Alternative TitlesSynonyms: Kara no Kyoukai: The Garden of Sinners Movie 5, Mujun Rasen Paradox Paradigm, Borderline of Emptiness: Paradox Spiral Japanese: 空の境界 矛盾螺旋
Information
Type: Movie
Episodes: 1
Status: Finished Airing
Aired: Aug 16, 2008
Duration:
1 hr. 54 min. Rating:
R - 17+ (violence & profanity)
L represents licensing company
StatisticsScore: 8.771 (scored by 28793 users)
Ranked: #262
Popularity: #316
Members: 47,438
Favorites: 1,022 1 indicates a weighted score
My Info
Popular Tags
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SynopsisShiki meets a boy named Tomoe Enjou, a runaway who claims to be a murderer. Shiki allows Tomoe to use her apartment as his hideout. And from that day onward, their strange cohabitation begins. But then one day, Tomoe sees his mother whom he's sure he's killed. Shiki and Tomoe head for the Enjou residence in the Ogawa Complex where the two see Tomoe's parents alive! There Shiki encounters a mage named Souren Araya and finds that he is the mastermind behind all of the incidents involving her up to then. Shiki finds herself trapped within spirals of paradox. And this is only the beginning of a vicious plot by Souren Araya, the powerful sorcerer and archrival of Touko.
(Source: Aniplex USA) |
Related AnimeAdaptation: Kara no Kyoukai ~the Garden of sinners~ Prequel: Kara no Kyoukai 4: Garan no Dou Sequel: Kara no Kyoukai 6: Boukyaku Rokuon Summary: Kara no Kyoukai Remix: Gate of Seventh Heaven
Characters & Voice Actors
Staff
Reviews
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Unchou
16 of 19 people found this review helpful
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1 of 1 episodes seen
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| Overall |
10 |
| Story |
9 |
| Animation |
10 |
| Sound |
9 |
| Character |
9 |
| Enjoyment |
10 |
The Garden Of Sinners Movie 5.
After having watched the four prequels of the series and finishing the fifth just now, I will write this review based on the information we have up to now for the characters, storyline and so on. Not for what this series could be or how the adaptation should have been either.
Also, this is my first actual review, so I hope I will end up being helpful to those reading this.
Ok, let's begin! I'll seperate this into 5 parts.
First off; The story. 9/10
The 5th part of the series does not fail to deliver yet another storyline that will not confuse the viewer, as long as he pays attention to the dialogue, that most of the time drives the show along.
Mystery, incredible twists and gore scenes lead to this increadibly dark show. The reason behind my 9 is based on the fact that I found the mystery absolutely original, it's something I have never seen nor did I ever think of, and the way it was explained in the movie was simple and clear. As for its negative side, the only part of it that always annoyed me was the order of the series themselves. It never had a fluent continuation, a new movie was always beginning from a new checkpoint making it unclear at times.
Art/Animation; 10/10
The main characters are extremely well drawn. The simillarities between this movie and Fate/Zero are quite obvious, especially in the faces/eyes. Takeuchi Takashi is easily one of my favourite character designers and he has not failed to impress me yet another time. I can guarantee satisfaction on this certain aspect.
As for the animation, compared to the rest of the movies it was downgraded due to the length. However, ufotable is like pizza. Even when it is bad, it is still good. This part of the show is still its high point and when it has to get good, you know it will. The fights are excellent, wild and bloody as always, the movements are smooth and realistic and will keep the viewer glued to the screen whenever they occur.
Sound; 9/10
Just like the movies before it, and, from what I've read, the movies after it, the sound is fitting always to the situation, energetic as well as calming whenever it should be, however, in this particular movie, the soundtracks tend to get very loud, making it hard to hear the voice actors or focusing on certain situations, although that really gives you an adrenalin dose when it should.
Characters; 9/10
The characters in this movie had their best performance yet. We have seen each one of them in action this time, as well as proof of their intelligence and the potential that they have in the development of the story. We also get introduced to the counterpart of Shiki, who is the main focus of the first half of the show. The mystery that, as mentioned above impressed me the most in this movie was revolving around him, so I really enjoyed his stay on the show.
Overall/Enjoyment; 10/10
Overall, this movie's advantages far outdo its flaws and the viewer will remain speechless at times. It deliveres pure entertainment. Intense plot, with truly well done fight sequences that might make your jaw drop. That's what made me make a review on this particular movie.
Do not hold back from watching. And do it as many times as you want.
I hope I helped you out and I'll try and get better with reviewing. read more
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Archaeon
211 of 348 people found this review helpful
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1 of 1 episodes seen
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| Overall |
8 |
| Story |
9 |
| Animation |
8 |
| Sound |
8 |
| Character |
8 |
| Enjoyment |
8 |
Kara no Kyoukai review Part 5
Wow. I have to say that this movie is enough to leave one speechless at times, and for a variety of reasons.
The fifth installment of the Kara no Kyoukai series, Mujun Rasen (Paradox Spiral), is somewhat of a departure from the previous four outings not just in terms of its running time (almost two hours), but also in terms of art direction and story.
Set around two months after Fukan Fuukei, the tale begins with a disjointed sequence of events that are gradually cleared up as the movie continues. The story itself centres around a boy named Enjou Tomoe, who is saved from a group of thugs by Ryougi Shiki. She invites him to stay with her after he begs her to hide him somewhere as he believes that he has committed a crime and appears to be on the run.
During this time it seems that Kokuto Mikiya is away on some business, and Aozaki Touko is investigating an odd rumour she has heard from a policeman she knows.
Now the main problem with the story direction is that many people will be confused by the path it takes. There are numerous sequences that are repeated several times, and the story has a tendency to not only jump about from one time to another, but also from one event to another (a style similar to that used by Luc Besson at times). The result is something more along the lines of a Satoshi Kon production, and while there will be many people who enjoy the numerous twists, turns, loops and whorls that take place in the story, there will be just as many who will be put off by the overwhelming amount of information one has to process at times.
The art and animation throughout the series thus far has been top notch, however there is a noticeable drop in quality in this Mujun Rasen. Given the length of the movie it may be that Ufotable were forced to cut some corners with the designs and animation, but there are quite a few scenes where their normal quality really shines through. The CG is, as always, of a very high standard and runs smoothly in conjunction with the normal animation. The backgrounds and backdrops are well designed, and a lot of thought has gone into ensuring that certain elements in this area follow the concept of the story.
Unfortunately, the drop in quality I mentioned is noticeable in several scenes, and in one in particular, the character looks constipated rather than hysterical. In addition to this the animation of the action sequences, whilst being excellent overall, suffers towards the end of the movie, with one key sequence being more dizzying than breathtaking. That said, the sequence in question will appeal to those who like roller coasters at the very least.
The sound is on par with the other movies and is well executed overall. The effects are extremely good throughout, but the old problem of the noise sometimes being too overwhelming has reared its head once more. The score used throughout the Mujun Rasen lends to the general atmosphere, however there are times when the music seems a little out of sync with the on-screen action.
On the plus side it seems my prayers have been answered as more is revealed about Touko, especially as the antagonist in this film, Araya Souren (who appeared briefly at the very end of the previous movie declaring himself to be a magus), has a history with her. In addition to this, there is a secondary character named Cornelius Alba who also has a history with both Touko and Araya. In addition to this the viewer can finally see some different sides to Shiki, as well as gaining some insight into why Touko was so interested in her during the events of Garan no Dou.
The downside is that Mikiya continues to be more of a supporting role in this movie, and Tomoe, while generally being a decent character for the most part, may annoy some people.
Even with those flaws, this is still an excellent movie (especially if you can get your head around the plot). Fans of Kara no Kyoukai should generally be pleased with this latest addition to the franchise, and although it does drop a little in terms of animation and artwork, Mujun Rasen will hopefully herald a new direction for the series.
I'm expecting good things from the sixth movie...
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Recommendations
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The only story of any kind I recollect seeing executed like the fifth Kara movie, where the events switch between past, present and future on the fly for mindfuck purposes, is Baccano. Neither of the stories when told in order are complex, and Baccano in particular is easy enough to follow as is if you pay attention, but they can give headaches due to the mindfuckery.
Unlike Baccano, Kara 5 starts out totally linear, and stays that way for the first 40 minutes or so. Then, it proceeds to jump around like a rabbit on crack, and it left me pondering at the end whether I'd seen one of the best movies of all time or a movie executed in such a way that its flaws were well-hidden. Even without much understanding and a lot of confusion, it was totally gripping.
Supernatural, magic and gore and both have a rather confusing storytelling.
In both anime, the story is presented like a puzzle and you have an opening sequence where you see what is going to happen.
Both masterfully employ non-linear narrative as a mystery/unexplained occurrence is slowly revealed as disjointed "puzzle pieces" fall into place throughout their stories. Dark atmospheres and palettes are typically used in both, though Baccano frequently provides comic relief whereas KnK seldom does. Nonetheless, fans of action will find plenty to like in both KnK 5 and Baccano, with both featuring top-notch, smoothly animated fights and occasionally over-the-top gore.
When it comes down to the story telling, I noticed that it's similar to Baccano!'s style. The movie changes a lot between past and present, though the main difference between these two anime is that while watching Baccano!, you are still able to follow the story and get a clear picture of everything at the end. In Kara no Kyoukai 5, on the other hand, you will get utterly confused at some points of the movie, just wanting to shout out WTF!?
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Both go through dreams and reality. Both confusing as hell. Both Mind F**ks.
Both movies feature identity/reality crises. Both have horror/violence elements. Both are mind trips, forcing you to pause/think/rewatch to fully appreciate. Where Kara no Kyoukai is more epic/fantastic, Perfect Blue is more human/realistic. The art in Kara no Kyoukai is more attractive, while the voice acting (japanese) in Perfect Blue is more powerful. Both movies have top-knotch plot and presentation: go watch.
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Opening Themenone
Ending Theme"Sprinter" by Kalafina
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