Taiyou no Ouji: Horus no Daibouken

HORUS, PRINCE OF THE SUN was the first and only film Isao Takahata directed for what was Japan's top animation studio in the 1960's, Toei, with a little bit of contribution from Hayao Miyazaki, of course. At the time most Japanese animated features were made cheaply and quickly. But Takahata wanted to go one step further and create something elaborate and beautiful. It drove up the budget, to the point where it annoyed the Toei executives. At one point during production, the budget froze and so the animators were reduced to using still shots for certain scenes, such as a wolves attacking on a village ... at about 29 minutes in, and later, when rats stampede through the same village. For similar reasons, the film was only given a limited release in Japan and it received poor box office numbers, even though the critics greeted it with raves. To add insult to injury, Takahata was demoted and never directed another feature for Toei again. Sometime later, Takahata and Miyazaki left Toei to find work elsewhere.

Watching this animated film today you probably wouldn't even realize that any of this happened, but it did. The animation style is obviously 60's, but it has a lovely, rich palette. It's not quite as gorgeous as the Studio Ghibli classics we've come to know, but nonetheless it is lovely.

HORUS starts out with an intense action scene in an unknown Scandanevian region in which we see our hero, a boy warrior named Horus (Hols in the dubbed version) battling a pack of silver wolves with only a hatchet as a weapon. In a quick twist not all that different from King Arthur, the tide turns in his favor when he draws a sword from a massive rock giant who appears out of nowhere. After this victorious fight, Horus returns home to his father, who dies after telling him about his village being razed by the evil Ice Lord Grunwald. Vowing to avenge his village, Horus sets off and eventually comes across a village of innocents. En route, he also encounters Hilda, a golden-voiced girl who sings songs on her harp. Unfortunately, she turns out not to be as nice and innocent as she seems, setting the stage for a potential showdown.

The story contains many plot elements that Miyazaki would later use in his subsequent films, but in terms of character development, I'm afraid HORUS comes up a bit short. Horus himself isn't all that interesting, and neither are his companions. Even the villainous Lord Grunwald is pretty much what you'd expect from a manipulative, scheming, power-hungry baddie. Perhaps the most interesting character is Hilda, who is presented as a conflicted character torn between her friendship with the hero and the temptations of the villain. But her redemption at the end feels a bit rushed. Perhaps part of that can be attributed to the running time of 82 minutes; although it results for a faster pace, it does cause for some character bits that seem a bit hasty.

Despite being a financial failure in Japan, HORUS: PRINCE OF THE SUN has attracted considerable attention from viewers both in Japan and even in the U.S.. Bizarrely, the film was shown on American television in the late 60's, renamed LITTLE NORSE PRINCE, although uncut. The dub was done by Fred Ladd's New York-based Titan Productions , so a lot of the voice talent will be reminiscent of shows around this period such as KIMBA THE WHITE LION and ASTRO BOY. They also dubbed THE WONDERFUL WORLD OF PUSS 'N BOOTS and ANIMAL TREASURE ISLAND. As such, the dub is occasionally campy and theatrically stylized, using only four actors(!). Because this was done in the age of reel-to-reel, there are obvious places where the actors struggle to match the mouth movements, and some stiff delivery. Truth be told, the dub is not so awful that it ruins the film, but it is mediocre by today's standards. (It should also be noted that Hilda's songs come across differently in the Japanese version, the English versions are noticeably dissimilar.)

Despite its flaws, though, HORUS is still fascinating look at historical Japanese anime. Try not to get too high expectations of this film and you'll enjoy it more.

It has great animation and characters, but doesn't fully beat the "Japanese Disney" feel that anime had trouble escaping in its beginning years. There's quite a few terrible singing scenes that seemed tolerable at first but got old really fast and broke the pacing. There are times where this became an absolute chore to watch. There are other times where this became an absolute joy to watch. Where this movie really shines is the action sequences. They might not be anything you haven't seen today, but they are ahead of its time. The opening sequence and the final 25 minutes are stunning in this regard. ... I also enjoyed watching the characters and all their schemes. In particular I enjoyed Hilda's plot line. Horus is a bit one-note and standard as a protagonist. I feel like to the average person this movie won't make much of an impression but hardcore anime fans, especially Ghibli fans as this marks the first collaboration between Isao Takahata and Hayao Miyazaki, should check it out at least for the history and impact.

An average story, but not a bad one. You follow a young over-powered boy as he goes on a journey to defeat a big enemy terrorising the world - you know the deal.


Even for the time, this art style was not great. Pinocchio, Dumbo, Bambi - they all came out about 20 years earlier but felt incomparable for how enjoyable they were in animation. Even previous Toei movies are much better than this. Possibly Hayao Miyazaki's worst animated feature.


No matter where the characters were on screen, they all sounded the exact same distance away as each other, and a lot of the voice acting felt ... very... lazy? It felt like it was strung together quickly and it didn't sound like any effort was put into the voice acting/editing the voice acting.


Hilda - A young girl who you dislike the first time you see her... as well as to the last time you see her.

Horus - A young boy who strangely has the strength and skill of a grown man, and has killed a lot of wolves with barely any difficulty, even in large groups.