Nichijou primarily focuses on the daily antics of a trio of childhood friends—high school girls Mio Naganohara, Yuuko Aioi and Mai Minakami—whose stories soon intertwine with the young genius Hakase Shinonome, her robot caretaker Nano, and their talking cat Sakamoto. With every passing day, the lives of these six, as well as of the many people around them, experience both the calms of normal life and the insanity of the absurd. Walking to school, being bitten by a talking crow, spending time with friends, and watching the principal suplex a deer: they are all in a day's work in the extraordinary everyday lives of those in Nichijou.
Conventional wisdom has always taught us that more is usually better. We think that the more expensive car should have more completely unrelated features, the better ice-cream sundae should have a bigger pile of fresh fruit on top, and the better statistics report should be able to pull more numbers out of it’s arse. We compare phones by the multitude of apps it can run, our enjoyment of horror films is based on how many different ways the various victims die, and we often rate anime by how many story arcs, characters, subplots and themes it can cram into it’s 26 episode season.
As the modern entertainment sector continues to emphasize excess and surplus, Nichijou is a much welcome, and frankly much needed throwback to a more old-school approach to entertainment. Nichijou’s frugal yet distinct style reminds us that something is perfect, not because there’s nothing more to add to it, but because there is nothing more to take away.
Nichijou brings to us a fusion of gag, moe, slice-of-life and slapstick comedy. It’s humor is very reminiscent of Azumanga Diaoh while it’s art style borrows heavily from the distinctly colorful palette of Lucky Star. Nichijou adopts a very light-hearted approach with it’s tone; it’s jokes are played fast and loose, and while there is a constant shift of pacing throughout each episode, Nichijou never seems to take itself very seriously.
Perhaps the most noteworthy thing about Nichijou is it’s production value. Frankly speaking, Nichijou is GORGEOUS to look at; it’s animation so incredibly fluid and it’s art so crisp and vivid that it actually puts other supposedly competent studios to shame. The artwork selects it’s palette very sparingly, with a result that is both vibrant yet easy on the eyes. This gentle tone is then frequently punctuated by segments of metaphorical (and in some cases literal) animation explosions, showcasing KyoAni’s talent with a huge variety of styles from gritty realism to crayon slapstick.
One can’t help but wonder if KyoAni isn’t deliberately showing off their workmanship with this anime. Many originally very short panels from the manga are translated into incredibly imaginative and stunning sequences of animation that simply scream “because we can.” Show off or not, Nichijou’s cinematography is nothing short of outstanding; it’s liberal interpretation of the original source material has really allowed the creativity of director Ishihara Tatsuya and the KyoAni animators to shine through like nothing we’ve ever seen before.
Special mention to Nichijou’s OP and ED songs, which are creative shorts (incredibly well sync’d I might mention) in their own right. As a fun fact, both of Nichijou’s OPs are sung by Hyadain, who is ONE guy. No female backing vocals at all, he does it all himself. Seriously I’m not joking, go look it up.
The aforementioned dynamic pacing forms the basis of Nichijou’s entertainment value. Each episode tackles it’s structure with a large degree of unpredictability. You never know what’s going to happen next, be it a humorous dialogue scene, a fast paced action sequence, an amusing random still image or a hilarious but completely unrelated skit. Despite this seemingly chaotic approach, Nichijou still manages to find a good balance between all it’s various styles so that no episode feels too weighted. While such a haphazard approach may seem counter-intuitive for a slice-of-life anime, this style ends up working greatly in Nichijou’s favor, adding another layer to it’s texture of absurdity.
The humor itself is very simplistic, almost to a fault, and one would normally attribute this as one of Nichijou’s flaws. That is of course until you remember that “Nichijou” translates to “My Ordinary Life” and as such, the simplicity of the jokes are a fitting homage to the show’s title and premise. Many of the jokes are simply exaggerated normal events like missing the train or a waiter forgetting your order, relying on witty dialogue delivery and clever timings to get the humor across. Some may consider this a hit-or-miss sort of comedy, which is only a fair judgement. All the same, you don’t necessarily have to laugh at jokes like these to appreciate them, which is one of the main reasons why slice-of-life can have such a widespread appeal (remember K-On?)
The characters are very likable, despite the obvious utilization of moe in many of their design. If you can shed that manly exterior and look past the few excessively “cute” scenes, there’s actually an abundance of things to enjoy about Nichijou’s characters. Conventional archetypes are few and far between in this anime, and all the characters harbor their own quirky habits and flaws that you’ll quickly grow fond of.
The best thing about Nichijou’s characters however, isn’t their individuality, but how they interact with each other. The personalities of various character groups clash, contrast and complement each other in extremely interesting ways; the conversations and activities of the two golden trios of Nichijou: Yuuko/Mio/Mai and Hakase/Nano/Sakamoto make up the abundance of material in each episode and just their hilarious adventures by themselves could probably carry an entire show. This is furthered by the great voice acting that the Nichijou provides; Nichijou is one of the rare shows where the seiyuus genuinely sound like they’re enjoying themselves. Dialogues are delivered with copious amounts of enthusiasm which really helps sell the spirited relationships that the various characters enjoy with each other.
With all that has been said though, I would like to come back to that idea I mentioned when we began, that idiom of “less is more.” The thing I love most about Nichijou, isn’t the amazing artwork, the clever cinematography, the light-hearted humor or even the imaginative characters. What I love most about Nichijou is the fact that, behind all the technicalities and production values, lies a very simple ideal. Everything about Nichijou revolves around this central principle of being enjoyable. All that it does, every scene, every character, every line of dialogue alludes back to this principle. Because at the end of the day, all Nichijou wants you to do is one thing; it wants you to enjoy yourself. With Nichijou, there is no story, no subplots, no recurring themes, no character development, no product placement, no lessons to be learnt, no obscure references to pander to a niche audience, no obvious fan-service pandering or ploys to sell related merchandise.
Fun is the only thing that matters, and it's this frugality, this ingenious simplicity, that allows everything to just click together like magic.
When you finally get home after a long tiring day, the only thing Nichijou wants to do is to give you an excuse to prop your feet up after and wash that blue feeling away as it slowly puts that grin back onto your face. read more
If I had to sum up all of Nichijou in one word, it would be "beautiful." As a slice of life, this anime can't be for everyone, as most people like to have a story that is actually driven by the plot. But even if you aren't into slice of life anime, there is something in Nichijou for everyone to enjoy.
Every episode is a series of semi-random "moments" in each of the characters' lives. As far as an actual storyline goes, there is no distinct beginning or end to Nichijou. No goal, no real conflict - as to be expected of a slice of life, "storyless." However, at about the halfway point, I started to question whether all of Nichijou somewhat revolves around Nano and her dreams of leading a normal, everyday life (which is what "nichijou" roughly translates to). There are some really beautiful moments that do advance the plot, which is part of what makes Nichijou so special as a slice of life.
Stunning. Characters are distinct, cute, and thoroughly enjoyable to look at. Animation has very fluid movements, and the "camera" work, especially during the funny scenes, is just brilliant. One thing that I particularly adore about this anime is the fact that, as opposed to some anime like Fullmetal Alchemist Brotherhood, in which the art style becomes overly-simplistic during moments of comedy, Nichijou's art style becomes vastly more serious and dramatic for almost all of the hilarious moments. Without losing an ounce of fluidity, Nichijou will abruptly switch from cute and colorful to intense, fast-paced action with over-the-top explosions and yelling. Everything about the art in this anime is something to behold.
Hats off to Hyadain, as he did both of the OP songs and one of the ED songs, which are fun and upbeat, as expected of him. The background music is also very well-done, it's unobtrusive and mellow, allowing the characters themselves to set the mood more so than the music.
This is the glue that holds the entire thing together. The characters make up for the lack of a concrete story and then some - this anime is definitely NOT just something pretty to look at. During the few times that the plot progresses, so do the characters. They learn and grow, they have problems and they help each other. I found myself growing attached to all of the characters, I don't think there is a bad one in the bunch.
Overall, I love this anime. It is certainly beautiful in more ways than one, and it stands above many other anime in terms of being a slice of life and a comedy. If you like Lucky Star and Gintama, I can almost assure you that you'll have a blast with this anime. I know I sure did!read more
Reviews of shows that haven't finished are utterly pointless. They are only good for a couple of weeks at most, and of no use to anyone once the show is finished.
And yet I sit here, writing this review. I am fully aware that this review will become useless waste of space, it is inevitable, but having seen the series average MAL-score of 7.6, I decided to make a statetment:
Nichijou is fucking awesome.
The animation is outta this world (at least as far as slice of life is concerned) and the execution is flawless. The timing of the jokes is so, so good, and the physical nature of almost every scene really floats my boat. I love the characters, I love the voice actors, I love the music and I love that goat guy's butler. This is the show that could actually beat Azumanga Daioh at its home turf, and damn, I've longed to say that.
This score should by no means be viewed as final. It is work in progress, like the series itself (I usually don't rate unfinished shows). But at this point in time, at episode two, Nichijou has done a wonderful job of launching itself as a top dog of the 2011 spring season. Hell, maybe even the entire year!read more
To simply put it, Nichijou is one of the most unique and enjoyable shows you will ever watch. Nichijou is a very consistent show with strong points in every category.
I won't mention specifically how Nichijou's plot is structured to avoid spoilers but it was very fitting for the show. The way it was structured was appropriate for its themes (slice of life and comedy) and naturally aligned with the story complimenting the simplistic approach of Nichijou.
Regarding the jokes, they were hilarious and ingenious. Nichijou bases its humour on the events of our daily lives. One side of it is about exaggerating these events. While the other is about breaking the norms and boundaries of society. Nichijou is partially a satisfying watch as it fulfils our secret desires. In a sense, Nichijou is an escapist anime.
The execution was impeccable, which is critical because whether a joke is funny or not generally depends more so on the execution rather than the joke itself. The show manages to provide a unique and enjoyable comedy experience from episode 1 to 24. No joke ever felt repetitive as they were used only after taking into consideration the scenario, the progression of the show, viewer reception and the mood. This is its recipe for success. In such an instance, the jokes were all very unique making it difficult to spoil the moment by predicting the outcome.
The story is the only component where marks were lost as not all of the jokes were funny. A very small portion of them simply weren't funny.
The characters were essentially perfection. The character designs were 'realistic' and completely consistent. By realistic, I don't mean they followed every rule of real life. Instead, the characters were given certain qualities and roles with consideration of their age, appearance, personality and ect. The show goes to the extent of having the characters interact with these qualities for various effects such as sympathy and comedy. Meticulous care was given to every every aspect of every character. How they act. How they react. What roles they play. They were all taken into consideration in order to ensure they play their roles well and they were fitting for those roles.
Each character complemented the show with a different style of humour adding something unique for every viewing experience. In addition, distinct qualities were given to each character ensuring no character played overlapping roles and each character had a strong sense of identity. Both of the above remained true for all 60 characters and was maintained throughout the entire show.
Finally, no character ever felt neglected as they were all screened frequently and accordingly to their roles.
One of the key points was voice acting. The voice acting matched each character perfectly. No sentence ever felt awkward, and the lines were very fitting for each character.
The sound effects kept up with the other components of the show and were of high quality. They were all very appropriately placed and greatly enhanced the positive reception of the show. There were certain scenes were the sound was distinctly different and these were the moments where sound played a major role in enabling the jokes to function and flourish.
The soundtracks were fitting and took into consideration viewer mood. The OP began the show with an energetic and merry mood. While the ED was calm allowing the viewer a break from the action-packed sequence of most episodes.
The art also enhanced the positive reception of the show similarly to what I mentioned in the 2nd paragraph for sound.
The art was fitting for the show as it created a rather joyful and playful mood using mostly a bright colour pallet. Though, this does change depending on the circumstances.
The producers poured a high budget into this show and it is reflected by its crisp animation.
I want to mention that there are 2 people that watch the show. One that enjoys the initial set of jokes and enjoys the rest or one the hates the initial set and hates the rest. You should remember that you shouldn't hate the show simply for not being the target audience.
My favourite skits were the one with Nano and the Professor at their household.read more