Potemayo

Honi Honi Honi!

In all honesty I was tempted to leave this review as just those words, but for those of us who don't speak the language, here's a more normal version (that is, if the word normal can be ascribed to this series).

What is Potemayo? When you watch the show this will be the question that you'll find yourself asking over and over.

You could say it's an anime series based on the manga of the same name by Ogataya Haruka. You could also say that it's the result of drug induced euphoria like Hunter S Thompson's "Fear and Loathing in Las Vegas" (only funnier). ... It's very possible that Potemayo is the product of genius and madness joining together to create a story that encapsulates the surrealness of Jungle wa Itsumo Hale Nochi Guu, the anarchy of Seto no Hanayome, the wrongness of Inukami, and choice morsels from a number of other shows.

You could say a lot about the anime and manga known as Potemayo, and maybe they're all correct. We don't know.

What we do know is that Moriyama Sunao wakes up one morning to find his fridge has given birth to a strange creature who absolutely reeks of kawaii. So he does what any half awake boy would do. He leaves it in the fridge, closes the door, and considers his options.

1. Leave it in the fridge until it stops moving.
2. Let it out, name it after a snack, and adopt it.

Potemayo is basically a story about Sunao's life with his newfound companion, with much in the way of odd, wierd, strange, cute, and downright hilarious along the way.

While it may, at first, seem like there's no rhyme or reason to the series, there is actually a plot buried somewhere under the mirth and cuteness. The problem is, you probably won't bother to look for it (I didn't until the third time watching the show), as your sides may hurt from time to time.

There's not much else one can say about the "plot" though (I assure you there is definitely a plot, it's just well hidden is all), however the aim of Potemayo is to make you laugh, and this it does - in spades. Things only get stranger once the ultimate tsundere, Guchuko, is introduced.

Given the main aim of the series, one can expect some fairly standard artwork and animation, and this is actually the case for the most part. The characters are fairly plain, however, the show does feature some strange and wonderful character designs (Potemayo and Guchuko), and some gloriously animated and choregraphed bits of visual comedy (usually involving Potemayo and Guchuko).

The sound and music are, like the visuals, decent but nothing groundbreaking. That said, Hanazawa Kana and Tsuji Ayumi are simply brilliant as Potemayo and Guchuko, and Kitamura Eri (Sunao), is hilarious with his deadpan delivery. The show also features one of the most well suited and dangerously catchy OPs in anime. The OP gives a very good idea of what to expect from the series, however viewers should take care as you may find yourself humming the chorus for months on end.

So, what can I say about characters? I could talk a lot about how cute Potemayo and Guchuko are, or I could talk about Sunao being the personification of the comedy "straight man", or I could even talk about Natsu Mikan and her rivalry with Potemayo for Sunao's affections. I could talk about several of the characters, but I'll only mention the word development in terms of Sunao. Aside from him, the other characters get virtually no development, but then again, this show isn't really about developing characters.

That said, both Potemayo and Guchuko do "mature", it's just that their development is physical rather than mental and, like the rest of the show, very strange indeed.

Now I will admit that I have a soft spot for comedies, especially those that are imaginative and original, and Potemayo definitely fits the bill. The show uses almost every comedy trick in the book, and uses them well, with slapstick right alongside crossdressing, innuendo mixed with anarchy, and some of the best visual gags I've seen in anime outside of Gintama. Granted there's a certain cuteness to the show's design, but that only makes the laser beams and dead animals funnier.

If you like your comedy to have a healthy dose of chaos, a heaping helping of slapstick, a serving of deadpan, together with a side order of Chii's Sweet Home, then this is the show for you. If you want something serious, then this is definitely not what you're looking for.

Potemayo is cute, hilarious, wrong, anarchic, wierd, and lots of other things besides, and it puts many other shows to shame with it's simple approach to making the audience laugh.

And now that's done, I'm off to check the fridge...

Potemayo is a comedy, and it will either be something you like or dislike based on your view of the humor. The show has a lot of farce and unexpected reactions, which can be charming and even meaningful. The characters of this show are mainly children who are living through puberty and love in an unconventional way. While it may sound inappropriate, it's presented in a way that's not objectionable.

The story is not very complicated, and it doesn't have a satisfying conclusion. The show only lays bare some mature subjects, but it fails to dig into them in depth. The characters, though, captivate you, and ... they have amazing richness. The mascots, one is Potemayo and another is Guchiko, also play a role in the theme of coming of age, though it could have been better written.

It has a simple style, but it successfully conveys the show's playful mood. Music and voice acting enhance the comedic mood and the sound effects are successful. The motion is dynamic and it always keeps the viewer focused.

In short, the show is endearing, however it could have been improved if it had tackled all sentimental issues and revised leftover plot lines. It's not very rewatchable, but it's worth a watch if you enjoy comedies with a bit of depth.

Potemayo was a comedic manga strip by Ogataya Haruka. In 2007, J.C. Staff. The studio behind Shakugan no Shana, Honey and Clover and Nodame Cantabile just to name the ones I've reviewed.) Now, they have done some really good comedies so it's entirely possible that this could be highly amusing. Of course, it's also possible that this is a major blemish on their production history. Let's take a look and see which is more accurate.

Story:

The titular Potemayo is a strange creature that emerged from the refrigerator of our protagonist, Moriyama Sunao, for no apparent reason. She starts following him to school and getting into ... shenanigans. Things are further complicated when a second creature, Guchuko, cuts her way out of his fridge with a scythe. This isn't one of those comedic series that even attempts to have any kind of narrative. Rather, it's an absurdest comedy about Potemayo and Guchiko being around a group of strange people and engaging in hijinks. So, how does the comedy hold up?

There are quite a few funny moments, especially the Guchiko scenes. The series has a lot of energy put into it as well. The problem is that they're outnumbered by scenes that aren't funny. The series uses a lot of puerile humour involving bodily fluids and excrement because mucus and poop are gross and, therefore, must be hilarious. The humour involving romance is also a huge problem, being more unpleasant than actually amusing. We've got gay jokes and jokes about brothers who have more than just a familial interest in their sisters. You may commence eye-rolling. 

Characters:

The characters are mostly adequate for a comedic work. Most of the major characters do interact well for comedic purposes even if they aren't particularly well developed or fleshed out. The issue is that some of the characters are used primarily or entirely in a very narrow way for jokes that are terrible. Nene's brothers, Yasumi, Kaouru and Mudou all fall into this category.

Art:

The art is pretty bad and I'm not just saying that because it's in the hyper chibified style that I'm not a fan of in general. The backgrounds are really blank. The character expressions are minimal, and I would love to know how characters with glasses manage to keep them on when no one has a nose, and actions are frequently animated sloppily.

Sound:

They did get some really good actors for this series. Unfortunately, most of them don't give their best performances. Kitamura Eri, who played Sayaka in Madoka and Saya in Blood+, puts virtually no emotion in her role. Tsuji Ayumi and Hanazawa Kana deliver their lines primarily in grunts. Which does make sense given that they're playing abnormal creatures who aren't human, but it still isn't conducive to strong showings. Kugimiya Rie plays two roles, much like she did in Bleach as Nemu and Karin. One of those roles is fine. The other, Nene, is really painfully high-pitched and hurts your ears. The music is pretty decent overall.

Ho-yay:

There's certainly a bit. Kaouru has a romantic interest in Mudou, which is played for laughs as a running joke because... gay people exist. Yeah, that's his character's entire “joke.” There are also a few scenes where things get homo-erotic between Kyou and Nene, but they're relegated to a single episode and played as a joke. So, the ho-yay factor is going to be a 5/10.

Final Thoughts:

Potemayo has some things going for it. The scenario is creative with plenty of comedic potential and it does give a few laughs. Unfortunately, those funny moments are over-shadowed by the decidedly unfunny puerile and unpleasant moments. The art is pretty awful and the voice acting is below average. All in all, I would only really recommend it for people who find human excretions funny or who can tolerate the problematic scenes in order to reach those moments that are legitimately funny. My final rating is going to be a 4/10. I've got quite the queue of requests going into August with some of them being really long. We've got Dragonball, Gintama, Claymore, Welcome to the NHK, Mawaru Penguindrum & Ghost in the Shell: Stand Alone Complex. Next week won't be any of them since they're all too long for me to finish in a week, but I'll have the Dragonball review up as soon as I can. In the meantime, next week will be Murder Princess.