Nichijou

Nichijou primarily focuses on the daily antics of a trio of childhood friends—high school girls Mio Naganohara, Yuuko Aioi and Mai Minakami—whose stories soon intertwine with the young genius Hakase Shinonome, her robot caretaker Nano, and their talking cat Sakamoto. With every passing day, the lives of these six, as well as of the many people around them, experience both the calms of normal life and the insanity of the absurd. Walking to school, being bitten by a talking crow, spending time with friends, and watching the principal suplex a deer: they are all in a day's work in the extraordinary everyday lives of those in Nichijou.

[Written by MAL Rewrite]

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Background

Bandai Entertainment had licensed Nichijou, but on January 2, 2012, it was announced they were leaving the North American anime market with all unreleased titles including Nichijou being cancelled. The series would remain unlicensed until November 4, 2016 when Funimation Entertainment acquired the series, and released it sub-only in a complete Blu-ray & DVD combo pack on February 7, 2017. They also did a Blu-ray & Digital combo pack with a brand new English dub, which was released on July 23, 2019.

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Related Anime

Adaptation:	Nichijou
Prequel:	Nichijou: Nichijou no 0-wa
Side story:	Nichijou: Original Jikai Yokoku
Other:	Amemiya-san
Character:	Nengajou 2021: Mugen Shougatsu

Kawahara, Yoshihisa
Japanese

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Staff

Cook, Justin

Producer

Saitou, Shigeru

Producer

Senami, Riri

Assistant Producer

Herek, Samantha

Assistant Producer

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Opening Theme

	1: "Hyadain no Kakakata☆Kataomoi - C" by Hyadain (Kenichi Maeyamada) (eps 1-6, 8-13)
	2: "Hyadain no Joujou Yuujou (ヒャダインのじょーじょーゆーじょー)" by Hyadain (eps 14-16, 18-23, 25)

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Ending Theme

	1: "Zzz" by Sayaka Sasaki (eps 1, 3-5)
	2: "Zzz (Bossa Nova version)" by Sayaka Sasaki (eps 2, 10-13)
	3: "Zzz (Acapella version)" by Sayaka Sasaki (eps 7-9)
	4: "Tsubasa wo Kudasai (翼をください)" by Sayaka Sasaki (eps 14)
	5: "Kikyuu ni Notte Dokomademo (気球にのってどこまでも)" by Nano Shinonome, Hakase & Sakamoto-san (Shizuka Furuya, Hiromi Konno & Minoru Shiraishi) (eps 15)
	6: "My Ballad (マイバラード)" by Sayaka Sasaki (eps 16)
	7: "Kaijuu no Ballad (怪獣のバラード)" by Yuuko, Mio & Mai (Mariko Honda, Mai Aizawa & Misuzu Togashi) (eps 17)
	8: "Green Green (グリーングリーン)" by Sayaka Sasaki (eps 18)
	9: "Yasei no Uma (野生の馬)" by Takasaki-sensei, Sakurai-sensei, Nakamura-sensei, Makoto Sakurai, Yuria Sekiguchi, Haruna Annaka & Ogi (Tetsu Inada, Mami Kosuge, Kaoru Mizuhara, Takahiro Hikami, Ai Hirosaka, Kaori Sadohara, Ryouta Takeuchi) (eps 19)
	10: "Ano Subarashii Ai o Mou Ichido (あの素晴らしい愛をもう一度)" by Sayaka Sasaki (eps 20)
	11: "Sudachi no Uta (巣立ちの歌)" by Sasahara, Misato, Nakanojou, Weboshi & Fecchan (Yoshihisa Kawahara, Chika Horikawa, Kazutomi Yamamoto, Youko Tamaoki & Yumi Higuchi) (eps 21)
	12: "Aogeba Toutoshi (仰げば尊し)" by Sayaka Sasaki (eps 22)
	13: "Sora ga Konna ni Aoi to wa (空がこんなに青いとは)" by Hakase & Mai (Hiromi Konno & Misuzu Togashi) (eps 23)
	14: "Yuuki Hitotsu wo Tomo ni Shite (勇気一つを友にして)" by Sayaka Sasaki (eps 24)
	15: "Let's search for Tomorrow" by Yuuko, Mio & Mai (Mariko Honda, Mai Aizawa & Misuzu Togashi) (eps 25)
	16: "Tabidachi no hi ni (旅立ちの日に)" by Yuuko, Mio, Mai, Nano, Hakase & Sakamoto-san (Mariko Honda, Mai Aizawa, Misuzu Togashi, Shizuka Furuya, Hiromi Konno & Minoru Shiraishi) (eps 26)

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Reviews

Sep 28, 2011

Ryhzuo

Recommended

Conventional wisdom has always taught us that more is usually better. We think that the more expensive car should have more completely unrelated features, the better ice-cream sundae should have a bigger pile of fresh fruit on top, and the better statistics report should be able to pull more numbers out of it’s arse. We compare phones by the multitude of apps it can run, our enjoyment of horror films is based on how many different ways the various victims die, and we often rate anime by how many story arcs, characters, subplots and themes it can cram into it’s 26 episode season.

As the ... modern entertainment sector continues to emphasize excess and surplus, Nichijou is a much welcome, and frankly much needed throwback to a more old-school approach to entertainment. Nichijou’s frugal yet distinct style reminds us that something is perfect, not because there’s nothing more to add to it, but because there is nothing more to take away.

Nichijou brings to us a fusion of gag, moe, slice-of-life and slapstick comedy. It’s humor is very reminiscent of Azumanga Diaoh while it’s art style borrows heavily from the distinctly colorful palette of Lucky Star. Nichijou adopts a very light-hearted approach with it’s tone; it’s jokes are played fast and loose, and while there is a constant shift of pacing throughout each episode, Nichijou never seems to take itself very seriously.

Perhaps the most noteworthy thing about Nichijou is it’s production value. Frankly speaking, Nichijou is GORGEOUS to look at; it’s animation so incredibly fluid and it’s art so crisp and vivid that it actually puts other supposedly competent studios to shame. The artwork selects it’s palette very sparingly, with a result that is both vibrant yet easy on the eyes. This gentle tone is then frequently punctuated by segments of metaphorical (and in some cases literal) animation explosions, showcasing KyoAni’s talent with a huge variety of styles from gritty realism to crayon slapstick.

One can’t help but wonder if KyoAni isn’t deliberately showing off their workmanship with this anime. Many originally very short panels from the manga are translated into incredibly imaginative and stunning sequences of animation that simply scream “because we can.” Show off or not, Nichijou’s cinematography is nothing short of outstanding; it’s liberal interpretation of the original source material has really allowed the creativity of director Ishihara Tatsuya and the KyoAni animators to shine through like nothing we’ve ever seen before.

Special mention to Nichijou’s OP and ED songs, which are creative shorts (incredibly well sync’d I might mention) in their own right. As a fun fact, both of Nichijou’s OPs are sung by Hyadain, who is ONE guy. No female backing vocals at all, he does it all himself. Seriously I’m not joking, go look it up.

The aforementioned dynamic pacing forms the basis of Nichijou’s entertainment value. Each episode tackles it’s structure with a large degree of unpredictability. You never know what’s going to happen next, be it a humorous dialogue scene, a fast paced action sequence, an amusing random still image or a hilarious but completely unrelated skit. Despite this seemingly chaotic approach, Nichijou still manages to find a good balance between all it’s various styles so that no episode feels too weighted. While such a haphazard approach may seem counter-intuitive for a slice-of-life anime, this style ends up working greatly in Nichijou’s favor, adding another layer to it’s texture of absurdity.

The humor itself is very simplistic, almost to a fault, and one would normally attribute this as one of Nichijou’s flaws. That is of course until you remember that “Nichijou” translates to “My Ordinary Life” and as such, the simplicity of the jokes are a fitting homage to the show’s title and premise. Many of the jokes are simply exaggerated normal events like missing the train or a waiter forgetting your order, relying on witty dialogue delivery and clever timings to get the humor across. Some may consider this a hit-or-miss sort of comedy, which is only a fair judgement. All the same, you don’t necessarily have to laugh at jokes like these to appreciate them, which is one of the main reasons why slice-of-life can have such a widespread appeal (remember K-On?)

The characters are very likable, despite the obvious utilization of moe in many of their design. If you can shed that manly exterior and look past the few excessively “cute” scenes, there’s actually an abundance of things to enjoy about Nichijou’s characters. Conventional archetypes are few and far between in this anime, and all the characters harbor their own quirky habits and flaws that you’ll quickly grow fond of.

The best thing about Nichijou’s characters however, isn’t their individuality, but how they interact with each other. The personalities of various character groups clash, contrast and complement each other in extremely interesting ways; the conversations and activities of the two golden trios of Nichijou: Yuuko/Mio/Mai and Hakase/Nano/Sakamoto make up the abundance of material in each episode and just their hilarious adventures by themselves could probably carry an entire show. This is furthered by the great voice acting that the Nichijou provides; Nichijou is one of the rare shows where the seiyuus genuinely sound like they’re enjoying themselves. Dialogues are delivered with copious amounts of enthusiasm which really helps sell the spirited relationships that the various characters enjoy with each other.

With all that has been said though, I would like to come back to that idea I mentioned when we began, that idiom of “less is more.” The thing I love most about Nichijou, isn’t the amazing artwork, the clever cinematography, the light-hearted humor or even the imaginative characters. What I love most about Nichijou is the fact that, behind all the technicalities and production values, lies a very simple ideal. Everything about Nichijou revolves around this central principle of being enjoyable. All that it does, every scene, every character, every line of dialogue alludes back to this principle. Because at the end of the day, all Nichijou wants you to do is one thing; it wants you to enjoy yourself. With Nichijou, there is no story, no subplots, no recurring themes, no character development, no product placement, no lessons to be learnt, no obscure references to pander to a niche audience, no obvious fan-service pandering or ploys to sell related merchandise.

Fun is the only thing that matters, and it's this frugality, this ingenious simplicity, that allows everything to just click together like magic.

When you finally get home after a long tiring day, the only thing Nichijou wants to do is to give you an excuse to prop your feet up after and wash that blue feeling away as it slowly puts that grin back onto your face.

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May 20, 2019

moe_sama

Mixed Feelings

My friends had hounded me for a while to give Nichijou a watch, but from the clips I had been shown on YouTube it just never seemed like my kind of humor.
So I sat through all 26 episodes and the OVA.

The animation team took an opportunity here when given the source material to go absolutely nuts to create over the top, intense, fluid animation sequences whenever that chance arises. There are a lot of sequences and shots to be impressed with, and I feel it's worth watching for those alone.

What I appreciated about Nichijou and the story it doesn't tell is that it doesn't go ...

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Sep 30, 2015

literaturenerd

Not Recommended

Overview:

This is an anime that I went into with high expectations. I was told OVER and OVER online that this was one of the funniest anime series to ever exist! I don't think I laughed once. I'm not just saying that I didn't get any sidesplitting laughs out of this, I don't think this series made me smile more than 2 times! Nichijou is certainly a series with an outstanding online reputation, but in this case I don't feel that the reputation was well deserved.

Background:

Nichijou was actually a bit of a flop in Japan and wasn't able to build a large Japanese fandom. However, ... it became a massive hit on the English speaking internet after 4chan latched onto it. For the last 3 years, Nichijou fans have been to /a/ what the bronies are to /b/! They are an absolutely devoted cult that recycle the same tired image macros OVER and OVER and team up the attack anyone that doesn't worship this piece of shit. Much like the Bronies, it is very difficult to tell how many actually like the show and how many embrace it entirely out of irony. Considering Nichijou is a comedy that is less funny than dropping a hammer on your big toe, I would say the latter is likely. Most of the humor consists of Japanese language puns and wordplay that doesn't translate well to a non-Japanese audience and even Japanese audiences didn't like it! This places Nichijou in a similar humor category as Vampire Holmes, which I also hated. The rest of the humor is "uber moe UGUUU" BULLSHIT, and tired slapstick gags that were old when Charlie Chaplin used them in the 1920s.

Story and Characters:

The story is simply the everyday life of a group of schoolgirls. Nichijou seems to borrow elements from both Azumanga Daioh and Cromartie High School without ever coming CLOSE to achieving the same level of humor and charm. A portion of this was that Azumanga and Cromartie had hilarious characters, while Nichijou just has really obnoxious characters. If I had to compare Nichijou to another anime it would be Lucky Star, but a version of Lucky Star that toned down all the anime and gaming references, leaving only the most mundane topics like finding a skirt that fits. Each of the characters fits into a well established archetype, but that alone doesn't explain why it's so bad. The Italian "commedia dell'arte" plays recycled the same stock characters and still won over audiences with their farcical humor. It is the combination of bland characters, linguistic humor lost in translation, tired gags, and horrible comedic timing that all come together to make this show a nearly un-watchable clusterfuck. If the show told a purposely bad joke and stretched it out until it became awkward for the audience, that would actually get a few laughs. When used right even "dead air" can be a useful comedic tool. Consider the opening of the famous comedy movie "Spaceballs". The joke is that the ripoff Star Destroyer is absurdly long in comparison to the ones in Star Wars, but that alone wouldn't be funny. It becomes funny because it just keeps going...and going...and going until the audience laughs because they don't know how to react. Nichijou just hits the audience with one bad joke after another in rapid succession like a machine gun of FAIL.

Animation and sound:

Here is where Nichijou got its points from. The opening theme is at least kind of catchy and the animation has moments where it shines. Having said that, I fucking HATE the art style of this series for taking even "moe" to a new rock bottom.

Overall:

If you want to tell other people online that Nichijou is great in order to fit in, go for it! However, I warn you to NOT actually bother watching Nichijou yourself because it is a massive waste of time. There are few experiences more annoying that watching a horrible comedy with no laughs. Avoid this anime like the plague!

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Poll: Nichijou Episode 4 Discussion ( 1 2 3 4 ) shuncchi - Apr 23, 2011	152 replies	by Barrybee1234 »» Apr 7, 9:29 PM
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Nichijou

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