English: Samurai Champloo
May 20, 2004 to Mar 19, 2005
24 min. per ep.
R - 17+ (violence & profanity)
8.501 (scored by 186,019 users)
indicates a weighted score. Please note that 'Not yet aired' titles are excluded.
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
SynopsisMugen's a buck wild warrior—violent, thoughtless and womanizing. Jin is a vagrant ronin—mysterious, traditional, well-mannered, and very strong as well. These two fiercely independent warriors can't be any more different from one another, yet their paths cross when Fuu, a ditzy waitress, saves them from being executed when they are arrested after a violent swordfight. Fuu convinces the two vagrant young men to help her find a mysterious samurai "who smells of sunflowers." And their journey begins. This is a story about love, friendship, and courage... NOT!
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Characters & Voice Actors
Shippuudotou: Tempestuous Temperaments (疾風怒涛 - Tempestuous Temperaments)
|May 20, 2004
Hyakkiyagyou: Redeye Reprisal (百鬼夜行 - Redeye Reprisal)
|Jun 3, 2004
||Hellhounds for Hire (Part 1)
Ishindenshin Sono Ichi: Hellhounds for Hire (Part 1) (以心伝心 其ノ一 - Hellhounds for Hire (Part 1))
|Jun 10, 2004
||Hellhounds for Hire (Part 2)
Ishindenshin Sono Ni: Hellhounds for Hire (Part 2) (以心伝心 其ノ二 - Hellhounds for Hire (Part 2))
|Jun 17, 2004
Bajitoufuu: Artistic Anarchy (馬耳東風 - Artistic Anarchy)
|Jun 24, 2004
Opening Theme"Battlecry" by Nujabes feat. SHINGO2 (eps 1-25)
Ending Theme#1: "Shiki no Uta (四季ノ唄)" by MINMI (eps 1-11, 13-16, 18-22, 24-25)
#2: "Who's Theme" by MINMI (ep 12)
#3: "YOU" by kazami (ep 17)
#4: "FLY [SMALL CIRCLE OF FRIENDS]" by Tsutchie & fat jon (ep 23)
#5: "San Francisco" by MIDICRONICA (ep 26)
I caught Samurai Champloo as it aired back in 2004, and though I liked it enough, it didn’t impact me as much as I hoped it would. Though maybe that’s not entirely true, as the soundtrack did indirectly change my life, thanks to the composer Nujabes introducing me to instrumental hip hop and providing a soundtrack to my life for the next few years.
I recently re-watched the show and felt compelled to write a retrospective/review of the series. While watching Jin, Mugen and Fuu traipse around 19th century Japan getting into ridiculous adventures, I realised Shinichirô Watanabe’s follow up to Cowboy Bebop is one of the most subversive animes ever made. Taking a staple genre, dressing it up in anachronism, but continually tackling subjects often avoided by the medium.
It takes 25 episodes until a character literally says “I was born in the wrong era.” Champloo is basically saying Japan’s lofty samurai era was actually a shit place to live for common people like us actually thank you very much.
It’s a divisive show that tested the patience of many viewers, drove others away entirely after a few episodes, and frustrated people who were too used to watching a plot move characters forward for 26 episodes. Champloo doesn’t even have characters who move the plot forward. The hook of how the three disparate characters end up travelling together through Edo period Japan is just that, it’s a hook to draw you in.
Samurai Champloo is about, and also not about, three characters hunting a samurai who smells of sunflowers. There’s an episode late into the series which features two street gangs having a graffiti battle across town, and though somewhat amusing also served no benefit towards the journey of the three characters. So if you hop into any forum thread you’ll see a multitude of complaints about it. However, the point of the episode is the same as the theme running throughout the entire show: people from a bygone era rebelling against authority and social norms in a way 21st century people do: through counter-culture.
I’ve gained a new appreciation for this show. It’s been so so long since I saw it, but rewatching it I realise how the story is about how incompatible Tokugawa era Japan is with our way of life; all the things we take for granted were rare luxuries back then. This is an obvious fact for anyone with a remote understanding of Japanese history, but still, the show rams it home with stark contrasts. Each episode highlights a 21st century aspect of our lives, a form of freedom (creative, sexual, geographical, etc) that characters in the 19th century yearned for despite the odds.
It’s set in an era ruled by rigid order, social rules and hierarchies. Stifling to the point of causing grief among the downtrodden populace. Yet a populace we should not treat as foreign aliens. The show asks us to empathise with them; they were just like us. Some of them had our modern spirit and ultimately struggled to exist in such a society as a result. Our heroes are a ronin, vagabond, and an orphan. Fighting against their era’s rules with a modern spirit.
One of the things I love about this show is how the three characters hate each other for the majority of the 26 episodes, but their hatred gives away inch by inch. They initially try to break apart, to run away from each other, but situations conspire to brig them back together, until a turning point where they actively make a choice to stick together, grudgingly recognising that they are of the same fiery rebellious soul. This is infinitely more satisfying than characters who automatically stick together from the outset. Another theme of Champloo is that travelling a journey with strangers can bring you together like family.
Champloo is more known for its scenes that are juxtaposed with modern quirks such as people beatboxing to humorous and surreal effect, and scene transitions that look like a DJ playing with their deck.
Episode topics try to cover every area that is barely explored by other samurai-era anime that are more concerned with traditional ‘fight evil’ plots (or even movies for that matter) from the prevalence of the yakuza co-existing with samurai, the tragedy of women forced into prostitution to pay off their husbands’ debts, human trafficking in the art world, existence of homosexuality, persecution of Christians and Ainu, and graffiti gangs with too much time on their hands. There’s even a hilarious baseball game with members of an American expedition that predates Commodore Perry’s by a few years.
Champloo features one of the best soundtracks ever, brought to you by Nujabes, whose life was tragically cut short in 2010. Instrumental hip hop might bring to your mind a certain perception of what to expect, but the soundtrack is a mixture of traditional beats with Japanese influence, floating ephemeral sounds constantly conjure a feeling of melancholy, or ‘mono no aware’, the fleeting transience of things.
The appeal of the show is ‘style over substance’, however that is a great discredit to what Champloo accomplishes. All the modern quirks in historical context are not just there to make the show stand out visually. The show is about entertaining this idea, this hope, that even back in Edo era Japan there were open-minded people fighting for creativity, individuality and basic human rights. Sure, most of them didn’t last long, but they didn’t die without a fight. Banzai! read more
"Samurai Champloo" may not have the same ring to it as "Cowboy Bebop," yet it is a title that has a similar function: to illustrate a combination of multicultural pulp fiction sensibility. Where Cowboy Bebop was a past + future fusion of jazz, rock, and blues, spaghetti western, kung fu, and noir cinema genres, and a setting equating outer space to the great frontier, Samurai Champloo is a more wildly anachronistic mélange of Edo-period history and contemporary hip-hop and bohemian culture. "Champloo" itself comes from the word "chanpurū," Okinawan for "something mixed," and a source of Okinawa's pride in multicultural acceptance. Cowboy Bebop was a trend-setting marriage of anime traditions and Tarantino-inspired cultural hodgepodge — it could be said that Pulp Fiction influenced Cowboy Bebop as much as Cowboy Bebop influenced Kill Bill — and Samurai Champloo continues in this meta style, taking it even further.
Of course, Cowboy Bebop was not Shinichiro Watanabe's first foray into resonant crossover in anime: Macross Plus was a monolithic amalgamation of Top Gun's hot-headed romantic drama and sci-fi tropes including a pop-idol hologram version of 2001: A Space Odyssey's HAL, in turn influencing the famous cyberpunk writer William Gibson to write Idoru, a novel about a Japanese virtual idol and her marriage to a real-life rock star. Of course, all of this was before the invention of the Vocaloid, though I suppose the future imagined by Watanabe and Gibson was, in a way, not so far off.
Anyhow, now that I've finished my little history lesson — which I feel is relevant, as having such a perspective may deepen your enjoyment of Samurai Champloo as much as it did for me — let's continue on to the review. In light of all the prescient futurism found in Watanabe's other works, it's rather interesting that he decided to shift his focus to the past and present. Of course, the world's future is always in its past... and what we have here is, in a nutshell, Edo-period Japan: the remix. Baseball, tagging/graffiti, Van Gogh, zombies, and Catholicism are tossed into the "chanpurū" with a whole lot of revised Japanese pseudo-history. As such the medley of influences and tangential tale-spinning occasionally smacks of filler, but one would do well to understand that this show is simply all /about/ the filler — and this is all for the better, because Samurai Champloo is at its freshest and most hilarious when it's veering off the rails. It even has the single most entertaining recap episode I've ever seen. Even with all this episodic improv, Fuu's journey in search of a "samurai who smells like sunflowers" provides a compelling core to the story, much like a steady hip-hop beat giving structure to the mix of samples and freestyle verses. Her ronin traveling companions Mugen and Jin mingle like oil and water, and there we have the perfect cast for hilarity and drama.
Samurai Champloo is one good-looking show, with its thick linework giving an impression of manga blended with graffiti style. One episode even takes a quick trip into the psychedelic, with a sudden burst of colorful hallucination, Mind Game style — courtesy of episode key animator Masaaki Yuasa, of course. A wide variety of such notable animators were brought on board and thus the style occasionally varies slightly from episode to episode or even scene to scene, but it's always pleasing and completely in tune with the show's theme. Rural Japan has never looked so urban; almost any given scene in Samurai Champloo would be right at home spray-painted on the side of a city building or underpass.
The music, likewise, blends hip-hop, rhythm & blues, and traditional Japanese shamisen. Music often plays second fiddle to the look and quality of the animation when it comes to my enjoyment of anime, but in some cases it becomes just as important. This is one such anime, where the music contributes so greatly to the feel of it that it defines it and sets it apart from other anime — much like the soundtrack by Yoko Kanno and the Seatbelts did for Cowboy Bebop. It's also worth mentioning that rap and beatboxing sometimes enter the dialogue, and it's always amusing. Admittedly, most younger people these days are far more familiar with hip-hop than they are with the jazz, blues, and big band genres; nonetheless, in the realm of anime this feels a bit groundbreaking, especially with the theme songs featuring Japanese rap lyrics. The world is getting bigger and smaller every day.
Samurai Champloo is a show for everyone. Plenty of great sword-slashing action, clever comedy, and a good share of moments that will tug at your heartstrings — often all at once. If you enjoy anime, this is one you can't miss. read more
Samurai Champloo is the latest work from Writer/Director Shinichiro Watanabe, who is most recognized for his work on Cowboy Bebop. One of the very few things Champloo and Bebop have in common is their great scores. Champloo mixes two subjects which would never be put in one sentence together, western hip-hop and eastern samurai swordplay. Yet the mixture comes out with a brilliant result. The fights scenes are hyped up with the speed and flow from the music and come out magnificent. But Champloo isn't all about fighting. Many things happen along the road for the three main characters: Mugen, a rough mouth vagrant with a fighting style similar to capoeira with a sword. Jin, a quite and intelligent ronin who fights with deadly lightning speeds. And Fuu, the ditsy waitress that brings these two together in search of a samurai who smells of sunflowers. Between these three we see many moments of humorous antics, whether it's Mugen poking insults at her flat chest or Mugen and Jin’s constant attempts on each others life. Samurai Champloo is fueled by Action, Comedy, and Drama. Together with an original story Samurai Champloo has a unique spin on the old samurai era making it a great find for any fan of anime.
The story of Champloo is an original work from Shinichiro Watanabe. The story centers on Fuu’s search for a samurai who smells of sunflowers. As the wanders continue on their travel they encounter many problems, mostly dealing with how to make money for their various expenses some times causing trouble for the three. In the travels many humorous things occur like Mugen entering a beetle type cock fight, Jin and Mugen’s adventure in to the red-light district, or the three entering an eating contest. As the three get closer to the samurai who smells of sunflowers, things begin to unravel leading the three to the most trouble they have ever seen.
Champloo has crisp clean stylistic animation. Characters are draw clean and clear with many details. The landscapes of Champloo are filled with beautiful shots of Japan’s country side. There are even a few scenes were the animation becomes only black and white and seem as they where draw straight from sketches to add to the scene. There is also one part were the colors and animation becomes so lively that it gives the impression of a whacked out hallucination.
The score of Champloo is what sets its self apart from any other anime in its genre. The background music is filled with urban hip-hop to give it a loose free flowing fill to it. A big portion of Champloo is focused on its original sound and it shows. For action scenes we get a fast flowing sound that gives the sword fights a more stylistic feel to them. For the more dramatic scenes we get deeper sounding background music. There are even moments during some flash back scenes were the music that we get to hear a rich Japanese sound to give a deeper feeling to it.
Samurai Champloo focuses around 3 core characters. Mugen is a straight loud mouth anti-hero. Mugen is the wild one of the group, always flying by the seat of his pants. Mugen also seems to have a problem with authority. Mugen is the first to draw and the last to leave a fight. Jin is a noble ronin in the search of a purpose. Jin although quite and wise, he too has some distaste with authority like Mugen, although with different reason mainly because he sees the one’s in charge as waste. Fuu is a young girl in the search of a samurai who smells of sunflowers, she keeps these reasons to herself for some reason. Fuu is clumsy and some times naive. Fuu is constantly being kidnapped even though she has two strong bodyguards. And for some reason she keeps a flying squirrel with her to help out sometimes.
Any one who is a fan of samurai action will surely like Champloo. Filled with enough action to keep those hard core action fans at bay, Champloo sprinkles some comedy and drama on top. If you are someone who doesn't like the hip-hop aspect of Champloo, then at least give it a try, you may be surprised. read more
Historical anime don't usually interest me, but when it's as tongue-in-cheek and as full of anachronisms as this, I'm not sure it really counts as a historical anime anymore.
STORY - Like its predecessor Cowboy Bebop, Samurai Champloo is a very episodic series, and it's perfectly safe to miss a few episodes here or there. Even the overarching story remains incredibly vague for almost the entirety of the series and the audience is sometimes left to wonder if there really is a point to all of that searching when they knew virtually nothing to begin with. There's something about the lack of details that makes this story appealing though -- it never seems that important, so you just continue along, but deep in the back of your head, you remain curious about it. So it's the perfect situation; there's immediate gratification within each mostly-standalone episode, but there's also the thread that ties all of those little adventures together, and in the end, there is an ending.
CHARACTER - As with many other slice-of-life or episodic series, much of the entertainment relies on the characters, and herein is a very strong point for the series. All three of our protagonists are rich, interesting characters with backstories that don't seem to clash with their general personalities. As strangers that all met coincidentally in the first episode, their histories are gradually revealed throughout the course of the series in a perfectly paced, even casual way. Though this involves a bunch of chance encounters with figures from their respective pasts, none of them ever really seem to intrude upon the story for the sole purpose of explaining things, which is great. And their stories all actually do contribute to their personalities as a whole, making them all fully-rounded characters with an enjoyable amount of depth to them.
The characters also really contribute to the sometimes satirical nature of the series. Jin could be, at first glance, your stereotypical samurai. Or maybe he really just is, but the fact that they poke fun at him for it makes his whole stance all the more questionable. Mugen is just ridiculous; after all, his fighting technique is rooted in break dancing. And Fuu... well, I suppose Fuu is the least notable of them all, though I sort of feel like I can conclude her a mockery of typical women in samurai anime if I'd seen more samurai anime. Even given the normalcy of her character, she has enough emotion and perseverance to keep her from being called flat.
ARTSTYLE & ARTWORK - Given the time period of the series and all the anachronistic elements, Champloo's art style is very fun and unique. The opening and ending sequences are a great example already. The blending of modern ideas with such a traditional setting is brilliant and very interesting to see. One of the best examples within the series would probably be the graffiti episodes, where yes, there's totally a town in feudal Japan with a street graffiti problem and two rival gangs that won't stop tagging everything. The animation itself is of good quality throughout and it's definitely an aesthetically pleasing series.
MUSIC - Yoko Kanno once again demonstrates her musical prowess by tackling genres others generally don't and mixing them all together. It never ceases to amaze me just what kind of eclectic ensemble the woman comes up with. The music in Champloo suits it perfectly with its clash of ancient and modern, traditional Japanese folk music and present-day hip hop. The opening and ending themes are also wonderfully appropriate to many aspects of the series.
VOICE ACTING - I've seen both the sub and dub, and I must say, both are quite excellent. While I wouldn't necessarily venture to say that the dub is better than the sub (as was certainly the case with Bebop), it definitely stands on at least the same level. Dub-wise, it might have been the easy choice to cast Steve Blum as Mugen, considering Spike Spiegel and Mugen not only had similar personalities, but also looked similar, but damn, the man sure does the job well. (Admission of bias: I love Steve Blum's voice.) Jin's and Fuu's English voices were also quite awesome and actually sounded rather similar to their Japanese counterparts. The characters introduced in each episode also maintained above average voices for the most part, with appropriately sinister voices for the sinister and bumbling voices for the bumbling. All expressed emotion well and were generally convincing all around.
OVERALL - Samurai Champloo was a very fun series. Almost all the episodes were excellent in themselves with a great story, as well as great technical aspects. But the overarching story, when it finally did come together in the end, was actually really nice too. And simple as the ending was, I liked it, was satisfied, and thought it was worth it.
The music is a big influence for both anime. Hip-hop and jazz. Same director, but completely different settings. Even so, they match up very well. You can't watch one without the other.
Animes from the same directors. What Cowboy Bebop is to Jazz music is the same as Samurai Champloo to Hip Hop. Beautiful animation in both and very episodic.
Same Director, pretty much the spiritual successor to Cowboy Bebop,completely different world/story, their main similarity is...the awesomeness of the music, other than that, it's totally different.
Although set in opposing eras, both have a strong musical theme weaving through the engaging journey of a group of accidentally travellers (for Champloo) / bounty hunters (for Bebop). Both series may seem episodic but every one is highly enjoyable. Plus all the characters have fascinating deep/dark backstories.
The same director is enough to put these series together, because Watanabe's way to create is somehow the same with Miyazaki, who share many ideas in his works. The crew contingent is almost the same, a woman and two men (with some exceptions). The story contingent is also almost the same, one episode - one story, with a great story line which has resolution in the end. You'll find moments to laugh yourself to death and to burst into tears. Besides all the above listed you'll enjoy an awesome work with music in these series. It isn't just a background for the main performance, but a very integral part of the creation.
Samurai Champloo is like Bebop taking place in the 'Edo-Era'. Both are made with the same style of animeation, and both have their own music themes, Bebop(Jazz/Blues), Champloo(DJ-Mixing/Rap.) Both are highly entertaining filled with action, drama, comedy, ect.. all in the right parts at the righ time. You can't like one without the other.
Both anime include a group of odd characters, who eventually develope a relationship. The have the same writer and basically the same style. Samurai Champloo : Cowboy Bebop :: Hip-Hop : Jazz.
same guy behind the direction and story (shinichiro watanabe) with the same idea of fusing a music culture with a genre ( retro hip-hop and rap + historical samurai setting = samuraichamploo, Jazz, blues and old rock + sci-fi space cowboys and bounty hunters = cowboy bebop )
Samurai Champloo is pretty much an inverted Cowboy Bebop. One's a futuristic show about the past, the other's a historical one about the future. They definitely seem like two parts of a whole to me.
They're both made by Shinichiro Watanabe, and they both share his unique flare. Instead of Jazz in Space meets Western, though, Samurai Champloo is Feudal Japan (Edo Period, I believe) with hip-hop stylings. It makes for a very unique anime, and the characters are awesome.
Champloo offers the same kind of artistically edgy depth as the masterpiece that is Bebop. While the two do not share similar story types nor art styles, i believe that there is a certain unspoken class of anime these two are filed under. We all i know how diverse anime can be in terms of art style as well as theme. Though i like to believe there was a resurgence in the popularity of anime in the West with animes in this class im talking about. In my opinion, this is where it truely got started folks. These animes turned a lot of us into the Otakus (geeks) we are today. Do not miss this amazing Series! You will not be disappointed friends.
Basically a group of people that travel around place to place. There's a similar feel in atmosphere in both of these animes. Of course, Fighting Scenes are awesome! Although one has to do with samurais and the other is more futuristic. A bit of comedy as well :]
Cowboy Bebop and Samurai Champloo were both done by the same guy, and so both are based around music concepts. While Cowboy Bebop centers around the free-form of Jazz (Spike) versus ordered form (Jet), Samurai Champloo centers around hip-hop (Mugen) vs. classical music (Jin).
They're by the same director and one incorporates hip-hop music and culture with samurai, while the other incorporates jazz with cowboys (well, space cowboys). Both are episodic with an overarching plot, and the main characters are somewhat similar.
The two are mostly an episodic series with an interesting main story to tie it all together. Although different in atmosphere both have a good balance of humour and action. There are definite differences between the two but if you have watched Cowboy Bebop (or vice versa) you might notice the style reflects that of the director Shinichirō Watanabe.
Both series are made from the same creators so if you liked the style and "coolness" of Bebop, you'll probably like the edgy and cool style of Champloo just as much. Plus the voice of Mugen is the same voice actor who did Spike, Steve Blum!
Champloo is another gem from Shinichiro Watanabe, director of Bebop. On the surface that's about the only thing that could be listed as similar. Shinichiro Watanabe has a knack for juxtaposing two well tread ideas to create something completely new and interesting. Bebop can be described as a futuristic, retro 70's, wild west, space cowboy story with a bit of noir sprinkled in for good measure; Champloo can be described as a hip-hop samurai journey. Even though they aren't similar they do compliment each other perfectly.
Same director, same vision... different setting. Cowboy bebop is on some futuristic cowboy era bounty hunters with a jazz/blues undertone. Samurai Champloo is on some edo period samauri sword swingin drifters with that real hip hop finish.
The character development progresses in the same "bits and peices" style. Spike from cowboy bebop has the same badass smooth tough guy tip as Mugen in Samurai Champloo. I give them both 9's in my animelist... check em out
I'm not going to beat this into the ground. Both go hand in hand perfectly. Each similar in their own unique ways, musically and character wise. If you loved one your going to love the other.
-Each episode has its own small story.
-Major plot end ties up everything and wraps up the series.
-Interesting cast of main characters, all having a generally vague backstory.
-Side characters are very interesting as well.
-Stylistic action with subtle humor mixed in (not mostly slapstick)
-The characters act very similarly (Spike-Mugen, Jet-Jin, Faye-Fuu)
-Both directed by Shinichiro Watanabe, which explains the similarities.
The main characters, Spike and Mugen are very similar if not related. What I mean by similar might come out strange for some but I believe it'll present itself after more study. The voice actor is the same and the same people worked on both. Both fun to watch and I suggest watching both.
Aside from the fact that they were both directed by Shinichiro Watanabe, the two are chaotically fun cultural mishmashes with amazing art, music, and fight scenes. (Of course, Bebop has a lot more substance...)
Both are great cultural mashups that involve completely different music styles from the era presented and yet work wonders.
Cowboy Bebop takes western culture, space travel and jazz and blends them perfectly creating quite the energising experience.
Samurai Champloo takes the Edo period and hip-hop and surprisingly it works, especially due to the amazing soundtrack.
A key features that is seen in both is the pacing. Both are episodical but not to an extremei. They take different routes and breaks but still you feel like they're getting closer to the main path thanks to the way above average character development.
The soundtrack is amazing for both series, mainly due to the fact that even if they're utilizing one style they can freely add elements from the time periods they're refering to.
Both are must watch shows and leave quite the impression.
They have different themes, but both are animes very attached to their soundtracks. Love themes are present, but it is ambiguous, leaving a lot of interpretations to the audience.
They are both directed by Shinchiro Watanabe. They are built on a similar premise: Cowboy Bebop is space bounty hunters set to a mostly jazz soundtrack while Samurai Champloo is samurai set to a hip-hop soundtrack.
Samurai Champloo's main character is as skilled as Spike and both have afros. The same director created both shows. Cowboy Bebop is a show that mixed the future with past whereas Samurai Champloo mixes the past with the future.
Both groups are in search of something, and in the process, they live day by day trying to find food and money to get by.
Excluding Ed (regretfully), the characters are pretty similar. Spike=Mugen, Jet=Jin, Fey=Fuu, and (kind of, in the sense that they are both supporting animals) Ein=Momo.
Both groups don't start out being great friends and all, but as time and adventures go by, they end up warming up to each other which makes it hard for them to go their own ways.
There are other great recommendations on these anime, so i just want to talk about their great use of music.
Although they have different styles of music, both are very music centric, using it to mould the scenes and give a great sense atmosphere. Both are rightly praised on their music and they are used in similar ways which are accompanied by familiar settings. You will own both soundtracks before you know it.
Both are directed by Shinichiro Watanabe, follow the misadventures of a small group in an episodic format, have superb music which creates a unique style, and often deal with philosophical issues in their conflicts. Both brilliant!
Both have similar characters, good music, one episode - one story (at most two episodes), a good plot, and describe life situations and problems in different worlds. They have similar humor and don't hide violence and blood.
Two legendary series brought to you by the same director in Shinichiro Watanabe that defined an era. Both series has Shinichiro's signature episodic format along with his unique touch on a overarching plot. Both series have amazing soundtracks, Cowboy Bebop with it's Jazz melodies and Samurai Champloo with it's Hip Hop beats. Very similar with their main characters who are one of the most original casts in Anime. If you are looking for great adventures, comedy that is gold and breathtaking action sequences then look no further than these two titanic classics.
Both done by same people and have similar art styles . Main characters are very similar in a certain way; both of them also very Era/Culture-influenced .
Mugen and Spike. Two of the most badass, laid-back and expressions of cool for any character in anime. Whilst both stories surrounding the characters are not similar, the struggles and fights of both these said characters offer entertainment and the same vibe to interest you, if these characters are to your liking.
Same director. Where Bebop combines a sci-fi setting with a jazzy, western vibe, Champloo combines a Japanese samurai setting with a hip-hop vibe. Both animes are also relatively episodic rather than serial.
One trait that sets Shinichiro Watanabe’s work apart is his refusal to accept this Japanese conformity. In his anime, all of the characters define themselves by their individuality, fighting for themselves and ONLY themselves in a vast and lonely world. In Cowboy Bebop, the characters were thrown together by chance and stayed together only as long as convenience allowed. Although the anime was for the most part an action comedy, even the hilarious moments were subdued by this profoundly forlorn undercurrent of internal solitude.
Samurai Champloo has a very similar feel; in the series, three misfits who would otherwise have nothing to do with each other are thrown together by coincidental events. The characters then proceed to engage in a variety of episodic escapades, finally culminating in a suitably climactic and suspenseful conclusion. This basic plot structure, combined with Watanabe’s trademark freeform style, makes it easy to draw comparisons between the two works, despite the radically different settings.
In any case, if you liked one, watching the other is practically a matter of course.
Both series have the same director, focus on a small cast of characters, and episodic adventures with enjoyable action.
While Bebop has more experimentation with film noir and exploring the characters themselves, Champloo is more about the adventures the characters partake in.
I will say that it's not on the same level of quality as Bebop and suffers from things Bebop never did, but it does have it share of pros like the animation and action (which is obviously based on sword fighting, giving the anime its own sense of identity).
Both Cowboy Bebop and Samurai Champloo are written by the same author and feature the same episodic nature. Additionally, the three main protagonists of each respective series are of the same archetypes. If you enjoyed Bebop, you'll likely enjoy Champloo.
The focus of both series is the mix of different styles especially music: Cowboy Bebop is a mix of cowboy western, film noir, Jazz and Blues setting in space. Samurai Champloo is a mix of samurais, modern-day Japan and hip hop setting in Edo-era Japan. Also both series have an episodic storytelling with an overall story. Another important and common aspect is the journey into the main character's past.
These two anime have an extremely similar vibe. They share many of the same production crew so it is no surprise that stylistically and aesthetically are in many ways comparable. There is a similar character dynamic in Samurai Champloo as in Bebop, but what makes me think you will enjoy this anime is actually how the two shows are different. Many of the plot choice in Samurai Champloo seem to be parallel to the choices in Bebop; however, in Samurai Champloo, many of the subtle issues that were passed over lightly in Bebop are explored in greater depth. These two shows are in no way related to one another, but they are both stylistic masterpieces IMHO.
TL;DR: If you like Bebop you will find more of what you love in Samurai Champloo
Two absolutely brilliant anime with incredible characters.
No significant plot in either anime because the characters take the spotlight and the interactions between characters are amazing.
Wicked, smooth fight scenes, great dialogue and absolutely awesome characters.
Both anime are memorable for, did i mention, the characters?
On a serious note, amazing, character-driven anime. Period.
Made by the same guy. Both have a group of protagnists who travel for a single goal while encountering random misadventures along the way. Both have amazing art, action, characters, soundtrack and unique during its time.
Same style , Same Genres , Same Pattern of events , and both Depends on the course of events more than story , and both have their own music themes , same type of characters
This recommendation is based on the English dub. Same director, same main character voice actor (Mugen and Spike). Both of these characters are interesting and badass to say the least.
Group dynamic is even the same within the main cast; two guys who are skilled at their roles then an annoying female character who brings more trouble than fortune. The 2 male main characters make up for this however.
Both anime are episodic; although Cowboy Bebop has the better overarching plot from the get-go. Both are enjoyable nonetheless.
While Cowboy Bebop often accrues more glory, both of these shows are made by the same directors, and, personally, I enjoyed Champloo more. The main characters are all very similar, and both series maintain an episodic style up until the last few dramatic episodes, which are both fantastic in their own ways.
Both are long action packed adventures that end with an expected and ideal ending. Both have similar art style and both have a heavy influence on the music that is present in the anime.
Very stylized action sequences. Both are samurai themed. Each has a very serious samurai as well as a more laid back, energetic samurai.
Both of these have high level samurais shed alot of blood, also the animes contain blood, violence and a sex scene.
Afro samurai is more like a mixture of samurai champloo and samurai Jack, with a darker tone.They both offer a completely different take on the samurai genre as well as the action. Afro's action is a lot more exaggerated while samurai champloo's goes for more realistic sword fights. They're Recommended to anyone looking for some great samurai action
They both have a unique hip-hop flair that, somehow, coincides with the samurai theme. They also both contain amalgamation of the past and present (like monks with rocket launchers, beat-boxing peasants). It's a weird little niche that both of these titles somehow fell into, and we haven't really seen anything like them before or after.
Nice music, nice fight scenes, similar atmosphere, but AS is obviously more EPIC
Both the shows are about samurai! But the most common and rare thing the shows have in common is their Hip-Hop inspired theme!
Both are Samurai action series. Both have a Hip Hop theme. Both have badass action scenes.
Afro Samurai has Samuel L. Jackson.
Samurai Champloo has Mugen.
surreal fighting; samurais with the unexpectable devices
Both are samurai shows that have a hip hop theme. The action scenes are good in both, but I think Samurai Champloo had a lot more comedy.
Afro Samurai and Samurai Champloo are both about rogue samurai warriors and the way they overcome any appearing problem, always with a based-on-the-tip-of-their-sword attitude. They both have a nice blend of bumpin' hip-hop tracks and samurai action that leads to a unique experience. The fight sequences are stylish and entertaining and the characters in both series are well developed and you won't forget about them the minute you start watching a new anime. If you enjoyed watching one of them then you should definitely check out the other.
If you like style, Samurai Champloo and Afro Samurai are definitely two series worth mentioning when taking its action and characters. Among other factors, both series takes place in a samurai-like age where there are feuds and conflicts. From these conflicts, characters usually solves them through power and dominance.
The action in both series are solid and the main character is a skilled samurai capable of combat. They're also quite brash and often speaks out what's on their mind towards their peers.
Both series are also noticeable for their catchy soundtrack as well.
They each have the elements of hip-hop music fused in samurai themes mixed within the context of each other.
Wandering nearly unbeatable samurais looking for one man. Going through a great number of people to get to him. They both give the same feel due to the hip-hop music and the fight scenes.
both of the animes have this "American" styl, some times same animation
Both series have some really good fighting scenes in them, which make up for the weaker story aspect. With Mugen from Samurai Champloo being the badass, rough gem of a fighter in contrast to Jin, the uniform, well practiced rounen, and from Afro Samurai you have Afro, who is the "number two" of the fighting world, who's so focused on his past that nothing else matters to him at all.
Chanbara and Hip-Hop. Two styles that sound like they wouldn't work together. But these two anime both prove that the two styles blend perfectly. Both shows have amazing fight choreography, similar but still unique soundtracks, and urban inspired design. Samurai Champloo takes it to a more adventure oriented zone, while Afro Samurai takes it to a more cruel place. Either way if you like one, you will like the other.
Very tailored for Western audiences with a spectacular dub. Both sport hip-hop tracks that are rarely seen in anime and feature traveling swordsmen that no one wants to mess with.
Both main character(s) are BADASSES. Although Afro samurai is alot shorter than samurai champloo but is a pack a punch of action. if you like samurai animes or badass characters then this is a try out.
both samurai and have awesome art and fighting scenes
Easily two of the best swordfighting series out there. Both are set in a fictional historical setting of Japan, where the samurai way of life is strong. When it comes to fight scenes, we see amazing choreography that does't require supernatural abilities. Fight scenes are realistic, fluid, without having to resort to superpower moves, repetitive movements, long in-between conversations, and so forth. Samurai Champloo is episodic in nature and more light-hearted, but Sword of the Stranger is a film with a straightforward and serious plot.
Both are recommended to to anyone looking for some impressive sword fights and strong characters.
If you loved the action in one of the two, you should definitely check the other out. Champloo's action focuses more on the details and fluidity while sword of the stranger's has a more emotion driven and cinematic 'feel' to it.
Both facing a similar plot: traveling samurai.
Both anime placed in similar ages, and both having pretty good strong samurai as main characters.
Sword of the Stranger is a pearl (sadly a single movie) of animation and i can say that both anime are masterpieces in their own way.
Both have beautiful art and thoughtful stories. Also both have action that is executed well and without being gratuitous or over done.
It has the same type of fighting style, in my opinion - it's wild, anything goes!
They're both samurai themed with verry stylized fighting sequences, and both Mugen and Nanashi have a thing for saving the helpless (then of course getting so attached to the ones they saved that they risk their lives for them em' everytime they get in trouble... -.-)
Both series has great and crazy fights, a lot of humour and also main characters are similar.
I think when you liked Sword of the stranger, you will definitely like also this one.
Both Sword of the Stranger and Samurai Champloo were well done, and had intense sword fighting scenes.
However Sword of the Stranger was more serious that Samurai Champloo. That being said, Sword of the Stranger had more realistic fighting scenes. You could actually see the swords being swung instead of white lines where they were swung.
If you can, get Sword of the Stranger in 1080p because the animation was really well done, and you don't want to loose any quality.
Sure the obvious connection is samurai. The important thing here is the action scenes being visually pleasant which these shows pull off flawlessly. The OST for the shows is very different but equally great. The genres vary in prevalence but in a refreshing way.
Awesome fight in both anime. They both take place in a feudal Japan. They both don't lack of blood.
One of the few shows that can truly rival the animation and pure intensity of the sword fights in Samurai Champloo.
Have a similar sharp visual style plus a modern edginess.
Although the plot is not similar at all, both Michiko and Samurai are influenced by differnt cultures, when concerned with the music and style throughout the animes. Michiko being having a Latin vibe while Samurai had a more Hip Hop thing going on. Both of them were drawn wonderfully in my opinion and involve the main characters setting out on a journey to find someone. Both a just full of action and all have moments of humour as well.
The animation and plot remind me a lot of Samurai Champloo. I'd recommend this as a similar story, with gangsters instead of samurai.
they are both from the same studio, the same crazy weird funny characters.
a journey filled with actions, fun and strong moment
if you liked one, you like the other
I've you've read my recommendations for Bebop then you've probably already seen this recommendation coming. I'll try to not retread old ground; but the feelings, themes and character interactions of all these anime are very similar. Both Champloo and Michiko are buddy stories are about a journey to find a particular person. The characters in Michiko can be paralleled to ones in Champloo but I'll leave it at that. Watch Michiko and decide for yourself if I'm full of $h!t. But I'm sure you'll enjoy it.
- both shows involve a long journey.
- both groups of MC's in each are looking for a person.
- many interesting characters are met during said journey.
- the soundtracks for each of the shows are magnificent.
- animation is about the same quality.
- lots of action, though Champloo has more.
- each episode provides an interesting side story.
Both anime are exemplary of themes such as "how the journey is more important then the destination". Both animes essentially possess characters that follow each other to accomplish a single goal.
Both series are short, beautifully animated, and have a wide variety of characters while still only focusing on the development of two. It also takes place in more diverse worlds that you don't find in most anime; making you interested in the worlds the characters live in. Both series also include strong women who don't fall easily into many negative tropes.
In this series, we see how both female protagonists long to meet their father who abandoned them at an early age due to unknown reasons. However, due to their lack of strength they will be forced to depend on their travel companions that have a highly distinct personality and traits to their own. It is the coalition between their personalities and their constantly evolving relationship, which makes both journey’s highly engaging.
Both of this series have AMAZING soundtrack, which is highly differentiable from the other animations. The soundtrack fits neatly with the ambience the show creating even more compelling action scenes.
Both samurai, sword cutting Anime with enough comedy to keep you entertained
Both are samurai stories set in a similar historical context and period.
They also portray the persecution of Japanese Christians in the past centuries (Samurai Champloo - canon material; Rurouni Kenshin - fillers).
They're both about Samurai in the not-so-ancient past, but RK is less realistic and has some romance elements as well.
Not only two of the best Samurai themed anime series getting around, but two of the best Anime series period.
Both are very rich in historical content aswell.
.acient japan. both anime main characters are samurai with amazing skills...
samurai traveling, sort of champloo has more traveling, but stories along the way to the final finish, characters similar (not really) but same Japanese style, relaxing entertaining stuff
If you enjoy a Shounen which involves sword fighting, crazy awesome samurai skills and a tremendously realistic back story - I would definitely recommend Kenshin. The art styles are quite different however, you need to understand that Kenshin came out back in the 90s and Samurai Champloo is one of the new age ones.
It sticks to the theme of Edo and Tokyo, the revolution around that time and how it not only affected samurais and nobility but common folks.
Personally, these two animes made me research more about Japanese history than any other anime.
In case you didnt know, the only difference is mecha. Look out for the baseball special in Champloo, genius! Also the GIGA arrow in samurai 7 is one to look out for too. Classic.
Both are obviously about samurai although Champloo doesn't have any mechs and sticks close to traditional samurai themes.
Again... they are both about samurai! yearh, huge samurai anime fan! XD
this is also some samurai who travels around... there again is one girl and her little sister with them! it Amazing, hilarous and just watch it! ^o^ lol
Traveling girls searching for Samurai.. Action,, feel is the same.. and some of the best Samurai fighting scenes..
many similarities in the way of the characters are fighting, some times even the animation is similar
Both are good samurai shows, with good sword fighting, though samurai 7 has a steam punk style and robots both are very stylistic and interesting in the way they present their stories.
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