the subtitles at the same time.
Perhaps having a peculiar taste for darker stories, where the horror is implied rather than shown, here paired together with exceptional style of the animation enabled me to tremendously enjoy this series. And, hence the high scores I gave. read more
This is a journey of a protagonist who intentionally has a misleading job to overshadow his real identity, regardless it is extremely cool to see a Medicine Seller being able to fight off the evil spirits regarded as “mononoke” in the show. Medicine Seller wanders from place to place encountering different kind of mononoke. The show follows the route of standalone stories mostly comprising of 2-3 episodes. A considerable amount of expertise and care is implemented in each story for building up the suspense, keeping up the focus and then uncovering of a grand finale.
These are the ancient tales that had been haunting the Japanese folk in many walks of time. Many Japanese artists, authors and scholars have framed these stories in their oeuvres. And Mononoke is perhaps, one of the modern medium in which these classic tales come to life. Its unprecedented style of storytelling comes off surprisingly eerie despite its vanilla-like presentation, in fact it is because of the such presentation that we have those sparkling picture itched in our mind even when the dance is over but the mood lingers, and the ever so budding uncomfortable atmosphere slowly creeps into our hearts.
Characterization in Mononoke is brilliant while there isn’t any long list of cast to talk home about, but the characters appearing in each story are provided with enough background to connect or least sympathize with. There’s uniqueness about characters in mononoke like the whole show the characters are brimming with energy. What a menacing persona the ‘Medicine Seller’ is. His enigmatically grim and calm nature instantly charms the viewer. The kind of vibe you get from someone who makes almost ‘everything into the face of the hell’ redeemable.
One of the riveting aspects of the show is its technical qualities. The aesthetics in Mononoke is heavily authentic and traditional in terms of cultural concept. The whole settings are inspired from Japanese theatrical performances, like Japanese wood block prints widely used in Edo period. Animation wise, it also take some of traditional approaches like Mawari-butai (revolving stage); The trick is accomplished in most of episodes, moving camera angels like an on-stage pushing of a round, wheeled platform. The innovative sense of direction used throughout the whole show is nothing short of surprises. Characters’ movements are fluid and blends well with moving/changing backgrounds. As much as heavy detailed this show is when it comes to visual experience; it takes both time and patience to get used to it or to be more precise; to savor it. Soundtrack further enhances the whole experience, whether it’s the emotional instrumentals being played out or horrific screams echoing in the halls of your mind, all of them are thematically fitting to the mood of the show. Even something like subtle chimes of metallic objects holds such profound impact on the overall execution.
Mononoke is something I would compare to downright neurotic, emotionally stimulating and absorbingly beautiful. However I wouldn’t claim the aforementioned qualities as long as you aren’t repelled by the extremely non-mainstream aspects of it otherwise you couldn’t watch it sooner. read more
The art is, by far, the most impressive part of this series. An explosion of colour that reminds us of the artistical epitome of ancient Japan, intelligent use of mixed media and a careful design for each theme make of Mononoke a treat for our eyes. Each detail is worth of admiration, like a painting in motion. The animation is simply superb, constantly adapting to the new styles and themes that are used for each story.
The characters end up being a part of their background, in an almost absolute bidemensional existance. However, they are still highly detailed, especially considering all the intricate patterns of clothing and body styling that decorate their personality.
In continuation, the characters may be well designed in visual terms, but what makes this all unique is the way they were made emotionally. Each character has a distinct existance, even though some of them appear in later occasions. The characters of each art are truly dependable on the story they belong to, but would still make sense as indivituals outside of it. However, the astounding element from this crowd is the main and recurring character, Kusuriuri. Unnamed, unrevealed and, from the beggining to the end, an unknown creature. This mysterious man is the tool that makes the anime go further, within the same stories and from story to story. He does not have any kind of characterization however he appears to the viewer as the most palpable of characters. For some reason, he steps from an (eventual) imaginary or mistic being to someone that exists.
Kusuriuri, the mysterious medicine seller, moves from arc to arc solving strange occurances that assault the other characters. The only thing common between all of this is that every problem is provoked by a monster, a phantom or a spirit, something created to specifically haunt that group of people. As he discovers more about the occurances, the events behind the appearance of the haunting unveil themselves. And the result is, most of the times, something of extreme beauty. The narration is very basic in the sense that characters reveal their actions and the chronology of the story, but each story is treated with so much care that even the most simple event is turned into poetry.
The Opening theme and the Ending theme are less than memorable. However what marks Mononoke is not the music, but the sound. The use of the correct effects at the right moments give an effect of mistery and fear. In a sense, it may be inspired in kabuki plays*. It is original in this sense but, otherwise, rather average.
A series of amazing tales that touch every theme of the Japanese folklore, leaded by one of the greatest characters ever created and crowned by a truly original art. A masterpiece in artistic terms. Watching Mononoke is like reading a poem from the Heian time: small, sometimes even simple, but so rich in detail that we can't help to "let the dew wet our sleeves"
Personally I watched this before Ayakashi - Japanese Classic Horror which this is a spin-off from and you can go ahead and watch this without having seen it.
First of let me start of with that the art was really intriguing. I like animes with a more experimental approach to the art. Not nearly as experimental and artsy as Mind Game, which remains as my favorite anime-art to date. Sometimes the art just feels like stylized art with a filter put on it, which is pretty lame. Despite that this is one of my favorite arts to date. It goes very well with the stories and really raises the mood and atmosphere rather than just being a medium of information. Not recommended for fans of the stereotypical huge eye school anime style.
The soundtrack is good though it's fairly underused throughout the series. The sound effects feel fitting. The voice actors do their jobs as they should, it feels natural and synchronized with the animation, correct tone etc.. Onto the substance of the anime.
Mononoke is composed of five arcs, all of which are only related by the recurrent main character and similar plotline. The story follows a wandering medicine seller who combats malicious spirits. One gets to observe group psychology as unsuspecting humans confront supernatural as well as life threatening situations. Note that I said observe, one never really feels 'connected' and feels for the characters. It is the result of a main character with nerves of steel and a heart of ice, I'm not saying his character is bad though, it's a very intriguing and interesting one. I really like the main character, I fell in love with him the first episode, so damn cool ^^. This is one of those odd and seemingly emotionless types. There are a few moments where he gets a little too flat (for example in the last arc). You never get a background or introduction on the arc characters, it charges almost immediately into the story. The result is as said before, makes you more of an observer instead of feeling with the characters. This deems the horror part of the story pretty useless since you won’t feel their fear as a spectator. Or I don’t know, maybe I'm just hard to frighten? I hope I don't seem like too much of a "zomg-iem-totali-not-afread-off-anithyng" type :P.
The most important part of the anime are the mystery aspects, figuring out the not so understandable main character and of course the mystery of the Mononoke - the supernatural haunter - itself. The medicine seller needs to know a mononoke's shape (Katachi), truth (Makoto), and reasoning (Kotowari) in order to combat it, as he tries to figure this out you get to know the story of the mononoke as well as the story of the people involved. The mysticism remains truly thick throughout the series. Though each arc has its conclusion, but if you didn't really pay attention and didn't try to figure it out at least partly by yourself the conclusion might not be so clear. One of my favourite pleasures while watching it was the almost surreal symbolism playing mind games with me. It's not quite surrealism though, since surrealism holds no sense at all and most usually no symbolism. This is one of the most thought provoking anime titles I've ever seen. Though I'm sure there are a lot of people out there who have seen A LOT more thought-provoking animes than me, but I'd say that I've had my fair share, I'm pretty sure they'd agree with me anyway.
Here are a few pros and cons. I tried to write what others might consider as cons and pros.
3 Pros (if you consider these as pros):
- Interesting and realistic* group psychology scenarios
*Not realistic in the sense that nothing out of this world is occurring but in the sense that the characters react as real human beings would.
3 Cons (if you consider these as cons):
- Unscary horror
- Unsympathetic characters
- You may find the conclusions blurry
Let's start from the beginning, the story. Being composed of five arcs, the anime doesn't really connect any of them, the main character appart, which is quite unique. The style changes from arc to arc, some of them are more disturbing, others are more laughable. The last one, however, has kind of an "end". And this is what made me give not a 10, but a 9 to the story.
If everything was so perfect and unconnected, why put an "end" to it? Let we tell ourselvesl the story continues forever! >_<
Now the art... Well, this anime's art is what I can really call Art! It isn't common, not at all, so if you like the traditional anime art, you won't like this. If you have a taste for something more artistic and unique, you'll probably love it as much as I did.
For the sound. It's perectly synched and everything. The sound AND the very lack of sound put you really in the mood of the anime. The voice acting is great, featuring some well-known guys, but what caught my attention was the fact that every voice in the anime fits it's character. Every single one. The voice of the main character is EPIC, it makes him too smexy. I'm saying this and I'm a guy, this character was really something.
Well, for the characters, I already said much about Mr. Medicine Seller, the mc of the show. He is misterious, sexy, has a sexy voice, and is very sarcastic. The other characters are perfect for their purpose: make the viewer feel sick of humanity. Almost every human in the series is particularly disgusting, what leads the viewer to feel pity for the Mononoke's fate, generally.
Enjoyment? I watched the whole series in a row, in one night, and wasn't bored for a second. I even wanted more, in fact, I need more right now, so I'll end this review and search for some similar stuff.
PrinceArthas read more
The strength of this show is the stories so I'll start with that. As much as I like an over-arching storyline all five of the stories in this show were memorable and strong stories on their own part. Each story is given enough to flesh out character motives and back story while also giving us quite a great deal of action when in reality they are only ever move into a few rooms. For a Japanese-style ghost story collection it requires not a lot of knowledge of Japanese culture, which makes it more accessible. (Just maybe wiki Genji Monogatari before watching the Nue episodes.) All the stories are well-paced and have satisfying conclusions. The only one I can think of which perhaps I did not enjoy as much as the rest would have to be the Sea Monster one. But even then I was fascinated by the concept of the hollow boats and the fact that one of the supposedly one-shot characters actually questioned the Medicine Seller's motives. This is probably just me being hard on it because I loved the rest so much (particularly the first and the last one.) (9)
The sound design of this show is very well done. In short, it replaces any type of body horror they could show, and somehow that is more creepy than actually showing it. For example, in episode two at an especially creepy moment, not to get too far into spoilers, they show cracked daruma dolls and strips of cloth. That image itself is not scary, symbolic, but no enough to get goosebumps over. However, with the sounds that go on during that sequence you actually feel violated in a way because even if it is just symbolic representation on screen the noise is enough to make you not want to look. (9)
It's a shame though, if you close your eyes. The art style for this show is very unique and the sheer amount of detail they put into their backgrounds is lovely. This show is probably one of the most screencap-able ones as it is fashioned to look like a painting in every frame. Also, symbolic representation is something you don't see very much in anime nowadays. My only complaint is that sometimes the characters look a little, shall we say .. off? Sometimes facial features aren't consistent and there are these odd rare cases where the characters move a little unnaturally especially in the mouth without any reason in the story to do so. It can be a little jarring, but it doesn't happen often. But, when this anime does movement well, they do it very well. I remember being really taken with is one shot of the Medicine Seller's feet while he's running through a train car on geta. (8)
As mentioned before, the real strength of this show lies in it's strong writing and atmosphere. When you are not being simultaneously dazzled and confused by the imagery, the sound is genuinely creepy (and well timed with the animation, I might add) but there is also our main character who is, in his own respects, unsettling as well, right down to the way he delivers each line. He has this genuinely odd habit of making long unnatural pauses in the middle of each sentence. His features are quite demonic even compared with the most unattractive members of the cast and his clothes aren't like what the rest of the cast wears. (Given, he does make a comment about this in one of the episodes but that was mainly to explain why he was dressed like that in that time period.) The only problem in the character department is that, given the format of the show, it can only develop a character other than the protagonist for a certain period of time. But they do do a good job with the time they have with these characters as finding out what their motivations are is essential to each of the plots. But, because the show needs to keep the protagonist enigmatic, they cannot have just one big episode where they explain his back story like so many other animes feel they need to do. While we don't have to sit through a long back story session, I do feel a little disappointed that we don't learn more about the Medicine Seller because he is, in fact, that mysterious. (7)
My enjoyment (10)
Objective score overall (8.5/10)
I'd recommend this show to, well, anyone actually. Even those who are not considered 'anime fans'. Mononoke is Japanese horror storytelling at it's finest. With impressive art and sound direction and the strength of the writing to tell very Japanese tales without having to have a PhD in Asian studies. Whether it's for unique eye-candy or for the simple pursuit of a summer ghost story, it's a good watch. read more
The Spirits the med-man is dealing here are ghosts that have Emotional attachment to them like love,hate, regret etc.. which he must uncover all the facts to find out about what the ghost is so he can use his special ghost sword to kill it that only can be unsheathed if he knows the true form of the ghost.
HENCE, THE LONG BORING CONVERSATIONS,LACK OF ACTION AND TOO MUCH PHILOSOPHICAL CONTEXT BRINGS IT DOWN.
END. read more
If you enjoyed Ayakashi, you'll love Mononoke, if you didn't like Ayakashi very much, but like the last arc, you'll love Mononoke ;)
Story (10): It's basically about this mysterious and laconic medicine seller that travels the world looking for mononoke to eradicate, yet, he has a very deep and thoughtful way of solving things, many times acting as an spectator and making humans around him unsure of his own motivations to act. Yet I most say it's not for all the public, it's stories show the worst of mankind and often talk about very morbid sides of it, so beware of many suggestive topics.
Art (10): Very unique, fits perfectly with the traditional horror feeling and the details and color are simply gorgeous. The charcters look very disturbing sometimes, but I think it's a great way to convey the temperament or feelings in each character, as well as all the details involved in each picture.
Sound (10): The music, sound and voices, just like in ayakashi, convey perfectly the whole feeling of the anime.
Character (10): Very original and well developed, specially Kusuriuri, got to say this guy is one of my favorite characters of all times. Sometimes he gives you the creeps, while trying to figure what's happening behind his eyes and other times, you have to smile for his soft, ironic or cool side.
Enjoyment (10): If you like mistery and deep reflexions about life and beings, and are not afraid of taking a look at the morbid side of people, you'll love it, I could hardly keep from watching it all at once. read more
The first thing that'll stand out when you look at Mononoke is the art. I'm not going to mince words: Mononoke is the best-looking animated show I have ever seen. The art is styled after traditional Japanese art, which means it's brightly colored, detailed, and everything feels kind of flat. I can't say enough about how amazingly gorgeous the art and color is in this series. It's used to maximum effect too, because the series is filled with all kinds of surreal visuals to let the art really stretch out.
Conceptually, Mononoke could be thought of as a really sinister version of Mushishi: The Medicine Seller shows up at a place and deals with some sort of haunting by a spirit, a Mononoke. Whereas Mushishi trades in a sense of tranquility though, Mononoke is effectively a horror mystery series. In order to exorcise a Mononoke, the Medicine Seller needs to figure out the spirit's Form (what it is), Truth (why it's here), and Regret (what it wants). Of course these are always tied into the secrets of the people the Mononoke is haunting, so each episode is an attempt to figure out what bad thing the characters did that caused the Mononoke to show up in the first place. Sounds formulaic, but each arc (which consist of 2-3 episodes) puts a new spin on the search for truth, and the show never repeats itself.
The only persistent character in Mononoke is the mysterious Medicine Seller. A strange fellow who looks like a Final Fantasy character in the middle of feudal Japan, he's... uh... enigmatic. He's also kind of an asshole. Unlike Ginko in Mushishi, The Medicine Seller isn't really made out to be a truly sympathetic or relatable character. He's mysterious and sinister, and it frequently seems like he cares more about vanquishing the Mononoke than the safety of anyone involved. Not to mention everything about him is left up to interpretation, there's no expanding on his character or history at all, although his personality does get some subtle development (such as in the Incense arc when he reveals a bit of a sense of humor). This isn't really a criticism though, he just plays a different role in the story than you might expect.
All of the other characters only show up for an arc, but they tend to be well-developed. After all, the stories pretty much all concern the character's histories and actions, so it's natural they'd be pretty well developed. They also tend to be the more relatable characters for the audience. They're the ones who are confused and freaked out by all the scary stuff going down, while the Medicine Seller remains constantly cool and mysterious.
The music is pretty nice, although there's not that much in the show itself. The opening is a nice piece that's less ominous than you might expect, and the ending is a fairly typical ending ballad sort of thing. What really does stand out though is that the sound itself is absolutely fantastic. Visually, Mononoke isn't actually that creepy. Oh sure it has it's moments, but an enormous amount of the tension comes from the sound design. When the creepy ambient noises pipe up you know something creepy's gonna happen. Or maybe not? When's it gonna happen? Tension!
Mononoke is an absolutely outstanding series, and definitely a new favorite of mine. The stories are great and the art is dazzling. It's not for everyone, some might be put off by the slow pace, but it really is a great show. read more
This is literally a piece of art, both in a literary and visual sense. Since the aesthetic effects are easier to describe, I'll start there. The art and sound follow a semi-traditional Japanese style, but with modern twists here and there. The art makes Mononoke something distinctly different from all the other anime in the world (except the last bit of Ayakashi, I suppose). It also really helps bring out the incredibly high level of disturbance that defines the plot of Mononoke.
The story of Mononoke is about a mysterious medicine seller with crazy but limited powers who goes around and slays demons known as Mononoke or Ayakashi. In order to do so, he must find the Form, Truth, and Regret of the monster (a very unique idea, in my opinion).
There are five or so plots, each about 2-3 episodes each, totaling to 12 episodes of Mononoke. What makes the story amazing also brings it down, though. The tales are very, very confusing, bringing the mood of the anime to an almost surreal sense. In fact, the more you think about it, the less answers you'll find. I don't know if what the makers have done is justified by "artistic license", because it frankly is very hard to follow and doesn't make much sense. That being said, the story also makes you think very hard to find some well-hidden symbolism, so it's definitely not a passive anime that you can just watch and be done with.
Overall, the story is really cool but confusing, the art and sound are unique and well done, and the medicine seller and his abilities are a praiseworthy concept. This anime brings a new definition to an old genre (horror) and I recommend that you go and see why that is. read more
This series is a spin-off from the thrid arc of Ayakashi~Classic Japanese Horror, Bakeneko.
It is made up of 5 main stories, each spanning 2-3 episodes. All of which deals with the concept of mononoke, a spirit that combines with strong negative human emotions, becoming a malevolent being that creates trouble. The tone of the story is pretty serious, and usually manage to create the sense of tension desired. Most of the stories are very interesting, though sometimes confusing. But if you can take sometime to work out the flow of the story, it actually makes alot of sense.
The sound effects in this series are probably worth more than the actual music, because in most scenes it's the silence that does most of the work. An appropriate sound effect simply enhances the whole errie atmosphere. In terms of OP and ED songs, I can't say I liked it, but it somehow fits to the weird tune of the whole show.
Do not expect nice looking characters. Because most of the characters inside are, by general anime standards, ugly. But one main purpose of the stories is bringing out the ugliness in human nature, so the appearance of the characters actually serve to enhance the entire visual experience and well, it worked for me. The main character is certainly good-looking, but rather in the odd way. And the main attraction from this protagonist actually lies in his demeour, which is certainly unique whichever way you look at it.
Another main attraction factor of this show. The bold and imaginative approach towards the animation takes a big step away from the usual Toei animation style. In fact, it's pretty much different from almost all of the styles out there. The only similar one i can think of is gonzo's Gankutsuou, the count of monte cristo. But Mononoke takes the style further- it focuses a lot on the 2D elements, the job here is no longer making it seem realistic or even anime-like, but rather make it into a piece of art, with an abstract edge. The vibrant palette brings out the gaudy nature of the characters and story, while the animation experiments with pace, style and an entirely different form of art.
[in the end]
So, why should you watch this if you're looking for something different? Well, basically the style- the way of storytelling and the art in this show is simply different and a pretty risky venture. In the sense you'll either love it all or hate it. For me, it is one of my top horror shows, where you'll feel the tension and fear not from the usual black-shadow-at-the-back-and-blood-all-over-the-place scenes but rather from the oddly paced story and effective pauses in dialogue. And of course, not forgetting the weirdly vibrant colours, which at times seems gaudy, but seemingly fits into the picture just fine. Just watching this show for the effects of storytelling would be more than worth your time. read more
― Edgar Allan Poe
The story of Mononoke revolves around a nameless medicine peddler who wanders around feudal Japan in order to exorcise evil spirits formed from the souls of the living or nonliving, called mononoke. The 12 episode series is separated into short 2-3 episode arcs, each focusing on one of the medicine peddler’s encounter with a Mononoke. In order to exorcise a mononoke the medicine peddler must draw the sword of exoticism but in order to do so the peddler must first find the spirit’s form, truth and regret. Through this formula we get to see the story behind each individual mononoke as well as the people that it haunts.
What I found most unique about the stories are the way they are told, the pace is consistently slow allowing viewers to get engaged in the anime’s ambiance. The anime also utilizes some horror elements to complement its tone, and by horror I don’t mean gore or jump scares but rather the more traditional type of horror in which tension, the fear of the unknown, and the uncanny are used to give one goosebumps.These horror elements flow well with the overall feel of the show and serve to complement it as a whole.
Mononoke’s story can be vary ambiguous at times as we never learn the history behind the medicine peddler or his sword of exorcism. I strongly feel its better this way as knowing the background of the peddler and his sword would ruin some of the mysterious charm this title has. The ambiguous aspects of this title feel planned out and intended rather than the result of lazy writing or time restraints.
Each arc typically ends with some sort of ingenious twist that gives off a strong impact and makes way for some rather cathartic moments. The anime never chooses to take the lazy route in terms of story and always leaves the viewer with some peace of mind.
The characters in Mononoke are particularly well done, the medicine peddler is as I previously mentioned is shrouded in mystery. The peddler shows very little emotions throughout the series and during a lot of the segments sinks into the background as the story tells itself. Despite being passive at times the peddler does take action when necessary, acting as a catalyst and arbitrator for the events of every individual arc. Whenever the peddler does act or speak his words and actions have a lot of weight behind them, this is due to his otherwise passive personality as well as the spectacular voice acting done by Takahiro Sakurai who slowly and carefully utters each line. In spite of his otherwise emotionless nature the peddler does exhibit a lot of personality as he constantly makes somewhat snarky deadpan remarks at the other characters. All around the medicine peddler fills his role very well.
The supporting cast in this anime changes each arc, the only recurring character being the medicine peddler, in other words every 2-3 episodes the entire cast is overhauled meaning there is very little time to flesh out or characterize everyone, luckily Mononoke manages to characterize its entire cast without relying on tropes and cliches or just leaving characters complete up to the viewer’s interpretation.
Most of the characterization in Mononoke is fairly subtle and is done through facial expressions as well as very short interactions, these help foreshadow character motivations and give the cast a bit of personality. Mononoke’s cast behave in a very raw and emotional way due to the influence of the spirits haunting them, causing them to express character traits that they may have kept hidden otherwise due to a state of panic and paranoia.
Mononoke was animated by studio Toei Animation and they did a spectacular job! The entirety of the anime looks as though it is on an old piece of parchment and uses a classic eastern style which fits heavily with tone and feudal Japanese setting. The design choice works wonders and helps immerse the viewer in the world of Mononoke. The anime also features very colorful and vibrant backgrounds which complement its abstract nature, these backgrounds are plentiful and beautifully crafted, and Mononoke also utilizes a variety of different camera shots and angels in order to better portray the emotions of the characters, creating a strong sense of tension. The transitions between scenes is perfectly handled using an amalgamation of different methods rather than just cutting from one shot to another. Lastly the animation itself is extremely fluent and consistent, especially during actions scenes where Toei Animation show off their true potential via some of the most vivid and sharp animation I have ever witnessed in a 12 episode TV anime.
Mononoke's soundtrack fits perfectly with the anime's tone, alternating between heavy tense tracks and more somber ambiance pieces in order to flow with the events of the anime, the music in this title really pulls you into the bizarre and abstract events caused by the mononoke, no song on the OST ever feels out of place, making Mononoke's soundtrack one that works to enhance the all around experience of the anime.
All around Mononoke offers a unique and fulfilling experience through its skillful storytelling and brilliant animation, I highly recommend this anime to anyone who enjoys gorgeous animation and brilliant direction. read more
*DISCLAIMER: TRIGGER WARNINGS: GORE, INCEST, ABORTION* also if you are epileptic, there are a lot of flashing and bright colors watch at your own risk!!!!!!!!
Mononoke is a dynamic, dramatic and suspenseful anime about a mysterious wanderer who is only known as "the medicine seller" who travels from place to place in search of the Mononoke (harmful spirits who are not at rest which can cause death, disease or injury). he has a special sword to kill the Mononoke which needs Form, Truth and Reason (in some subs its regret).
STORY 10: the basic story is really interesting. i dont think ive ever come across any sort of anime like this before. in the anime there are 12 episodes which are broken down into 4 arcs (obviously each arc lasting 3 episodes). the three episodes are basically allocated to finding one of the three things needed to summon the sword to kill the Mononoke (one episode to find truth, the next to find form, the last to find reason then a new arc starts). I thought that was really interesting because if they were to try and fit all of that into one episode it would almost be undigest-able and the series would have gotten boring. the arcs were exciting and fresh. they were also VERY creepy and VERY gorey. if you have a faint heart or a weak constitution please dont watch!
ART 10: the art was absolutely beautiful! the colors, the drawing style, the animation, were all fantastic. first impressions are the most important and when i saw the first episode my mind was blown. it was fantastic!! the animation was very choppy at points for dramatic effect and such but as the series went on all of the jump cuts and such really didnt happen that much almost as if animation itself was going through time (because there is a time skip im going to assume the series takes place over a long period of time)
SOUND 10: sound is really important in animes like this because its a horror series so the ambient noises and music really have to be on point and in my opinion they were!! every creepy moment had eerie ambient noises in the background to fix perfectly. i was always on the edge of my seat watching this!! even the softer moments had the perfect soundtrack to it.
CHARACTERS 10: the medicine seller was displayed perfectly. the viewer really doesnt know much about him other than he is a humanoid with supernatural powers that doesnt seem to age that has the power to put mononoke to rest. we really dont know his back story and i think that fits the mysterious vibe of the anime. it really isnt even about him personally but him getting the mononoke. the supporting characters in each arc were great too! they all had their own personal stories to share and their own emotional burdens to work through. it was honestly amazing how the animators and producers packed so much into something so short
ENJOYMENT 10: i loved it. i loved the topics. i loved feeling uneasy. i loved the jump scares. i loved the characters. i loved the music. i loved the animation. i loved the color scheme. i loved the concept. i loved what time it took place. i loved the historical significance of the mononoke. i loved he idea of the arcs. i loved it all. i finished the series in like 3 hours because i was watching the episodes back to back. i never got bored or tired or anxious for something exciting to happen.
OVERALL 10: i loved it. i want everyone on earth to at least see the first episode. it was so captivating you have no idea!!! I LOVED IT!! read more
Mononoke does not have this arrogance.
The show follows an enigma known as the Medicine Seller as he wanders feudal Japan and exorcises evil spirits known as mononoke. To do so, he must uncover the mononoke’s Shape, Truth, and Reason. Despite its mystical trappings, every mystery in Mononoke feels realistic. That is, they’re more about the people plagued by them than the mononoke themselves. Every spirit slain is prefaced by at least one other person whose secrets are revealed.
It’s this detective work on each ‘client’ that the Medicine Seller shows a penchant for exposing skeletons in the closet. His knowledge on the occult is matched by his intuition on other people, and perhaps eclipsed by his perpetual calm and facetious tone. In other words, the guy is hot shit and he knows it. How he became this way is never explained, but knowing the story behind that disinterested wit is secondary to the lives of the people he encounters.
From the inability to admit one’s fears to the paranoia of inadvertent sin, the show’s greatest strength is when it revels in its characters’ crippling weaknesses. Their every motive, every action, and every fault is mercilessly uncovered, and by the end of each mystery we know them better than we know the Medicine Seller. And yet, they’re not sympathetic but uncomfortably familiar. They’re reminiscent of the monsters we can easily be.
This is horror.
Horror is not about a bloodbath soaked with jump scares. Horror is the examination of the human condition as its furtive faults grant an uncanny power to do the unthinkable. It unleashes a despicable flurry whether we’re willingly heinous or acting out of desperation. This is something many horror films today fail to comprehend, but a truth that Mononoke lives by.
The show reinforces this truth through its visual direction. It rarely hides its horrors in the cover of darkness, forcing us to confront them where we think we’re safe. From unnaturally round eyes to a toothed mask, the show has no qualms about being too obvious in its frights. But rather than illicit groans of ‘get on with it!,’ it dredges a powerless feeling as if saying ‘we’re ruining your life and there’s nothing you can do about it.’
Adding to the visceral visuals is an atmospheric sound design. Empty hallways are lined with children’s laughter to unnerving effect. Chatter and banter play from a still picture to reflect a woman’s detachment from her own life. The rumbling of a train’s track traversing rises and falls with the tension of who the story focuses on. The show doesn’t lack music, but prefers mood. It ‘speaks’ with minimal effort for maximum effect.
If I had to point out one thing I didn’t like, it’s how each mystery varies in quality from one to the other, especially ‘Faceless Monster’ and ‘Japanese Chimera.’ The former treads ground the first two mysteries already covered, making it very formulaic. The latter either has no examination of the human condition, or one so understated that it’s out of place entirely. But the quality difference between each mystery is a pittance when the show is still good even at its worst. I might as well say ‘I didn’t enjoy this luxurious train ride as much as I enjoyed this luxurious cruise ship.’
This is what I mean by Mononoke not being arrogant. It knows it needs more than a unique look if it wants to be fondly remembered. There’s a conscious effort to want to make a good story as well as make the aesthetics its own. It knows it wants to be horror, and it knows what horror truly is. Through it all, more than anything else, Mononoke is simply an emotionally resonant piece.
Who knew a story about spirits could feel so human? read more
The artwork is traditionally exotic and breath taking. The story is very analytical and psychological. The music is excellent too. However if more info about the protagonist should be revealed.
Must watch for horror fans.