Lodoss-tou Senki: Eiyuu Kishi Den

No, it's not a sequel, but rather a retelling of the events that follow episode eight of the original OVA. Actually, the Lodoss OVA are a somewhat streamlined telling of the novels they were based on. This longer, more drawn-out 27-episode television series hews closer to its source material, but in doing so causes for inconsistencies between the two programs. This has caused a lot of confusion for many viewers, although the booklet contained with the series (and the DVD-ROM bonus extras) do help to explain them. There have been a lot of mixed reactions to Record of Lodoss War: ... Chronicles of the Heroic Knight, with many who dismissed it as a cheap, inferior spin-off of the (arguably superior) OVA. Once you get accustomed to its oddities, however, this series isn't as inferior as it has been made out to be. In fact, it can be best appreciated as an interesting, if more sluggishly paced, "alternate route" for the final five episodes.

That said, Chronicles of the Heroic Knight starts out less than promisingly. The first eight episodes (the weakest of the show) concentrate on the struggle with the ruthless (and yet strangely not so evil) Black Knight Ashram for the Scepter of Domination which initially comprised episodes 9-10 of the OVA. While it's nice to see Parn, Deedlit, Slayn, and King Kashue again, their roles are actually less significant this time around. The only characters to receive any development are two supporting characters from the original, the headstrong mercenary Shiris and her quietly reserved (but easily enraged) Berserker partner, Orson. (In what may be an example of one of the many inconsistencies in the show, both characters are reintroduced to Parn and company as if they never crossed paths in episode 8 of the OVA.) There are several new characters, too, including a prissy mage apprentice, an easily deceived priest, a mischevious elfish grass-runner sprite named Maar, but all three are hardly memorable. The slow pace of the episodes are what really work against them, however; there's less action and more talky moments; even the climactic showdown at Fire Dragon Mountain between Ashram and the vicious red dragon Shooting Star is longer and more drawn out than one might expect. There is a surprisingly heartfelt sacrifice in episode 7, but the overall arc doesn't have the same energy or roller-coaster action of its predecessor.

It is only at episode 9 and onward that Chronicles finally comes to life. The story jumps ten years after the Fire Dragon Mountain events, where the focus shifts to the evil wizard Wagnard's desire to awaken the Goddess of Destruction, Kardis. Again, Parn and company's roles are reduced to supporting ones, and consequently, come across as the least interesting in the show. The hero here is Spark, a blue-haired knight wanna-be who, at the surface, comes initially across as a more pale incarnation of Parn, but his troop of companions do provide the kind of banter and chemistry one would expect for any fantasy adventure. The smart-aleck mercenary Garrack is a well-realized character, as is his sassy half-elf partner, Leaf, who steals every scene she's in with glee. Just as interesting are the loyal thief Ryna and the dwarfish priest Greevus. This ragtag team of misfits are joined by a mysterious girl named Little Neese (daughter of Slayn and Leylia), who turns out to be one of the key ingredients Wagnard needs to revive Kardis. During all this, Ashram returns in a last attempt to unite Lodoss (to fulfill his late master, Emperor Beld's dream) while the shifty Grey Witch, Karla, also lurks in the shadows. It is the chemistry between Spark's comrades and the more lively pace that really bring much needed energy to this major story, which, many would argue, is just a recycling of the last story thread from the OVA, but this telling is more complex, introducing some twists that are alternatingly surprising and insightful. And even though the grand finale is less exciting than the OVA, it still wraps up the show on a pleasing note. (Although Wagnard's drawn-out rituals and Little Neese's continuous screams of pain get tiresome after a while.)

Probably the only jarring thing about Chronicles of the Heroic Knight are the short three-minute Welcome to Lodoss Island segments at the end of each episode. These are super-deformed versions of the characters in goofy, cartoonish sequences, each of which clock in at around 2-3 minutes each. These wildly bizarre skits (which parody the world of Lodoss) will either amuse or drive you batty; I personally choose to give them a pass because they just don't click with me, but chances are your mileage may vary. (Interestingly, it's worth checking out these interludes with the English version to see how the Japanese puns--which make up a majority of the dialogue in these skits--are adapted into English, namely "I'm King Kashue, and this is my CASHEW! I'm really quite a nut!" as opposed to the more literal "I'm King Kashue, isn't my KATCHU (armor) nice)?"

The character development and overall entertainment value of Chronicles provides for a pleasant enough way to pass the time for fantasy fans, which isn't to say that it is the most aesthetically or aurally pleasing show to watch. On the contrary. The Lodoss OVAs had some beautifully detailed, if sometimes limited, animation, but Chronicles' production values are another matter. Aside from a breathtaking opening sequence (underscored by a beautiful theme song composed by Yoko Kanno), the animation fluctuates throughout the series, with some episodes looking downright painful on the eyes. There are several episodes which do get a boost in overall quality, artwork wise, particularly the last ones, but all in all, the artistry is not one of Chronicles' strongest points.

The audio portions fare signifigantly better, thanks in large part to the epic musical score contributed by Kaoru Wada. Fully orchestrated, with soaring, epic marches one moment and pounding, percussive action cues the next, this soundtrack arguably carries the whole show from start to finish. As mentioned, the opening theme is remarkable and impeccably delivered by Ma-aya Sakamoto, although the ending theme is a bit on the kitschy side. The sound effects are also very good.

As far as the voice acting goes, the dub of Lodoss has received a mixture of praise and disgust from many fans, but I happen to be one of its biggest fans. The Chronicles dub, on the other hand, is a mixed bag. It does have its assets: Crispin Freeman does a surprisingly fantastic job as Spark (making this potentially monodimensional character more interesting than he is) and Angora Deb is similarly good as Leaf. (I might argue that both make this dub worth watching.) It also reprises much of the cast from the OVA dub; even though their acting standards are lower than that of the OVA (Parn's more mature-sounding voice in particular takes several episodes to find his stride), it's still nice to have continuity. Working against them, however, are the uneven performances by the lesser supporting characters -- several of which border into intolerable territory (Ashram's minions, Governor Rabido, and Prince Reona, in particular, are dreadful), and vocal inconsistencies (some characters receive new voice actors either temporarily -- Lisa Ortiz's Deedlit is annoyingly replaced for at least two episodes by a far duller A.J. Parks -- or permanently -- Garrack's Michael Gerard drops out after five episodes, Crispin Freeman plays him for the remainder of the show). That, in addition to the sometimes awkward-sounding dialogue and hit-and-miss synchronization, rank the overall dub a notch below its superior predecessor. It's by no means the worst around, however, and patient dub fans may find it to have some merit.

In all fairness, the Japanese voice acting isn't all that stellar either. The entire Japanese voice cast from the OVA are replaced; while some voices are less grating than their English equivalents, others are actually sub-par in comparison to some of the better voices on the dub, particularly the seiyuu playing Deedlit, who is nowhere nearly as good as Yumi Tohma or Lisa Ortiz. There are also some parts of the Japanese language track which come across as cheesy, particularly the scenes involving the talking dragons (these scenes come across as very laughable in the English version, and the Japanese track sounds every bit as fake in this part). The common attitude I hear from dub detractors is that the Japanese language track is preferable, regardless of whether it has any weaknesses of its own, but in the case of Chronicles, I have to say that both audio tracks tie in quality. They have their strong points and are, at best, tolerable, but not particularly flawless.

All in all, Record of Lodoss War: Chronicles of the Heroic Knight isn't without its drawbacks and doesn't always live up to its predecessor, but it's still a fine series that holds its own ground decently. For every weak point, there is always an asset to counter it, making this one moderately enjoyable fantasy Anime series.

You could say this TV series "Chronicles of the Heroic Knight" picks up after the OVA which rolls back and roughly covers the second half of Ryo Mizuno's light novels. It takes place about after episode 7 of the OVA and follows the party members as they grow up, facing new enemies that threaten Lodoss as well as the aspiring new hero, Spark hence the title. Art's not quite as detailed which is usually the case for longer running TV series but character designs more or less look similar to the OVA. Some of the voices don't sound as well matched.

The show's kind of aimed ... at a younger audience with its "Welcome to Lodoss Island" (horrible) mini shorts which is probably why there's no blood in it and more joking around. I actually found it a sleeper most of the time because it doesn't have the same build-up towards each event like the OVA did and the threats just don't have much impact. Not to mention the silly shorts just ruins the mood afterwards although the show does have an epic ending if you get that far. The only other highlight would probably be the OP "Kiseki no Umi" sung by Maaya Sakamoto (Mari from the Evangelion Rebuild movies). It's even better once you've journeyed through the show.

I think overall the character development is lacking. The trials that Spark face don't really have much impact and feel dragged out. It's kind of like once an event's over, that's it for the characters. Then it's a time skip and onto the next event but that's fine I guess considering the story is based on Dungeon & Dragon game sessions.

Personally, I'd go watch the OVA and forget about this series or just enjoy the OP.

When translating something from the written medium to film or animation there can be certain aspects of the story that may be lost in translation. However it is sometimes wise to sacrifice certain things, and to that I will explain further, but first, normally I do not write a review to the series I have watched unless what I watched was so bad that it was worthy of a cautionary summation to future viewers. Now mind you I did not find anything that bad or appalling in this series, but I felt that the viewer ratings didn't reflect the true quality of the series.

So ... I will begin this by saying that the author wrote this story well out of their normal comfort zone. It is hard to take and tell a tale that is not in relation to your heritage, for instance it is hard for a storyteller who lives in the West, to write a story about things that relate solely to the East, and visa verse. This author however did a very splendid job in doing just that.

But, the story itself is very linear and predicable. Now while this can be a good thing in this case it is not. Since the story itself is so visible it cannot and will not be able to draw the viewer into the storyline. To complicate matters even more, the unnecessary amount of characters actually bogs the storyline down further.

Characters were so numerous that any depth that could have been given wasn't due to the amount of them. The screenwriter chose to add characters in that really were not needed other than to provide a plot vehicle or romantic interest. Less is more, and in that allows for better character development and a chance for the viewer to connect with the characters. Unfortunately this story did not allow for that, and should have sacrificed some characters. For future screenplay writers, not all stories need romance, nor do they need characters who's sole responsibility is to help provide plot line.

Production values were better for this series than the first. The characters were diverse in features to allow a pleasant indulgence in them. For the most part the clothing designs were true to a European style fairy tale, but there were a few Asian influences in them as well. I'm sure that however was the artists trademark and quite acceptable even nice to see.

One of the problems however in production values were the action, or fight scenes. These were very far and few between with most of them being nothing more than SFX and quick color flashes and stills. I would venture to guess that the budget was shoestring and some sacrifices had to be made, I personally just wish they would have made them in the character department and not the action department.

So overall with a huge cast of characters, poor production values in animation, this series has, in my opinion, a higher rating that it deserves. Storyline was weak, art values were high along with sound and styling, this series should actually rate closer to 6.5 than the 7.6 it currently holds. Which again is what triggered this review.

This series would be good for a viewer who is wanting a simple plot and storyline with good art but poor production values.