Red Garden

Murder, suicide, butterflies,Roosevelt Island and young undead girls. Welcome to Red Garden.

Red garden is a creepy horror-story starring four girls, Kate, Rachel, Claire and Rose who all died at the same place. Even thought they are dead they have been granted a life by a woman in exchange for them to at anytime fight all kinds of unnatural beings. Along with trying to live a normal life they also is trying to figure out what happened to them that night where their normal lives ended. This is just the beginning but the 4 first episodes gives hints on that there will be many plot-twists to ... come and that everything is not what it seems. The one thing that they do have in common is also the most interesting thing about the story, their common friend Lise who supposedly took her life the very same day they all died. This makes a really interesting way to start off a new series and I myself found it really interesting that you from the very first episode easily got sucked in the world that is Red Garden.

The art in is truly beautiful from the opening to the end but those who are not used to different animation may find it unusual and even ugly. Gonzo has done a brilliant work with this title and the artistry and style is really unique. The thing that I first noticed was that the hair of all characters have a gradient tone and no paint-on-shadows that most shows do, this makes the hair look really smooth, not hard and spiky like the stereotypical anime hair. Although this is nice it makes the already shoujo style of the characters even more shoujo-ish. There should be no problem with this if you have seen shows like Paradise Kiss and Nana before but even if you haven't the story will suck you in and you will get used to the style pretty quickly.

The music is also great, not only the opening and ending but the music in between is also very fitting to what is happening and what mood the scene is in. They seems to have been putting a lot of effort into making the mood just right as in many shows but the difference here is that they actually succeeded.

The characters in Red Garden are really something, the high school girls and really acts like it too making them easy to relate to. The girls are not meant to be superheroes with superpowers, they are just regular teens that for their own survivals sake must fight even though they don't want to. This can be seen early on in the anime, the agony the girls are in for doing what they do that will eventually take its toll and break them down.

Though it may not seem like it at first glance, this is actually a thriller and has a depth not seen many times before. The mystery is like a mist that slowly lightens and at the end of the first few episodes always leave you with a desire to watch the next and the next. This never ends and the anime always manages to keep you interested in it.

To summarise, Red Garden is a visually stunning with a interesting story that just makes you want more and more. The downside is that not everyone will appreciate the special art-style but for those who do gets to see a great story with deep life-like characters. Girl or boy (woman or man), either way I highly suggest that you watch it, for your own good.

Red Garden is a show full of weird little quirks, but there's nothing particularly quirky about its premise: four girls are forced to fight supernatural forces. Each evening, at any time before midnight, a team of female students from a prestigious school in New York may be summoned by a mysterious woman named Lula to engage in a deathmatch against fast, vicious, zombie-like monsters. Surrender and nonparticipation are not valid options. The girls know nothing about why they've been chosen or who they're really working for, but they hope to find out before it's too late.

Studio Gonzo's artistic work here is wholly different from the ... norm. Red Garden's characters are tall and lanky, distinctly European-looking, mostly pale and thin, as if to emphasize their fragility and their proximity to death. Their hair and their hard, angular faces are rendered with an attention to detail that borders on obsessive. The backgrounds do a competent job displaying the ins and outs of a big city, from elegant party halls and bustling streets to half-vacant, slummy apartments; none of them draw the eye in quite the same way as the characters, but the effort is nonetheless appreciable. Shortcuts are taken in the animation here and there, but for the most part they're at least placed in such a way as to not be obtrusive, neither adding to nor detracting from the visual experience. The fight scenes are more about the emotional element than the actual combat, so I'll look past what could generously be described as uninspired choreography on that front. Red Garden is at its visual best during moments of calm, when its uniquely stylized character designs can draw a breath and do their job.

The soundtrack is orchestral, almost exclusively low and atmospheric, sometimes rising with a subtle and foreboding crescendo during developing scenes of action. On its own two legs, it's humble, not what you're likely to remember as an awesome musical score, but it blends seamlessly into the show, quietly touching the right notes and enhancing the mood from its place in the background. That merits a certain amount of praise. It does its job, and does it well.

Red Garden's biggest strength lies in its characters, who are drawn from different backgrounds and social circles to fight for their lives. We meet Rose, a shy and caring everygirl; Rachel, a rebellious partygoer; Kate, the daughter of a wealthy family who is held to high expectations in school; and Claire, a tough loner with few friends. In the past, they've all been passing classmates at best, and they have no common ground. They simply don't like each other. Their personalities don't mix. Two are meek and timid, two are strong and overly confrontational. They bicker, judge, and throw insults without considering the consequences, as teenagers are apt to do. Combat only amplifies these difficulties—how can you entrust your life to (or risk your life for) someone you don't even respect, someone who talked down to you earlier that same day? The end result, curiously, is that all of the girls are too hesitant. No one makes a move during a fight, out of fear that none of the others will come to their aid.

But necessity's hand is at work. The girls soon realize that the choice between cooperating and dying is really no choice at all, and they begin to work as a team, slaying their opponents with newfound proficiency. In the process, they find their common ground: a strong desire to live. Trust in battle leads the group to new highs, and eventually the stilted pseudo-friendship turns into the genuine article. Interactions under the moon and those under the sun bleed together. The team meets in everyday life, and its members warmly help each other work through personal problems. The girls are well-written, well-developed, and believably frayed. Red Garden's drama can sometimes seem over-the-top, but it's usually justified. After all, its characters live each day on edge, trying to get through school while dreading the summons of Lula, never knowing what might happen at night, frequently haunted by what happened the night before. Anyone would be a nervous, screaming wreck in that situation.

If only the story were handled so gracefully. Early in the series, the girls reach the realization that they're being forced to fight because of two ancient families who cursed each other, and the series takes it from there, delving deeper and deeper into a labyrinthine backstory about the two families and the set of rules by which the curses can be removed or applied. Now, that's a neat (if somewhat trite) idea in its own right, and it could have lead to something rather slick; it has a certain sort of dark, modern folklore appeal to it. But suffice to say that no matter how many ways I look at the dozens of details piled upon this story, they simply don't add up to anything coherent. Every time something is revealed, more inconsistencies and unanswered questions are revealed along with it. At almost any point, they could have (and should have) stopped adding to the top of the structure, and reinforced its base instead. But they don't, they keep stacking and stacking until the house of cards falls. It is a brute-force approach to storytelling which relies on the incorrect assumption that the sheer number of elements is what makes a story intricate and involving. It is dense but ultimately nonsensical, and it ends up serving as a vehicle to carry the infinitely more interesting character drama to us rather than serving as a strong addition to the show.

One other thing: the characters sing. Much as I wish that were a joke, an exaggeration, or just a bad dream that I had, it really happens. Red Garden's characters sometimes burst into song at the drop of a hat, and it is every bit as awkward as it sounds. Where this idea came from, the world may never know; there is nothing else in the show that hints at it being a musical, and the songs occur once per episode at most, sprouting spontaneously out of normal dialogue like tonally-challenged tumors. The singing itself is mediocre (in both Japanese and English) and the lyrics are cringeworthy. I wish I could pass this off as just another little quirk in a series that's full of little quirks, and some might choose to look at it that way, but the truth is that even without this element Red Garden would be a bit of a confused experience, and the moments of song produce an even more heightened sense of unreality, as if begging the viewer to ask: am I really watching this right now? In fairness, they appear to have scrapped this idea about eight episodes in, and the last two-thirds of Red Garden are blissfully singing-free, but the “what were they thinking” damage is pretty well done by that point, and it's not easily forgotten.

I don't see any of these as fatal shortcomings, though combined, they might come close. When Red Garden works, it works surprisingly well, with a unique artistic presence, fitting music, and a group of interesting characters serving as the high points of the series. It's certainly not going to be everyone's cup of tea, but if it sounds like it might be yours, giving it a try couldn't hurt. I can't sing its praises, but I'll give it a soft recommendation.

This anime was pretty different from what I expected based on its synopsis and in this case it wasn't in a good way. There actually isn't a whole lot of combat or mystery or drama. The anime is actually probably closer to a slice of life than anything else. The main characters, a group of four girls, die very early on in the anime and one would think this would be a pretty monumental, life-changing event but instead, upon the girl's "revival" if you will, almost nothing changes. They go to school, work their jobs, go on dates, worry about bills and do all the ... normal things they were doing before as if they'd never died. It is extremely difficult to believe and it makes their death seem almost inconsequential, which is just silly.

Perhaps this was done intentionally, as it could be how Japanese animators perceive Americans, but I didn't care for the art style at all. I found the show outright ugly sometimes and the character models, in particular, left a lot to be desired. There were a couple of characters that looked as if they'd undergone seriously botched plastic surgery.

The show also lacked cohesion. Randomly in a few of the early episodes the girls would break out into song. The anime suddenly becomes a musical without warning. But then, just as abruptly and without warning as these things began they then stop and they never happen again. Why? What was the point? I have no idea why this decision was made, but it felt very random and out of place.

The ending felt very rushed too. If you're going to just have an us versus them winner take all battle royale, why wait until the final episode? This could have happened at any time during the two side's longstanding, ongoing feud. It waited until the final episode to happen because the plot wanted it to, period.

The one strength of the show is probably the character development, because we spend the large majority of the show following around the four girls as they live their day to day lives as if they hadn't died and we get to see their interpersonal relationships and individual life circumstances. That's fine, but it doesn't fit with the whole "Oh by the way I'm dead" thing.

It wasn't sleep-inducing, but it often felt slow and on the boring side. The entertainment value here isn't all that high.

Overall I found this anime pretty disappointing. It wasn't awful, but it didn't do much for me. I'd advise those of you on the fence about watching this to know what you're getting into. It's slow, it's character focused, it has underwhelming and infrequent action and it's about the girls and their personal lives first, everything else a distant second. I didn't dislike it enough to regret watching it once but I have zero interest in watching it again.

OBJECTIVE RATING- 6
PERSONAL ENJOYMENT RATING- 5.5-6